4 698 résultats
1970161942N.p.: N.p. 1970. Two vintage studio still photographs from the 1970 film. Provenance stamp and a label on the verso. <br /> <br /> Jackie Uschi Digard arrives in Los Angeles without a dime and goes on a sexual odyssey through its steamy underbelly. <br /> <br /> Shot on location in Los Angeles and Mexico. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with pinholes in the margins. N.p. unknown
1970146941N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> An aging undercover spy tells the story of one of his many exploits to the patrons of a dive bar-this time involving a cyber caper with millions of dollars at stake.<br /> <br /> Set in South America.<br /> <br /> Self wrappers. Title page present with credits for screenwriter Michael Agelasto. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Very Good plus with some light wear to the first leaf bound with two gold brads. N.p. unknown
1925148182Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Two vintage reference photographs from the 1925 film struck from the negative circa 1950s one showing actor Mae Murray and the other showing Murray and actor John Gilbert. <br /> <br /> Based on the 1905 Hungarian operetta which was in turn based on the 1861 French play "The Embassy Attache." A lush romantic melodrama with touches of humor involving a European prince who falls for an American dancer. The relationship falls prey to every manner of trouble and the never-married couple eventually reunites on location at Maxim's in Paris. A rare program for an early and restrained gem by one of the great directors of the silent era. <br /> <br /> Set and partially shot on location in Paris.<br /> <br /> One photograph 8 x 10 inches one photograph 10 x 8 inches. One Near Fine with faint wear to the corners one Very Good plus with light wear to the left edge. Metro-Goldwyn-Mayer [MGM] unknown
1984130321Atlantic Entertaining Group 1984. Revised Draft script for the 1986 film. Based on the 1981 debut novel by Leonard Michaels. <br /> <br /> Seven singularly dysfunctional men form a discussion group and share their feelings about women love and life. <br /> <br /> Red titled wrappers recycled by studio from a previous wrapper with the film title noted in manuscript ink. Title page present dated April 1984 noted as Revised with credits for screenwriters Michaels and Gottfried. 116 leaves with last page numbered 113. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two gold brads. Atlantic Entertaining Group unknown
1957151135London: J. Arthur Rank 1957. Early Treatment script dated 1957 for the pilot episode of the 1959-1961 television series here under the working title "The Ghost Squad."<br /> <br /> Based on the 1959 book by John Gosling which detailed his experience as a member of an undercover team of Scotland Yard detectives. The first of two television series based on Gosling's memoir followed by "The Ghost Squad" in 1961. <br /> <br /> Beige titled wrappers noted as Treatment on the front wrapper dated 10-4-57. Title page present noted as FULL TREATMENT with credits for screenwriter Michael Gilbert. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. J. Arthur Rank unknown
1978162390N.p.: N.p. 1978. Six vintage borderless reference photographs from the 1978 film. <br /> <br /> A Belgian filmmaker travels across western Europe to promote her latest film encountering a wide range of figures both strangers and important people from her past along the way.<br /> <br /> Set and shot on location in Belgium France and West Germany. <br /> <br /> 9.5 x 7 inches. About Fine. <br /> <br /> Criterion Collection Eclipse 19. Rosenbaum 1000. N.p. unknown
1960141010N.p.: N.p. 1960. Treatment script for an unproduced film. <br /> <br /> A local entertainer sues a traveling medicine man claiming that his product caused her hair to fall out. The medicine man protests that his daughter has been using the solution since her birth and has beautiful hair. It is revealed the entertainer has always been bald and simply wanted to con a scam artist. <br /> <br /> Lacking wrappers. Title page present with credit for screenwriter Jack Lewis. Eleven leaves with last page of text numbered eleven. Mimeograph duplication rectos only. Pages Near Fine unbound. N.p. unknown
1969161922N.p.: Cinex Film Industries 1969. Vintage studio still photograph from the 1969 film. Provenance stamp on the verso. <br /> <br /> Hawk is a brutal sadist who forces men into selling their wives into white slavery for drugs and inflicts terrible pain onto the wives leaving them begging for more. Actor John Savage's first film now presumed lost.<br /> <br /> 8 x 10 inches. Very Good plus with wax pencil and ink annotations at the bottom margin of the recto. Cinex Film Industries unknown
145087N.p.: Billy Jack Enterprises. Two vintage press photographs from the set of the 1975 film. With an studio stamp on the verso of one. Riding high on his fame from "Billy Jack" probably this was Tom Laughlin's most ambitious effort as a director-star.<br /> <br /> One photo shown. Please inquire to see the other.<br /> <br /> A remake of the 1969 Japanese film "Goyokin" although anchored in an historical massacre that occurred in the early 1800s. <br /> <br /> Shot on location in California. <br /> <br /> 10 x 8 inches. Near Fine. Billy Jack Enterprises unknown
1925148156Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Vintage reference photograph from the 1925 silent film showing actors Mae Murray and Basil Rathbone in an embrace.<br /> <br /> A Parisian dancer and her partner make their living by seducing and stealing from millionaires to the chagrin of the local police chief. Legendary filmmaker Josef von Sternberg was initially slated to direct but grew exasperated with Mae Murray's on-set behavior and walked out on the picture to be replaced by Christy Cabanne.<br /> <br /> Set in Paris.<br /> <br /> 8 x 10 inches. Very Good with light edgewear toning and a few pinholes to the border not affecting the image. Metro-Goldwyn-Mayer [MGM] unknown
1975152239N.p.: MTM Enterprises 1975. Post-production script for Season 6 Episode 20 "Murray Takes a Stand" of the classic television series which aired on January 31 1976 printed on goldenrod pages.<br /> <br /> The new station owner's policies infuriate Murray and when Murray makes an irate late night call to the owner Lou is instructed to fire him and the news team needs to band together to get Murray's job back. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br /> <br /> Goldenrod self wrappers integral with title page with "Revised" dated December 17 1975 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Very Good plus with title page separated and creasing bound with two gold brads. MTM Enterprises unknown
1976152241N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 1 "Edie Gets Married" of the classic television series which aired on September 13 1975 printed on yellow pages.<br /> <br /> Lou is taken aback when his ex-wife Edie Priscilla Morrill announces she is getting married. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br /> <br /> Yellow self wrappers integral with title page with "Revised" dated July 23 1975 with credits for screenwriter Bob Ellison. 48 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. MTM Enterprises unknown
1976152240N.p.: MTM Enterprises 1976. Post-production script for the season 7 episode 13 "Look at Us We're Walking" of the classic television series which aired on December 25 1976 printed on yellow pages.<br /> <br /> One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. Created by James L. Brooks and Allan Burns and starring Mary Tyler Moore as Mary Richards the quintessential unmarried career woman working at the fictional WJM news station in Minneapolis. The show which championed second-wave feminism and featured realistic and complex characters and storylines is widely considered one of the best written television series of all time and featured an outstanding cast including Edward Asner Gavin MacLeod Ted Knight Valerie Harper Cloris Leachman Georgia Engel and Betty White.<br /> <br /> Mary and Lou ask the new station owner Mel Price David Ogden Stiers for a raise threatening to quit otherwise.<br /> <br /> Yellow self wrappers integral with title page with "Revised" dated July 14 1976 with credits for screenwriter Bob Ellison. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Very Good plus with title page separated bound with two gold brads. MTM Enterprises unknown
1968139010Paris: Champs-Elysees Productions 1968. Original French grande poster for the 1968 film. <br /> <br /> Based on Catherine Paysan's 1964 novel "Je M'appelle Jericho." Jericho Simon is an old man in the midst of a split with his partner and whose kids are along for the ride as he rekindles his love with a past girlfriend. <br /> <br /> 47 x 63 inches folded as issued. A few central tears faint toning else about Near Fine. Champs-Elysees Productions unknown
1980164139N.p.: N.p. 1980. Draft script for an unproduced television series a ribbon typescript copy with manuscript white-out annotations throughout and one manuscript ink annotation on the second to last page.<br /> <br /> Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. <br /> <br /> Two sets of newlyweds compete in a game show where the hosts asks each member of each couple a series of questions pertaining to their marriage while attached to a lie detector.<br /> <br /> Front wrapper integral with title page with credits for screenwriter Stephen T. Sustarsic II. 27 leaves with last page of text unnumbered. Ribbon typescript copy rectos only. Pages Near Fine bound with a single staple to the upper left corner. N.p. unknown
1977161321N.p.: N.p. 1977. Three vintage color reference photographs from the 1977 Greek adult film all three showing actress Artemis Tsarmi. One with the stamp of an Amsterdam film distributor on the verso. <br /> <br /> An erotic crime drama about a parcel of lost gold.<br /> <br /> 10 x 8 inches. Very Good lightly edgeworn with pinholes at the corners. N.p. unknown
1957142885N.p.: N.p. 1957. Draft script for an unproduced film. Manuscript ink on front wrapper noting title screenwriter Leonardo Bercovici and a story based on Nathaniel Hawthorne's 1860 novel. <br /> <br /> Bercovici's screenwriting credits include; "The Bishop's Wife" in 1947 starring Cary Grant Loretta Young and David Niven and "Portrait of Jennie" in 1949 starring Jennifer Jones and Joseph Cotten. His other films included "Racket Busters" in 1938 "Chasing Danger" in 1939 "Monsoon" in 1953 and two foreign films that he produced and directed as well as wrote "Square of Violence" in 1963 and "Story of a Woman" in 1970. Bercovici was blacklisted during the McCarthy era losing his US passport regaining it in 1956 and then moving to Europe for several years. Bercovici later became a respected teacher of writing at UCLA and the American Film Institute work that he continued until shortly before his death. <br /> <br /> Set in Rome. <br /> <br /> Red untitled wrappers. Title page present dated January 15 1957 with credits for screenwriter Leonardo Bercovici based on the novel by Nathaniel Hawthorne. 114 leaves with last page of text numbered 113. Mimeograph duplication. Pages Near Fine wrapper Very Good plus internally bound with three gold brads. N.p. unknown
1957141628Beverly Hills CA: Copa 1957. Draft script for an unproduced film. <br /> <br /> Based on the 1860 novel by Nathaniel Hawthorne one of his four major romances. In Italy four artists of various social standing find themselves in a complicated web of love alliances with their peers.<br /> <br /> Tan titled wrappers with credits for screenwriter Leonardo Bercovici and author Nathaniel Hawthorne. Title page present dated January 15 1957 with credits for screenwriter Leonardo Bercovici and author Nathaniel Hawthorne. 121 leaves with last page of text numbered 120. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Copa unknown
1963162520N.p.: N.p. 1963. Eight vintage reference photographs of cast and crew members on the set of the 1963 film including four of director Michael Carreras behind the camera. <br /> <br /> During a vacation in southern France an American artist becomes romantically involved with an older bar owner while harboring a secret interest in her teenage daughter. The second Hammer Films effort by Carreras son of Hammer founder James Carreras.<br /> <br /> Set and shot on location in Montfrin Arles Les Baux-de-Provence and Camarque France. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Johnson and Del Vecchio p. 224-226. N.p. unknown
1962158838Beverly Hills CA: M.C. Productions / United Artists 1962. One vintage studio still photograph and one vintage reference photograph from the 1962 film. Reference photograph with a printed mimeo snipe attached to the verso. <br /> <br /> Based on Richard Condon's 1959 novel. A film that managed the unlikely feat of being both timely and well ahead of its time combining several ambitious themes including thought control political assassination multinational conspiracy Oedipal issues and Cold War paranoia. Still riveting today and along with "Seconds" 1966 helped cast Frankenheimer as the master of the paranoid unsettling thriller. Contrary to popular belief the film was not pulled from circulation following the 1963 assassination of President John F. Kennedy but did disappear in 1972 when rights reverted to Frank Sinatra who subsequently neglected to pursue continued distribution. This lapse continued until 1988 when Sinatra re-released the film to theaters in conjunction with MGM and United Artists. <br /> <br /> Set in Korea and Washington DC shot on location in New York California. <br /> <br /> One photograph 10 x 8 inches one photograph 9 x 7 inches. Near Fine. <br /> <br /> National Film Registry. Grant US. Selby US. Spicer US. M.C. Productions / United Artists unknown
1972161480New York: Norman Rosemont Productions 1972. Draft script for the 1973 television movie which originally aired on April 24 1973 on ABC. Production memo and seven-page shooting schedule laid in.<br /> <br /> An American officer is sentenced to permanent exile from his homeland after being court-martialed for conspiring to attack and annex Mexico with Aaron Burr. <br /> <br /> Shot on location in Newport Rhode Island in Niagara New York and in Mystic Connecticut. <br /> <br /> Mustard titled Studio Duplicating Service wrappers. Title page present dated August 14 1972 with credit for screenwriter Sidney Carroll. 92 leaves with last page of text numbered 88. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Very Good plus wrapper Very Good plus moderately edgeworn with splashes affecting the final ten leaves and rear wrapper bound with two gold brads. Norman Rosemont Productions unknown
1972146260New York: Norman Rosemont Productions 1972. Revised Draft script for the 1973 television film. Copy belonging to uncredited crew member Ron Muky with his name in manuscript ink on the front wrapper and a small manuscript ink annotation noting the number 50 on the first page. <br /> <br /> Based on Edward Everett Hale's 1865 novel. A naval officer renounces his country and is sentenced to sail indeterminately never to return to America and kept unaware of the country's developments. <br /> <br /> Shot on location in Rhode Island Connecticut and New York. <br /> <br /> Goldenrod titled Studio Duplicating Service wrappers. Title page present dated August 14 1972 with credits for screenwriter Carroll. 93 leaves with last page of text Mechanical duplication undated throughout with blue and pink revision pages. Pages Near Fine wrapper Very Good plus bound with two gold brads. Norman Rosemont Productions unknown
1968162112N.p.: N.p. 1968. Vintage reference photograph of Catherine Spaak from the 1968 film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée.<br /> <br /> 8 x 10 inches. About Fine. N.p. unknown
1968145934N.p.: Compagnia Cinematografica Champion 1968. Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons" also known as "Break Up" from the prolific Italian director Marco Ferreri. <br /> <br /> Marcello Mastroianni plays Mario Fuggetta a wealthy industrialist whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna Catherine Spaak. He'll drive himself mad trying to find out how much air a balloon can take before bursting. <br /> <br /> 8 x 10 inches. Near Fine light wear on corners. Compagnia Cinematografica Champion unknown
1968162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos.<br /> <br /> Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. <br /> <br /> An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. <br /> <br /> Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown
