4 698 résultats
1948156123N.p.: Verleih Schorchtfilm 1948. Vintage program for the 1948 German film. Text and titles in German. <br /> <br /> Based on the 1946 novel by Ernst Lothar. A romantic saga spanning six decades chronicling the history of a wealthy Austrian family during the late 19th and early 20th centuries. <br /> <br /> 8 x 11.5 inches. Bifold. About Near Fine. Verleih Schorchtfilm unknown
1943156167N.p.: N.p. 1943. Vintage program for the 1943 German film. Text and titles in German. <br /> <br /> A doctor finds herself caught between her former lover now a paraplegic seeking her treatment and a highly respected fellow doctor in Vienna. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
1966132241Germany: Peter-Presse / Atlas Films 1966. Original 1966 German A1 poster for the 1942 US film. <br /> <br /> From the collection of noted film historian Amos Vogel. Full provenance available. <br /> <br /> 23.25 x 33 inches rolled. Near Fine. Peter-Presse / Atlas Films unknown
1942156155N.p.: N.p. 1942. Vintage program for the 1942 German film. Text and titles in German. Director Paul Verhoeven not to be confused with the better-known director of the same name "Robocop" "Soldier of Orange" etc. who was 4 years old when this film was released.<br /> <br /> Married playwrights Robert and Gisela fear that their new prompter their former theatre manager has come to seek revenge for wrongdoing against his daughter years before. <br /> <br /> Shot on location in Berlin. <br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. N.p. unknown
1948156124N.p.: Verleih Schorchtfilm 1948. Vintage program for the 1948 German film. Text and titles in German. <br /> <br /> While in Vienna buying new robes for her coworkers an angel accidentally loses her wings and superpowers and falls in love with a Viennese composer.<br /> <br /> 8 x 11.5 inches. Bifold. Very Good plus with moderate wear on the top edge. Verleih Schorchtfilm unknown
1972141740Munich: InterTel Television 1972. Draft script for an unproduced television film. Text in German. <br /> <br /> Based on the 1972 novel by Peter Handke about a young Austrian who travels across the United States to search for his estranged wife. <br /> <br /> Set in California. <br /> <br /> Red titled wrappers. Title page present with credit for screenwriter Bernhard Wicki. 89 leaves with last page of text numbered 87. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a gold prong binding. InterTel Television unknown
1954156138N.p.: N.p. 1954. Vintage program for the 1954 German film. Text and titles in German. <br /> <br /> After fifteen years away an aging violinist returns to his hometown where he strikes up a romance with an old girlfriend who is now working as a nurse. <br /> <br /> 7.25 x 10.5 inches. Bifold. Near Fine. N.p. unknown
1970146785N.p.: N.p. 1970. Draft script for an unproduced film. Text in German.<br /> <br /> Based on the 1978 novel by John Godey wherein a deadly black mamba is accidentally released into Central Park and hunted down by a rogue herpetologist.<br /> <br /> Set in New York City.<br /> <br /> Lacking titled wrappers. Title page present with credits for screenwriter THOMAS GSPANDL and novelist JOHN GODEY. 76 leaves with last page of text numbered 75. Early Xerox rectos only. Pages Very Good plus with a tear running horizontal to the final leaf with gold prong binding. N.p. unknown
1958150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. <br /> <br /> Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son.<br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. <br /> <br /> 9.5 x 7.5 inches. Near Fine. N.p. unknown
1954160994Los Angeles: Twentieth Century-Fox 1954. Two vintage reference photographs taken on the set of the 1954 film one showing director Henry Koster talking to Marlon Brando and the other showing Koster with Brando and actress Jean Simmons. Printed mimeo snipes and Twentieth Century-Fox stamps on the versos. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A biopic about the rise and fall of Napoleon Bonaparte based loosely on Annemarie Selinko's 1953 nonfiction book. Nominated for two Academy Awards. <br /> <br /> Set in Marseilles shot on location throughout California and in Hauts-de-Seine Paris and Seine-et-Marne France. <br /> <br /> 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown
1978144593Munich: Bavaria Atelier 1978. Vintage borderless photograph of Rainer Werner Fassbinder on the set of the 1978 film. With manuscript annotations on the verso. <br /> <br /> Based on the 1936 novel of the same name by Vladimir Nabokov. Herman Herman Dirk Bograde a Russian immigrant and Jewish business owner in Berlin is targeted by Nazis. While slowly losing his mind he fixates on a man he believes to be his doppelganger. After taking out a new life insurance policy he devises a plan to free himself of his problems. Nominated for the Palme d'Or at the Cannes Film Festival.<br /> <br /> Shot on location in Germany. <br /> <br /> 10 x 8 inches. Near Fine. Bavaria Atelier unknown
1942162029N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. <br /> <br /> 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown
149785N.p.: N.p. Unknown. Draft script for an unproduced film. With an annotation in manuscript ink on the title page noting the film's title and the name of screenwriter Ken Hyman. <br /> <br /> Two CIA agents tail a neo-Nazi murderer in West Berlin. Hyman was best known as a producer during the 1960s and 1970s.<br /> <br /> Set in West Berlin and Virginia.<br /> <br /> White untitled wrappers. Lacking title page. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly dampstained on the front wrapper and first several leaves bound with a silver prong. N.p. unknown
1985153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. <br /> <br /> A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. N.p. unknown
1969170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso.<br /> <br /> Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. <br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1969150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. <br /> <br /> Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. <br /> <br /> 5 x 7 inches. Near Fine. N.p. unknown
1985149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. <br /> <br /> Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie."<br /> <br /> Shot on location in Paris.<br /> <br /> 9.5 x 7 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown
1966154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. <br /> <br /> From the estate of Dick Miller.<br /> <br /> Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces."<br /> <br /> Shot on location throughout Arizona. <br /> <br /> Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. American International Pictures [AIP] unknown
1965161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp.<br /> <br /> A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices.<br /> <br /> Shot on location in Finistere France. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown
1964158708London: Planet Films 1964. Draft script for the 1965 British horror film. <br /> <br /> A cult of satanic worshippers led by a magnetic 400-year-old vampire prey on the Romani living in a small town in Brittany. <br /> <br /> OCLC locates no holdings.<br /> <br /> Shot on location in Finistère France and in Buckinghamshire England. <br /> <br /> Red titled wrappers. Title page present dated April 1964 with credit for screenwriter Lyn Fairhurst. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Planet Films unknown
1967135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy 1910-1993. Bessy's rubber stamp and name label on the verso of one still with brief annotations in manuscript ink on the versos of both stills. <br /> <br /> Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in a spirited conversation. In the other Duvivier stands above a bandaged Alain Delon in his hospital bed surrounded by members of the crew. <br /> <br /> Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. <br /> <br /> Julian Duvivier's final film. <br /> <br /> One still 7 x 9.5 inches one 8 x 11.75 inches. About Near Fine overall. N.p. unknown
1955161300N.p.: N.p. 1955. Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso.<br /> <br /> Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel brutish school principal orchestrate the perfect murder but their plans are thrown into confusion when his body disappears. <br /> <br /> Set in Saint-Cloud Hauts-de-Seine and shot on location in Yvelines Deux-Sevres and Hauts-de-Seine France. <br /> <br /> 10 x 8 inches. Very Good plus lightly curled. <br /> <br /> Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel Film as a Subversive Art. N.p. unknown
1954160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> 10 x 8 inches. Very Good plus lightly worn at the corners. <br /> <br /> Grant US. Selby US. Spicer US. Pictorial Press unknown
1954153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. <br /> <br /> Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. <br /> <br /> Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. <br /> <br /> One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. <br /> <br /> Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. N.p. unknown
1954145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in manuscript pencil and once in manuscript ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. <br /> <br /> The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. <br /> <br /> Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads.<br /> <br /> Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown
