Ned Bosnick (director, screenwriter); Barbara Douglas, John Morgan Evans, Vicki Carbe (starring)Biblio.com
8 853 résultats
1972162494N.p.: Magarac 1972. Vintage studio still photograph from the 1972 release of the 1970 film here under it's original title. Provenance stamp on the verso. <br /> <br /> Originally released as "To Be Free" the film was re-shot re-edited and re-released in 1972 as "Imago." Barbara Douglas stars as a virgin who is incapable of having sex with her boyfriend and begins seeing a psychiatrist to help. After becoming involved with the doctor's lesbian receptionist and trying marijuana she begins to experience wild nightmares and struggles to cope. <br /> <br /> Shot on location in Pittsburgh. <br /> <br /> 8 x 10 inches. Near Fine. Magarac unknown
1970159131N.p.: N.p. 1970. Vintage reference photograph from the 1970 experimental film showing actress Verity Bargate. Annotations in manuscript ink and pencil on the verso regarding cropping.<br /> <br /> Director Stephen Dwoskin was an experimental filmmaker who produced work based on themes of perception disability and sexuality. He was a cofounder of the London Film-Makers' Co-op in 1966 and the film collective Spectre in 1980. "Times For" was the first of Dwoskin's longer films and notably included a performance by performance artist and filmmaker Carolee Schneemann with a soundtrack by experimental musician Gavin Bryars. <br /> <br /> 10 x 7.25 inches. Near Fine. N.p. unknown
1942131997Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br/><br/>14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br/><br/>Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown books
1942131997Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br /> <br /> 14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br /> <br /> Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown
1938149233Los Angeles: Twentieth Century-Fox 1938. Final Draft script for the 1938 film here under the working title "Meridian." Laid in with the script are two copies of a set of two carbon typescript pages of notes on the film.<br/><br/>A newspaper reporter and photographer investigate a murder in order to exonerate the main suspect a bank runner accused of killing his client. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 48 dated MAY 12 1938. Distribution page present with receipt intact. Title page present dated May 12 1938 noted as Final Script with credits for screenwriter Jerry Cady. 130 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1957171057N.p.: N.p. 1957. Two vintage photographs one of director Karl Malden and uncredited camera operator Albert Myers and a vernacular photograph of Malden Myers and cinematographer Sam Leavitt from the set of the 1957 film. Photographs belonging to uncredited camera operator Myers one with a mimeo snipe on the verso. <br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Based on the 1956 Broadway play by Ralph Berkey and screenwriter Henry Denker. Richard Widmark stars an Army Colonel investigating the case of a Major played by Richard Basehart who is accused of and admits to collaborating with the enemy as a POW during the Korean War but the Colonel doubts the Major's guilt. Malden's only directing credit.<br /> <br /> Shot on location in Agoura California and Governors Island New York. <br /> <br /> 8 x 10 inches and 5 x 4 inches. Near Fine overall. N.p. unknown
1980141899Los Angeles: Sandy Howard Productions / New World Pictures 1980. Draft script for an unproduced film. Holograph ink notation 108 on title page. <br/><br/>Bar-Yotam is an Israeli actor and screenwriter who is best known for his roles in "You Don't Mess with the Zohan" 2008 and "Moon Over Parador" 1988 along with several television appearances dating from 1981-2016 on programs such as "Seinfeld" " Murder She Wrote" "Shameless" and "MacGyver."<br/><br/>An angry renegade Irish police officer who plays by his own rules to come out on top in the end. <br/><br/>Set in Southern California. <br/><br/>White titled wrappers. Title page present with credits for screenwriter Reuven Bar-Yotam. 125 leaves with last page of text numbered 123. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Sandy Howard Productions / New World Pictures unknown books
1980141899Los Angeles: Sandy Howard Productions / New World Pictures 1980. Draft script for an unproduced film. Manuscript ink notation 108 on title page. <br /> <br /> Bar-Yotam is an Israeli actor and screenwriter who is best known for his roles in "You Don't Mess with the Zohan" 2008 and "Moon Over Parador" 1988 along with several television appearances dating from 1981-2016 on programs such as "Seinfeld" " Murder She Wrote" "Shameless" and "MacGyver."<br /> <br /> An angry renegade Irish police officer who plays by his own rules to come out on top in the end. <br /> <br /> Set in Southern California. <br /> <br /> White titled wrappers. Title page present with credits for screenwriter Reuven Bar-Yotam. 125 leaves with last page of text numbered 123. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Sandy Howard Productions / New World Pictures unknown
1979167218N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in holograph ink above it. <br/><br/>Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br/><br/>Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown books
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1944128726Hollywood: Paramount Pictures 1944. Post-production Release Dialogue script for the 1944 film. Based on the play by Alfred Maury. <br/><br/>Ray Milland stars as an American combat pilot forced to crash-land in occupied France. He is sheltered by nun Barbara Britton who finds herself attracted to the brash flyboy. Britton poses as Milland's wife when the twosome becomes involved with the activities of the French underground. <br/><br/>White side-stapled titled wrappers dated May 3 1944 noting 9 reels and a footage of 7905 feet. Mimeograph duplication. Near Fine. Paramount Pictures unknown books
1966162491N.p.: Times Films 1966. Three vintage studio still photographs from the US release of the 1965 French film. With provenance stamps on the verso of each one with three labels obscuring its provenance stamps. <br /> <br /> Valeria Ciangottini stars as a 19-year-old Parisian girl who after a messy love affair openly decides to become a prostitute and signs a contract with a ruthless pimp. When her first client an old man who owns a marketing agency dies in her arms and a young handsome company executive comes to investigate the death it's love at first sight. <br /> <br /> 8 x 10 inches. Two Near Fine one Very Good plus with faint creasing and a wax pencil annotation to the bottom margin. Times Films unknown
2004167768London: Recorded Picture Company 2004. Revised Shooting script for the 2005 fantasy film. Copy belonging to still photographer François Duhamel with his name in manuscript ink on the title page. <br /> <br /> Based on the 2000 novel by Mitch Cullin the third and final novel in his Texas Trilogy following "Whompyjawed" 1999 and "Branches" 2000. A young girl retreats into a vivid fantasy world during a summer spent at an isolated Texan farmhouse with her brother and their eccentric neighbors.<br /> <br /> Set in Texas shot on location in western Canada. <br /> <br /> Self wrappers. Title page present dated July 15 2004 noted as Shooting Script with credits for Cullin and screenwriters Terry Gilliam and Tony Grisoni. 128 leaves with last page of text numbered 109. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between September 22 and 28 2004. Pages about Near Fine bound with two gold brads. Recorded Picture Company unknown
1962132390London: Rank Organisation 1962. Collection of 6 vintage full-color British front-of-house cards from the 1962 UK film. <br/><br/>Based on the Geoffre Cotterell novel about a sophisticated partner in a brokerage firm trying to smuggle censored goods into London. <br/><br/>8 x 10 inches. Light creases overall else Near Fine. Rank Organisation unknown books
1971156330Burbank CA: American Zoetrope / Warner Brothers 1971. Two vintage borderless reference photographs from the 1971 film both showing Robert DuVall and Maggie McOmie in states of undress. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1971134494Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage black-and-white oversize double weight still photograph from the 1971 film. Shown are George Lucas and an assistant setting up a shot of Robert DuVall with Lucas placing calipers on DuVall's head. With the Warner Brothers studio stamp on the verso along with a notation regarding the shot and its reference number. <br/><br/>Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br/><br/>Written by Lucas and Walter Murch the film set a standard for dystopian stories that would inform dozens of films in its wake. Oddly Lucas did not continue down the pessimistic path choosing instead to engage in the broader appeal of "Star Wars."<br/><br/>14 x 10.25 inches. Near Fine. <br/><br/>Complete collation details available on request. American Zoetrope / Warner Brothers unknown books
1971170740Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage studio still photograph from the 1971 film showing George Lucas on the set. Stamp of photographer Michel Ciment and layout annotations on the verso. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by George Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> 10 x 8 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1971134494Burbank CA: American Zoetrope / Warner Brothers 1971. Vintage black-and-white oversize double weight still photograph from the 1971 film. Shown are George Lucas and an assistant setting up a shot of Robert Duvall with Lucas placing calipers on Duvall's head. With the Warner Brothers studio stamp on the verso along with a notation regarding the shot and its reference number. <br /> <br /> Given everything that would follow "THX-1138" could easily be described as the most successful student film of all time developed by Lucas in 1967 as a short called "Electronic Labyrinth: THX 1138 4EB" while he was attending the University of Southern California's film school. The feature film version was one of the first efforts produced under the auspices of Lucas' friend Francis Ford Coppola. <br /> <br /> Written by Lucas and Walter Murch the film set a standard for dystopian stories that would inform dozens of films in its wake. Oddly Lucas did not continue down the pessimistic path choosing instead to engage in the broader appeal of "Star Wars."<br /> <br /> 14 x 10.25 inches. Near Fine. American Zoetrope / Warner Brothers unknown
1992132045Culver City CA: TriStar Pictures 1992. Vintage black-and-white still photograph from the 1992 film. <br/><br/>A young FBI agent is partnered with a veteran investigator to crack a crime case on a Sioux Indian reservation. Produced by Robert De Niro. <br/><br/>8 x 10 inches. Two corners lightly creased else Fine. TriStar Pictures unknown books
1929136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. <br/><br/>Nominated for an Academy Award. <br/><br/>8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1929136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. <br /> <br /> Nominated for an Academy Award. <br /> <br /> 8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. Paramount Pictures unknown
1986147202N.p.: N.p. 1986. Draft script for an unproduced film. Missing page 45 likely as used or issued.<br /> <br /> Based on noted African American author John Oliver Killens' 1962 novel "And Then We Heard the Thunder" about the experiences of a group of African American draftees in a segregated unit during World War II in the South Pacific. <br /> <br /> Set in the South Pacific and South Brisbane.<br /> <br /> White untitled wrappers. Title page present dated May 1986 with credits for screenwriter ROBERT CASWELL and author JOHN OLIVER KILLENS. 122 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a light tide mark to the top edge of the wrapper and leaves bound internally with three gold brads. N.p. unknown
1973146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled to the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film.<br/><br/>After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx.<br/><br/>Set in Long Beach CA. <br/><br/>Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly toned and soiled bound with two gold brads. N.p. unknown books
1973146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled on the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film.<br /> <br /> After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx.<br /> <br /> Set in Long Beach CA. <br /> <br /> Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus overallbound with two gold brads. N.p. unknown
