4 698 résultats
1949151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. <br /> <br /> An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959.<br /> <br /> Set and shot on location in Vienna Austria and England.<br /> <br /> 10 x 7.75 inches. Near Fine. <br /> <br /> Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1949150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. <br /> <br /> Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana."<br /> <br /> Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director.<br /> <br /> Set in and shot on location in Vienna Austria and England UK. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1948133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND."<br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Carol Reed Productions unknown
1948133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. <br /> <br /> From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. <br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. <br /> <br /> 8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. Carol Reed Productions unknown
1959167630N.p.: F.F.F. Films 1959. Four vintage studio still photographs from the US release of the 1957 West German film. <br /> <br /> An eighteen-year-old in postwar Berlin develops feelings for his male friend and is eventually drawn into the underground world of gay bars. His mother attempts to bring him back onto a heterosexual path by encouraging a romance with the family's housemaid. Director Veit Harlan is best remembered today for his work with the Nazis most notably the antisemitic propaganda film "Jud Süß" 1940. <br /> <br /> Set and shot on location in Berlin. <br /> <br /> 10 x 8 inches. Very Good to Very Good plus. F.F.F. Films unknown
1970148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. <br /> <br /> Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br /> <br /> Shot on location in Paris La Rochelle and Thoiry France. <br /> <br /> 11.75 x 9.25 inches. Near Fine. N.p. unknown
1970144567Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With manuscript annotations on the verso. <br /> <br /> Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br /> <br /> Shot on location in Paris La Rochelle and Thoiry France. <br /> <br /> 6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown
1970139655Paris: Fida Cinematografica / Lira Films 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. <br /> <br /> Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br /> <br /> 12 x 7.75 inches. Near Fine. Fida Cinematografica / Lira Films unknown
1951161590N.p.: N.p. 1951. Vintage reference photograph from the set of the 1951 film showing actor James Arness in costume as the titular Thing with his stunt double just behind. Annotations in manuscript ink noting the same on the verso. <br /> <br /> Based on John W. Campbell's 1938 novella "Who Goes There" which also served as the basis for John Carpenter's 1982 masterpiece "The Thing." US Air Force crew and scientists at an arctic research station accidentally thaw out the still-living body of a humanoid alien which promptly begins to attack them. <br /> <br /> Set in Anchorage shot on location throughout Los Angeles and in Glacier National Park Montana. <br /> <br /> 8 x 10 inches. Fine. N.p. unknown
1958153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. <br /> <br /> When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. <br /> <br /> 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown
1967149639Paris: Nouvelles editions de films 1967. Two vintage borderless double weight photographs from the set of the 1967 film. The first photograph shows Louis Malle and Jean-Paul Belmondo who is in costume conferring on the set. With the stamp of photographer Vincent Rossel and the name of the film as well as manuscript annotations regarding layout on the verso. <br /> <br /> The second photograph shows director Louis Malle standing with his back to the camera and other crew members at work on a rooftop in preparation for a scene. A few penciled annotations on the verso.<br /> <br /> Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him.<br /> <br /> Set and shot on location in Paris.<br /> <br /> 10 x 8 inches. Near Fine. Nouvelles editions de films unknown
1967152383N.p.: N.p. 1967. Collection of 21 vintage borderless double weight photographs from the 1967 film. Many with the stamp of still photographer Vincent Rossel on the verso one with the stamp of Globe Photos and one with a provenance stamp.<br /> <br /> Based on the 1897 novel by Georges Darien. After his inheritance is stolen by his uncle a young man embarks on a life of crime to win back what was taken from him.<br /> <br /> Set and shot on location in Paris.<br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1968150357Burbank CA: American Broadcasting Company ABC 1968. Vintage reference photograph of Truman Capote with child actor Michael Kearney who played Buddy based on the young Capote on the set of the 1968 television film. "The Thanksgiving Visitor" aired Thanksgiving night November 28 1968 on ABC. Mimeo snipe and "NOV 25 1968" stamp on verso. <br /> <br /> Based on Capote's 1967 autobiographical short story based on his childhood in Alabama published in the November 1967 issue of McCall's magazine later published by Random House in 1968. <br /> <br /> A sequel to Capote's 1956 autobiographical short story "A Christmas Memory" which was also the basis for an ABC television movie also directed by Frank Perry written by Truman Capote and Eleanor Perry and starring Geraldine Page which aired on December 21 1966.<br /> <br /> Geraldine Page reprises her role as the quirky Aunt Sook helping nine-year-old Buddy deal with a bully on Thanksgiving. <br /> <br /> Page won a second Emmy Award following 1966's "A Christmas Memory" for her lauded portrayal of Capote's Aunt Sook.<br /> <br /> Set in Alabama shot on location in Pike Road Alabama. <br /> <br /> 10 x 8 inches. Light edgewear else Near Fine. American Broadcasting Company [ABC] unknown
1974163782N.p.: N.p. 1974. Vintage borderless color reference photograph from the 1974 film showing actor Gunnar Hansen in costume as Leatherface. Provenance labels on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic.<br /> <br /> Set and shot on location in Round Rock Watterson Austin and San Marcos Texas.<br /> <br /> 5 x 7 inches. Fine.<br /> <br /> Thrower Nightmare USA. N.p. unknown
1974170361N.p.: N.p. 1974. Vintage borderless reference photograph from the set of the 1974 film showing the Sawyer family as played by John Dugan Gunnar Hansen Edwin Neal and Jim Siedow. <br /> <br /> Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget with the cast mostly composed of unknown Texan actors Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics and is now rightfully considered a slasher cult classic.<br /> <br /> Set and shot on location in Round Rock Watterson Austin and San Marcos Texas.<br /> <br /> 8 x 10 inches. Fine. <br /> <br /> Thrower Nightmare USA. N.p. unknown
1986150254N.p.: Cannon Films 1986. Vintage studio still photograph of director Tobe Hooper with Dennis Hopper and Caroline Williams on the set of the 1986 film. <br /> <br /> Nearly a decade after the first installment now a slasher classic Tobe Hooper revisits his chainsaw-toting prodigy "Leatherface" but to the dismay of most critics. This feature with the great Dennis Hopper as a creepy sheriff has achieved cult status in light of its being underrated since its release. <br /> <br /> Set in and shot on location in Bastrop Prarie Dell and Austin Texas. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Arrow 1494. Glover Men Women and Chainsaws. Cannon Films unknown
1974160750Burbank CA: Warner Brothers 1974. Collection of 43 vintage studio still photographs from the 1974 film. <br /> <br /> An unusual and prescient sci-fi thriller that was poorly distributed in the US but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal in a serious against-type role is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions probably Windows-based and he becomes a psychotic killer. <br /> <br /> When Mike Kaplan a Warner Bros international marketing executive attempted to override Warner Bros' decision not to release the film in Britain he sought Kubrick's help. After explaining the situation and how the film required a different marketing campaign Kubrick interrupted with "I've already seen it and it's terrific."<br /> <br /> The director Terrence Malick wrote to Hodges expressing how much he loved watching the film saying "I have just come from seeing The Terminal Man and want you to know what a magnificent overwhelming picture it is. You achieve moods that I've never experienced in the movies before though it's only in hope of finding them that I keep going. Your images make me understand what an image is not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own."<br /> <br /> 10 x 8 inches. Very Good plus lightly curled at the edges and some with light creasing and wear to the finish. Warner Brothers unknown
1976154967N.p.: N.p. 1976. Vintage borderless double weight reference photograph from the 1976 film showing director-actor Roman Polanski and actress Isabelle Adjani. Collection stamp on the verso. <br /> <br /> Based on the 1964 novel "Le locataire chimerique" or "The Tenant" in the US edition by Roland Topor. The third and final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" about a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9 x 6.75 inches. Near Fine. N.p. unknown
1976138189Hollywood: Paramount Pictures 1976. Vintage press kit for the 1976 film. Included in the kit are 18 vintage black-and-white studio still photographs and 58 pages of promotional and production information. <br /> <br /> Based on the 1964 novel "Le locataire chimerique" by Roland Topor. The third final film in Polanski's "Apartment Trilogy" following "Repulsion" and "Rosemary's Baby" in which Polanski plays the role of a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly the man becomes obsessed with the tenant taking on more and more of her habits ultimately including her attempts at self destruction. Nominated for the Palme d'Or. <br /> <br /> Set in Paris and shot there on location. <br /> <br /> Photographs 8 x 10 inches. 18 pages of production information saddle stapled 8.5 x 11 inches with an additional 40 pages of corner stapled production information. All materials about Fine housed in a Very Good plus studio folder. Paramount Pictures unknown
1923167801Hollywood: Paramount Pictures 1923. Vintage program for the 1923 silent film. <br /> <br /> A wildly popular two-part Christian epic beginning with a retelling of the Book of Exodus and closing with a modern story of two brothers in the 1920s and their relationship to the Ten Commandments. Nominated for six Academy Awards including Best Picture.<br /> <br /> 9 x 12 inches. 17 leaves printed on rectos and versos. Pages Very Good wrappers Good only with an owner name on the front wrapper and moderate wear along the spine. Side-stapled. Paramount Pictures unknown
1923144857Los Angeles: Paramount Pictures 1923. Vintage photograph of Cecil B. Demille Jeanie Macpherson and Jack Holt on the set of the 1923 film. With manuscript annotations and rubber stamp of noted collector Gene Ringgold on the verso.<br /> <br /> Filmed in two parts first is the story of Moses leading the Jews out of Egypt to the Promised Land receiving the tablets and worshiping the golden calf. The second part of the film is set in modern times and follows two brothers and their mother's contrasting relationships to the Ten Commandments. <br /> <br /> Shot on location in various locations around California. <br /> <br /> 5.5 x 8 inches irregularly trimmed. Near Fine. <br /> <br /> Scorsese A Personal Journey Through American Movies. Paramount Pictures unknown
1979156345London: Mainline 1979. Two vintage photographs from the 1979 film including one borderless and one bordered both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso and one with manuscript ink and pencil annotations.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play fusing direct quotes from the play with camp punk and New Age sensibilities featuring previous Jarman collaborators Wilcox Karl Johnson Jack Birkett and Helen Wellington-Lloyd. <br /> <br /> Shot on location at Stoneleigh Abbey in Warwickshire. <br /> <br /> 8 x 10 inches. Near Fine. Mainline unknown
1969145326N.p.: n.p. 1969. Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "283" is annotated in faded manuscript ink at the top right corner of the title page.<br /> <br /> A young woman receives an obscene phone call and becomes obsessed with the anonymous caller trying to track him down. An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year.<br /> <br /> Set in New York City shot on location in New York City. <br /> <br /> Maroon titled studio duplicating leather wrappers. Title page present dated June 25 1969 noted as Final Draft with credits for screenwriter Nelson Lyon. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69. Pages Near Fine wrapper Very Good with some soil bound with two gold screws.<br /> <br /> Vinegar Syndrome 7. n.p. unknown
1957149863Universal City CA: Universal Pictures 1957. Continuity and Dialogue for the 1957 film. <br /> <br /> One of the seedier and we mean that in a complimentary way late noirs with a tawdry quality that transcended its big studio trappings "The Tattered Dress" spins a dark tale about a corrupt sheriff in a small Nevada town Carson whose principal concerns are the maintenance and upkeep of all illegal activity. Lawyer Chandler and wife Crain stumble into Carson's territory and conflict ensues. <br /> <br /> Set in California shot on location in Palm Springs California. <br /> <br /> White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1840 dated January 18 1957 with credits for director Jack Arnold. Approximately 120 leaves with last page of text numbered 12. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. <br /> <br /> Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown
1957150405Universal City: Universal Pictures 1957. Vintage reference photograph from the 1957 film showing actress Elaine Stewart reclining on a pool float while director Jack Arnold and a camera crew capture the shot from the poolside. With a printed mimeo snipe affixed to the verso. <br /> <br /> A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
