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[Raicsani, Johann, SJ].MareMagnum

Itinerarium athei, ad veritatis viam deducti [...]. Vienna, Johann Jacob Kürner, 1704.

SAN BUENAVENTURA (1221-1274).MareMagnum

[Opera] In hoc volumine Beati Bonaventure subiecta continentur: Tractatus de tribus ternariis peccatorum infamibus. Breviloquium. Centiloquium. Regula seu Institutio quedam olim pie et spiritualiter in Christo vivere volentium distincta in XXV Memorialia. Speculum discipline ad novicios. Itinerarius mentis in Deum. Tractatus de septem gradibus contemplationum. Tractatus qui lignum vite intitulatur. [Seguido de:] Tractatus de Profectu Religiosorum. [Seguido de:] Vita Christi a Beato Bonaventura contemplative composita. Tractatus eiusdem de modo se preparandi ad celebrandum missam. Soliloquium de Quattuor Exercitiis.

Paris, Bertholdus Rembolt, 1517 y 1518. [al fin:] Parrhisiis impressi per Magistrum Bertholdum Rembolt, anno domini millesimo quingentesimo xvii, [y] per Magistrum Bertholdum Rembolt Anno domini millesimo quingentesimo xviii. Seis tomos en un volúmen en 4to.; 4 hs., LIIII folios ( mal numerados: en realidad, XCIV). + CXXXIIII folios, 2 hojas, incluída portada orlada, impresa a dos tintas, con la marca del impresor + LXXVI folios, 2 hojas, incluída portada orlada, impresa a dos tintas, con la marca del impresor, + LII folios, 10 hojas, incluída portada orlada, impresa a dos tintas, con la marca del impresor, + XCVI folios, 4 hojas, incluida portada orlada, impresa a dos tintas, con marca del impresor, con un grabado en el reverso que muestra la Crucifixión y otro de San Francisco de Asís recibiendo los estigmas en el vuelto de la cuarta hoja + LVII folios numerados y siete más sin numerar, 4 hojas, incluída portada orlada, impresa a dos tintas, con marca de impresor y con un grabado de San Francisco de Asís recibiendo los estigmas en el reverso. Impresión gótica. Bellísima encuadernación de época, en piel sobre tabla, con gofrados en seco en ambos planos. Los tres tomos restantes contienen: Oratio Octaviani in vitam Beati Bonaventure. Libellus de reductione Artium ad Theologiam. Tractatus de paupertate Christi. Tractatulus de quinque festivitatibus Pueri Iesu. Tractatulus de regimine anime. Epistola ad magistrum innominatum eliminans errorem contra regulam Beati Francisci. Epistola de eo quæ Christus et Apostoli et discipuli eius incesserunt Discalciati. Epistola ad ministros provinciales et custodes de reformandis fratribus sui Ordinis. Viginti passus de informatione spiritualis vite et profectu religiosorum. Sermones de decem preceptis Domini. Apologia Pauperum. Expositio orationes dominice. Laudisimus de cruce Domini. Tractatus de dieta salutis. Contemplatio devota de nativitate Domini. Tractatus de resurrectione hominis a peccato ad gratiam. Liber salutaris Beati Bonaventure Pharettra vocatus.

Librerías Hesperia Libros · Zaragoza, ES3 000,00 €

Leone I, PapaMareMagnum

Sermones. Curato da Johannes Andreas, vescovo di Aleria. (Di questi segue:) Symbolum Nicaenum. Testimonia quod Jesus semper verus sit deus et verus homo

In-4, ff.128 (mancano il primo e l'ultimo bianchi). Legatura settecentesca in piena pergamena, titolo in oro su tassello granata. Tagli spruzzati. Circa un terzo del volume è interessato da una gora d'acqua nel margine interno, l'ultimo quaderno anche all'esterno e gli ultimi 5 fogli hanno un'integrazione cartacea all'angolo superiore senza perdita di testo. Per il resto, esemplare su carta forte, bella e nitida impressione, ampi margini. Voluta e curata dal vigevanese Giovanni Andrea Bussi, si tratta della prima edizione dei sermoni di Papa Leone Magno. Johannes Andrea fu accolito del papa Niccolò V, vescovo della Diocesi di Accia e di Aleria in Corsica, bibliotecario della Biblioteca Vaticana e segretario pontificio. Raccolse ed emendò numerosi codici e, dal 1468, curò le editiones principes di molti autori latini per i tipografi romani. Con lui la prefazione si ampliò da semplice lettera personale al patrono, diventando una lezione pubblica o anche un'omelia. Al contropiatto ex-libris della famiglia Dionisi, tra le più antiche della nobiltà di Verona: il marchese Gabriele (1719-1808) fu l'artefice della ristrutturazione della villa a Ca' del lago di Cerea nonché del riordino e aggiornamento della biblioteca. I Dionisi avevano destinato al piano nobile la funzione di libreria e sala di lettura, precoce esempio di centro culturale dove si riunivano artisti e letterati. Dopo la dispersione delle migliaia di volumi del fondo antico, conserva ora i libri sul mobile d'arte contemporaneo della Fondazione Aldo Morelato.. Goff L134; HC 10012*; Pell Ms 7127 (7070); CIBN L-115; Aquilon 442; Neveu 390; Maignien(Grenoble) 361; Polain(B) 4518; IGI 5725; IBE 3475; IBP 3394; Sajó-Soltész 2047; IBPort 1076; SI 2397; Sallander 2294; Martín Abad L-26; Walsh 1796; Oates 1800;Sheppard 3653; Pr 4496; BMC V 281.

Libreria Antiquaria Pregliasco · Torino, IT2 700,00 €

Galle, Cornelius / Puget de la Serre, Jean.MareMagnum

Les Merveilles de l'Amour Divin... Enrichie des Figures. Brussels, Francois Vivien, 1633.

4to. (6) ff, 323 [i.e. 327] pp, (1), including additional engraved title signed C. Galle after N. van der Horst, vignette on title-page, frontispiece portrait of the dedicatee (Mademoiselle D'Arschot) and 6 full-page plates by Galle after A. Sallaert. Contemporary velum. Old ex-libris markings of various religious libraries on pastedown and title-page only; tiny areas of loss to uppermost margin of added engr. title; very occasional light dampstaining; with engravings in excellent, dark impression. Rare sole edition of this Flemish devotional work on the Passion, curiously dedicated to a princess’ lady-in-waiting. It is illustrated with seven full-page engravings by Cornelius Galle, son of Philip, after the painter and draughtsman Antoine Sallaert. Although they cannot be considered proper emblems with mottoes, Praz mentions de la Serre and his devotional books passim in Studies in Seventeenth-Century Imagery (Vol II, p. 133). - The present work bears a curious dedication to the lady-in-waiting of the daughter of Holy Roman Emperor Philip IV. 'Demoiselle' d'Arschot, as she is called, is pictured in the engraved frontispiece as an adolescent girl, already exemplifying the virtues of a pious noblewoman. She clutches in one hand a string of prayer beads, while in front of her is her own personal altarpiece with a candle and crucifix, and a cloth-covered lectern for reading her devotions while kneeling. - The text itself is divided into six chapters, each of which is headed by an engraving incorporating its relevant themes. The text is intended to impress upon the reader the manifestations of God's love, as observed in the story of the Passion. As Van der Vennet notes, the Brussels painter Antoine Sallaert's rich designs are especially suited to Puget de la Serre's Merveilles: “the subjects of [Sallaert's] compositions display on the one hand an attachment to the tradition but at the same time an openness to the new developments which were taking place during the 17th century. While his saints conserve their legendary attributes, certain forms of symbolism, popular during the Middle Ages, disappear... However, neither the Counter-Reformation, nor the doctrines of the Council [of Trent] managed to wipe out the taste for the marvelous; which was fed during the 17th century by religious ecstasies and visions. The great devotional images which Sallaert composed for the graver are full of such raptures...” (“Le Peintre bruxellois”, p. 85-7). - Van der Vennet also speaks highly of the present work in particular: “In Les Merveilles de l'Amour Divin, which appeared in 1633, the master illustrates six episodes of the Passion. The elegance and precision of the designs tends towards a beautiful reservedness in evoking these dramatic subjects. As to the composition of these pages, the images appear so large than one almost forgets their small format. The admirable 'Christ of the Pieta' (fig II) and the persons surrounding him, would have their place on a great altarpiece...” (p. 93). - The engraver Cornelius Galle (1576-1650) represented the second generation of the great Galle dynasty. From 1596-1610 Cornelius lived and worked in Rome, before returning to Antwerp where he collaborated with his father as well as preparing his own plates. - OCLC shows a single US copy, at Harvard. Old Hollstein Vol 7, #418; cf also Le Livre, l'estampe, l'édition en Brabant du XVe au XIXe siècle (1935), p. 99; and M. Van der Vennet, “Le Peintre bruxellois Antoine Sallaert, Un choix de gravures,” in Bulletin Musées royaux des beaux-arts de Belgique, Volumes 30-33, 1981-1984, 1-3, pp. 81-122.

Inlibris · Wien, AT2 250,00 €

HOLY BOOK IN BULGARIAN].MareMagnum

[TSARIGRAD EDITION OF THE HOLY BOOK] Bibliia sirech sveshtenoto pisanie na Vetkhiia i Noviia zavet: Viarno i tochno prevedena ot pûrvoobraznoto.

Very Good Bulgarian Original blue cloth bdg. with embossing. Slightly stains on boards and toned on pages. Otherwise a very good copy. 12mo. (16,5 x 12 cm). In Bulgarian. 1230, [2] p. [HOLY BOOK IN BULGARIAN PRINTED IN TSARIGRAD (CONSTANTINOPLE)] Bibliia sirech sveshtenoto pisanie na Vetkhiia i Noviia zavet: Viarno i tochno prevedena ot pûrvoobraznoto. [.] In 1840 5,000 copies of the first complete translation of the New Testament were printed in Smyrna by the British and Foreign Bible Society. A second edition which was printed in Smyrna in 1850 was an almost exact reprint of the 1840 edition. A third edition followed in 1853 with 15,000 copies. The fourth edition was published in 1857 in Bucharest, and for the first time civil characters type was used. In 1859, two more editions were published. In 1866, a new "pocket" edition with text revised by Elias Riggs and Dr. Albert Long was printed in Constantinople. The New Testament was revised and reprinted a total of nine times. In the period from 1840 to 1860 the Eastern (Tarnovo) dialect was adopted as literary Bulgarian language and the Macedonian dialect, in which the New Testament had been translated, was widely rejected. By 1858 Neofit Rilski had finished large portion of the Old Testament. Riggs met with Neofit Rilski and discussed a possible revision of the Bulgarian New Testament to remove the Macedonian dialect elements. Neofit objected the revision, so Riggs took the translation and returned to Constantinople. In January 1859 Riggs invited the Bulgarian teacher Hristodul Kostovich to help him with the revision. In 1862 Long and Riggs visited the noted Bulgarian writer and poet Petko Rachov Slaveykov in Tryavna. Slaveykov agreed to help with the translation and began the work on the revising of Neofit's New Testament at once. Long joined the revision of the New Testament into the Eastern dialect in 1863 and later assisted with the translation of the Old Testament. In June 1871, after more than 12 years of revision and translation, 36,000 copies of the complete Bible translation in Bulgarian were published in Constantinople. The translation came to be known as the "Tsarigrad (Constantinople) Edition". Tsarigrad [or; Tsargrad, Tzargrad, Czargrad] Tsargrad is a Slavic name for the city or land of Constantinople, the capital of the Eastern Roman (Byzantine) Empire, and present-day Istanbul in Turkey. A physical copy of this edition is not located in OCLC. For digital register: OCLC 181122059.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR2 086,23 €

RAHMETALLAH KAIRANÂWÎ HINDÎ, (1818-1891).MareMagnum

[HINDÎ VS PFAENDER] Tercüme-i izhârü'l-hak + Ibrâzü'l-hak. 3 volumes set.

Very Good Turkish, Ottoman (1500-1928) Original brown half morocco, raised bands to spine, gilt lettering. three volumes set: (2 volumes in one: [2], 641 p.; third volume: [8], 379 p.). Foxing and stains on pages, overall a very good copy set. Extremely rare first Turkish edition translated by Nüzhet Muhammad (translator of Ministry of Education) of this first Muslim source to use Western scholarly works in order to ascertain the errors and contradictions of the Bible, in response to the allegations made by certain Christian missionaries against Islam and especially to counter Mizân al-Haqq [i.e. The balance of truth], a book written by Basel Mission missionary in Central Asia and Trans-Caucasus Karl Gottlieb Pfander (1803-1865) against Islam. Izhar al-Haqq aims to respond to Christian criticism of Islam. The doctrine of the Trinity is purportedly contested using biblical, Christian, and other sources. The book was originally written in Arabic in 1864, this six-volume book was later translated (or summarized) into English, Turkish, Urdu, and Bengali. This set is printed in the Vilâyât Printing House of Bosnia-Herzegovina. "'The Demonstration of the Truth' served as a summary of all possible charges against Christianity and was therefore used after al-Kairânawî's death as a sort of encyclopedia since al-Kairânawî extended the material of former polemicists like 'Ali Tabarî, Ibn Hazm or Ibn Taymiyya to a great extent". (Schirrmacher). Rahmatullah Kairanawi Al-Hindi, (1818-1891), was a Sunni Muslim scholar who is a descendant of the third Caliph, Uthman ibn Affan, his full lineage is mentioned in family sources. Sheikh Hakeem Abdul Kareem who was the 8th great-grandfather of Rahmatullah was Emperor Akbar's physician. Kairanwi began receiving traditional Islamic education at the age of 6, memorizing the Qur'an at 12. He also learned Arabic and Persian. Later he moved to Delhi where he studied different disciplines including mathematics and medicine. In 1837 the Church Mission Society appointed Karl Gottlieb Pfander who was known for converting Muslims to Christianity, described by Eugene Stock as "perhaps the greatest of all missionaries to Mohammedans", to Agra in Northern India, where in 1854 he engaged in a famous public debate with leading Islamic scholars. The main Muslim debater was Kairanawi, being assisted by English-speaking Muhammad Wazîr Khân and influential Islamic writer Imad ud-din Lahiz. Kairanawi used arguments from recent European theologically critical works that Pfander was unfamiliar with, having left Europe before these were published, though his main source of reference was the apocryphal sixteenth-century Gospel of Barnabas, which he held to be authentic. Following armed uprisings against the British in which he personally took part, Kairanawani (his property was confiscated by the Imperial British Raj) had to leave all his property (auctioned later), and board a ship in Bombay. Arriving at the port of Mocha, Yemen, he walked to Mecca. The journey took two years. Özege 8894.; TBTK 674/6745.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR2 086,23 €

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