Herman Groves (screenwriter)Biblio.com
4 698 résultats
1970141097Beverly Hills CA: Jerry Adler Productions 1970. Draft script for an unproduced film. <br /> <br /> A drama about the no-man's land between the Nueces River and the Rio Grande technically claimed by America but unofficially belonging to bands of roving outlaws and social outcasts. <br /> <br /> Set in Texas. <br /> <br /> Black titled wrappers. Title page present with credit for screenwriter Herman Groves. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Jerry Adler Productions unknown
1974162149N.p.: Sociéte Nouvelle de Cinematographie SNC 1974. Collection of eleven vintage borderless lobby cards for the French release of the 1974 Italian film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A lawyer agrees to marry a teenage girl with an intellectual disability in order to access her wealthy mother's properties planning to have the girl kidnapped after the marriage only to find himself falling in love with her.<br /> <br /> 11.5 x 9.75 inches. Near Fine. Sociéte Nouvelle de Cinematographie [SNC] unknown
159835New York: Rollins and Joffe Productions 1970. Draft script for the 1971 film. Annotations in manuscript ink on the title page striking the working title "El Weirdo." <br /> <br /> The draft notably features the film's original ending which Woody Allen's editor Ralph Rosenblum convinced him to replace showing Allen emerging from a bombing in inadvertent sooty blackface and participating in a Black uprising on a university campus.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries. Allen's third feature film the first in which he had nearly full creative control and the third and final film he wrote with Mickey Rose. Preceded by "What's Up Tiger Lily" 1966 and "Take the Money and Run" 1969.<br /> <br /> Set in the fictional "banana republic" of San Marcos and shot on location in New York and Puerto Rico. <br /> <br /> Black Studio Duplicating Service wrappers with a rubber stamped titled label. Title page present dated March 24 1970 with credits for screenwriters Woody Allen and Mickey Rose. 126 leaves with last page of text numbered 116. Mimeograph duplication rectos only with pink yellow and green revision pages throughout dated variously between 4-28-70 and 4-30-28. Pages Near Fine wrapper Very Good plus bound with two gold screw brads. Rollins and Joffe Productions unknown
1971149552N.p.: N.p. 1971. Vintage publicity photograph from the 1971 film showing director Woody Allen behind a pile of bananas. With the stamp of London Press Photos Ltd. on the verso along with manuscript pencil annotations regarding layout. <br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 8 x 10 inches. Very Good plus with a few tiny nicks and a small faint splash to the bottom edge. N.p. unknown
1971159146N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing director Woody Allen and actress Louise Lasser. Printed mimeo snipe affixed to the verso along with annotations in manuscript ink and pencil regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1964161127N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 French film showing Pierre Brasseur and Anna Karina reading a newspaper together. Stamp specific to the French release of the film on the verso.<br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margin. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964167663N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 French film including two showing director Jean-Luc Godard with a camera on the set. One with a French release stamp on the verso and all with annotations in manuscript ink and pencil on the same. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> Photographs range in size from 9.5 x 7 inches to 7 x 5 inches. Generally Near Fine. <br /> <br /> Grant France. Spicer France. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1964168094N.p.: N.p. 1964. Vintage borderless double weight oversize reference photograph from the 1964 French film showing actors Samy Frey and Claude Brasseur in the middle of a gunfight in the street. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 11.5 x 7.5 inches. Pinholes at the top corners else about Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964153077N.p.: N.p. 1964. Two vintage borderless reference photographs from the 1964 French film both showing director Jean-Luc Godard sitting with a camera in the open trunk of a convertible. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margins. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964151743N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1967151601N.p.: N.p. 1967. Vintage contact sheet from the 1967 film showing 36 images of actress Raquel Welch sporting a bandolier and cowboy hat.<br /> <br /> Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. <br /> <br /> Set in Texas shot on location in Arizona Texas and Utah. <br /> <br /> 8.25 x 10.5 inches. Near Fine. <br /> <br /> Pitts 237. N.p. unknown
1968171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film.<br /> <br /> Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. <br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. <br /> <br /> Set in Texas shot on location in Arizona Texas and Utah. <br /> <br /> 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image.<br /> <br /> Pitts 237. N.p. unknown
1973141286Los Angeles: Filmways 1973. Draft script for an unproduced film. <br /> <br /> Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. <br /> <br /> Set in Kansas. <br /> <br /> Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown
1968160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space shot on location in Rome. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1967168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso.<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 10.5 x 8.25 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Magnum unknown
1967169559Rome: Fotografica Pierluigi 1967. Two vintage borderless reference photographs from the 1968 film both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos along with layout annotations in manuscript ink and pencil. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 7 x 9.5 inches. Very Good plus.<br /> <br /> Vogel Film as a Subversive Art. Fotografica Pierluigi unknown
1968150474N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot on location in Rome. <br /> <br /> 8 x 10.5 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1967152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crew member and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc" "APIS-PARIS."<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 9.5 x 11.75 inches. Light edgewear else Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Pier Luigi unknown
1992163897N.p.: N.p. 1992. Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher.<br /> <br /> Based on the 1989 book by Bryan Burrough and John Helyar. The CEO of Nabisco tries to buy out his own company not anticipating the massive bidding war that ensues. Tied with Stalin 1992 for the Primetime Emmy for Outstanding Made for Television Movie. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 <br /> "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Lavender untitled wrappers. Title page present dated 31 March 1992 noted as REVISED with credits for screenwriter Larry Gelbart. 126 leaves with last page of text numbered 115. Xerogrpahic duplication rectos only with rainbow revision pages throughout dated variously between March 13 1992 and March 31 1992. Pages Near Fine some with slight damp staining wrapper Very Good plus bound with two gold brads. N.p. unknown
1991163986N.p.: N.p. 1991. Early Revised Draft script for the 1993 television film. From the archive of crew member Chris Scher.<br /> <br /> Based on the 1989 book by Bryan Burrough and John Helyar. A satirical depiction of F. Ross Johnson CEO of RJR Nabisco and his attempts at buying the company leading to leveraged buyouts and bidding wars. Nominated for nine Primetime Emmy Awards winner of Best Picture.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Untitled Rastar wrappers. Title page present dated 1 November 1991 noted as REVISED with credits for screenwriter Larry Gelbart. 112 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1986162487N.p.: Cannon Films 1986. Shooting script for the 1987 film. Annotation noting copy No. 62 in manuscript ink on the first leaf. Last three pages of script pages 109-111 is a epilogue "Background Bar Talk" a series of two character jokes and dialogue "to be barely heard if needed in various bar scenes."<br /> <br /> Largely based on screenwriter Charles Bukowski's life in Hollywood during the 1970s about a misanthropic alcoholic Bukowski's literary alter-ego Henry Chinaski who spends his evenings drinking at a dreary Los Angeles watering hole where he enjoys a romance with fellow barfly Wanda. Bukowski published the screenplay with illustrations by the author in 1984 while the film was still pending production. Nominated for the Palme d'Or.<br /> <br /> Set and shot on location in Los Angeles California. <br /> <br /> With no wrappers presumably as issued. Title page present dated 12 August 1986 noted as SHOOTING SCRIPT with credits for screenwriter Bukowski and director Barbet Schroeder. 117 leaves with last page of text numbered 111. Xerographic duplication on green stock rectos only. Pages Very Good plus moderately soiled on first and last leaves with first leaf detached from the binding partially bound with a single gold brad. Cannon Films unknown
1982146960N.p.: N.p. 1982. Treatment script for an unproduced television series.<br /> <br /> The discount section of an unfashionable department store is staffed by a motley crew of social misfits.<br /> <br /> Set in Manhattan. <br /> <br /> White lacking titled wrappers. Title page present dated November 24 1982 with credits for screenwriters Christopher Koseluk and Steven L. Kravitz. 10 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Very Good plus with light rust from a paper clip to the top edge of the verso of the last leaf bound with one staple at the top left corner. N.p. unknown
1950159352Burbank CA: Warner Brothers 1950. Two vintage borderless reference photographs from the 1950 film. With mimeo snipes affixed to the versos. <br /> <br /> Based on Jack London's 1904 novel "The Sea Wolf." Two ex-fugitive employees of a corrupt gold-mine operator try to prove him to be a murderer. <br /> <br /> Shot on location in southern California. <br /> <br /> 9.5 x 7.25 inches. Near Fine. Warner Brothers unknown
1966160650Warsaw: Film Polski 1966. Five vintage borderless reference photographs from the 1966 Polish film. Stamp of Film Polski on the versos.<br /> <br /> A student leaves school and decides to embrace materialism in the pursuit of wealth and power but finds his plans drastically changed once he meets and falls in love with an idealistic young woman. <br /> <br /> 7 x 5 inches. Near Fine. Film Polski unknown
1966168101N.p.: N.p. 1966. Two vintage borderless reference photographs from the 1966 Polish film including one oversize. Polish release stamps on the versos. <br /> <br /> An exploration of young adulthood in Communist Poland following a student as he interacts with his peers explores a slightly surreal Warsaw and falls in love with a trolley conductor. <br /> <br /> One photograph 7 x 5 inches the other 11.75 x 9.5. Very Good plus. N.p. unknown
