4 698 résultats
1985140818Universal City CA: Embassy Pictures / Universal Pictures 1985. Vintage borderless photograph from the 1985 film showing director Gilliam and crew during a quiet moment between takes. With manuscript ink annotations on the verso. <br /> <br /> Gilliam's masterpiece about a man trying to escape a bureaucratic authoritarian government in a dystopian future. Nominated for two Academy Awards including Best Screenplay. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 51. Embassy Pictures / Universal Pictures unknown
1966160459New York: CBS Television Network 1966. Vintage photograph of Patricia Neal from the 1961 film struck in 1966 for airing on the "CBS Thursday Night Movies" October 6 1966. CBS mimeo snipe attached to the verso and folded over the recto.<br /> <br /> Based on the 1958 novella by Truman Capote about a naive cafe society girl in New York who falls in love with a struggling writer. <br /> <br /> 7 x 9 inches. Near Fine.<br /> <br /> National Film Registry. CBS Television Network unknown
1980152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br /> <br /> A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br /> <br /> Set and shot on location in London. <br /> <br /> Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
1988161423Los Angeles: Act III Productions 1988. Draft script for the 1989 film. Copy belonging to hair stylist Philip Leto with his annotations in manuscript ink on the title page and his name in manuscript ink on a single revision page. <br /> <br /> A old New York safecracker takes on a bumbling young crook as his lookout and apprentice. The American directorial debut of Scottish filmmaker Bill Forsyth.<br /> <br /> Set and shot on location in Portland Oregon. <br /> <br /> Blue untitled wrappers. Title page present with credits for director Bill Forsyth and screenwriter John Sayles. 128 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue pink and green revision pages throughout most undated with one dated June 15 1988. Pages Near Fine wrapper Very Good moderately soiled bound with three silver brads. Act III Productions unknown
2000149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series which originally aired on July 17 on the Bravo Network. <br /> <br /> The series aired for a brief one-season run and followed the team members of a fictional 24-hour cable news television network named "I-24." <br /> <br /> Set in Milwaukee and shot on location in Vancouver British Columbia.<br /> <br /> Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Full provenance available. N.p. unknown
1963166554N.p.: Bing Crosby Productions 1963. Revised Final Draft script for the nineteenth episode of the 1963-1964 ABC television series printed on blue leaves which aired on January 27 1964.<br /> <br /> A spin-off of the 1961-1966 ABC television series "Ben Casey." Created by producer Meta Rosenberg "Breaking Point" starred Paul Richards as a resident in psychiatry at York Hospital in Los Angeles and Eduard Franz as the hospital's psychiatric clinical director and focused on the problems of individual patients seeking help at the clinic. The Emmy Award-nominated series premiered on ABC on September 16 1963 and aired for 30 episodes with the final episode airing on April 27 1964.<br /> <br /> In this installment a fashion designer Eleanor Parker who compulsively seeks out liaisons with strange men sets her sights on seducing Dr. Thompson Richards.<br /> <br /> Front wrapper integral with title page dated November 26 1963 noted as REVISED FINAL DRAFT with credits for screenwriter George Bellak. 55 leaves with last page of text numbered 52. Mimeograph duplication rectos only. Pages Very Good plus with loverall edgewear and light foxing on the front and rear leaves bound with two gold brads. Bing Crosby Productions unknown
1981141480N.p.: N.p. 1981. First Draft script for an unproduced film. <br /> <br /> David a constant disappointment is floundering coming up with new ways to make money. A doctor friend of his asks him to donate some sperm for an artificial insemination experiment and the First Lady is destined to give birth to his child. <br /> <br /> Set in New York. <br /> <br /> Clear untitled wrappers. Title page present dated November 1981 noted as First Draft with credits for screenwriter Michael K. Lange. 125 leaves with last page of text numbered 124. Mechanical duplication. Pages Near Fine wrapper Near Fine housed in a black binder. N.p. unknown
1973155086N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 film. Printed provenance label affixed to the verso. <br /> <br /> An affection-starved underage hippie falls into an unlikely romance with a depressed older businessman. Clint Eastwood's first directorial credit for a film in which he did not also star as well as an excellent example of the manic pixie dream girl trope.<br /> <br /> Set and shot on location in Los Angeles California.<br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
1945154826N.p.: N.p. 1945. Vintage reference photograph from the 1945 British film showing actress Celia Johnson leaning against a door. <br /> <br /> Based on Noel Coward's 1936 play "Still Life" about a suburban housewife who enters into a passionate extramarital affair with a married stranger she meets at a railway station. Winner of the Palme d'Or and nominated for three Academy Awards. <br /> <br /> Set and shot on location in Lancashire Cumbria and London. <br /> <br /> 7.5 x 9.75 inches. Near Fine. <br /> <br /> Criterion Collection 76. Rosenbaum 1000. N.p. unknown
1953134790Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Set of 4 original lobby cards for the 1953 film "Bright Road" based on the Christopher Award winning story "See How They Run" written by Mary Elizabeth Vroman and first published in 1951 in the Ladies' Home Journal. <br /> <br /> Notable for its nearly all-black cast "Bright Road" stars Dorothy Dandridge as an Alabama schoolteacher intent on motivating one of her more lackluster students. Dandridge is said to have accepted the role because of the film's lack of racial tension as a central theme. As a result she hoped that young women of all colors could identify with her character. Harry Belafonte's debut feature film. <br /> <br /> 14 x 11 inches. Both lobby cards quite clean with no pinholes about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1967161561N.p.: N.p. 1967. Two vintage still photographs from the 1967 film both with provenance stamps on the versos. <br /> <br /> Brigitta is a sexually repressed bank teller who meets the mysterious and charming Bize releasing her appetites for all things erotic. <br /> <br /> Shot on location in Munich Germany. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear faint creasing and one pinhole. N.p. unknown
19571901200426Finland: Films Lutétia/S.L.P.F. 1957. No Binding. Fine. An uncommon Finnish "tour" poster for the French movie Cette Sacre Gamine known in English as "Naughty Girl" and starring Brigitte Bardot. Naughty Girl was first screened in Finland in 1957 and was never re-released. Dimensions: 15.25 inches x 23.50 inches.In superb un-used condition - no pin-holes tape residue marks etc. No edge wear to speak of As New - or very near it - apart from some minor creases. Accompanied by a postcard-sized photographic image on paper of Bardot which has been hand-signed by the film legend. Will frame together very well. For best appreciation of condition please examine the high-resolution image which accompanies this listing. <br/> <br/> Films Lutétia/S.L.P.F. unknown
1998143700Burbank CA: Warner Brothers Television 1998. Draft script for Season one episode 11 of the 1998-1999 television series which originally aired January 29 1999 on FOX. Copy belonging to actor Brian O'Sullivan who played Brian Reed in the episode with his name and character on a label tipped onto the front wrapper. <br /> <br /> A deceased cop is sent back to earth from hell to hunt down escaped demons. In this episode he meets a young boy who was abused by his step father and seeks revenge. <br /> <br /> Cherry titled self-wrappers noted as production draft on the front wrapper and production number 467461 dated January 5 199 with credits for screenwriter Fred Golan and director Larry Carroll. Title page integral to front wrapper. 66 leaves with last page of text numbered 52. Xerographic duplication with goldenrod salmon and cherry revision pages throughout dated variously between December 23 1998 and January 5 1999. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Warner Brothers Television unknown
1967141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. <br /> <br /> During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers.<br /> <br /> Set in Korea. <br /> <br /> Script 1: <br /> <br /> Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. <br /> <br /> Script 2:<br /> <br /> Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. <br /> <br /> Script 3: <br /> <br /> Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown
1967140880N.p.: N.p. 1967. Draft script for an unproduced film. Laid in is a letter dated February 16 1967 from Elizabeth Leeson secretary of Leon Mirelli returning the screenplay to Ilse Lahn as well as 15 on-set photographs housed in an envelope. <br /> <br /> During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers.<br /> <br /> Set in Korea. <br /> <br /> Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 103 leaves with last page of text numbered 101. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
166560N.p.: N.p. 1972. Early Draft script for the 1974 film file copy belonging to director Sam Peckinpah. Dated July 8 1972 over a year before production commenced and notably featuring the original ending with Bennie getting away-in true Peckinpah fashion the director would later rewrite the ending to show Bennie dying in a shootout. With Peckinpah's brief annotations in manuscript ink on the title page and two leaves of the script. <br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated July 8 1972 with credits for Peckinpah and screenwriter Gordon Dawson. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
158698N.p.: N.p. 1972. Early Draft script for the 1974 film dated July 8 1972 over a year before production commenced. Script notably features the original ending with Bennie getting away-in true Peckinpah fashion Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages largely regarding spelling and grammatical corrections.<br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated 7/8/72 with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
1938148844Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. <br /> <br /> One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937.<br /> <br /> Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown
1969163669N.p.: Maya Film Productions Ltd 1969. Treatment script for the 1970 British film. Here under working title "Bronco Bullfrog King of the Nippers". <br /> <br /> A classic of underground British cinema that follows a group of disillusioned teens as they carry out petty robberies in East London. While a fictional narrative very much a fascinating record of the then-emerging suedehead culture largely improvised by a non-professional cast of teenagers from East London. Recently restored by the British Film Institute.<br /> <br /> Set in East London shot on location in London. <br /> <br /> Red untitled wrappers with a die-cut title window in the British style printed at Scripts Limited in London. Title page present noted as Outline with credits for actors Del Walker Roy Hayward and Sam Shepherd. 64 leaves with last page of text numbered 62. Mimeograph duplication rectos only. Pages Near Fine wrapper About Near Fine with one damp stain to the top right corner of the front wrapper bound internally with two silver brads.<br /> <br /> BFI Flipside 15. Maya Film Productions Ltd unknown
1970152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information.<br /> <br /> A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. <br /> <br /> Set in Alabama shot on location in Marysville California. <br /> <br /> Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1971157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. <br /> <br /> A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. <br /> <br /> Set in Alabama shot on location in Marysville California. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
197978850Century City California: Twentieth Century-Fox 1979. Wraps. Very good. Third Revised Draft dated May 1 1979 of the script for the 1980 Stuart Rosenberg film starring Robert Redford as a newly arrived prison warden who attempts to clean up a corrupt and violent penal system. It was nominated for the Best Original Screenplay at the 1981 Academy Awards. This is Jack Hirshberg’s copy with the iconic film publicist’s signature or printed name on the first page of some of the revisions.<br /> <br /> Quarto: 292 pp. A rainbow script photomechanically reproduced on the recto of standard pink green white yellow and blue stock. The printed green paper front wrapper and plain blue rear wrapper are bound with two brass brads. Short closed tear to the left edge of the front wrapper just above the top brad; otherwise very good. Twentieth Century-Fox unknown
1980163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs.<br /> <br /> Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. <br /> <br /> Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown
1972158145N.p.: N.p. 1972. Four vintage reference photographs from the 1972 French adult film. One with annotations in manuscript pencil regarding cropping on the verso. <br /> <br /> A young drug addict wanders into a secluded Canadian villa where she is drawn into a wild party that quickly degenerates into violence. <br /> <br /> Shot on location in Mont Saint-Hilaire.<br /> <br /> 8 x 10 inches. Very Good plus overall.<br /> <br /> Bier 1203. N.p. unknown
1947150384Universal City: Universal-International 1947. Vintage reference photograph of actors Howard Duff Ella Raines and Burt Lancaster director Jules Dassin and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> Led by Burt Lancaster a group of prisoners at the strict Westgate Penitentiary plan an escape but fear their plans will be ruined by sadistic power-hungry guard Hume Croyn. <br /> <br /> 10 x 8 inches. Very Good plus with three hole punch impressions along the left side. <br /> <br /> Criterion Collection 383. Godard Histoires du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir. Universal-International unknown
