4 698 résultats
1937165066Universal City: Universal Pictures 1937. Vintage double weight reference photograph of Cesar Romero and Irving Pichel from the 1937 film with two stamps and a mimeo snipe on the verso one studio stamp crediting photographer Ray Jones and one dated Advertising Advisory Council stamp. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. <br /> <br /> Robert Wilcox stars as a detective who goes undercover to expose a group of hijackers. <br /> <br /> 10 x 8 inches. A small crease to the bottom right corner else Near Fine. Universal Pictures unknown
1966161479New York: Cambist Films 1966. Two vintage studio still photographs from the 1966 late noir sexploitation film. One photograph with two provenance stamps on the verso one on a label obscuring a previous provenance stamp. <br /> <br /> A sex maniac is killing prostitutes in Manhattan and it's up to a rogue cop to catch him before he kills again.<br /> <br /> Set in and shot on location in New York City. <br /> <br /> 8 x 10 inches. Very Good plus. <br /> <br /> Grant US. Cambist Films unknown
1953152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. <br /> <br /> A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. <br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br /> <br /> Shot on location in Texas.<br /> <br /> 9 x 13.5 inches. Near Fine. <br /> <br /> Pitts 166. N.p. unknown
1983149305Rome: 2T Produzione Film 1983. Vintage grande French poster for the 1983 erotic film. <br /> <br /> Inspired by Ovid's 2 AD collection of poems "Ars Amatoria" "The Art of Love".<br /> <br /> Set in ancient Rome the poet Ovid teaches courses in the art of love. One of his students sets out to test his newfound skill on a woman whose husband has gone to war. <br /> <br /> 47 x 63 inches. One panel. Folded as issued. Near Fine. <br /> <br /> Bier 96. 2T Produzione Film unknown
1966135639Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. <br /> <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 655. C.A.P.A.C. unknown
1980164140N.p.: N.p. 1980. Draft script for an unproduced television series with manuscript marker annotations on one page.<br /> <br /> Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. <br /> <br /> An outrageous satire of a soap opera wherein a half dozen characters fall in and out of love with each other and cheat on each other.<br /> <br /> Front wrapper integral with goldenrod title page with credits for screenwriter Stephen Sustarsic. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1985146958N.p.: N.p. 1985. Final Draft script for the 1986 film. <br /> <br /> Based on Winston Groom's 1980 novel. In the late 1950s an elderly Black woman fights to keep the land she was given by the former owner of the plantation where she worked for years. <br /> <br /> Set in southern Louisiana shot on location in Valdosta Georgia. <br /> <br /> White untitled wrappers. Title page present dated FEBRUARY 28 1985 noted as FINAL DRAFT with credits for screenwriter Jeff Andrus. 131 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained on the front wrapper bound with three gold brads. N.p. unknown
1961148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. <br /> <br /> Based on the 1948 novel by Jerzy Andrzejewski.<br /> <br /> The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Criterion Collection 282. Janus Films unknown
1970147267Munich: Roxy Film 1970. Draft script for an unproduced film. Text in English.<br /> <br /> Based on the 1971 novel "Don't Ask Me if I Love" by Israeli film director and writer Amos Kollek. The son of a wealthy military arms manufacturer intends to pursue a life as a writer after serving in the Israeli Army in spite of his father's wishes that he become a politician.<br /> <br /> Set in Israel. <br /> <br /> Housed in a gray envelope. Title page present with credits for director Wolfgang Petersen screenwriter Manfred Purzer and novelist Amos Kollek. 109 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good with a light tide mark to the left edge unbound. Roxy Film unknown
1966150731Los Angeles: Paramount Pictures 1966. Complete set of eight vintage color studio still photographs from the 1966 film. <br /> <br /> Based on Jack Finney's 1959 novel. A group of adventurers pull up a World War II submarine and plan to use it to rob the RMS Queen Mary a large cruise liner. <br /> <br /> Set in the Bahamas. <br /> <br /> 10 x 8 inches. One with light wear and pinholes to the corners else Near Fine. Paramount Pictures unknown
1966161505N.p.: N.p. 1966. Five vintage studio still photographs from the 1966 film. Four with provenance stamps on the verso one with a label obscuring a previous provenance stamp.<br /> <br /> Hank and Rob go to New York City in search of adventure and sexual exploits until Hank meets the seductive Carol and Rob a woman who is more shy and inexperienced.<br /> <br /> Shot on location in New York. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1975154918New York: Chappell Music Company 1975. Vintage program for the 1975 film.<br /> <br /> Peter Bogdanovich's tribute to Cole Porter and the musicals of the 1930s. Shot using nearly all black and white costumes and sets and featuring only occasional splashes of color with musical sequences and songs performed live for the camera the film was much maligned at the time of its release and was box office bomb. It was reappraised when released on Netflix in 2011 garnering a newfound respect and popularity.<br /> <br /> Two socialite couples change partners at a party in an attempt to make the others jealous.<br /> <br /> 8.5 x 11 inches Bi-fold. Near Fine with light rubbing. Chappell Music Company unknown
1990141322Berkeley: Saul Zaentz 1990. Third Draft script for the 1991 film. <br /> <br /> Based on the 1965 novel by Peter Matthiessen about the conflicts and relationships between an indigenous Amazon tribe the missionaries that want to convert them and the mercenaries hired to move them off their land. <br /> <br /> Set in Amazon rainforest shot on location in Brazil and Venezuela. <br /> <br /> Green titled wrappers noted as Third Draft on the front wrapper dated April 23 1990 with credits for screenwriters Jean-Claude Carriere and Hector Babenco and author Peter Matthiessen. Title page present dated April 23 1990 noted as Third Draft with credits for screenwriters Carriere and Babenco and author Matthiessen. 150 leaves with last page of text numbered 149. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Saul Zaentz unknown
1939170757N.p.: N.p. 1939. Vintage reference photograph from the 1939 film showing the Marx brothers fending off a gorilla. Provenance stamp and layout annotations on the verso.<br /> <br /> The brothers unite to help save a circus from bankruptcy. Featuring songs by MGM songwriting team Harold Arlen and Yip Harburg best known their work in "The Wizard of Oz" the same year. <br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
1976149310Los Angeles: American International Pictures AIP 1976. Collection of one vintage reference photograph and one contact sheet containing twelve test shots from the 1976 film all images publicity shots of actress Caroline Munro for the film.<br /> <br /> Based on Edgar Rice Burroughs' 1914 fantasy novel the first in the Pellucidar series about adventures in the hollow earth. A British scientist and American adventurer drill through to a strange land where they lead a rebellion of Stone Age humans against their masters who happen to be intelligent flying reptiles with psychic powers. <br /> <br /> Set hundreds of miles underneath Wales.<br /> <br /> 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1976142656Los Angeles: American International Pictures AIP 1976. Vintage borderless photograph from the 1976 film. With a mimeo snipe on the verso. <br /> <br /> Based on the 1914 novel by Edgar Rice Burroughs the first in the Pellucidar series about adventures in the hollow earth. A British scientist and American adventurer drill through to a strange land where they lead a rebellion of Stone Age humans against their masters who happen to be intelligent flying reptiles with psychic powers. <br /> <br /> 9.75 x 7.5 inches. Near Fine. American International Pictures [AIP] unknown
1970141267N.p.: Kings Road Productions 1970. Draft script for an unproduced film. <br /> <br /> Based on the 1975 novel by Irving A. Greenfield about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. <br /> <br /> Set in the Mesopotamian Valley. <br /> <br /> Brown untitled wrappers. Title page present with credits for screenwriter Paul Young and author Irving A. Greenfield. 123 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Kings Road Productions unknown
1966135039Beverly Hills CA: Oakmont Productions / United Artists 1966. Draft script for the US release of the UK film. Copy belonging to Lloyd Bridges presumed with his name in manuscript ink on the front wrapper verso. <br /> <br /> Based on a story by John Champion. Major Wilson Bridges is readying his troops for the journey across the English channel to invade Normandy with memories of disastrous previous missions haunting him. Captain Franklin Keir a British officer opposes the plan and has a personal vendetta against Wilson. The two are brought together when Franklin is slated to command the mine sweepers that transport Wilson's troops. <br /> <br /> Set in France shot on location in London. <br /> <br /> Tan titled wrappers rubber-stamped copy No. 3 dated November 29 1966. Title page present dated November 29 1966 with credits for screenwriter Hoffman and story writer Champion. 122 leaves with last page of text numbered 120. Mimeograph duplication. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Davenport p. 17. Oakmont Productions / United Artists unknown
1956153068Beverly Hills CA: United Artists 1956. Vintage studio still photograph of director Robert Aldrich on the set of the 1956 film one of only a handful of war films made in the noir style during the classic era.<br /> <br /> One of Aldrich's finest efforts a noirish take on the evils of war with a interesting focus on nepotism. Unpopular on release due to a grim ending and a cynical tone much the opposite of a flag-waving World War II film. <br /> <br /> Set in Belgium.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Selby US. United Artists unknown
1970161504N.p.: Audubon Films 1970. Two vintage studio still photographs from the US release of the 1969 Italian film here under the US release title "The Artful Penetration of Barbara." One photograph with a provenance stamp on the verso. <br /> <br /> A married British woman explores the English psychedelic youth scene and is attracted to an African American man. Featuring music by Freedom a group formed by Bobby Harrison and Ray Royer formerly of Procol Harum.<br /> <br /> 8 x 10 inches. Very Good plus with a few faint creases. Audubon Films unknown
1966148322N.p.: N.p. 1966. Vintage French lobby card from the 1966 film. <br /> <br /> Revered as one of the masterpieces of cinema Robert Bresson follows a donkey Balthazar through his life as he is passed from owner to owner most treating him cruelly. <br /> <br /> Set in and shot on location in Yvelines France. <br /> <br /> 11.75 x 9.25 inches. Very Good plus with pinholes and creasing to corners. <br /> <br /> Criterion Collection 297. Godard Histoires du cinema. Rosenbaum 1000. Ebert II. N.p. unknown
1961145916N.p.: Alfa Film 1961. Four vintage borderless photographs from the 1961 film including three photographs showing Louis Armstrong performing and one taken on the set showing Armstrong with a fan.<br /> <br /> A little-known German comedy featuring Armstrong and His All Stars performing four songs.<br /> <br /> Set and shot on location in West Germany. <br /> <br /> Two photographs 6.75 x 5 inches and two photographs 5 x 6.75 inches. Near Fine. Alfa Film unknown
197583473New York: Harper & Row Publishers 1975. First Edition Stated First Printing Stated. Hardcover. Very good/Good. John Swope Photographs Nigel Cooke Photographs. Format is approximately 8.5 inches by 10.5 inches. xi 1 176 2 pages. Illustrations. Signed by Ruth Prawer Jahbvala on the title page. DJ is in a plastic sleeve and has wear tears soiling and chips. Includes Acknowledgments Foreword Glossary and Photo Credits. Chapters cover From Warrior to Sybarite: A Portrait Gallery 1870-1900; Dazzling Rulers and their Dazzled Guests: The 1920' and 1930's; Deposed and Dispossessed; The Land of Death; Palaces as Sets: Alwar and Bikaner; Autobiography of a Princess; and Sets for a film to Come. Also includes Glossary; and Photo Credits. James Francis Ivory born June 7 1928 is an American film director producer and screenwriter. For many years he worked extensively with Indian-born film producer Ismail Merchant his domestic as well as professional partner and with screenwriter Ruth Prawer Jhabvala. All three were principals in Merchant Ivory Productions whose films have won seven Academy Awards; Ivory himself has been nominated for four Oscars winning one. Ivory's directorial work includes A Room with a View 1985 Maurice 1987 Howards End 1992 and The Remains of the Day 1993. For his work on Call Me by Your Name 2017 which he wrote and produced Ivory won awards for Best Adapted Screenplay from the Academy Awards British Academy of Film and Television Arts Writers Guild of America the Critics' Choice Awards and the Scripter Awards among others. Upon winning the Oscar and BAFTA at the age of 89 Ivory became the oldest-ever winner in any category for both awards. Ruth Prawer Jhabvala CBE 7 May 1927 - 3 April 2013 was a German-born British and American Booker prize-winning novelist short story writer and two-time Academy Award-winning screenwriter. She is perhaps best known for her long collaboration with Merchant Ivory Productions made up of director James Ivory and producer Ismail Merchant. After meeting Cyrus Jhabvala in England she married him and moved to India in 1951; Jhabvala was an Indian-Parsi architect. The couple lived in New Delhi and had three daughters. Jhabvala began then to elaborate her experiences in India and wrote novels and tales on Indian subjects. She wrote a dozen novels 23 screenplays and eight collections of short stories and was made a CBE in 1998 and granted a joint fellowship by BAFTA in 2002 with Ivory and Merchant. She is the only person to have won both a Booker Prize and an Oscar. John Swope August 23 1908 - May 11 1979 was a photographer for Life and a commercial pilot who trained United States Army Air Force pilots during World War II. His interest in photography began when he brought a camera to a yacht race from Los Angeles to Hawaii in 1936. Together with Leland Hayward and John H. Connelly he co-founded Southwest Airways no connection to the present day Southwest Airlines a company that developed the Thunderbird Fields which trained thousands of military pilots during the Second World War. He was married to actress Dorothy McGuire in 1943 until his death on May 11 1979. This book is a film maker's response in print and not on celluloid to what is called Royal India--land of Maharajas. It contains the overflow from the author's films in which Royal India appears. It is a collection of photographs anecdotes and other items which the author believes are worth saving. When India became independent in 1947 the princeses were guaranteed their titles properties and certain privileges. But more and more their special status came to be seen as an anachronism and it has now been legally abolished. For the princes it was like the French Revolution except that none of them went to the guillotine; they merely became private citizens. Many of these former rulers are still doing very well. Harper & Row, Publishers hardcover
049457Istanbul. Soft cover. Very Good. Original autograph letter signed as 'Sadi' sent to Vasfi Riza Zobu. 1 p. In Ottoman script. Letterhead 'Ferah: Sinema-varyete-tiyaro'. Dated 31-12-1929 Istanbul. It starts as 'Muhterem Vasfi Riza bey'. Used black ink with fountain pen. It's a letter of appeal. Vasfi Riza Zobu was born on December 5 1902 in Constantinople Ottoman Empire. He was an actor known for Karim beni aldatirsa 1933 Ankara postasi 1928 and Milyon avcilari 1934. He died on November 23 1992 in Istanbul Turkey. Aktör Sadi started his art career as a theater actor. He appeared on the stage at school along with Muvahhit actor husband of paintress Bedia Muvahhit writer Refik Halit Karay and Refi 'Cevat Ulunay. After the proclamation of the Second Constitutional Monarchy he started the professional theater company which was founded by Resat Ridvanand the playwright Ibnürrefik Ahmet Nuri Sekizinci. Bican Efendi series in which he played the title role after the WW 1 was accepted from the first comedy of Turkish cinema history. <br/> <br/> paperback
1971141228N.p.: N.p. 1971. Treatment script for an unproduced television series. <br /> <br /> Selected vignettes on the history of luxury cars and automobile racing. One vignette of note involves the creator of the Bugatti.<br /> <br /> Clear untitled front wrapper and red rear wrapper. Title page present dated 1971 with credit for screenwriter Robert J. Koster. 22 leaves with last leaf of text numbered 20. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
