Alain Robbe-Grillet (director, screenwriter); Jean-Louis Trintignant, Ivan Mistrik (starring)Biblio.com
4 698 résultats
1968162085New York: Grove Press International Film Festival / Evergreen Film 1968. Two vintage studio still photographs from the 1968 French-Czechoslovak film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. <br /> <br /> 10 x 8 inches. Lightly creased at corners else about Near Fine. Grove Press International Film Festival / Evergreen Film unknown
1982169091N.p.: N.p. 1982. Final Draft script for the 1983 film. <br /> <br /> Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. <br /> <br /> Shot on location in Texas New York and California.<br /> <br /> Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1934157322Universal City: Universal Pictures 1934. Vintage reference photograph of director Edward Ludwig and cameraman Merritt Gerstad filming a scene with Claude Rains on the set of the 1934 film. Mimeo snipe on the verso. <br /> <br /> A pacifist writer discovers his publisher is in league with munitions manufacturers leading to a crisis of conscience. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
1972140225Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film. Copy belonging to uncredited cast member Merritt Blake with his name in manuscript ink on the front wrapper. Notably with a credit for screenwriter Eleanor Perry wife and frequent co-writer with her husband director Frank Perry. <br /> <br /> Jay Grobart Reynolds kills a man who raped and murdered his wife Cat Dancing. He is arrested but soon after is released and goes on a crime spree. He then meets Catherine Miles who is escaping her abusive husband and finds an unlikely mate.<br /> <br /> Shot on location in Arizona and Utah USA. <br /> <br /> Blue wrappers with a die-cut title window. Title page present dated October 31 1972 with credits for screenwriter Eleanor Perry and novelist Marilyn Durham. 159 leaves with last page of text numbered 158. Xerographically duplicated with blue revision pages throughout dated variously between November 6 1972 and November 7 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1956145939N.p.: Sumar Productions 1956. Vintage studio photograph of Gloria Grahame on location from the 1956 film. Mimeo snipe and French Twentieth Century Fox Stamp on verso. <br /> <br /> Based on Ewen Montagu's 1954 book based on a true story about a British attempt to trick their German enemies using the name and credentials of a dead man as bait. The real intelligence plan was called "Operation Mincemeat" and was devised to deceive the Axis powers into thinking "Operation Husky" an invasion of Sicily would take place elsewhere.<br /> <br /> 8 x 10 inches. Near Fine with light creasing at the margins. Sumar Productions unknown
1970137695Los Angeles: Grenadier Productions 1970. Draft script for an unproduced film called "The Man Who Was Alive and Well" written by Shimon Wincelberg produced for circulation at Grenadier Productions in Los Angeles for purposes of script development. Wincelberg's notable film credits include "Fighter Attack" 1953 "The Legend of Custer" 1968 and "Cold Sweat" 1970 as well as several television series episodes. <br /> <br /> Set in 1960s South America where Peter an apparent fugitive meets a young Indian woman named Felisa and the two fall in love and bear a child. <br /> <br /> Yellow titled wrappers. Title page present undated with a credit for screenwriter Wincelberg. 137 leaves with last page of text numbered 136. Mechanical duplication. Pages and wrapper Near Fine bound with three gold brads. Grenadier Productions unknown
1974146979Stockholm Sweden: Concorde Film 1974. Draft script for an unproduced film. With the name of the script written across the folder in manuscript pencil and a few small manuscript pencil and ink annotations presumably secretarial throughout correcting grammatical errors. Laid in with the script is a three-page typed summary of the story and a two-page typed letter addressed from Concorde Films managing director Lennart Berns to casting agent Paul Kohner suggesting actor Charles Bronson for the part of police detective Martin Beck. Text in English.<br /> <br /> Based on screenwriters Maj Sjowall and Per Wahloo's 1967 mystery novel about a Swedish police detective who realizes an anonymous serial robber might be the only witness to a string of grisly child murders in Stockholm. Eventually successfully produced in 1993 by director Daniel Alfredson and screenwriter Jonas Cornell but bearing little relation to the authors' earliest vision.<br /> <br /> Set in Stockholm.<br /> <br /> Tall housed in an untitled beige card folder. Title page present with credits for screenwriter-novelists Maj Sjowall and Per Wahloo and screenwriter Arne Mattsson. 177 leaves with last page of text numbered 174. Xerographic duplication rectos only. Pages Very Good plus unbound. Concorde Film unknown
1959149472Beverly Hills CA: United Artists 1959. Vintage borderless reference photograph of Alan Ladd in a dynamic pose with the image manipulated for effect from the 1959 film noir. <br /> <br /> Based on the 1956 novel by Hugh Wheeler under the pseudonym Patrick Quentin.<br /> <br /> A struggling artist Alan Ladd is accused of murdering his unstable alcoholic wife Carolyn Jones when she goes missing and must flee from the lynch mob forming amongst the townsfolk. <br /> <br /> Set in fictional Stoneville Connecticut shot on location in Woodstock and Thompson Connecticut and Framingham Massachusetts. <br /> <br /> 8 x 10 inches. Light edgewear and faint toning at edges else Near Fine. <br /> <br /> Selby US. Spicer US. Grant US. United Artists unknown
1970153808N.p.: N.p. 1970. Treatment script for an unproduced film. <br /> <br /> The adventures of roguish gambler and man-about-town Anthony "Mink" Romano. <br /> <br /> A later effort by comic book writer and artist Bob Kane best known for co-creating the DC Comics character Batman alongside artist Bill Finger. In his later career Kane turned to screenwriting and film work serving as a consultant on Tim Burton's 1989 adaptation "Batman" and its three sequels.<br /> <br /> Mustard titled wrappers with credits for screenwriter Bob Kane. Title page present undated with credits for screenwriter Bob Kane. 74 leaves with last page of text numbered 67. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1957138492Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in manuscript ink on the verso. <br /> <br /> Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. <br /> <br /> 23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown
1959144629Paris: Intermondia Films / Pretoria / Cinedis 1959. Collection of 4 original black-and-white single weight still photographs from the 1959 French-Italian film. Featuring Jean Gabin dancing gaily in a pub with costar Doll all photos with brief numerical annotations in manuscript pencil on the verso. <br /> <br /> Gabin plays a sophisticated tramp who lives during summer in an abandoned construction site. As winter draws near he devises a plan that will surely have him incarcerated and thus in warmer climates. To do so he chooses a bar to demolish but the crime only lands him a week in jail. Freedom proves too chilling and he vows to return. <br /> <br /> Grangier worked with Gabin on several films notably "The Night Affair" 1958 "The Counterfeiters of Paris" 1961 "Speaking of Murder" 1957 and "Maigret Sees Red" 1963 as did photographer Dole who was consistent if anything a regular fixture in films by Denys de La Patelliere Jean Delannoy.<br /> <br /> Photos 9.25 x 11.75 inches. Very Good plus overall with light curling discoloration. Intermondia Films / Pretoria / Cinedis unknown
1950146343London: Ealing Studios 1950. Draft Shooting script for the 1950 British comedy film. With a few manuscript ink annotations and a single copied manuscript notation to page 81 noting a single line of dialogue in Chinese.<br /> <br /> A young boy cons a friend out of a toy magnet and consumed by guilt donates the magnet to a man collecting items for a charity auction. The story of the boy's assumed sacrifice drives the bids for the magnet up higher and higher and the lowly magnet begins to take on astronomical significance.<br /> <br /> Set and shot on location in New Brighton Wirral Cheshire and Liverpool.<br /> <br /> Tan titled wrappers noted as Draft Shooting Script on the front wrapper dated 13th January 1950. Title page present noted as DRAFT SHOOTING SCRIPT. 100 leaves with last page of text numbered 96. Mimeograph duplication rectos only with undated pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Ealing Studios unknown
1979132786Los Angeles: Golan-Globus Productions 1979. Three original draft title card maquettes hand lettered by Harold Adler for the 1979 film. Based on the 1960 novel by Isaac Bashevis Singer. The three sketches show different approaches to the title all distinct from the final lettering design used. <br /> <br /> Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Magician of Lublin" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br /> <br /> At the turn of the Twentieth century a Jewish stage magician and con man whose career has been ruined by womanizing gets one more shot at the big time by attempting to pull off a never before seen trick. <br /> <br /> Two leaves. First leaf: 19 x 18 inches. About Near Fine with creasing to the edges. Two designs executed in black ink on white paper with a manuscript notation to the side in blue pencil. Second leaf: 15.5 x 5.5 inches. Black ink on white paper. Near Fine with manuscript annotations in blue pencil. Golan-Globus Productions unknown
1958156282Stockholm: Svensk Filmindustri SF 1958. Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> A traveling magic show led by a depressed fraudulent illusionist faces opposition from a small town's authorities who wish to expose the spectacle as a sham. <br /> <br /> Shot on location in Stockholm Sweden.<br /> <br /> 9.25 x 11.75 inches. Generally Very Good with pinholes at the corners and several with small closed tears that have been repaired with archival tape on the versos. <br /> <br /> Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1958151648Stockholm: Svensk Filmindustri SF 1958. Collection of 14 vintage black and white oversize double weight studio still photographs from the 1958 film. <br /> <br /> A traveling magic show led by a depressed fraudulent illusionist Max von Sydow faces opposition from a small town's authorities who wish to expose the spectacle as a sham. <br /> <br /> Shot on location in Stockholm Sweden.<br /> <br /> 12 x 9.5 inches. Near Fine. <br /> <br /> Criterion Collection 537. Rosenbaum 1000. Svensk Filmindustri [SF] unknown
1973141542Stockholm: Sveriges Television SVT 1973. Draft script for the 1975 television film. Text in Swedish.<br /> <br /> Based on Mozart's 1791 opera "The Magic Flute" titled in German "Die Zauberflote" and here under the Swedish title "Trollflojten." Nominated for one Academy award. <br /> <br /> The Queen of the Night offers her daughter Pamina to Tamino but also offers Tamino a magic flute to bring Pamina to him. The Queen also gives magic bells to the bird hunter Papageno who joins Tamino on his journey for them both to find wives and learn about themselves. <br /> <br /> Shot on location in Stockholm. <br /> <br /> Yellow untitled wrappers. Title page present dated November 1973 with credits for screenwriter Ingmar Bergman and translator Alf Henriksson. 93 leaves with last page of text numbered 28. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a spiral binding. <br /> <br /> Criterion Collection 71. Sveriges Television [SVT] unknown
1968135672London: Grand Films 1968. Complete set of vintage double weight color reference photographs from the 1968 film. <br /> <br /> 8 x 10 inches. Near Fine. Grand Films unknown
1915144596France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With manuscript annotations and agency stamps on the verso. <br /> <br /> Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. <br /> <br /> 7 x 5 inches. Near Fine. Le Film d'Art unknown
1973150828Burbank CA: Warner Brothers 1973. Vintage borderless reference photograph of John Huston and Paul Newman on the set of the 1973 film.<br /> <br /> Based on the 1971 novel "The Freedom Trap" by Desmond Bagley.<br /> <br /> Director John Huston's neo-noir Cold War spy thriller with Paul Newman as a British Intelligence officer who allows himself to be imprisoned to infiltrate a spy organization. Screenwriter Walter Hill's third produced screenplay.<br /> <br /> Shot on location in Ireland and England. <br /> <br /> 9.25 x 8 inches. Near Fine. Warner Brothers unknown
1936145854Paris: Films Albatros 1936. Vintage oversize double weight French studio still photograph from the 1936 film. <br /> <br /> Notations listing other French films in manuscript ink on verso and with a negative-printed credit for photographer Roger Forster at the bottom left corner of the recto.<br /> <br /> Winner of 1936's Louis Delluc Prize the first year the prize was awarded Renoir's film is based on a Maxim Gorky play depicting life in a flophouse centering on a bankrupted Baron Louis Jouvet a thief Jean Gabin his two lovers and the landlord.<br /> <br /> Akira Kurosawa also adapted Gorky's play in 1957 as . Renoir's adaptation not nearly as bleak as Gorky's play maintains a warm humanity but in the case of Kurosawa the setting is changed to Edo period Japan and the story remains faithfully grim.<br /> <br /> Set in Russia shot on location in France.<br /> <br /> 9 x 11.75 inches. Very Good plus light edgewear creases and pinholes at corners.<br /> <br /> Scorsese My Voyage to Italy. Criterion Collection 239. Films Albatros unknown
1965138325Prague: Filmove studio Barrandov 1965. Original program for the 1965 film with text in both French and English made for the international release of the film. Illustrated throughout with images from the film and line drawings. <br /> <br /> One of the best known films from the Czechoslovak New Wave nominated for a Best Foreign Language Film Oscar and bringing Forman to international attention. <br /> <br /> 11.25 x 8.25 inches 6 pages saddle stapled in self wrappers. Near Fine. <br /> <br /> Criterion Collection 144. Second Run 54. Filmove studio Barrandov unknown
1948163789N.p.: N.p. 1948. Vintage reference photograph from the 1948 film showing actress Rita Hayworth leaning over to talk to director Charles Vidor on the set. Annotations in manuscript pencil on the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Prosper Mérimée's 1845 novella and a remake of the 1927 film directed by Raoul Walsh about a hot-spirited gypsy who captures the hearts of those around her. Vidor Hayworth and costar Glenn Ford previously collaborated on the 1946 film "Gilda." <br /> <br /> 6.5 x 8.5 inches. Very Good moderately toned. N.p. unknown
1958132901Paris: Nouvelles Editions de Films NEF 1958. Collection of twelve vintage black-and-white still photographs from the 1958 French film. <br /> <br /> The great French director's second film about a wealthy woman who has become bored with both her emotionally distant husband and her lover and abruptly leaves them both to take up with a younger man she just met. After it was released in the US the film became the subject of a landmark First Amendment case before the Supreme Court where Justice Potter Stewart in declaring the film not obscene issued the immortal phrase "I know it when I see it" in regards to what constitutes pornographic material. <br /> <br /> A story set and shot on location in France including Paris Dijon Burgundy and the Cote-d'Or. <br /> <br /> 8 x 10 inches. Near Fine or better with light toning to a few of the photographs. <br /> <br /> Criterion Collection 58. Nouvelles Editions de Films [NEF] unknown
1964131051Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film based on the 1948 novel by Evelyn Waugh legendarily co-written by Terry Southern and Christopher Isherwood. Deluxe working script belonging to uncredited crew member William Todd Mason with his name and phone number in manuscript ink on the title page and some brief penciled annotations on three pages. Laid in is a corner stapled three-page Staff and Crew list with two name additions in manuscript red ink on the second page. <br /> <br /> Included is a vintage studio still photograph from the film. <br /> <br /> An early draft issued nearly two years prior to the film's October 1965 release with substantial differences from the finished film. <br /> <br /> The sister film to "Dr. Strangelove" and in the eyes of many just as much a masterpiece of exquisitely wrought black humor. Made in the US but in a dense British-American style. Ostensibly a satire on the funeral business in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement-but in reality a satire of Hollywood itself as well as the Western malaise of the mid 1960s. <br /> <br /> Script: Self wrappers presumably as this draft was issued. Title page present rubber stamped copy No. 70 dated July 21 1964 with credits for screenwriters Southern and Isherwood. 158 leaves mimeograph duplication with blue revision pages throughout dated 7-22-64. Pages Fine wrapper Fine bound with two gold brads. <br /> <br /> Staff and Crew listing: two leaves slightly worn with annotations on the second page. Metro-Goldwyn-Mayer [MGM] unknown
1965161893N.p.: Vansan Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. <br /> <br /> Struggling Greenwich Village artist Tyler is in love with the belittling and mean cabaret dancer Lisa. After a nightmarish three-day LSD trip Tyler returns to his apartment to find Lisa murdered and doesn't know if he killed her.<br /> <br /> Set in and shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine. Vansan Productions unknown
