213 résultats
15042913315/04/1865. <blockquote><p>The Assassination:<strong><br /></strong></p></blockquote><p>Abraham Lincoln continues to stand as America’s most beloved President. Of our nation’s historical icons Lincoln is the quintessential embodiment of American possibility in his mythic-like rise from rail-splitter to Chief Executive and Emancipator of the oppressed. The admiration felt by Americans for Lincoln’s humble integrity his performance in office his noble statesmanship and his keen sense of justice is enduring. Lincoln is not given the highest marks just for character but for the transformation of the nation that he left behind which was both profound and long-lasting.</p><p>Polls of historians generally show their belief that Lincoln faced the hardest job of any president. He had to define the issues inspire the people be steadfast in the face of losses win the Civil War free the slaves and lay the groundwork to reunite the nation. All that in the face of determined opposition. He accomplished all this in four years but was assassinated on April 14 1865 and his death left him unable to finish the job a job that quite likely he was the only one with a chance to get completed in a way that would truly bring the nation together.</p><p>The end of the Civil War left the nation with two overwhelming questions: what to do with and do for the millions of freed slaves; and how to reintegrate the South into the Union. On the first point Lincoln was focused on African American access to land economic prosperity and legal rights and had just approved Gen. William T. Sherman’s order distributing parcels of former slave plantations to the slaves themselves. Lincoln wanted black Union veterans to have the right to vote which was a step to ultimately embracing full suffrage for African American males. In what proved to be his final speech three evenings before his death Lincoln had become the first president ever to support black voting. Lincoln’s successor Andrew Johnson was a Southerner uninterested in fair treatment of the liberated slaves. He opposed plans designed to guarantee the civil rights of black Americans and cancelled Sherman’s order granting land to slaves. Johnson accepted the draconian post-Civil War Black Codes which limited the rights and liberties of African-Americans something Lincoln would never have done.</p><p>On the second point the readmission of the Southern states Johnson felt that once Southern states returned their loyalty to the national government they could manage their own affairs. This meant they could pass any Jim Crow laws they liked. He opposed the Republican plan for Reconstruction of the South including provisions designed to guarantee the civil rights of black Americans. The Republican Congress had no rapport with Johnson and the initial four years era of Reconstruction which was a disaster to the nation was essentially a bitter battle between a North and South that remained locked in contention presided over by a weak President Johnson and a Congress at loggerheads with him. Lincoln had enormous power and influence some of which extended into the South. He saw the end of the war as an opportunity to not simply celebrate victory but an opportunity to move the country forward. Johnson had no such feeling. Lincoln would have been much better placed to direct moderate and ease the contentions of Reconstruction.</p><p>John Wilkes Booth was a member of a famous acting family and he enjoyed a phenomenally successful stage career during the Civil War: By 1864 he earned $20000 a year at a time when the average Northern family earned around $300 annually. A Marylander by birth Booth was an open Confederate sympathizer during the war. A supporter of slavery Booth believed that Lincoln was determined to overthrow the Constitution and to destroy his beloved South. After Lincoln’s reelection in November 1864 Booth devised a plan to kidnap the president and spirit him to Richmond where he could be ransomed for some of the Confederate prisoners languishing in northern jails. That winter Booth and his conspirators plotted a pair of elaborate plans to kidnap the president; the first involved capturing Lincoln in his box at Ford’s Theater and lowering the president to the stage with ropes. Booth ultimately gave up acting to focus on these schemes. Neither of the kidnapping plans bore fruit. On the evening of April 11 the President stood on the White House balcony and delivered a speech to a small group gathered on the lawn. Two days earlier Robert E. Lee had surrendered the Army of Northern Virginia at Appomattox Court House and after four long years of struggle it had become clear that the Union cause would shortly emerge from the war victorious. Lincoln’s speech that evening outlined some of his ideas about reconstructing the nation and bringing the defeated Confederate states back into the Union. Lincoln also indicated a wish to extend the franchise to some African-Americans—at the very least those who had fought in the Union ranks during the war - and expressed a desire that the southern states would extend the vote to literate blacks as well. Booth stood in the audience for the speech and this notion seems to have amplified his rage at Lincoln. “That means nigger citizenship†he told Lewis Powell one of his band of conspirators. “Now by God I’ll put him through. That is the last speech he will ever make.â€</p><p>Three days later Booth made good on his promise. Upon learning that Lincoln and his wife intended to see the play “Our American Cousin†at Ford’s Theater Booth used his actor’s connections there to gain access to the President’s box. He shot Lincoln at about 10 pm on April 14 1865 and Lincoln died about after 7 am on the 15th.</p><p>Dr. Charles Leale was in the audience. Leale leapt over theater seats got to the president’s box and announced that he was a doctor. As he entered the President was sitting in a chair with his eyes closed and head slumped. He already looked dead Leale recalled. He felt Lincoln’s right arm for a pulse but couldn’t find one. He and some others eased Lincoln to the floor and Leale began searching for the wound. “I quickly passed the separated fingers of both hands through his blood-matted hair…and I discovered his mortal wound†Leale recalled. “The president had been shot in the back part of the head behind the left ear.†Leale stuck the little finger of his left hand into the hole in Lincoln’s skull. “I then knew it was fatal and told the bystanders†he wrote later. Leale knew he had to get Lincoln out of the theater to treat him. But he believed a carriage ride back to the White House would kill him. He and several other men lifted the president and with Leale holding Lincoln’s head they began to maneuver him outside. Across the street from the theater was the house of William Peterson and Lincoln was taken there. Lincoln was carried to a small back room stripped of his clothes and covered with blankets. His 6-foot-4-inch frame had to be placed diagonally to fit on the bed. Leale ordered the window opened and the wait began. A parade of anguished government officials and family members came and went. The President sank steadily his breathing labored and his pulse nearly undetectable. At 7:22 am on April 15 President Lincoln breathed his last. Leale smoothed the contracted muscles of Lincoln’s features placed two coins over his eyes and pulled a sheet up over his face. Famously Secretary of War Stanton saluted the fallen President and uttered “Now he belongs to the ages.†Stanton further eulogized Lincoln with the apt observation “There lies the most perfect ruler of men the world has ever seen.â€</p><p><strong>Original report</strong> on the assassination printed the very day he died</p><p>The public was hungry for information and the newspapers equally hungry to report the momentous news. One of these was the Binghamton Daily Republican and this is its issue of April 15 1865 with black mourning columns.</p><p>The front page as was routine at the time was taken up by ads. The news then began on page two. There at top left is the headline <em>“The Assassination of President Lincoln! A Nation in Mourning!!!â€</em> It begins <em>“We feel too unfitted by this awful event to allude to the calamity in terms becoming its solemnity and importance! LINCOLN IS DEAD! Struck down by the hands of a brutal assassin in the midst of the triumphs which were commemorating his salvation of the country. A great man indeed has fallen! The foremost man of his time is no more…We dare not contemplate what may follow this sad and inscrutable providence.â€</em> This was followed by a proclamation of the governor of New York. On page three were dispatches from 12:30 AM to noon to 3:00. An early dispatch reports that<em> “the President was shot… and is not expected to liveâ€</em> and told of the events of the assassination then available in detail. It mentioned <em>“The screams of Mrs. Lincoln first disclosed the fact to the audience that the President had been shot.â€</em> Later it reported of Lincoln <em>“At midnight the Cabinet…a few personal friends with Surg. Gen. Barnes and his immediate assistants were beside his bedside…The parting of his family with the dying president is too sad for description.â€</em></p><p>At noon the newspaper had more news and reported <em>“Later concerning the President. He died this morning at 7:20. Two villains engaged in the horrible crime. The murder planned before March 4th.â€</em> At the bottom of the column is a report on the progress of the army of General William T. Sherman saying that in response to Grant’s hope Sherman would pursue the remaining Confederates Sherman said <em>“I think we’ll do it.â€</em> At 3:00 the paper printed the latest from Washington. It contained <em>“Full particulars of the Death of Abraham Lincolnâ€</em> plus <em>“Inauguration of President Johnsonâ€</em> and Johnson’s statement on taking office.</p><p>Original newspapers reporting Lincoln’s assassination have become very scarce this being our first in over a decade. This one is comprehensive and with its black borders and large headlines is evocative of the moment and would be perfect for display.</p><p><img class=""alignnone wp-image-25018 size-post-window"" src=""https://cdn.raabcollection.com/wp-content/uploads/20231204144051/Folder-site-11-1600x1327.jpg"" alt="""" width=""1600"" height=""1327"" /></p> hardcover
1590M3047Antwerp 1590. Excellent; narrow margins. Notes: This is the modern day island of Hawmat As Suq located about 300 kilometers southwest of Tunis on the South Western edge of the Gulf of Gabes. Size : 105x159 mm 4.125x6.25 Inches Coloring: Original Hand Coloring Category: Maps Africa North; Maps Mediterranean Sea unknown
157928112Antwerpen: Platin 1579. Other. In excellent condition. 321 by 243mm 12 by 9 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Württemberg Herzogtum. Published Antwerpen Platin 1579. Sheet: 321 by 243mm 12 by 9 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15700s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Württemberg Herzogtum published in Antwerpen Platin 1579. The map features a decorative Baroque cartouche containing the title inscription. The map records the political and geographic boundaries of the region as understood in 1579 offering a fascinating window into the history of German territorial organization. Sheet measures 321 by 243mm 12 by 9 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Platin unknown
158737336Antwerp: Christopher Platin 1587. A very good example in excellent condition. 387 by 440mm 15 by 17 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Wirtenberg Ducatus Accurata descriptio; tu qua omnia eius Opida Monasteria pagi nemora; fluminia et riuuli alicuius nominis diligentißimé exprimuntur. Auctore Georgio Gadnero. Published Antwerp Christopher Platin 1587. Sheet: 387 by 440mm 15 by 17 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This plate presents a original copperplate engraving with original hand coloring depicting the city of Wirtenberg Ducatus Accurata descriptio; tu qua omnia eius Opida Monasteria pagi nemora; fluminia et riuuli alicuius nominis diligentißimé exprimuntur. Auctore Georgio Gadnero. published in Antwerp Christopher Platin 1587. The view is framed with a decorative Baroque cartouche containing the title inscription. Such topographic views from Ortelius's workshop are primary historical documents of German urban history in the 1500s now prized equally by historians map collectors and interior decorators. Sheet measures 387 by 440mm 15 by 17 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Broe. 113 Christopher Platin unknown
158433639Antwerpen 1584. In sehr gutem Zustand. 34.5 x 497 cm 13.5 x 195 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Westphaliae Totius Finitimarumque Regionum Accurata Descriptio. Published Antwerpen 1584. Sheet: 34.5 x 497 cm 13.5 x 195 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Westphaliae Totius Finitimarumque Regionum Accurata Descriptio. published in Antwerpen 1584. The map features a decorative Baroque cartouche containing the title inscription. A distance scale is incorporated within the cartouche or alongside it. The map records the political and geographic boundaries of the region as understood in 1584 offering a fascinating window into the history of German territorial organization. Sheet measures 34.5 x 497 cm 13.5 x 195 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Koe. Ort 23 / #46 85. Broe. 91. unknown
159533635Antwerpen 1595. In sehr gutem Zustand. Leichte Bräunung im Mittelfalz. 34.5 x 497 cm 13.5 x 195 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Westphaliae Totius Finitimarumque Regionum Accurata Descriptio. Published Antwerpen 1595. Sheet: 34.5 x 497 cm 13.5 x 195 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15900s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Westphaliae Totius Finitimarumque Regionum Accurata Descriptio. published in Antwerpen 1595. The map features a decorative Baroque cartouche containing the title inscription. A distance scale is incorporated within the cartouche or alongside it. The map records the political and geographic boundaries of the region as understood in 1595 offering a fascinating window into the history of German territorial organization. Sheet measures 34.5 x 497 cm 13.5 x 195 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Koe. Ort 23 / #46 85. Broe. 91. unknown
158410309Antwerpen: Platin 1584. In sehr gutem Erhaltungszustand. 31.3 x 223 cm 12.25 x 875 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Waldeccensis Comitatus Descriptio Accuratissima. Published Antwerpen Platin 1584. Sheet: 31.3 x 223 cm 12.25 x 875 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Waldeccensis Comitatus Descriptio Accuratissima published in Antwerpen Platin 1584. The map records the political and geographic boundaries of the region as understood in 1584 offering a fascinating window into the history of German territorial organization. Sheet measures 31.3 x 223 cm 12.25 x 875 inches. Professionally restored; the image area is fully intact and displays well. Retains its original contemporary hand coloring. Ready to frame. Broe. 98 b; Koeman Ort. 21; Platin unknown
1584674Antwerp: Abraham Ortelius 1584. 20 1/3 2 x 13 1/2 inches. Very good condition. This is Ortelius classic map of the Netherlands up close. It has Groeningen in the upper center. It also has sailing ships and a plethora of small towns. The cartouche is an elaborate production Not only does the map show the Netherlands but also Belgium. It also has a set of island adorning the top of the coast. This is a nice copy of a rarer map that is in good condition with color not applied at the time of publication. Abraham Ortelius unknown
1584687Antwerp: Abraham Ortelius 1584. 19 3/4 x 13 1/2 inches. Very good but for a harpsichord shaped wormhole at the upper centerfold which is relatively of little consequence. This is a handsomely executed map of the Danube River Basin starting on the left at Vienna and passing through Austria Serbia and Romania. Belgrade is prominently displayed near the cartouche. In the lower left is a mileage scale. This is a very nice example of late 16th century mapmakers art. Abraham Ortelius unknown
1574M10044Antwerp Belgium 1574. Very Good. Notes: Detailed and decorative map of the Ottoman Empire.<br>It depicts the Middle East by one of the founding fathers of cartography during the late 16th century. This important map features a decorative cartouche. The map depicts cities towns geographical features and has short paragraphs giving the reader information on certain areas. <br>Latin text on verso.<br>Abraham Ortelius April 1527 – June 1598 was a Flemish cartographer geographer and cosmographer from Antwerp in the Spanish Netherlands. He is recognized as the creator of the first modern atlas the Theatrum Orbis Terrarum Theatre of the World. Along with Gemma Frisius and Gerardus Mercator Ortelius is generally considered one of the founders of the Netherlandish school of cartography and geography. He was a notable figure of this school in its golden age approximately 1570s–1670s and an important geographer of Spain during the age of discovery. The publication of his atlas in 1570 is often considered as the official beginning of the Golden Age of Netherlandish cartography. Size : 375x500 mm 14.76x19.69 Inches Coloring: Hand Colored Reference: Marcel P.R. van den Broecke pg.168 Category: Maps Asia Near East Turkey; Maps Asia Middle East Arabia; unknown
15849714<p>Original hand-colored engraving from Abraham Ortelius's <em>Theatrum Orbis Terrarum - Parergon - Nomenclator Ptolemaicus</em>. Features Latin text to verso see image. The image measures approximately 19 x 12.75 in 48 x 32.5 cm; page measures 21 x 17.25 in 53 x 44 cm.</p> Christoph Plantin Press
15843401<p>Very Good. 1584. 16th century map with original hand-colored outlines of Tuscany. Decorative cartouche. Some foxing most apparent to margins. Latin text to verso. Otherwise a handsome copy. Please see image. Plate size approximately 19 1/4 x 12 1/2 in. Overall size approx. 21 1/4 x 16 1/2 in 540 x 425 mm.; 1 pages; All shipments through USPS insured Priority Mail. .</p>
158415872Antwerp 1584. Maps. Original hand color map of Italy showing Tuscany. Based on Bellamarti's map of Tuscany supplemented by classical sources. Part of a series of historical maps compiled by Ortelius called the Parergon Theatri which appeared from 1579 on. With three ornate cartouches and a sailing ship. French text on verso of the right side. Image size:19 1/8 x 12 5/8". Paper size: 21 1/2 x 15 1/2". With some faint offsetting at the right hand border and in the area of the two cartouches otherwise very good. unknown
158035928Antwerpen: Platin 1580. In ausgezeichnetem Erhaltungszustand. 29.2 x 207 cm 11.5 x 825 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Turingiae Noviss. Descript. per Iohannem Mellinger Halens. Published Antwerpen Platin 1580. Sheet: 29.2 x 207 cm 11.5 x 825 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This plate presents a original copperplate engraving with original hand coloring depicting the city of Turingiae Noviss. Descript. per Iohannem Mellinger Halens. published in Antwerpen Platin 1580. Such topographic views from Ortelius's workshop are primary historical documents of German urban history in the 1500s now prized equally by historians map collectors and interior decorators. Sheet measures 29.2 x 207 cm 11.5 x 825 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Koeman Ort. 16A; Broe. 96. Platin unknown
1598LBW-1428Anvers 1598 81 x 105 mm.
1584001118Antwerp: Christopher Plantin 1584. Map. Fine. Framed. Size: 328 x 447 mm. Framed size: 580 x 465mm. Hand-coloured engraved map published in the Theatrum Orbis Terrarum. Wooden moulding frames glazed and mounted late 20th century. In fine condition. A beautiful map of Transilvania with parts of Valachia with 3 decorative cartouches. Christopher Plantin Hardcover
158464215Antwerp.: Abraham Ortelius. circa1584. Two engraved maps on laid paper each 30.3 x 19.5 cm printed on the one sheet 48 x 60 cm original fold attractive hand colour with related French text on verso slight toning and spotting to the margins but the maps in very good condition preserved in a modern window mount. Attractive maps of the German coast published in Ortelius' great atlas "Theatrum Orbis.". The left-hand map showing the mouths of the Elbe complete with sea monster and Eider Rivers and the coast of Schleswig-Holstein; the right-hand map of the Baltic coast with the Pomeranian islands of Rugen and Usedom. . (Abraham Ortelius). unknown
158427410Antwerpen: Platin 1584. Other. In excellent condition. 304 by 196mm 12 by 7 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. Published Antwerpen Platin 1584. Sheet: 304 by 196mm 12 by 7 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. published in Antwerpen Platin 1584. The map records the political and geographic boundaries of the region as understood in 1584 offering a fascinating window into the history of German territorial organization. Sheet measures 304 by 196mm 12 by 7 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Platin unknown
158430502Antwerpen: Platin 1584. Other. In excellent condition. 304 by 196mm 12 by 7 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. Published Antwerpen Platin 1584. Sheet: 304 by 196mm 12 by 7 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. published in Antwerpen Platin 1584. The map records the political and geographic boundaries of the region as understood in 1584 offering a fascinating window into the history of German territorial organization. Sheet measures 304 by 196mm 12 by 7 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Platin unknown
158430501Antwerpen: Platin 1584. Other. In excellent condition. 304 by 196mm 12 by 7 inches. Hand-Colored Original Copperplate Engraving by Abraham Ortelius depicting Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. Published Antwerpen Platin 1584. Sheet: 304 by 196mm 12 by 7 inches. A fine and original hand-colored example of Ortelius's celebrated cartographic work documenting this region of Germany with the precision and decorative artistry characteristic of the 15800s. Abraham Ortelius 1527-1598 was a Flemish cartographer and geographer from Antwerp widely regarded as the creator of the first modern atlas. His landmark publication Theatrum Orbis Terrarum 1570 set the standard for atlas-making for the next century presenting uniform copper-engraved maps with scholarly commentary. By Ortelius's death the Theatrum had appeared in 25 editions in seven languages. In 1575 King Philip II of Spain appointed him Royal Geographer. His maps engraved with extraordinary precision are among the most sought-after in antique cartography held in collections including the Plantin-Moretus Museum in Antwerp the Library of Congress and the British Library.This original copperplate engraving with original hand coloring depicts the region of Thietmarsiae Holsaticae Regionis Partis Typus. Auctore Petro Boeckel. published in Antwerpen Platin 1584. The map records the political and geographic boundaries of the region as understood in 1584 offering a fascinating window into the history of German territorial organization. Sheet measures 304 by 196mm 12 by 7 inches. In good condition overall with minor signs of age appropriate for a 16th-century engraving. Ready to frame. Platin unknown
1570B6632Colophon: Antwerp: Gielis von Diest 1572-1573 Durch Abrahamum Ortelium. c. 1572 & 1570 -1595. occasional minor damp staining map of Morocco rebacked; rare oxidization spots otherwise a very good example. Binding: Expertly rebacked in style; saving the armorial seventeenth century heavily gilt panelled full red calf with Louis xiv’s fleur-de-lis bookplates on upper and lower covers; spine raised with six 6 bands gilt ornamented compartments and gilt lettered title on two; inner gilt dentelles. Notes: The 1572 German special edition plus other early maps.First very rare German 1572 edition in contemporary colour bound with maps from editions up to 1595.<br> <br>1572 Atlas with text in German and captions in Latin; extra plates in Latin one in Spanish. <br>A5v Ortelius publ. <br>“Abraham Ortelius or Ortels or Orthellius or Wortels 1527–1598 was a … cartographer geographer and cosmographer conventionally recognized as the creator of the first modern atlas the Theatrum Orbis Terrarum…. Along with Gemma Frisius and Gerardus Mercator Ortelius is generally considered one of the founders of the Netherlandish school of cartography and geography. He was also one of the most notable figures of the school in its golden age approximately 1570s–1670s. The publication of his atlas in 1570 is often considered as the official beginning of the Golden Age of Netherlandish cartography. … On 20 May 1570 Gilles Coppens de Diest at Antwerp issued Ortelius's Theatrum Orbis Terrarum the "first modern atlas" of 53 maps…. Three Latin editions of this besides a Dutch a French and a German edition appeared before the end of 1572. …†<br> <br>Tooley states: "The publication of this atlas marked an epoch in the history of cartography. It was the first uniformly sized systematic collection of maps of the countries of the world based only on contemporary knowledge".<br> <br>“The present work is the first German edition of the Theatrum with the German title “Theatrum oder Schawplatz des Erdtbodems …†The plates are identical; however the Index/ Register is reduced/ absent as explained at A5v of the German edition or Ortelius’ to the Reader or “Abraham Ortelius// Zum guetwilligen Leser.â€<br> <br>Shirley states: “From the first atlas in 1570 with 53 map sheets the work grew in size so that the final edition in 1612 contained over 160 items. Initially new maps were issued through a series of Additamenta between 1573 and 1597; in addition a classical addendum called the Parergon was produced from 1579 onwards.†<br> <br>"Shape and contents set the standards for later atlases when the centre of the map-trade moved from Antwerp to Amsterdam. The characteristic feature of the Theatrum is that it consists of two elements forming part of a unitary whole: text and maps. This concept for a 'Theatre of the world' was followed through the 17th century. Before Ortelius no one had done this" Koeman. <br> <br>Koeman 1961 mentions on p.138/ under 49.1 the 1572 German text edition following its 1570 Latin ‘Theatrum orbis terrarum’. <br> Size: Folio 414x285mm Illustration: Illustrated allegorical title; ornamental woodcut initials at openings of poetry dedication explanation of the allegorical title and the “to the Reader†as well as each of the 53 openings of explanatory texts preceding each plate; head and endpieces; all fifty-three 53 double page plates reflecting the same plates first published in the 1570 Latin edition; and various literature mention that only the first German edition is similar to First Latin edition. moreover the second edition had extra plates. the twenty 20 further double page plates representing twenty-eight 28 early maps this includes small insert maps dating up to 1595 both in contemporary hand colour and uncoloured. <br> <br> References: Lilly Library Indiana University Bloomington The Bernando Mendel Collection 1964: p.42; Koeman vol.III: pp.25-33; Shirley I: p.771 Pages: Ll: Bl. A1-6 with title and texts of poetry dedication explanation of allegory in title and to the reader; ill 53 DP plates; ill 20 interspersed DP plates bl. Category: Book Europe Germany; Book Atlas & Cartography; (Colophon: Antwerp: Gielis von Diest, 1572-[1573]) Durch Abrahamum Ortelium. unknown
15703370BNetherlands: Publisher Not Known 1570. a very good map 6 x 7"; Abraham Ortelius 1527-98. One of the first and greatest of the Dutch map makers. His "Theatrum Orbis Terrarum" of 1570 is generally considered the first modern Atlas. For this work large copper plates were engraved and from time to time alterations were made in these plates as various editions were issued even as late as 1693-- long after Ortelius' death. These Maps are much favoured by collectors because of a quaint rather archaic quality of drawing. They are exceedingly decorative and careful examination of any one of them will disclose curious little fugures scenes or other decorations. This map is one of these original engravings with nice old colouring. This map will make a nice gift and is quite scarce. First Edition. Softcover. Very Good/No Dustjacket. 6 x 7". Publisher Not Known Paperback
1518100999Newspaper disbound 23" x 16" 8 pp. Probably removed dbd minor staining and browning a little creasing and fading; otherwise very good.This is an early report under the heading "Important Assassination of President Lincoln." This is the second morning edition with the 3 a.m. update from Edward Stanton the Secretary of War which indicates Lincoln was still alive but in very bad shape. The article describes John Wilkes Booth "the actor" as the alleged assassin of the president. It describes how Booth entered Lincoln's box and after shooting him stating "Sic semper tyranis" before he leaped on to the stage. This report gives considerable detail about the how Washington reacted to the news and the scene at Lincoln's deathbed. There is also a good deal of coverage of the assassination attempt on Secretary of State William Seward. This paper represents an important piece of American history. books
15887526At London Imprinted by William How for Thomas Gubbin and T. Newman 1588. 1588 4to. 10 85 2 87-151 leaves. Folding table 'A generall Table of the whole Booke'. Later calf panelled in blind with a two line roll and small corner tools. The spine with four raised bands and blind lines. Evidence of a lost label. The spine darkened and minor rubs on the edges and corners. Internally clean and tight with pinholes of worm to the final three leaves mostly marginal but affecting three letters of text on Rrii. Later signature E. Dawson on the front pastedown. Fraunce was a member of Philip Sidney's circle and all his writings were dedicated to members of that group. His writings were commended both by Thomas Nashe and by Francis Meres. In this work he follows the Ramist principles he also employed in other works providing literary examples to demonstrate principles of logic. Here however he expands the approach by using common law cases from Plowden and others. ESTC S102621 . At London, Imprinted by William How, for Thomas Gubbin, and T. Newman, hardcover
1598LBW-1425Anvers 1598 80 x 105 mm.