Montaigne, Michel deAntiquariat.de
[Bible Collection]Antiquariat.de
Large Collection of Missionary Publications in ca. 100 Languages.
199127419West Africa, India, etc., 1681-1991.
114 507 résultats
158060779Bordeaux, Simon Millanges, 1580. 8vo (111 x 159 mm). 2 parts in one volume. (8), 496 pp. (4), 656 pp. (miscounted as 650+[3]). Bound with an engraved portrait of Montaigne by Thomas de Leu, produced for the 1608 edition and here inserted as a frontispiece. Luxurious dark green morocco by Hippolyte Duru (signed and dated 1850), covers ruled in blind, spine ruled around five raised bands and lettered in gilt. Leading edges gilt; finely gilt inner dentelle. Marbled endpapers. All edges gilt.
8vo (111 x 159 mm). 2 parts in one volume. (8), 496 pp. (4), 656 pp. (miscounted as 650+[3]). Bound with an engraved portrait of Montaigne by Thomas de Leu, produced for the 1608 edition and here inserted as a frontispiece. Luxurious dark green morocco by Hippolyte Duru (signed and dated 1850), covers ruled in blind, spine ruled around five raised bands and lettered in gilt. Leading edges gilt; finely gilt inner dentelle. Marbled endpapers. All edges gilt. The first edition of one of the most important works written and published in French in the 16th century: a highly desirable example, one of the tallest seen on the market for decades. Title-page of part 1 in the second state, that of part 2 in the third state. - Montaigne's groundbreaking essays on an eclectic array of subjects - from cannibals to solitude, from sleep to sadness - constituted an entirely unique and unprecedented literary genre, and a philosophy of knowledge that was based on his own personal experience and observations, epitomizing 16th century enlightened scepticism. "The most elaborate essay, the 'Apologie de Raimond Sebonde', is second to no other modern writing in attacking fanaticism and pleading for tolerance" (PMM). "D’ébauches en corrections, de remords en précisions, Montaigne échafaude une des œuvres maîtresses de l’esprit humain" (Francis Pottiée-Sperry, En français dans le texte, no. 73). - The publishing history of this work is complex, both for the rather careless printing of the first edition, and in large part because the changes to the text between editions were considerable: Montaigne's text was by no means static but constantly evolved under the eye of the author who "considered each new edition as the last". This first edition was printed by Millanges in the spring of 1580. It is unsophisticated and rather hastily composed, as betrayed by the innumerable misprints, font and type inconsistencies, errors in page numbering and textual variants. Indeed, "the pagination of vol. ii is very irregular with so many variants that it is impossible to reconstruct an ideal pagination. Probably no two copies are the same" (Sayce & Maskell, p. 4). The first part of this copy has G2 and 2A5 missigned as 2G and A5, while 2A2 is correctly signed as Aa2 (not as Aa; see Sayce & Maskell, p. 2), and the corrected states of C8 and O8 (ibid., p. 5, note 7), as well as the letters 'gsit' accidentally printed at the foot of Gg3 (ibid., p. 6, no. 9). The irregular spacing of lines on the page - occasionally very cramped - indicates composition by form. - Copies of early editions of Montaigne's work are extremely rare. Fewer than 100 examples are estimated to exist in private and institutional collections worldwide, suggested by some to point to a small original print run of only 300 to 400 copies (Bibliotheca Desaniana, no. 8, 2011; Balsamo, p. 160). - Complete with both errata leaves at the end; "l'un de ces deux feuillets manque souvent" (Sotheby's Paris, 27 Nov. 2003: EUR 337,875). A fine, uncommonly wide-margined specimen from the library of the French historian Emmanuel Pierre Rodocanachi (1859-1934) with three bookplates to pastedown and front free endpaper. Later offered by Pierre Berès, Paris and acquired in 1948 by Jorge Ortiz Linares (1894-1965), the Bolivian ambassador to Paris, for 350,000 French Francs. PMM 95. Sayce & Maskell 1. Tchemerzine IV, 870 & VIII, 402. Brunet III, 1835. Le Petit, 99. P. Desan, "Montaigne's Essays", and J. Balsamo, "Publishing History of the Essays", in: Desan (ed.), The Oxford Handbook of Montaigne (Oxford 2016). For the portrait see Desan, Portraits à l’essai: Iconographie de Montaigne (Paris, 2006).
199127419West Africa, India, etc., 1681-1991.
Significant collection of 333 Bibles, expositions, scriptural lessons, biblical school primers, and other extremely rare products of missionary presses. Many items unrecorded in Darlow & Moule, and several important 19th century works unrecorded in the OCLC database of worldwide libraries. The collection's main strengths lie in 19th and early 20th century publications produced for/in Africa and India (some 89 Indian and 58 African works) as well as hundreds of 20th century works in almost 80 further languages, ranging from Rarotongan to Miskito. Generally in original or period bindings and often with ownership markings of missionary societies, the collection paints a fascinating picture of missionary efforts of the 19th and 20th centuries. Highlights include an extremely rare edition of the New Testament printed in Tranquebar, South India in the Tamil language in 1758 by a Danish missionary, Bartholomaeus Ziegenbalg (this very copy fetching nearly $4000 at Sotheby's in 2000) and a wonderful color-illustrated edition of Bunyan's Pilgrim's Progress translated into the Niger-Congo (Dualla) language in 1885. - More than simply offshoots of the colonial enterprise, missionary movements set up their own presses in colonies such as Cameroon and Calcutta and began printing titles such as the present ones, usually in runs of 1000 or less. These publications often represent the first appearance of native languages in print form, shaping future efforts at graphic and textual representation of mainly spoken languages. Interestingly, many of the present volumes also represent the first language guides to several African and Indian languages, prepared by missionary presses to facilitate the conversion of natives. "Much of this activity stemmed from the importance placed by Protestants on a literate population which could read and study Scripture for themselves" (Weber, p. 2). The present collection clearly demonstrates how missionary directives, while often fueled primarily by a desire to 'save souls' and 'convert heathens', also concerned themselves with children's education (N144), health (N271), the management of schools (N261), agriculture (N65), mothercraft (N278), and language learning (e.g. N91, N161, N256). - The importance of the printing press and its products to the missionary efforts of the 19th and 20th century has rarely been directly addressed in the secondary literature. Robert E. Frykenberg's "Christianity in India: from beginnings to the present", for example, hardly touches on missionary presses at all, perhaps due to the copious and diffuse nature their printings. Yet the importance attached by contemporaries to the power of the press should not be underestimated. Writing in the The Baptist Missionary Magazine of 1840, a Mr Crocker expressed the heartfelt need for printing press in the West African colonies: "That God designs to employ the press as an important instrument in diffusing the light of truth, we have abundant evidence [...] It is true, in this country the people cannot read. But the press is required to furnish them books that they may learn to read [...] It seems desirable that boys of great promise should have the stores of English literature open to them." His petition was duly granted several years later, when the first mission press was established on the Cameroonian mainland in 1844 (cf. early examples from the "Mission Press, Western Africa" in numbers N149, N150, N130, etc). - Many of the present works were acquired from what must have been the greatest such institutional collection of its time, the library of the Baptist Mission House in London. - Of the utmost rarity are not only the early imprints of African missionary presses, but also the briefer, soft-bound pamphlets issued by these presses whose survival rate must be minimal. We find numerous examples in this collection of such pamphlets which are either unrecorded (eg N 93, N275) or recorded only in the Darlow and Moule collection at Cambridge University Library. - Detailed catalogue available upon request. Weber, Charles, International influences and Baptist mission in West Cameroon (1993); "Importance of the press to the mission", The Baptist Missionary Magazine, Vol 20, pp. 192-4 (August, 1840); cf. also e.g. Stephen Neill, A History of Christian Missions (1991).
52320(Wohl Niederösterreich), vor 1447. Lateinische Handschrift auf Papier. 228 Bll. (davon 7 weiß). Durchgehend von einer Hand in roter Tinte foliiert 1-216; es folgen 12 Bll. mit späterer Foliierung in Bleistift 217-228. Text von der ersten Hand fol. 1-150; fol. 157-216 und 217-227 ergänzt von zwei anderen Händen. Der erste Teil durchgehend, der zweite Teil vielfach rubriziert und mit roten Lombarden sowie Zwischenüberschriften. Rot gefärbter Ganzlederband der Zeit mit 14 Messingbuckeln, 1 von 2 ziselierten Messingschließen, und hs. Deckelschildchen ("Omelie Sanctorum"). Kl.-Folio (228 x 304 mm). In maßgefertigter Halbmaroquinkassette.
Small folio (228 x 304 mm). Latin manuscript on paper. 228 ff. (including 7 blanks). Foliated by a single hand in red ink (1-216), followed by 12 ff. with later pencil foliation (217-228). Text by the first hand fols. 1-150; fols. 157-216 and 217-227 by two additional hands. Rubrication, red Lombardic initials and red captions throughout in first part and more sparingly in the second. Contemporary red-dyed full calf with all 14 brass bosses, 1 of 2 brass clasps, and handwritten cover label ("Omelie Sanctorum"). In custom-made half morocco solander case. Fine late mediaeval sermon manuscript owned by the Viennese theologian Johann Hofmüllner of Weitra (d. 1475), with an anti-Waldensian treatise at the end. The first part contains mainly homilies for various feast days and Bible passages drawn from St Augustine and the Venerable Bede: - 1r: In vigilia ascensionis. S. Johan. In illo tempore sublevatis Ihesus oculis in celum ... Oml. bti. Aug. epi. Clarificatum a patre formam secundum sui filium ... - 150v: Ach her got hilf. Finis adest libro sit laus et gloria. Explicit iste labor ... Deo gratias Amen. - 151-156: vacant. - Followed by additional homilies by Bede, Augustine, Origin, Isidorus Hispalensis, Severinus etc: - 157r: Incipiunt omelie per circulum anni [...]. Igitur quoniam post tempus spiritualibus epulis nos reficere debemus [...]. - 216v: ... matres tulerunt quidquid et angoris extitit et doloris et ideo non [breaks off]. - The final part contains the first 21 chapters of Petrus Zwicker's "Liber contra Waldenses": 217r: Ortus et origo Waldensium haereticorum talis est ...; 227v: ... vel non commisit illud per sufficientiam poenitentiam diluit immediate [breaks off]. Transmitted in some 50 manuscripts, this treatise (erroneously attributed to Peter of Pilichdorf by its first editor, Jakob Gretser) constitutes "the single most important text on the Waldensians from the later Middle Ages" (Biller, The Waldenses, p. 237). - Provenance: several autograph ownerships by Johannes Hofmüllner: "Iste liber est Johannis Hofmulnar de weyttra" (1r), "Hic liber est Johan[n]is Hofmuln[er] de weyttra. 1447" (150r); later in the library of the Servite Order in Vienna's Rossau suburb with their 18th century engraved bookplate on the front pastedown and a smaller version thereof on the first page; handwritten shelfmark "MS 71" (olim: 21), stricken out and re-marked "CV/19" in red pencil. - The majority of the known surviving codices from Hofmüllner's private collection was acquired by the library of Seitenstetten Abbey in Lower Austria at some time during the last decades of the 15th century: a total of 17 or possibly 18 volumes. One other volume is in the Austrian National Library (Cod. 4059), while another, previously also in Seitenstetten, is now kept in The Walters Art Museum, Baltimore (Ms. W.30). How and when exactly the volumes in Seitenstetten were acquired - during Hofmüllner's lifetime, or as a bequest, or a purchase - is not known, nor how many books Hofmüllner's library originally comprised (cf. Cerny, p. 8). "We first find Hofmüllner as a scribe of manuscripts in 1437, serving as 'cooperator divinorum' in Waidhofen an der Thaya. The following year he is in Vienna, soon in the office of an octonarius at St. Stephen's Cathedral (attested in 1445) [...] He is confirmed as serving in the office of magister chori in 1448. From his books, it would seem quite obvious that Hofmüllner consciously endeavoured to keep up to date on contemporary theological literature and to expand his library continually by writing and by buying new manuscripts [...] Indeed, Johann Hofmüllner was a generous man in many ways who gave away large sums of money for pious causes" (cf. ibid., p. 27f.). - Condition: binding rubbed and slightly chafed in a few places. Two leaves (167-168) have a large, straight tear in the upper edge reaching into the text. Insignificant worming to the upper corner from fol. 157 onwards, not concerning the text. Occasional marginalia and manicules, apparently some by Hofmüllner. Altogether a very appealing codex bound in a massive, dyed binding, complete with all the original brass bosses and fittings save for the lower clasp. For Hofmüllner cf. Heimo Cerny, Beiträge zur Geschichte der Wissenschaftspflege in den Stiften Seitenstetten und Ardagger (PhD thesis, Vienna 1966). For Zwicker's treatise cf. Peter Biller, "The Anti-Waldensian Treatise Cum Dormirent Homines of 1395 and Its Author", in: The Waldenses 1170-1530 (Aldershot 2001), pp. 264-269.
184364221Paris, Dumont, 1829-1843. Large folio (44 x 28 cm), 10 issues with salmon-pink wrappers. 562 pp. altogether, lithographed throughout. Uncut in original parts, stored individually in archival portfolios.
60367Altissiodorum [Auxerre], 26. IX. 1147. Large folio (555 x 420 mm). Latin manuscript on vellum. 1 p.
165162793London, [Thomas Warren and Richard Cotes] for Andrew Crooke, 1651. Folio (202 x 294 mm). (6), 394 pp. With additional engraved title-page by Abraham Bosse and folding letterpress table. Later dark red calf-backed boards, spine in compartments and with later black leather label and black rules done to style.
178165470Riga, Johann Friedrich Hartknoch, 1781. 8vo. (24), 856 pp. Engraved title vignette and a few small engraved vignettes in text. Contemporary half calf with gilt label to spine. All edges red.
8vo (205 x 123 mm). Engraved title vignette and a few small engraved vignettes in text. Contemporary marbled paper-covered boards, flat spine with orange label lettered in gilt, edges red. Modern cloth box, orange label. One of the most influential works in the history of philosophy. In the preface to this first edition Kant explains what he means by a critique of pure reason: "I do not mean by this a critique of books and systems, but of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience." Before Kant, it was generally held that truths of reason must be analytic, meaning that what is stated in the predicate must already be present in the subject (for example, "An intelligent man is intelligent" or "An intelligent man is a man"). In either case, the judgment is analytic because it is ascertained by analyzing the subject. It was thought that all truths of reason, or necessary truths, are of this kind: that in all of them there is a predicate that is only part of the subject of which it is asserted. If this were so, attempting to deny anything that could be known a priori (for example, "An intelligent man is not intelligent" or "An intelligent man is not a man") would involve a contradiction. It was therefore thought that the law of contradiction is sufficient to establish all a priori knowledge. "The influence of Kant is paramount in the critical method of modern philosophy. No other thinker has been able to hold with such firmness the balance between speculative and empirical ideas. His penetrating analysis of the elements involved in synthesis, and the subjective process by which these elements are realized in the individual consciousness, demonstrated the operation of 'pure reason'; and the simplicity and cogency of his arguments achieved immediate fame. Kant's achievements in other branches of philosophy were equally distinguished and fruitful [...] His methods [...] dominated western philosophical thought throughout the 19th century, as they do today" (PMM). - Provenance: Librarie Schlesinger, Vevey (bookseller's small ticket). Bookplate "HB" to front pastedown. - Some light marginal spotting, occasional light marginal browning or staining. Extremities rubbed, sides scuffed. Several underlinings or strokes to margins in thin pencil and occasionally in ink; unpaginated pp. 426-461 numbered in ink "26-61" in a contemporary hand. Warda 59. Norman 1197. PMM 226.
170656962Augsburg, Johann Ulrich Krauss, [1706]. Folio (336 x 205 mm). Contemporary speckled calf over paste-boards, sides panelled with single gilt fillet, spine richly gilt with red morocco gilt lettering-piece, gilt edges. 2 parts in one volume. I: Xylographic half title, letterpress title with vignette, four-page preface with head-piece and initial, one page index of holy days, full-page allegorical engraving of the Church and 70 plates (numbered). II: Letterpress title with vignette, full-page engraving of the apostles and their symbols, and 50 plates (numbered 71-120); all the engravings finely coloured throughout with some gold heightening, all by a contemporary hand; the 120 plates show over 240 small emblems with mottoes. The plates printed on thick card paper, interleaved.
Folio (336 x 205 mm). Contemporary speckled calf over paste-boards, sides panelled with single gilt fillet, spine richly gilt with red morocco gilt lettering-piece, gilt edges. 2 parts in one volume. I: Xylographic half title, letterpress title with vignette, four-page preface with head-piece and initial, one page index of holy days, full-page allegorical engraving of the Church and 70 plates (numbered). II: Letterpress title with vignette, full-page engraving of the apostles and their symbols, and 50 plates (numbered 71-120); all the engravings finely coloured throughout with some gold heightening, all by a contemporary hand; the 120 plates show over 240 small emblems with mottoes. The plates printed on thick card paper, interleaved. First edition and a superb luxury copy of Krauss's emblematic interpretation of Biblical scenes entitled "Holy Delight of the Eye and Heart", which represents one of the high points of the Baroque period in Southern Germany. All the engravings are specially printed on thick card paper and beautifully coloured in gouache and watercolour, heightened in gold. - Johann Ulrich Krauss (1655-1719) was one of the most successful engravers and publishers at Augsburg in the latter part of the 17th century. This monumental emblem book was conceived as a suite to his famous Picture Bible or Bilderbibel (1698-1700) and follows the same illustrative formula, in which the upper portion of each plate contains an illustration of a Bible scene and the lower portion an engraved circular emblem. Each plate is devoted to a different Saint's day, and each emblem is printed within an elaborate cartouche or frame (the frames serve to emphasise the painterly aspect of these coloured scenes), itself often incorporating small medallion vignettes or emblems. In his artistic style Krauss's ornamental engravings - represented here by the varied and imaginative emblem cartouches - were widely influential in Germany, through their use as models for cabinetmakers, woodworkers and other craftsmen. In this coloured copy, those engravings with frames particularly serve to emphasise the painterly aspect of the scenes. - The artistic colouring of this copy adds expressive details and nuances of light, hue and shadow not supplied by the engravings themselves. It was likely executed, possibly under the artist's direction, either for presentation to a high-ranking patron or on commission for a wealthy customer. To avoid bleed-through of the colour the plates were specially printed on heavy, card-like paper, making this copy nearly twice as thick as ordinary copies. With its characteristic German Baroque palette of delicate pinks and blues and rich greens, enhanced by sparingly but gorgeously applied touches of gold, the colouring transforms many of the pictorial illustrations into veritable miniature paintings. - A coloured copy of Krauss's Bilderbibel, also on thick paper, is recorded (cf. Tenschert catalogue XLVIII, 98), but we can trace no other coloured copies of the present edition. In his 1933 study of the illustration of the Bilderbibel and its suites, Otto Reichl made no mention of any coloured copies. - Occasional minor marginal soiling or paper discoloration, small marginal repairs to 2 text leaves, plate 32 with small light stain, small tear to head of spine; else fine. Praz, p. 389. Landwehr, German 390. Faber du Faur, 1849. Thieme/Becker XXI, 440. Otto Reichl, Die Illustrationen in vier geistlichen Büchern des Augsburger Kupferstechers, Johann Ulrich Krauss. Studien zur deutschen Kunstgeschichte 294 (Strasbourg 1933).
62946Various places, 20th century. 116 works in 122 volumes, mostly 4to and 8vo. Includes a folder of ephemera comprising correspondence, photographs, newspaper clippings, and personal notes.
195047634London: Geoffrey Bles / The Bodley Head 1950. Very Good/Very Good. London: Geoffrey Bles / The Bodley Head 1950-6. First Editions First Printings. Seven octavo volumes; illustrated dust jackets over cloth boards. Frontispieces some color; black and white in-text illustrations; map endpapers. All jackets unclipped except for Horse and His Boy; repair with paper fill-ins to Lion and Silver Chair; discrete professional repair to Dawn Treader; mild chipping closed tears and general rubbing and soiling. Boards with varying degrees of shelfwear sunning and rubbing. Bindings sound; foxing to edges of text block and endpapers; contemporary ownership inscriptions to preliminaries; slight musty odor; pages unmarked. <br /> <br /> A Very Good and sound set of Lewis's fantasy series continually praised and scrutinized for its blend of magic and mythology as well as philosophy and theology all taking place in what Lewis called "a supposition." Full sets of first printings in jacket uncommon in retail.<br /> <br /> Currey pp. 310-311. Geoffrey Bles / The Bodley Head unknown
27972Straßburg, [Georg Husner], 1484. 255 nn. Bll. (d. l. w.). Gotische Type, 2 Spp., 46 Zln. Durchgehend rubriziert. Mit rot und orange eingemalter Titelbordüre, großer mehrfarbig eingemalter Initiale "S" mit in den Rand auslaufendem Blüten- und Rankenwerk zu Textbeginn, hübscher Einfassung des Kolophons in rot und zahlreichen rot oder blau eingemalten Initialen, teils mit in den Rand auslaufendem Federwerk. Blindgepr. Schweinslederband der Zeit über Holzdeckeln auf 4 Doppelbünden mit 2 Metallschließen (fehlen die Beschläge). Hs. Rückenschildchen. Folio (224:318 mm).
151985547AB1519-1546. 19,5x14,5 cm. Blindgeprägter Pergamenband über Holzdeckeln mit Metallschliessen.. Titelblätter mit kleinen ledernen Daumenregistern. Kleiner Besitzerstempel auf Innendeckel.
164018000Rom, Typographia Sacra Congregatio de propaganda fide, 1640. 18 Bll., 82, 450 S., 1 Bl. mit einigen Textholzschnitten. Gr.-8°. HLdr. der ersten Hälfte des 20. Jahrhunderts mit Rückentitel (etw. bestoßen). [6 Warenabbildungen]
157560368Rome, 7. VII. 1575. Imperial oblong folio (735 x 570 mm). Latin manuscript on vellum. 1 p. With Gregory's lead bulla attached on a hemp cord.
166444606Venice, Paolo Baglioni, 1661-1664. 12mo. 4 vols. (40), 670 pp. (2) ff. (1 blank), 734, (34) pp., (2) ff. (1 blank), 792, (18) pp. 756, (24) pp. With a woodcut in the text of vol. 3, p. 193, and a full-page engraving on p. 361 of vol. 4 (both diagrammatic). Contemporary limp vellum with ms. spine titles; all edges of vol. 2 sprinkled in red.
152385548AB1523-1557. 19,7x14 cm. Halbpergamentband, Deckelbezüge mit Manuskriptblättern aus Pergament (berieben). Namenseinträge: Exlibris xxx (Name gelöscht) von 1610, darunter Joh. Conradi Schychzeri (Scheuchzer) Tig(uri).
65209[Basel, Michael Wenssler, nicht nach 1474]. Fol. 52 nn. Bll. (34 Z., Got. Typ.). - Angeb. - Ders. De morali lepra. [Ebda., nicht nach 1475]. 68 nn. Bll. (34 Z., Got. Typ.), Roter Maroquin-Bd. d. 18. Jhds. a. 5 Bünden m. goldgepr. Deckelfileten, Rückenverg., 2 goldgepr. grünen Rückenschildern, Steh- u. Innenkantenverg. u. dreiseitigem Goldschnitt.
186960434N. p., [1869]. 8vo. French manuscript in brown ink on paper. (1), 180 ff.
12mo (70 x 130 x 65 mm). (8), 664 pp. 423, (1) pp. 302, (5), 5, 8 pp. With engraved frontispiece and 3 engr. title-pages. Contemporary brown calf. Marbled endpapers. All edges gilt. Pretty Lüneburg-printed Luther Bible in small pocket format, bound as a "dos-à-dos-à-dos binding", a superlative triplet version of the dos-à-dos binding. The latter is described as "a binding structure in which two separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both". Von Arnim states that "this gimmick first seems to have appeared in the 1560s [...] Gruel noted that these curious bindings almost exclusively contain Protestant functional writings. It would seem that sober Protestantism here yielded to a luxurious whim, as it were, a substitute for the Catholics' bibliophile Books of Hours. Dos-à-dos bindings were particularly popular in England, especially for the small-format editions of the New Testament and Psalms so common there [...] Of nine dos-à-dos bindings in the British Museum, six are embroidered" (Bibl. Otto Schäfer, no. 79). "These twin bindings, or dos-à-dos bindings, were used frequently for religious books of the 17th and 18th century, but very few have survived" (Sonntag, Boerner Cat. 21, no. 63: an embroidered English dos-à-dos binding). Bound between the first and second parts (Genesis through Song of Solomon; Prophets) is the third part (New Testament), with shared inner boards. A few old ms. notes; first part wants flyleaves. Some professional repairs to the binding's extremeties. VD 17, 23:672727F. Darlow/Moule 4221. Württ. Bibelslg. E 906 (dos-à-dos binding; Josias Lorck copy).
168536969Lüneburg, Johann Stern, 1685. (8), 664 SS. 423, (1) SS. 302, (5), 5, 8 SS. Mit gest. Frontispiz und zus. 3 Kupfertiteln. Dunkelbrauner Lederband der Zeit. Marmorvorsätze. Dreiseitiger Goldschnitt. 12mo (70 x 130 x 65 mm).
