4 698 résultats
1963148754New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br /> <br /> Based on French serial killer Henri Desire Landru.<br /> <br /> During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br /> <br /> Shot on location in Paris and Gambais France. <br /> <br /> 8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br /> <br /> Grant France. Embassy Pictures unknown
1972150703Los Angeles: Cinerama Releasing 1972. Six vintage studio still photographs from the 1972 film. Three stamped production No. 72-327 on the bottom right corner of the recto. <br /> <br /> An Austrian aristocrat and war hero secretly murders his wives when he tires of them and hides their bodies in his castle vault. <br /> <br /> Shot on location in Budapest Hungary and Rome Italy. <br /> <br /> 10 x 8 inches. Near Fine. Cinerama Releasing unknown
1972150704Los Angeles: Cinerama Releasing 1972. Complete set of eight original color studio still photographs from the 1972 film. <br /> <br /> An Austrian aristocrat and war hero secretly murders his wives when he tires of them and hides their bodies in his castle vault. <br /> <br /> Shot on location in Budapest Hungary and Rome Italy. <br /> <br /> 10 x 8 inches. Near Fine. Cinerama Releasing unknown
1972144229N.p.: Gloria Films 1972. Vintage borderless photograph from the 1972 film showing Richard Burton and Raquel Welch in an eerie moment before a kiss. With manuscript annotations in black marker and pencil and three press agency stamps on the verso. <br /> <br /> Another addition to the many renditions of the Bluebeard tale in which the wealthy Baron von Sepper Richard Burton repeatedly murders and stores the bodies of his dead wives. This time his spouse and potential victim is Anne Joey Heatherton an American woman who must find a way to save herself after finding a freezer full of women in his castle. <br /> <br /> Shot on location in Budapest Hungary and Rome Italy. <br /> <br /> 10.5 x 8 inches. Near Fine. Gloria Films unknown
1972148721Burbank CA: Warner Brothers 1972. Final Draft script for the 1973 film here under the working title "Love in Blume." Single numeric annotation in manuscript marker on front wrapper. <br /> <br /> Paul Mazursky followed his acclaimed film "Bob & Carol & Ted & Alice" 1969 with this sharp romantic comedy about Stephen Blume George Segal who after cheating on his wife Nina Susan Anspach realizes he cannot live without her. Nina naturally has already dumped him and what follows is a poignant and comedic film about the complexity of modern marriage. <br /> <br /> Shot on location in Venice Italy and California. <br /> <br /> Yellow titled wrappers noted as FINAL on the front wrapper dated July 11 1972. Distribution page present with receipt intact. Title page present dated 7/11/72 with credits for screenwriter Paul Mazursky. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus wavy with creasing and light edgewear bound with two gold brads. Warner Brothers unknown
1978157293N.p.: N.p. 1978. Vintage borderless reference photograph taken on the set of the 1978 film. Annotations in manuscript pencil on the verso. <br /> <br /> Based on the 1962 novel "The Passion Flower Hotel" about a sexually experienced American teenager who convinces her boarding school classmates to sleep with the boys at the boarding school across the lake. <br /> <br /> Set in Switzerland.<br /> <br /> 9.25 x 7 inches. Near Fine. N.p. unknown
1968145862Hollywood: M.J. Frankovich Productions 1968. Final Draft script for the 1969 film. Single manuscript notation on the title page.<br /> <br /> The story of two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards including Best Original Screenplay.<br /> <br /> Set and shot on location in Nevada and California.<br /> <br /> Yellow titled wrappers. Title page present dated September 5 1968 noted as FINAL DRAFT with credits for screenwriters Paul Mazursky and Larry Tucker. 150 leaves with last page of text numbered 139. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between September 9 1968 and October 17 1968. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. M.J. Frankovich Productions unknown
1966147190N.p.: N.p. 1966. Draft script for the fourth episode of the fourth season of "Bob Hope Presents the Chrysler Theatre." With two manuscript pencil annotations to the first leaf noting names of prospective actors for the roles of Vicky and Ramon. <br /> <br /> While the Chrysler Theatre program was primarily known for actor Bob Hope's comedy routines many of the episodes presented musical and dramatic storylines. In "Crazier Than Cotton" after being forced to borrow money from his girlfriend to attend his father's funeral an unsuccessful young sculptor realizes he must drastically change his life.<br /> <br /> Set in New York City. <br /> <br /> White self-wrappers lacking front wrapper and title page. 75 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Very Good with the first leaf detached from the binding partially bound with a single staple. N.p. unknown
1956152432N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With manuscript ink annotations on the verso. <br /> <br /> Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br /> <br /> Set and shot on location in the Montmartre district in Paris and Calvados France.<br /> <br /> 9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br /> <br /> Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown
1972160329N.p.: Columbia Films 1972. Vintage German program from the 1972 film. <br /> <br /> Loosely based on the set of stories by 14th century author Giovanni Boccaccio. Also based on the success of Pier Paolo Pasolini's "The Decameron" 1971. A satire about Christianity and sexuality. <br /> <br /> 8 x 11.25 inches folded along the bi-fold. 16 x 11.25 inches unfolded. Good with creasing along the right and bottom edges and some slight tearing along the right edge. Also with some rubbing at the right side of the front of the program. Columbia Films unknown
1947157481N.p.: N.p. 1947. Vintage reference photograph from the 1947 film noir. <br /> <br /> An amateur prizefighter's desire for fortune and fame leads him to join a corrupt boxing syndicate led by an unethical promoter. Widely considered one of the finest boxing films ever made with a strong screenplay by noted screenwriter Abraham Polonsky who would later face blacklisting in Hollywood as a result of the HUAC trials.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Olive Films 452. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown
1947145154Beverly Hills CA: United Artists 1947. Vintage linen backed keybook photograph of cinematographer James Wong Howe actress Lilli Palmer and members of the crew on the set of the 1947 film noir. Manuscript annotations on the verso. <br /> <br /> Considered by many to be amongst the best boxing films of all time as well as one of the great 1940s noirs. "Body and Soul" tells the story of a man who became a successful boxer to support himself and his mother after his father is killed but who realizes that he has slowly lost his integrity somewhere along the way. Winner of an Academy Award and nominated for two others. <br /> <br /> Shot on location in New York City. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown
1981164253Burbank CA: The Ladd Company 1981. Two vintage reference photographs from the 1981 neo-noir film both showing actress Kathleen Turner. Annotations in manuscript ink on the versos. <br /> <br /> A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s.<br /> <br /> Set and shot on location in Florida. <br /> <br /> 10 x 8 inches. About Fine. <br /> <br /> Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown
1981170739N.p.: N.p. 1981. Vintage color publicity photograph from the 1981 neo-noir film showing a scantily clad Kathleen Turner. Stamp of Cine-Street on the verso. <br /> <br /> A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s.<br /> <br /> Set and shot on location in Florida. <br /> <br /> 8 x 10 inches. About Fine. <br /> <br /> Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1980163765Burbank CA: The Ladd Company 1980. Collection of 32 vintage color slides from the 1981 film as well as one vintage studio still photograph showing actress Kathleen Turner. Three slides with annotations in manuscript ink on their cardboard sleeves. <br /> <br /> A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s.<br /> <br /> Set and shot on location in Florida. <br /> <br /> Photograph 10 x 8 inches. Near Fine.<br /> <br /> Slides 2 x 2 inches. Near Fine. <br /> <br /> Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown
1992163845N.p.: N.p. 1992. Third Draft script for the 1993 neo-noir film. Actor Charles Hallahan's copy with his lines highlighted in yellow on pages 44 through 46. McCurdy plays the role of the doctor who examines the corpse of what appears to be Madonna's first unfortunate victim.<br /> <br /> Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. <br /> <br /> Shot on location in Portland Oregon and Olympia Washington.<br /> <br /> White titled front self-wrapper yellow rear wrapper noted as THIRD DRAFT on the front wrapper with credits for screenwriter Brad Mirman. Title page integral with front self-wrapper. 107 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1993167749N.p.: N.p. 1993. Vintage color photograph from the 1993 film showing a topless Madonna. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Against his better judgment a married lawyer agrees to defend a woman suspected of murdering her husband and soon begins a sadomasochistic affair with her. <br /> <br /> Shot on location in Portland Oregon and Olympia Washington.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Silver & Ursini American Neo-Noir. Spicer US Neo-Noir. N.p. unknown
1948167637Culver City CA: RKO Radio Pictures 1948. Treatment script for the key 1948 film noir. In Jaffe Agency wrappers stamped "FILE COPY" and "JAFFE AGENCY" at the top right corner of the front wrapper.<br /> <br /> Robert Altman's first screenwriting credit he would not direct his first feature film for another 20 years and Richard Fleischer's first directorial effort a tight noir second feature. Altman is credited here alongside another first-time screenwriter George W. George who would go on to be a prolific screenwriter with credits for such films as "The Woman on Pier 13" 1949 and "Big House USA" 1955. <br /> <br /> Set in Los Angeles and an early example of a noir film with a large amount of location shooting throughout the Los Angeles area. <br /> <br /> Tan agency wrappers "The Jaffe Agency" printed at the bottom of the front wrapper and with their diamond TJA logo at the center Title page present with credits for screenwriters Altman and George. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages about Near Fine with a small chip at the bottom right corner of the title page wrapper Very Good plus internally bound with three gold brads. RKO Radio Pictures unknown
1962141261Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. <br /> <br /> Police receive a suicide call and head to the scene only to find the caller shooting wildly at anyone who tries to approach him. To make matters worse police discover one of the building's other inhabitants has declared that he plans to use his homemade bomb to destroy the building and everyone in it.<br /> <br /> Set in New York City. <br /> <br /> Tan titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credit for screenwriter David P. Harmon. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1962140748Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. With one page Typed Letter Signed to agent Paul Kohner laid in. <br /> <br /> Police receive a call early on a hot summer morning from someone in an apartment building is trying to commit suicide. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps toward him. A sick boy is trapped on the same floor as the shooter as well as an adulterous couple and an old couple content to die. The shooter is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to commemorate the occasion of the first atomic bomb test leaving the police in a race against time to figure out how to defuse the situation. <br /> <br /> Set in New York City. <br /> <br /> White titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1962140839Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. <br /> <br /> Police receive a call on a scorcher of an early morning that someone in a apartment building will be killing themselves. They arrive on the scene to find the caller with a gun and shooting wildly at anyone who begins to walk up the steps to him. A sick boy is trapped on the same floor as him as well as an adulterous couple and an old couple content to die. The boy is revealed to have a bottle of nitroglycerine and plans to take out the whole building at 5:30 am on July 16th to make the occasion of the first atomic bomb leaving the police in a race against time to figure out how to diffuse the situation. <br /> <br /> Set in New York City. <br /> <br /> Gray titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credits for screenwriter David Harmon. 141 leaves with last page of text numbered 146. Mechanical duplication with blue revision pages throughout dated variously between September 24 1962 and September 25 1962. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
1963161557N.p.: Box Office Spectaculars 1963. Three vintage studio still photographs from the 1963 film. One photograph with a provenance stamp on the verso. <br /> <br /> Al and Bob are two businessmen who decide they could make there own "nudie cutie" movie better than the ones they've seen until everything goes wrong. <br /> <br /> Shot on location in Barrington Illinois. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear one with a crease to the far right corner and one with faint creasing in the right margins. Box Office Spectaculars unknown
1984165396N.p.: N.p. 1984. Draft script for the 1984 film. Copy belonging to costume designer Jane Hamilton with her annotations in manuscript pencil throughout the first 13 leaves all relating to costuming. Included with the script are multiple gatherings of manuscript and xerographically duplicated leaves relating to costuming including measurements of actors and extras in the film details for specific scenes and lists of props and period costumes needed. <br /> <br /> In the 1920s a young woman embarks on a worldwide journey of sexual exploration determining to lose her virginity and ultimately find her ideal lover. <br /> <br /> Shot on location in Andalucía Spain and in Hampshire England. <br /> <br /> Housed in a three-ring green binder. 121 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus. N.p. unknown
1961131821London: Foxwarren-Elthea / Hemisphere Pictures 1961. Draft British script for the 1961 film "Bomb in the High Street" seen here as "Bomb in High Street."<br /> <br /> An elaborate and highly entertaining British thriller in which a Nazi-era bomb is found in an English town. A bomb squad is called in but the men in the squad are not who they seem and the ultimate goal is revealed to be a bank heist. <br /> <br /> Tall red titled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Simcoe. 68 leaves mechanical duplication on eye-rest green stock. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Foxwarren-Elthea / Hemisphere Pictures unknown
1989135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. <br /> <br /> Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br /> <br /> Set in New York shot on location there and in California. <br /> <br /> De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br /> <br /> First Draft script:<br /> <br /> White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Second Revised Draft script;<br /> <br /> Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
