8 853 résultats
1946157114Los Angeles: Twentieth Century-Fox 1946. Shooting Final script for the 1947 film seen here under the working title "Bob Son of Battle." Copy belonging to actor Lon McCallister with his annotations in manuscript pencil throughout. Included is a photograph of the cast and crew having a meal on the set with Peggy Ann Garner at the center of attention.<br /> <br /> Based on the 1898 novel "Owd Bob" by Alfred Ollivant. An aging crotchety shepherd fights his son in a collie dog sheepherding contest. <br /> <br /> Set in Scotland shot on location in Kanab Utah. <br /> <br /> Beige titled wrappers noted as Shooting Final on the front wrapper rubber-stamped copy No. 27 and production No. 113 dated June 25 1946. Title page present dated June 25 1946 noted as Shooting Final with credits for screenwriter Jerome Cady. 150 leaves with last page of text numbered 143. Mimeograph duplication rectos only with blue revision pages dated between 7/5/46 and 10/31/46. Pages Very Good plus with faint foxing on the fore-edge of the title page wrapper Very Good with script laid into wrapper partially bound with a single gold brad. Twentieth Century-Fox unknown
1942137103Los Angeles: Twentieth Century-Fox 1942. Revised Final Draft script for the 1942 film. Brief annotations in holograph pencil on the versos of two pages. <br/><br/>District Attorney Stephen Pettijohn Craven returns to his alma mater to lecture on circumstantial evidence and references a recent murder case. A local banker weds a young woman against the will of another man and the banker is later found dead. A remake of the 1929 John G. Blystone film of the same name. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 133 dated March 20 1942. Distribution page present with receipt intact. Title page present dated March 20 1942 noted as Final Script with a credit for screenwriter Engel. 101 leaves with last page of text numbered 97. Mimeograph duplication with blue revision pages throughout dated 3/28/42. Pages and wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1971166112N.p.: N.p. 1971. Two vintage borderless reference photographs from the 1971 Japanese Pink film both showing scenes featuring nude women. Provenance stamps and annotations in manuscript ink on the versos.<br /> <br /> An experimental film about a young man's psychosexual odyssey stemming from a dysfunctional relationship with his family and culminating in alienation.<br /> <br /> 6 x 4.5 inches. Near Fine. N.p. unknown
1976162486N.p.: Maturpix 1976. Vintage studio still photograph from the 1976 film. Provenance stamp on the verso. <br /> <br /> Catharine Burgess stars as a wealthy socialite who finds herself sexually drawn to a mirror in the attic of her family's estate where she speaks to her dead father who tries to convince her to come through the looking glass. <br /> <br /> Shot on location in Long Island New York. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Thrower Nightmare USA. Maturpix unknown
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br/><br/>In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br/><br/>11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br/><br/>Criterion Collection 209. Svensk Filmindustri unknown books
1961156281Stockholm: Svensk Filmindustri 1961. Collection of 22 vintage double weight oversize reference photographs from the 1961 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> The first entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy winner of the Academy Award for Best Foreign Film. A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a glimpse into a private world seen through a mind that has departed day to day concerns. <br /> <br /> 9.25 x 11.75 inches. About Very Good plus with pinholes at the corners and light edgewear. <br /> <br /> Criterion Collection 209. Ebert III. Svensk Filmindustri unknown
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br /> <br /> In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br /> <br /> 11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br /> <br /> Criterion Collection 209. Svensk Filmindustri unknown
1961130180Stockholm: Svensk Filmindustri 1961. Original Swedish illustrated poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." <br /> <br /> A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. <br /> <br /> 27.5 x 38.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1961130113Stockholm: Svensk Filmindustri 1961. Original Swedish photographic style poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." <br /> <br /> A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. <br /> <br /> 27.5 x 39.5 inches linen-backed. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1971162469N.p.: J.E.R. Pictures 1971. Two vintage studio still photographs from the US release of the 1969 German film. Both photographs with a provenance stamp on the versos. <br /> <br /> Marie Liljedahl stars as the young Eva who solemnly swears to remain a virgin until it can be logically argued that her view is foolish and contradicts the course of human fate.<br /> <br /> 8 x 10 inches. Near Fine. J.E.R. Pictures unknown
1956138529Hollywood: Paramount Pictures 1956. Vintage US one-sheet poster for the 1956 film. Studio rubber stamp on the verso as well as a rubber stamp for the Capitol Theatre in Kamsack Saskatchewan Canada. <br/><br/>Capt. Colt Saunders Heston returns to Texas from the Civil War to find his land wanted by carpetbaggers and his town controlled by corrupt Yankees. <br/><br/>Shot on location in Arizona. <br/><br/>27 x 41 inches folded. Very Good plus with a few small chips tears and stains. <br/><br/>Pitts 4373. Paramount Pictures unknown books
1951WRCLIT70559Los Angeles: United Artists 1951. Three vintage 11 x 14" lobby cards in full color. Occasional tackholes in margins and unobtrusively in images one card has a crease in upper right margin else very good. Three of the studio lobby cards issued to promote the black & white film noir directed by Joseph Losey starring John Drew Barrymore Preston Foster and Joan Lorring. The film was based on a script written by Joseph Losey and Stanley Ellin based on Ellin's 1948 novel DREADFUL SUMMIT. Hugo Butler and Ring Lardner Jr. also contributed to the screenplay but were uncredited when the film was first released. Additional cast members include Dorothy Comingore Philip Bourneuf Howland Chamberlain et al. It was Ellin's first screen credit following two teleplays. United Artists unknown books
1988151514N.p.: AMLF 1988. Two vintage reference photographs of Jacques Demy on the set of the 1988 film. <br/><br/>Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br/><br/>Set in and shot on location in Marseille France. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>Rosenbaum 1000. AMLF unknown books
1988151512N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. <br/><br/>Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br/><br/>Set in and shot on location in Marseille France. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Rosenbaum 1000. AMLF unknown books
1988151514N.p.: AMLF 1988. Two vintage reference photographs of Jacques Demy on the set of the 1988 film. <br /> <br /> Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br /> <br /> Set in and shot on location in Marseille France. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. AMLF unknown
1988151512N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. <br /> <br /> Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br /> <br /> Set in and shot on location in Marseille France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Rosenbaum 1000. AMLF unknown
1938138787New York: Excelsior Pictures 1938. Three vintage black and white second generation photographs from the groundbreaking 1938 film documenting the 1936 Summer Olympipcs held in Olympic Stadium in Berlin. Released in two parts "Olympia: Festival of Nations" and "Olympia: Festival of Beauty." From the archive of Maurice Bessy with his rubber stamp and light holograph annotations on the verso. <br/><br/>Based on Riefenstahl's photobook from the previous year "Schonheit im Olympischen Kampf." A rare example where a photobook and a film are equally important as both works of art and a historical document. Riefenstahl made the book and the film as propaganda for Hitler and spent a lifetime trying to live down her devotion to him but this work in particular is so powerful as to stand apart from the reasons for which it was made. Easily the most visceral and important document of The Olympics and the spirit of human physical achievement ever produced. <br/><br/>Variously sized between 3.5 x 7 inches and 5 x 6 inches. Fine condition. Excelsior Pictures unknown books
1968WRCLIT70570Burbank: Warner Bros. - Seven Arts 1968. Three color lobby cards 11 x 14". Small bump to lower right corner and pencil notation on verso of one else very good to near fine. Three lobby cards #s2 6 & 7 of the set produced to promote the screen adaptation by Thomas C. Ryan of McCullers's novel directed by Robert Ellis Miller and starring Alan Arkin who received an Academy Award nomination for Best Actor Sondra Locke debut Academy nomination for Best Supporting Actor Chuck McCann Stacy Keach Jr. film debut Cicely Tyson et al. Warner Bros. - Seven Arts unknown books
1934167828New York: Columbia Pictures 1934. Collection of three vintage pressbooks for three pre-Code films written by noted hard-boiled novelist Horace McCoy: "Hold the Press" 1933 "Fury of the Jungle" 1933 and "Speed Wings" 1934.<br /> <br /> McCoy moved to Hollywood in 1931 hoping to pursue a career as an actor. After a failed screen test at MGM McCoy discovered a talent for writing treatments and film scenarios and would go on to pen numerous films for Columbia Paramount and other studios through the next three decades. <br /> <br /> 12 x 18 inches. Generally Near Fine. Columbia Pictures unknown
1998166262Burbank CA: Warner Brothers 1998. Draft script for the 1999 film. Each page with a numeric watermark 2850. <br /> <br /> A black comedy about a gold heist executed by four American soldiers stationed in Iraq at the end of the First Gulf War. Director David O. Russell's third feature film. <br /> <br /> Shot on location in the deserts of Casa Grande Arizona and in California and Mexico.<br /> <br /> Self wrappers. Title page present dated July 17 1998 with credit for director and screenwriter David O. Russell and story writer John Ridley. 129 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages about Near Fine with first page lightly worn and partially detached from the binding bound with three gold brads. Warner Brothers unknown
1969162292Universal City: Universal Pictures 1969. Four vintage reference photographs from the US release of the 1969 British film including three borderless and one bordered. All with mimeo snipes on the verso. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A married sales executive must conceal his past affair with a young hitchhiker after his wife agrees to take the girl on as a boarder. <br /> <br /> Set in Middlesex shot on location in Hampshire. <br /> <br /> Three 7.5 x 9.5 inches one 8 x 10 inches. Near Fine. Universal Pictures unknown
1938142943Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Vintage Style D US one sheet poster for the 1938 US film. <br/><br/>Based on the 1936 novel by Erich Maria Remarque and to our knowledge F. Scott Fitzgerald's only credited adaptation of a literary work by another author. <br/><br/>Three young German soldiers vie for the love of a dying woman in the years following World War I. <br/><br/>27 x 41 inches on archival linen rolled. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1971WRCLIT83434Los Angeles: Warner Brothers 1971. Three 8x10 color small format lobby cards with printed captions. Light use and multiple pinholes in extreme corners from display ink note on one verso very good. Three examples #s 46 & 7 of the color mini- lobby cards issued to promote the controversial film treatment by Ken Russell of the historical record of Father Grandier and the alleged instances of possession among the Nuns of Loudon based on Huxley's book and Whiting's play. Vanessa Redgrave Oliver Reed and Christopher Logue were among the players and Derek Jarmon's set design is of considerable importance. The stills depict Grandier before the Inquisitors Grandier bound to the stake under assault by the Chief Inquisitor and Vanessa Redgrave's ecstasy prior to Grandier's death. Warner Brothers unknown books
2017163911London: Blueprint Pictures 2017. Draft script for the 2017 film. Copy belonging to production designer David Wasco with his name watermarked on every leaf. From the archive of crew member Chris Scher.<br /> <br /> A Missouri woman rents three billboards to draw attention to her daughter's unsolved rape and murder setting off a violent chain of reactions among members of her small community and the police officers responsible for overseeing the investigation. Nominated for seven Academy Awards winning two for Best Supporting Actor for Sam Rockwell and Best Leading Actress for Frances McDormand. <br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 films including "The Last Seduction" "Pulp Fiction" "From Dusk Till Dawn" "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Set in Ebbing Missouri shot on location in Sylva North Carolina. <br /> <br /> Self wrappers. Title page present undated with credit for director and screenwriter Martin McDonagh. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with one gold and one silver brad. Blueprint Pictures unknown
1939147689Los Angeles: Paramount Pictures 1939. Draft script for the 1930 film here under the working title "At Good Old Siwash" with "Those Were the Days" written in holograph pencil above title. Paramount "Return to Story Dept" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. <br/><br/>Middle-aged couple Petey and Martha William Holden Bonita Granville reminisce on their 35th wedding anniversary about their days in college when they first met. <br/><br/>Set in and shot on location at Knox College in Galesburg Illinois. <br/><br/>Self wrappers front wrapper dated October 23 1939 rubber-stamped production No. 1811. 135 leaves with last page of text numbered E-32. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 11-13-39 and 12-12-39. Pages Near Fine bound with three gold brads. Paramount Pictures unknown books
