RUSKIN (John).Livre Rare Book
SAND (George)Livre Rare Book
Lettres d'un Voyageur
1837002153Paris Bonnaire 1837
Henri Picard et Fils · Paris, France300,00 €
138 résultats
185446405445London, Smith, Elder and Co, 1854 ; in-8, cart. toile brune de l’éditeur. VI pp., 1 f. de table, 239 pp. - Frontispice et 15 planches reliées à la fin, 16 pp. de catal. avril 1854 de Smith, Elder & Co.ÉDITION ORIGINALE. 4 conférences de Ruskin données à Edimbourg en 1853. Ce cycle de conférences porte principalement sur l’architecture gothique, sur Turner et son œuvre (dont Ruskin fut l’exécuteur testamentaire) et sur le mouvement préraphaélite (dont il fut le mécène et soutien).Le frontispice dessiné par Millais est gravé à l’aquatinte par T. Lupton, les 15 planches dessinées par Ruskin sont très finement gravées sur bois. - Wise 31 - Voir aussi Lutyens. Young Mrs Ruskin in Venice p. 29 et 32. Bel exemplaire frais et non coupé.
1837002153Paris Bonnaire 1837
189810317Paris REVUE GENERALE DES SCIENCES 1898 1 Paris, Revue Générale des Sciences, Septembre 1898, in-folio, en feuilles, sous chemise en percaline bleue ornée de motifs floraux argentés dans le style Art-Nouveau (G. Bonnet relieur).
189522206Italy: No Photographer Noted 1895. A series of loose plates with tipped-on photographs on paper in black and white; about 1/2 of the plates with 2 images; sizes vary with the largest approx. 10" x 13" and ranging to 3" x 6" for those having 2 plates per page; especially well-taken with gravure quality and fine detail; views of the upper cupolas; ornate frieze-work; many of the column-tops and detailed ornamentation; no photographer or studio indicated; some with numbers on the plates which correspond to numbers found in the impress margins and with an additional sequence of numbers found at the edge of the stiff-paper matte-surround; the mounts make these 12 1/4" x 15 1/2" approx.; small rubber stamp of the School of the Museum of Fine Arts on the backs of the mounts which is the only marking; occasional spotting on the mounts some with some darkening towards the margins and edge-chipping wear a little rippling too; imagery generally very good and clean; a good collection and a detailed reference for this Venetian architectural masterpiece. . Art. Not Bound. Very Good. No Photographer Noted Paperback books
18183773<p><em>Shoplifting in Venice - Police Report</em></p><p>VENICE - THEFT. Specifica degli effetti stati rubati per opera di ignoti malfattori ed a danno di Gacome Daci regattiere con bottega nella contrada di S. Basso marcata al Civico N. 184. la giornata dei 30 prossimo passato. colophon: Venice 31 October 1818.£250</p><p>4to pp. 3 1 blank; lightly browned and discoloured in upper outer corner; uncut and unbound with mss filing note to last page.</p><p>Official order for a police investigation into the theft of a large mirrored walnut showcase from a bric-a-brac shop in Venice 1818. A full listing of the forty-five different objects stolen is given amongst them two miniature paintings on vellum one of the Nativity and the other of David; various coins identified and not; five pearl necklaces - two in pearl agate two of 'pearls' in yellow glass and a necklace of miniature black pearls with matching earrings; in mother-of-pearl a piece in the shape of an animal; four saints and an oval of St. George; two gilded crucifixes and much more all to the value of around 350 Italian Lire. A fascinating insight into Venetian life and trade.</p> n.p.
1856113637Paris, Furne, impr. J. Claye, à Paris 1856 In-4 26,5 x 17 cm. Reliure de l’époque demi-chagrin bleu, dos à nerfs ornés de roulettes et encadrés de petits fers dorés, 598 pp., notes en bas de page, 24 gravures hors texte sous serpentes dont Vue générale de Venise repliée en titre, table des matières, table de placement des gravures. Bon exemplaire.
18562288Paris, Furne, 1856. 1 vol. in-4 de 598-[2] pages, demi-maroquin noir, plats de percaline bleue, dos à nerfs orné à froid, tranches dorées. Mors du 1er plat fendu en sa part. sup. sur 2 cm, petit accroc à la coiffe sup. quelques rousseurs. Quinet.
1878114362Paris, J. Rothschild, impr. Typographie Georges Chamerot, à Paris 1878 In-folio 38 x 27,5 cm. Reliure demi-chagrin vert-émeraude, dos à nerfs, X-328 pp., orné de 525 gravures dont 50 tirées hors texte et plusieurs en couleurs, table générale des gravures, table des matières, des noms et des gravures. Coupes frottées, premier mors fendillé sur 5 cm, intérieur très frais exempt de rousseurs.
182825962Venise François ANDREOLA 1828 in-16 broché un volume, broché (agraphé) crème in-seize Editeur (paperback in-16 editor)(16 x 10 cm), dos et couverture imprimés en noir, 1ère de couverture avec titre imprimé en noir dans un encadrement à décor floral gravé en noir, 4ème de couverture ornée d'une gravure du "Monument Colléoni à St-Jean et Paul" gravée en noir dans un encadrement à décor floral en noir, tête lisse, gouttière et tranche de queue non-rognées, Edition ornée de 2 plans dépliants gravés en noir + 19 gravures hors-texte en noir + 1 gravure en noir en 4ème de couverture, 404 pages + 3 pages intitulées "Oeuvres d'Antoine QUADRI sur Venise", 1828 Venise chez François ANDREOLA Editeur,
18991451899 Paris, Felix Alcan, 1899. Deux volumes in-8 demi chagrin vert, dos à nerfs, pièce de titre en maroquin rouge, lxxiii et 811 pages (pagination continue). Bel exemplaire sur papier vergé.
185694064Paris, Furne, Libraire-éditeur 1856 In-4 26,5 x 18,5 cm. Reliure demi-basane fauve, dos orné de filets et d’une roulette dorés en pied, 598 pp., 24 gravures sur acier hors texte d'après Rouargue dont repliée en frontispice, perspective de Venise. Reliure légèrement frottée, rousseurs marginales. Bon exemplaire.
1892041917Chicago: A. C. Mcclurg 1892. 1st Edition 1st Printing. Hardcover. Good. Vii 450 Pp. Blue Cloth Gilt. First Edition With 1892 Date On Title Page. Cover Gilt Bright Spine Gilt With Some Wear. The Binding Is Worn Completely Frayed Across Both Ends Of The Spine Tips With Small Frays Front Hinge Tight; Rear Hinge Cracked With Thin Line Of Exposure Of Webbing. Inscribed "Ariana R W Curtis / Palazzo Barbaro / Venice/ From The Author" And With Latimer's Handwritten Summary Of Her Writings To 1892 Tipped On To The Rear Free Endpaper. The Palazzi Barbaro Are A Pair Of Adjoining Palaces Formerly One Of The Homes Of The Patrician Barbaro Family On The Grand Canal Of Venice. It Is One Of The Least Altered Of The Gothic Palaces Of Venice.The First Of The Two Palaces Is In The Venetian Gothic Style And Was Built In 1425 By Giovanni Bon One Of Venice's Master Stonemasons. While The Palazzo Remained The Barbaro Family'S Property They Did Not Always Live There. In 1499 It Served As The French Embassy To The Republic Of Venice. In 1524 Isabella D'Este Widow Of Francesco Ii Gonzaga Marquess Of Mantua And The Sister Of Alfonso I D'este Was Living At The Palazzo Barbaro. In 1797 The Palazzi Belonged To Senator Zuanne Barbaro. After The Barbaro Family Died Out In The Middle Of The 19Th Century The Palazzo Was Bought By A Series Of Speculators Who Auctioned Off Furniture And Paintings. In 1881 The Older Palazzo Was Rented By Daniel Sargent Curtis 1825-1908 A Relative Of The American Painter John Singer Sargent And His Wife Ariana Randolph Wormeley 1833-1922 Who Purchased It In 1885. The Curtises Begun A Thorough Restoration And Kept The Palace With Love And Dedication Bringing It Back To Social And Cultural Life And Making It The Meeting Place For Some Cosmopolitan Americans And Others With Visits From Sargent Ariana'S Sisters The Translator Katherine Prescott Wormeley And The Prolific Authoress And Translator Elizabeth Wormeley Latimer Their Son The Artist Ralph Wormeley Curtis Henry James Whistler Robert Browning And Claude Monet. Other Members Of The "Barbaro Circle" Included Bernard Berenson William Merritt Chase Isabella Stewart Gardner Edith Wharton And Charles Eliot Norton. Henry James Finished The Aspern Papers At A Desk That Is Still Housed In The Palace Today; James Considered The Barbaro Ballroom The Finest Example Of A Venetian Baroque Interior And Included A Description In His Novel The Wings Of The Dove And A Scene From The Recent Movie Was Filmed There. In 1898 John Singer Sargent Painted A Group Portrait Of The Curtis Family In The Salon Titled "An Interior In Venice". Isabella Stewart Gardner An Art Collector And The Foremost Patron Of The Arts In Her Time Had Her Portrait Painted At The Barbaro By Anders Zorn In 1894; She Fell In Love With It Renting It Several Times From 1890 When The Curtis' Were Traveling And When She Went Back To Boston She Built Her "Venetian Palazzo" An Interpretation Of The Renaissance Palaces Of Venice. <br/> <br/> A. C. Mcclurg hardcover
1820774CGO.O., (um 1820). Altkolorierte Aquatina. Bildgrösse: 15,5 x 21,3 cm. Blattgrösse: 18,4 x 23,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
18597257Bourg, Milliet-Bottier, 1859 ; in-8 ; bradel demi-vélin ivoire et papier marbré, dos à faux-nerfs dorés, pièce de ttitre vert foncé, couverture conservée (reliure très légèrement postérieure) ; (4), 68 pp., couverture bleue imprimée.
1820774CGO.O., (um 1820). Altkolorierte Aquatina. Bildgrösse: 15,5 x 21,3 cm. Blattgrösse: 18,4 x 23,5 cm.
1899210461899 Paris, Librairie Renouard, H.Laurens éditeur,1899, In folio ,xi et 181 pp, reliure en demi-maroquin rouge, aux quatre coins ,têt dorée,dos à cinq nerfs,les caissons sont décorés d'une palette,premier plat légèrement fendu,
1820772CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von A. Angeli. Bildgrösse: 15 x 20,5 cm. Blattgrösse: 18,2 x 24,3 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820772CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von A. Angeli. Bildgrösse: 15 x 20,5 cm. Blattgrösse: 18,2 x 24,3 cm.
1898K-1479Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1898. Hochformat, ca. 42 x 55 cm, gefaltet zu 16 Segmenten, Ausgabe: mehrf?rbig; Zustand: gut +
184336123Venice: F. Andreola 1843. hardcover. Fascicolo XVIII. 64pp. Folio full red morocco fine gilt floral borders back gilt green moire endpapers a.e.g. Venezia: F. Andreola 1843.<br/> <br/> F. Andreola unknown
184336123Venice: F. Andreola 1843. hardcover. Fascicolo XVIII. 64pp. Folio full red morocco fine gilt floral borders back gilt green moire endpapers a.e.g. Venezia: F. Andreola 1843.<br/><br/> F. Andreola unknown books
1885139341885. Original 19th Century photograph showing St. Mark's square Piazza San Marco in Venice. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". Shows a view of Saint Mark's Square the principal public square in Venice and a location used in countless artworks films and literature through the centuries. A remark attributed to Napoleon calls the Piazza San Marco the "drawing room of Europe." The square has been remarkably unchanged by time and appears very similar in paintings of 300 years ago to this photograph of over 100 years ago and as it is today. Catalogue numbered in the lower left hand corner within the photo "48. Venezia/ Piazzo S. Marco." Another image of the same size and condition is on the verso labeled within the photo "25. Venezia/Loggetta." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown
1847EYL-239Munich, J. Poppel et M. Kurz, 1847. In 4 (160 x 235) de 1 f. (titre), 24 planches sur papier fort sous serpentes, 128 p., 1 f. (Table). Percaline brune de l’éditeur, plats ornés d’un encadrement d’un triple filet à froid, grand fleuron doré au centre du plat sup. (Lion de Venise avec titre sur phylactère), qq. rousseurs sur les planches.
1820771CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15 x 20,7 cm. Blattgrösse: 18,4 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820771CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15 x 20,7 cm. Blattgrösse: 18,4 x 24 cm.
