8 853 résultats
1986163050Universal City: Universal Television 1986. Draft script for an unproduced episode of the 1986-1987 television series. This draft script from the first half of the series. <br /> <br /> The first six episodes under the title "Together We Stand" then switching to "Nothing is Easy" after the death of the father character this short lived sitcom followed the lives of a married couple and their multi-racial and multi-ethnic adopted children. In this installment one of the children wins a small lottery. <br /> <br /> White titled self-wrappers lacking rear wrapper production No. 62425 dated October 31 1986 with credits for screenwriters Lesa Kite and Cindy Begel. Title page integral with front wrapper. 55 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Television unknown
1971162497N.p.: Hallmark Releasing 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. <br /> <br /> Director Sean S. Cunningham's first credited feature film a mock documentary about sex in America featuring adult film star Marilyn Chambers in her first starring role and her first nude scene. Wes Craven's first film credit here as an associate producer. <br /> <br /> 8 x 10 inches. Near Fine. Hallmark Releasing unknown
1979146514Rome: Compagnia Europea Cinematografica 1979. Draft script for the 1979 film here under its Italian title "Amo Non Amo." Text in English. <br/><br/>A young divorcee moves to a resort town on the outskirts of Rome and attempts to start a new life with her son with a new career and a new boyfriend but finds that her life has not particularly improved. Director Armenia Balducci's film debut.<br/><br/>Set and shot on location in Rome. <br/><br/>Yellow textured untitled wrappers. Title page present with credits for director Armenia BALDUCCI and screenwriter Ennio De CONCINI. 217 leaves with last page of text numbered 215. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good with light dampstaining to the front wrapper bound internally with two gold brads. Compagnia Europea Cinematografica unknown books
1965128722Universal City CA: Universal Pictures 1965. First Draft script for the 1967 film. <br/><br/>Nominated for an Academy Award. A Canadian POW major is rescued by a special British military unit made up of Germans to help lead an attack on a major Nazi fuel depot in Tobruk Libya. <br/><br/>Lime green titled wrappers noted as First Draft Screenplay and production No. 00737 on the front wrapper dated May 5 1965. Title page present dated May 5 1965 noted as First Draft with credit for screenwriter Gordon. 134 leaves mimeograph duplication with blue revision pages throughout dated 5-10-65. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1970159632Los Angeles: Boxoffice International 1970. Two vintage studio still photographs from the 1970 hixploitation film. <br /> <br /> A Tennessee moonshiner his horny wife and his two buxom daughters enjoy a series of sexual escapades in the deep south. <br /> <br /> Set in Neely's Bend TN an actual town northeast of Nashville shot on location in Los Angeles. <br /> <br /> 10 x 8 inches. Near Fine. Boxoffice International unknown
1941149234Los Angeles: Twentieth Century-Fox 1941. Revised Final Draft script for the 1942 film. Copy belonging to director H. Bruce Humberstone with his name in holograph pencil on the front wrapper. <br/><br/>A bratty naval recruit is transformed into a battle-wise soldier several days before the Japanese attack on Pearl Harbor. <br/><br/>Set and shot on location in San Diego California.<br/><br/>Red titled wrappers noted as REVISED FINAL rubber-stamped copy No. 37 and production No. 701 dated OCTOBER 29 1941. Distribution page present with receipt removed. Title page present dated October 29 1941 noted as Revised Final with credits for screenwriter Lamar Trotti. 163 leaves with last page of text numbered 161. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1941149234Los Angeles: Twentieth Century-Fox 1941. Revised Final Draft script for the 1942 film. Copy belonging to director H. Bruce Humberstone with his name in manuscript pencil on the front wrapper. <br /> <br /> A bratty naval recruit is transformed into a battle-wise soldier several days before the Japanese attack on Pearl Harbor. <br /> <br /> Set and shot on location in San Diego California.<br /> <br /> Red titled wrappers noted as REVISED FINAL rubber-stamped copy No. 37 and production No. 701 dated OCTOBER 29 1941. Distribution page present with receipt removed. Title page present dated October 29 1941 noted as Revised Final with credits for screenwriter Lamar Trotti. 163 leaves with last page of text numbered 161. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown
1970159145N.p.: N.p. 1970. Vintage reference photograph from the 1970 short film. Annotations in manuscript ink and pencil on the verso.<br /> <br /> Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing and edgewear. N.p. unknown
1967163150N.p.: N.p. 1967. Vintage double weight borderless reference photograph from the set of the 1967 film showing actor Sidney Poitier. Stamp of photographer Peter Basch on the verso.<br /> <br /> Based on the 1959 autobiographical novel by E.R. Braithwaite. An unemployed middle class Guyanese immigrant takes a teaching job in the tough East End of London where he must contend with the rambunctious students. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> 7.75 x 11 inches. Very Good plus. N.p. unknown
1939WRCLIT60008Los Angeles: RKO Radio Pictures Inc 1939. 219 leaves. One leaf octavo remainder quarto. Mimeographed typescript printed on rectos only. Some corner creasing and mild occasional marginal nicks and chips terminal leaf detached from staple but very good. An interesting artifact being a mimeo of Trumbo's story accompanied by a reader's abstract and recommendation for consideration memo by William Koenig. The story was accepted for production and Trumbo went on to write the screenplay. The 1940 release appeared as WE WHO ARE YOUNG directed by Harold Bucquet starring Lana Turner John Shelton and Gene Lockhart. RKO Radio Pictures, Inc unknown books
1962141379Universal City CA: Universal Pictures 1962. Vintage studio still photograph from the 1962 film. <br/><br/>The iconic film set to the backdrop of small-town Alabama explores the complexity of race and childhood in the deep south. Winner of three Academy Awards based on Harper Lee's Pulitzer Prize-winning novel. <br/><br/>Shot on location in Alabama and California. <br/><br/>8 x 10 inches. Very Good plus with extensive blue and black holograph ink annotations to the verso. <br/><br/><br/>Penzler 101. Universal Pictures unknown books
1962135663Universal City CA: Universal Pictures 1962. Original Pacific Title hand painted artwork for the original trailer advertising the classic 1962 film. In the final trailer Gregory Peck's name as the lead actor preceded this card making this a slightly alternate draft of the design. <br/><br/>14 x 20 inches. White gouache on stiff black illustration board. Very Good plus overall with mounting pinholes at the corners and brief tape remnants on edges. Minor edge bumping and creasing on the lower edge not affecting the artwork. Universal Pictures unknown books
1962003115Burbank California: Universal 1962. Original 1963 CANDID Universal Studios publicity photo on-the-set for "To Kill A Mockingbird" Burbank CA: Universal Studios 1962 A remarkable image of director Robert Mulligan discussing with star GREGORY PECK how best to perform the very first scene of the film. Roughly 8" x 10 1/8" single weight glossy very good to fine a beauty. Reverse with studio promo info. . Universal books
1962163562N.p.: N.p. 1962. Two vintage reference photographs from the 1962 film including one borderless and one bordered. Annotations in manuscript ink on the versos.<br /> <br /> Based on the 1960 Pulitzer Prize-winning novel by Harper Lee. One of the greatest and most loved literary adaptations ever to reach the screen and the film debut of Robert Duvall as the iconic Boo Radley. Nominated for eight Academy Awards winning three including Best Actor for Gregory Peck and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> Set in the fictional town of Maycomb Alabama shot on location in Monroeville Alabama and Pasadena California. <br /> <br /> One 10 x 8 inches one 7.25 x 9.25 inches. Near Fine. <br /> <br /> National Film Registry. Penzler 101 Greatest Films of Mystery and Suspense. N.p. unknown
1962156730N.p.: N.p. 1962. Four vintage oversize borderless reference photographs from the classic 1962 film. <br /> <br /> Based on the 1960 Pulitzer Prize-winning novel by Harper Lee. One of the greatest and most loved literary adaptations ever to reach the screen and the film debut of Robert Duvall in a dialogue-free role as Boo Radley. Nominated for eight Academy Awards winning three including Best Actor for Gregory Peck and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> Set in the fictional town of Maycomb Alabama shot on location in Monroeville Alabama and Pasadena California. <br /> <br /> 13.5 x 10.5 inches. Near Fine. <br /> <br /> National Film Registry. Penzler 101 Greatest Films of Mystery and Suspense. N.p. unknown
1984147308Paris: Sofracima 1984. Early draft script for the 1984 Mexican crime film here under the working title "Rainy Days Rainy Nights." Text in English.<br /> <br /> After her car breaks down in the middle of the night in rural France a young woman is lured to the home of a local pharmacist who promises to allow her to use his telephone to call a towing company. A violent struggle soon ensues forcing the woman to kill him in self-defense after he attempts to sexually assault and strangle her. A very early draft predating substantial revisions by director Juan Lopez Moctezuma.<br /> <br /> Set in France. <br /> <br /> White non-standard Sofracima studio wrappers. Title page present with credits for screenwriter Emmerich Oross. 99 leaves with last page of text numbered 86. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. Sofracima unknown
1968162495N.p.: Cannon Releasing Corporation 1968. Vintage studio still photograph from the US release of the 1968 Swedish sexploitation film also released in the US under the title "Yes!" With a provenance stamp on the verso. <br /> <br /> Lisa a successful Stockholm fashion designer meets the beautiful 17-year-old Ingrid during a country vacation and takes her back to Stockholm to be a model and shortly thereafter begins a sapphic May-December relationship.<br /> <br /> Shot on location in Stockholm Sweden. <br /> <br /> 8 x 10 inches. Very Good with light creasing to the right corners and a bruise to the lower right. Cannon Releasing Corporation unknown
1969164085N.p.: RAF Industries 1969. Vintage 45 RPM vinyl record of radio spot announcements for the 1969 film. Red label variant. Rare.<br /> <br /> An awkward young man makes a deal with the devil offering his soul for youth beauty and power-but all at a cost. <br /> <br /> 7 inches. Fine with nominal surface wear housed in a Fine brown paper sleeve. RAF Industries unknown
1995164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher.<br /> <br /> Archive includes:<br /> <br /> A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. <br /> <br /> A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page.<br /> <br /> A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page.<br /> <br /> And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page.<br /> <br /> Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California.<br /> <br /> Fourth Draft Script:<br /> Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads.<br /> <br /> Third Draft Script:<br /> Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Second Draft Script:<br /> Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads.<br /> <br /> Green Revision Pages:<br /> Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1954166036London: Welbeck Films 1954. Revised Draft script for the 1954 film copy belonging to Art Director George Provis with his name written on the top of the front wrapper and a manuscript ink annotation of the date "9/6/54" on the bottom of the title page here under the working title "To Dorothy - A Son" released in the UK as "To Dorothy a Son" and in the US as "Cash on Delivery." With a manuscript pencil annotation on one page 12A underlining a needed prop and one page 38 with a clipping of a revision page affixed over the previous dialogue.<br /> <br /> George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films.<br /> <br /> Based on the 1950 play "To Dorothy a Son" by Roger MacDougall. Shelley Winters stars as Myrtle an American woman who stands to inherit $2 million dollars from her uncle as long as she doesn't have any male heirs. The only thing standing in her way is John Gregson as her ex-husband and his very pregnant new wife played by Peggy Cummins.<br /> <br /> Tall untitled green wrappers. Title page present with an annotated date of "9/6/54" noted as Revised Screenplay with credits for screenwriter Peter Rogers and playwright Roger MacDougall. 114 leaves with last page of text numbered 106. Mimeograph duplication rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Near Fine bound internally with a prong binding. Welbeck Films unknown
1984149806Los Angeles: The Producers Group 1984. Revised First Draft script for an unproduced film. With a single manuscript ink annotation to the inside rear wrapper noting a name and phone number.<br /> <br /> Loosely based on the 1982 "Life" magazine article "To Die in Lima: a Cocaine Tragedy the Tale of an American Who Got Mixed Up in the Drug Trade" by Bertram Gabriel. An American farmer visiting Lima after a life-threatening heart attack is conned into working as a drug mule leading to his arrest and torturous detainment by the Peruvian government. <br /> <br /> Set in the Sierra Mountains California and Lima Peru.<br /> <br /> White titled wrappers. Title page present dated January 26 1984 noted as REVISED FIRST DRAFT with credits for screenwriter Bill Kerby. 132 leaves with last page of text numbered 129. Xerographic duplication rectos only with five blue revision pages at the end of the script two dated 2/21/84. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. The Producers Group unknown
1967146864N.p.: N.p. 1967. Treatment script for the 1967 film seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English.<br /> <br /> Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion" wherein an playboy writer becomes involved in a communist plot. <br /> <br /> Housed in a titled manila folder. Title page present with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves with last page of text numbered 11. Typescript on onionskin stock rectos only. Pages Very Good plus lightly creased bound with a staple and a paperclip at the top left corner. N.p. unknown
1955140958Hollywood: Paramount Pictures 1955. Vintage borderless photograph showing director Alfred Hitchcock and star Cary Grant conferring on location during the shooting of the 1955 film. With the stamp of photographer "Paul-Louis / Studio Starlet" holograph description in French and annotations regarding layout on the verso. <br/><br/>Based on the 1952 novel by David Dodge. Hitchcock's final film with Grace Kelly winner of an Academy Award for Cinematography and nominated for two others. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Paramount Pictures unknown books
1941150534Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br/><br/>Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br/><br/>Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br/><br/>Set in Warsaw immediately before and during the 1939 German invasion. <br/><br/>10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown books
1941150534Beverly Hills CA: United Artists 1941. Vintage wide reference photograph of Ernst Lubitsch playing piano on the set of the 1942 film. <br /> <br /> Remade in 1983 directed by Alan Johnson starring Mel Brooks and Anne Bancroft. Carol Lombard's final film having died in an airplane accident during post-production.<br /> <br /> Jack Benny and Carole Lombard star as Joseph and Maria Tura husband and wife thespians in Nazi occupied Warsaw who inadvertently become part of the Resistance and must utilize every acting trick in the book to retrieve a list of Polish Resistance fighters from a German spy. <br /> <br /> Set in Warsaw immediately before and during the 1939 German invasion. <br /> <br /> 10 x 8 inches image 4.5 x 3.75 inches. Near Fine. <br /> <br /> National Film Registry. Byrge and Miller The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 670. United Artists unknown
