4 698 résultats
1957166060Beaconsfield UK: Beaconsfield Films 1957. Draft script for the 1957 British film copy belonging to Art Director George Provis with manuscript pencil and ink annotations in his hand throughout and his name written on the top of revision page 85.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Laurence Harvey stars as Sir Humphrey Tavistock who consoles his son-in-law Roland Culver who finds all women impossible to love with tales of found lovers and lost love.<br /> <br /> Tall maroon untitled wrappers. Title page present dated 14.1.57 with credits for screenwriter Muriel Box. 109 leaves with last page of text numbered 108. Mimeograph duplication rectos only with undated green revision pages throughout. Pages Near Fine wrapper Very Good bound internally with a prong binding. Beaconsfield Films unknown
1957150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. <br /> <br /> A man recalls his past and present relationships in order to help another man understand his wife. <br /> <br /> One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown
1995167510Los Angeles: Twentieth Century-Fox 1995. Draft script for the 1996 film. Script incomplete ending on page 124 lacking the final pages likely as issued.<br /> <br /> Loosely based as a modern gender-reversal of Edmond Rostand's 1897 play "Cyrano de Bergerac." Janeane Garofalo stars as a veterinarian and radio show host who has her beautiful neighbor Uma Thurman impersonate her when a handsome fan of her radio show Ben Chaplin expresses interest in her. Screenwriter Audrey Wells first feature film.<br /> <br /> Set in and shot on location in Los Angeles and Santa Monica California. <br /> <br /> Blue titled wrappers. Title page present dated February 6 1995 with credits for screenwriter Audrey Wells. 129 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. Twentieth Century-Fox unknown
1955150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. <br /> <br /> Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. <br /> <br /> Set and shot in Craftsbury Vermont. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> <br /> Rosenbaum 1000. Paramount Pictures unknown
1969147241N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green manuscript marker.<br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept US foreign policy response to a revolution by a moderate liberal in a small Central American country.<br /> <br /> Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
1963158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1962151672N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph.<br /> <br /> A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen.<br /> <br /> Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
1950135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br /> <br /> Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br /> <br /> Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br /> <br /> Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown
1974168123N.p.: Golden Films 1974. Seven vintage studio still photographs from the 1974 film seen here under the working title "Evil in the Deep." <br /> <br /> A crew of maritime adventurers search for a long-lost sunken Spanish Galleon carrying a massive amount of treasure. <br /> <br /> 10 x 8 inches. Very Good plus. Golden Films unknown
1961162511N.p.: Phaeton Productions 1961. Vintage studio still photograph of Doris Gohlke from the 1961 film. <br /> <br /> A Prohibition-era bookkeeper attempts to hide from gangsters at a health farm teeming with beautiful scantily-clad women. <br /> <br /> 8 x 10 inches. Near Fine. Phaeton Productions unknown
1971162501N.p.: Futurama International 1971. Vintage studio still photograph from the 1971 film here under the working title "The Touch of Melissa." Photograph with provenance stamps on the verso. <br /> <br /> On the road from San Francisco to Austin Jodie makes a brief stop at a farm where he meets and falls in love with Melissa the lovely farmer's daughter. Unfortunately Melissa's insane great-grandmother is in the mix unaware Melissa is in fact a 127-year old witch and that Melissa is actually her sister. <br /> <br /> Shot on location in Santa Ynez California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Nightmare USA. Code Red. Futurama International unknown
1971147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. <br /> <br /> Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown
1971150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1971150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> 10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown
1968162499N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the US release of the 1967 British film. Photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. <br /> <br /> Released in the UK as "Mini Weekend" wherein Anthony Trent stars as Tom a horny man lost in fantasies desperate for some fun in "Swinging London." <br /> <br /> Shot on location in London. <br /> <br /> 8 x 10 inches. Near Fine. Joseph Brenner Associates unknown
1979158003N.p.: N.p. 1979. Vintage matte-finish reference photograph of writer Günter Grass child actor David Bennent and director Volker Schlöndorff on the set of the 1979 film. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Grass' 1959 novel about a young child with magical abilities who witnesses the rise to power of the Nazi party. Winner of the Palme d'Or and winner of an Academy Award for Best Foreign Film.<br /> <br /> Set in Danzig and shot on location in West Germany. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow Films. Criterion Collection 234. N.p. unknown
1964167585N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing a futuristic fight sequence. <br /> <br /> A team of scientists create a teleportation device and travel forward in time to the year 2071 where mutated humans are the norm as a result of nuclear war. Basis for the 1966-1967 television series "The Time Tunnel" as well as the 1967 remake "Journey to the Center of Time." <br /> <br /> Shot on location in Barstow California with some scenes at the University of Southern California's Doheny Library and Mudd Hall. <br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
1964149498Los Angeles: American International Pictures AIP 1964. Vintage reference photograph from the 1964 film showing noted science fiction author Forrest J. Ackerman who makes a cameo appearance in the film in costume as a space technician. With the stamps of Israel Film Archive on the verso.<br /> <br /> A team of scientists create a time traveling device which teleports them to Earth in the year 2071 where mutated humans are the norm as a result of nuclear war.<br /> <br /> Shot on location in Barstow California with some scenes at the University of Southern California's Doheny Library and Mudd Hall.<br /> <br /> 10 x 8 inches. Very Good plus overall. American International Pictures [AIP] unknown
1970138039Beverly Hills CA: Levy-Gardner-Laven Productions 1970. Draft script for an unproduced film. With manuscript ink annotation on front wrapper indicating the title. <br /> <br /> A story set in Morocco during WWII about a Russian who smuggles guns and plans to sell them to a licensed arms dealer. <br /> <br /> Tan untitled studio wrappers. Title page present with credits for screenwriter William Norton. 130 leaves with last page of text numbered 134. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Levy-Gardner-Laven Productions unknown
1959150507Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. <br /> <br /> Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film.<br /> <br /> A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves.<br /> <br /> Set in India shot on location in Berlin Germany and Udaipur India. <br /> <br /> 9 x 7 inches. Near Fine. <br /> <br /> Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown
1963149906Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film a Doris Day vehicle and the screenwriting debut of Carl Reiner he also starred. The photo shows an extraordinary prop a full size billboard advertising a product called "Happy Soap" which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the verso along with the stamp of Universal Film in Brussels.<br /> <br /> A suburban housewife is offered a lucrative job as the spokesperson for a popular soap company a career which begins to take over her time and attention to the displeasure of her family.<br /> <br /> 10 x 8 inches. Very Good plus with pinholes to the corners reinforced with paper tape on the verso. Universal Pictures unknown
1948151858Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage matte black-and-white double weight studio still reference photograph from the 1948 film. From the collection of actor Van Heflin who played Athos in the film. <br /> <br /> Based on Dumas' 1844 serialized novel. D'Artagnan Kelly travels to Paris to join the Musketeers and does so by dispatching the evil Richelieu's Vincent Price men not once but twice. Countess de Winter Turner has her own agenda ultimately leading to her execution as the Musketeers are exonerated of their own death sentences. <br /> <br /> Nominated for an Academy Award. <br /> <br /> 8 x 10 inches. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown
1965146561N.p.: N.p. 1965. Synopsis for an unproduced film based on the novel of the same name by Irving Wallace. Included with the synopsis is a two-page typed document on Brenco Pictures Corporation letterhead dated November 11 1965 discussing the popularity of Wallace's prior novels and proposing a budget for the film along with a small note addressed to casting agent Paul Kohner signed by screenwriter Stanley Meyer. Also included is the envelope which likely contained the documents.<br /> <br /> Based on the 1963 novel wherein a team of anthropologists travel to the South Pacific to study the polyamorous inhabitants of a small secret island. <br /> <br /> Set in the South Pacific.<br /> <br /> Black untitled wrappers with a die-cut title window. Title page present noted as Brief Summary. 6 leaves with last page of text numbered 5. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown
1957164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso.<br /> <br /> Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. <br /> <br /> 10 x 8 inches. About Near Fine. N.p. unknown
