Portugal, RenatoBiblio.com
9 209 résultats
2018x-3319978128Springer Verlag 2018. Hardcover. New. 2nd edition. 322 pages. 9.25x6.10x0.87 inches. Springer Verlag hardcover
2024x-1032487941Routledge 2024. Hardcover. New. 216 pages. 9.19x6.13x9.21 inches. Routledge hardcover
173018604Nürnberg, Homann, ca. 1730. Ca. 50 cm x 57 cm. [2 Warenabbildungen]
40223England. Folio 246 x 300 mm. Sewn. In two parts. i title 24 pp.; i title with addition "per Farnace" 23 pp. Notated in black ink on 10-stave rastrum-ruled paper with watermark dated 1806.<br /> <br /> For voices and unfigured bass. Cancellations and pencil corrections of two notes on p. 13 of first part; some measures numbered in contemporary manuscript.<br /> <br /> With small oval handstamp of the Glasgow Society of Musicians and "241" to first part and "86" to second to lower inner corner of titles; "10" in pencil to head of first part's title. <br /> <br /> Slightly soiled. Drawn from Portugal's opera La morte di Mitridate first performed in Lisbon at the Teatro S Carlos on 31 January 1806. The present manuscript would appear to be quite contemporary to the first performance of the opera. An edition of this aria was published in London in ca. 1807 a copy of which is held at the British Library.<br /> <br /> "Portugal was not only one of the most prolific Luso-Brazilian composers ever but also the most successful. His European fame rests above all on his comic operas especially Le confusioni della somiglianza Lo spazzacamino principe La donna di genio volubile Le donne cambiate and L'oro non compra amore and on the prima donna showpiece arias in La morte di Semiramide and Gli Orazi e i Curiazi. However he was equally famed in Portugal and Brazil as a composer of sacred music which he composed throughout his working life apart from the Italian period. His three best-known works remained in the repertory until the early 20th century: the Missa Grande c1790 the Matinas da Conceição 1802 and the Te Deum 1802.<br /> <br /> Portugal's operas were rooted in the Neapolitan style of Cimarosa. Yet as early as 1794 in Le donne cambiate he was more melodious and forward-looking using such devices as a 'stupefaction ensemble' and certain turns of phrase more readily associated with Rossini. His Lisbon operas were perhaps less adventurous musically relying more on Catalani's virtuosity. In his church music the elaborate stile concertato of his early years for the Patriarcal gradually developed into a pompous grandiloquent style fit to exhibit royal power. This is particularly so with the works for male voices and six organs at the Mafra Basilica many of which were reworked for mixed voices and orchestra for the Royal Chapel in Rio de Janeiro where the virtuosi castrati much appreciated by the King played a very influential role." António Jorge Marques and David Cranmer in Grove Music Online. unknown
2026x-103272501XTaylor & Francis Ltd 2026. Hardcover. New. 208 pages. 9.18x6.12x9.45 inches. Taylor & Francis Ltd hardcover
1678V39282München ( In Verlegung Johann Wagners / und Johann Hermanns von Geldern / Buchhändlern) 1678 (= Erste deutsche Ausgabe). 8°, braune Lederband der Zeit mit 4 Bünden einem goldgeprägtem Lederschild und 2 Schließen (Hardcover), Rund-um-Farbschnitt, 1 Titelkupfer, rot-schwarzer Titel, 30 Bl. + 979 S. + 80 S. (Register) 1
CCC-90181. edition Paris Lehuby, sans date. Par Mademoiselle A. Celliez, auteur des Reines de France, des Reines d'Angleterre et des Saintes de France.361 pages. 16 lithographies sur fond teinté hors-texte. Coins légèrement frottés, l'intérieur estsur beau papier blanc satiné, avec des taches de rousseurs.Format un grand in-8 (27 cm x 18,5 cm). ÉDITION ORIGINALE. Les portraits sont ceux de : Placidie impératrice, Goiswinthe, Uraque de Castille, Bérengère, Blanche de Bourbon, Catherine de Foix, Marguerite de Valois, Isabelle de Portugal, Isabelle de Castille, Germaine de Foix, Jeanne la Folle, Isabelle de Valois, Isabelle de France, Marie-Louise de Savoie, Elisabeth Farnèze, Louise de Parme. Ouvrage écrit pour la jeunesse dorée du milieu du XIXe siècle, celui-ci, comme les autres de Mademoiselle Adélaïde Celliez, est très bien écrit et superbement illustré, à destination des yeux chastes et chrétiens des petits privilégiés de la caste monarchique ou de la bourgeoisie aspirante. Ensemble de biographies des reines d’Espagne, accompagnées de belles planches avec des portraits des biographés. Plat au blason et dos doree, Photo possible
175112894Paris, [ohne Drucker], 1751. Kupferstiche, altkoloriert. Blattgröße = Druckspiegel, jeweils: 50 x 53,5 cm. [2 Warenabbildungen]
1961mon0000094198Empressa Tipografica Casa Portug 1961-01-01. Hardcover. Very Good. in x in x in. Hardcover. rnNo dust jacket.rnMinor cover wear.rnClean unmarked text. rnTight binding. Empressa Tipografica Casa Portug hardcover
20032-158603295XIos Pr Inc 2003. Hardcover. New. illustrated edition. 408 pages. 9.50x6.25x1.25 inches. Ios Pr Inc hardcover
15447Porto Portugal. 1844. 3pp. folio. Bifolium. In fair condition on aged and worn wove paper watermarked 'RUSE & TURNERS 1834' with a few short closed tears to crease lines. The first page is headed 'Porto em 31st. December 1844' and the other two 'Porto the 31st. December 1844'. The account shows substantial sums paid in by various English wine merchants and a final balance of 428504 Reis 355 Dinheiro. Begins with 'Profit & Loss Dn. to Sundries' of 3887R 467D. Entries include: Brandy Account; Wines on Consignment; Casks Account; Bills Payable; Warehouse Utensils. Names include: Bell Rannie & Co; Bartlett & Mogg; L. Hart & Son; Hope Gibb & Bruce; Charles Reid & Son; Frederick Hunt & Co; Davis & Stainton; Downs & Rhodes; Sainsbury Brothers & Co; Patrick Black; Dingwall Portal; Thomas Morgan & Co; John Allen; Morgan Saunders & Co; Hope Bruce & Co.; John Ormerod & Son; John Smith; William Watson & Co; Scott & Allen; George Carroio & Co; John Wintle & Son; Martin & Washbourne; George Sanderson; W. & H. G. MacFarland; Duncan MacGoun; Alfred Phillips; Jose d'Almeida Dias; Thoma Elder; Thomas Neighbour & Son; Francis Woodley. The third page carries a 33 cm table written lengthwise headed 'Wines Shipt in 1844'. Porto [Portugal]. 1844. unknown
ria9780367148614_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book covers the issues related to optimization of engineering and management problems using soft computing techniques with an industrial outlook. It covers a broad area related to real life complex decision making problems using a hardcover
168052309Amsterdam, Frederic de Wit, [ca. 1680]. Darstellung ca. 58,5 x 48,5 cm, Blattgröße ca. 64,5 x 54 cm.
9003Agen, Raymond Noubel, An X (1802). Placard de 37 x 45 cm, texte encadré.
237564Paris, Dépôt central de la librairie, 1835 in-8, VIII-311 pp., avec une grande carte dépliante "in fine", broché. Manque au dos. Rousseurs dans la première partie de l'ouvrage.
Madrid, por Don Joachin Ibarra, Impresor, 1781. 8vo.; XXI pp., 376 pp. Manchas de humedad en los márgenes blancos de las primeras páginas y de las últimas treinta, con pérdida de papel blanco exterior en las últimas quince. Encuadernación de época en piel, con lomera ornada y tejuelo. Plano posterior afectado parcialmente por la humedad.
18742225-14Nova Goa, Na Imprensa Nacional 1872/1874. 2 Bde. gr.-8°. V, 481 S., 2 Bll.; 2 Bll., S. 483-707 HLn. d Zt. Bestoßen u. berieb. Fehlstelle an d. Ecke d. Vorderdeckels v. Bd. Die ersten beiden Bll. v. Bd. mit alt hinterlegten Einrissen. Kl. Fehlstellen a. d. Ss. 419-422.
Madrid, por Don Joachîm Ibarra, 1783. Tres volúmenes en 4to. menor; XXVIII-280 pp. + 2 hs., 303 pp. + 2 hs., 304 pp. Encuadernación uniforme de la época, en piel marbreada con lomera ornada y tejuelo. Primera edición española, publicada sin láminas, de esta significativa obra que, en palabras del traductor en su dedicatoria a la Infanta Carlota Joaquina, "hace oir a todos la voz de la razón ilustrada con los principios de la religión". La obra que, en definitiva, constituye la fórmula ideal para no mostrar demasiado el plumero en tiempo de luces en derredor.
1810JC043<p>Volume I Volumes II a IV. Edição crítica do texto português pelo Académico Correspondente Luís Filipe Lindley Cintra. Fontes Narrativas da História Portuguesa. N.º 2. Academia Portuguesa de História. Lisboa. MCMLI MCMLIV MCMLXI MCMXC 1951 1954 1961 1990.</p>_x000d_<p>4 Volumes de 26x20 cm. Com dxcix; xxiii 483; xxv 454; xxix 553 ii págs. Brochado.</p>_x000d_<p>No primeiro volume encontra-se a introdução e extenso estudo sobre a crónica por Luís Cintra. Este constituiu a tese de doutoramento de Lindley Cintra em Filologia Românica pela Faculdade de Letras de Lisboa em 1951. A reprodução do texto acompanhada de vários comentários apenas se dá a partir do segundo volume.</p>_x000d_<p>Obs.: Esta obra pesa 5kg. Está sujeita a portes extra.<br /><br />EN This work weighs 5kg. It is subject to shipping extra charges.</p> I-15A-C-7 unknown
LBW-4014Paris, Mr. de Beaurain, [circa 1740]. En 8 sections montées sur toile et pliées, formant un plan de 306 x 475 mm.
1638LBW-949Amsterdam 1638-1640 411 x 501 mm.
LBW061fcAugsbourg circa 1730 En deux feuilles jointes de 153 x 365 mm.
- EDIZIONE ORIGINALE, COLORITURA COEVA -Importante e decorativa mappa tratta dal "Nuovo Atlante Geografico Universale delineato sulle ultime osservazioni", edito a Roma dal 1792 fino al 1801, opera che la Calcografia Camerale commissionò al Cassini al fine di sostituire l’ormai obsoleto "Mercurio Geografico".Giovanni Maria Cassini, Chierico Regolare Somasco fu geografo e cartografo, ma anche intagliatore di architetture e prospettive - uno dei migliori discepoli di Giovanni Battista Piranesi - Cassini fu uno degli ultimi sferografi italiani del Settecento ed i suoi globi ebbero una notevole diffusione, come pure questo "Nuovo Atlante Geografico".Incisione in rame, coloritura coeva dei contorni, leggere bruniture, per il resto in ottimo stato di conservazione. L'Atlante del Cassini fu ristampato dalla Calcografia Camerale nel primo quarto del XIX secolo, prima del 1839. Solo gli esemplari di prima edizione come questo sono stampati su carta vergata coeva e sono colorati a mano in epoca. Le tirature del XIX secolo sono già su carta meccanica, priva di vergelle, e generalmente in bianco e nero. - FIRST EDITION, CONTEMPORARY OUTLINE COLOUR -The Italian painter and engraver, Giovanni Maria Cassini, produced this splendid map of as part of his epic three-volume atlas. Published in: Nuovo atlante geografico universale delineato sulle ultime osservazioni. Roma, Calcografia camerale, 1792-1801.Cassini was geographer and cartographer but he was also good at engraving architectural items and perspectives – he was one of the best disciples Giovanni Battista Piranesi had. Moreover, Cassini was one of the last artists to engrave spheres in the XVIII century and his globes were quite famous and widespread, and realized the most important Italian Atlas of the XVIII century; his maps always bear a cartouche, extremely rich in colours and details. Copperplate with fine original hand colour, some foxing, otherwise in very good condition.The Cassini's Atlas was reprinted by the Calcografia Camerale in the first quarter of XIXth century (before 1839). Only the first edition of the atlas is printed on contemporary laid paper, while the late issue are on XIXth century paper and often without colour.
183884725Paris Ladvocat 1838 4 vol. relié 4 vol. in-8, demi-veau vert, dos lisses ornés de deux fleurons dorés en long encadrant le nom de l'auteur, le titre et le numéro de tomaison, plats de papier marbré vert, 381, 382, 396 et 374 pp. Mention de troisième édition pour ce récit du voyage que fit Custine en Espagne en 1831 sous le règne de Ferdinand VII (Bertier de Sauvigny, 295). L'auteur y brosse le tableau d'un pays mourant à l'avenir politique incertain. De fait, à la parution de l'ouvrage, Ferdinand VII n'est plus et la très jeune infante Isabelle voit sa place plus que convoitée. Dos légèrement passés et quelques rousseurs, mais agréable et décorative reliure d'époque.
183884725Paris Ladvocat 1838 4 vol. relié 4 vol. in-8, demi-veau vert, dos lisses ornés de deux fleurons dorés en long encadrant le nom de l'auteur, le titre et le numéro de tomaison, plats de papier marbré vert, 381, 382, 396 et 374 pp. Mention de troisième édition pour ce récit du voyage que fit Custine en Espagne en 1831 sous le règne de Ferdinand VII (Bertier de Sauvigny, 295). L'auteur y brosse le tableau d'un pays mourant à l'avenir politique incertain. De fait, à la parution de l'ouvrage, Ferdinand VII n'est plus et la très jeune infante Isabelle voit sa place plus que convoitée. Dos légèrement passés et quelques rousseurs, mais agréable et décorative reliure d'époque.
