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3069First editions. Printed scores between 1812 and 1817 by Giovanni Ricordi. In contemporary green half vellum binding. Title vignette on front panel. Binding rubbed damaged. Spine opened at front joint. Title vignette partly removed. Imprecise content in ink on front free endpaper creased doodle in pencil on the rear. Bookblock firm generally in fine condition. First editions. Printed scores between 1812 and 1817 by Giovanni Ricordi. In contemporary green half vellum binding. Title vignette on front panel. Scarce early manuscript copies and printed first editions of Rossini and Mayr’s opera excerpts from Albertine Baroness Staël von Holstein’s collection.<br /> <p><br /> First editions of excerpts from Rossini’s operas Demetrio e Polibio Elisabetta regina d’Inghilterra La gazza ladra and Otello; and from Simon Mayr’s La rosa bianca e la rosa rossa. The first two scores are in manuscript the prior Siveno’s first aria from Demetrio e Polibio has no title page the second an excerpt from Elisabetta regina d’Inghilterra has a printed title page by the Milanese music publisher Giovanni Ricordi. All the printed scores are by him.<br /> <p><br /> Two of the scores Questo cor ti giura amore Duettino nel Demetrio e Polibio; Gran Duetto E’deserto il bosco intorno nell’Opera La Rosa bianca e la rosa rossa bear Albertine de Staël’s possessor’s inscriptions on their title pages. Albertine Baroness Staël von Holstein 1797–1838 was the daughter of Madame Germaine de Staël and allegedly Benjamin Constant.<br /> <p><br /> 1 <br /> Rossini Gioachino<br /> Siveno’s aria. Pien di conteno…<br /> Milano: 1812. 1 blank 22 1 blank p.<br /> Manuscript copy. In brown ink on 10-stave paper score written on 8 staves. In fine condition.<br /> Excerpt from Rossin’s first opera Demetrio e Polibio written in 1806 and premiered in May 1812 in Rome’s Teatro Valle. A manuscript copy of the full score of Siveno’s first aria Pien di conteno…. We couldn’t trace such an early printed version of this part of the opera.<br /> <p><br /> 2<br /> Rossini Gioachino<br /> Nell' Elisabetta. Scena e Duetto incanta che festi Del Sr. Mo. Rossini.<br /> Milano: Giovanni Ricordi …. 1815. ff. 1 blank 1 engraved title page 18. <br /> First edition. Manuscript score with engraved title page by Silvistri title added in brown ink. Score in brown ink on 10 and 16-stave paper. In fine condition.<br /> Excerpt from Rossin’s opera Elisabetta regina d'Inghilterra premiered in October 1815 a manuscript copy of the full score of scenes III and IV of the first act.<br /> <p><br /> 3<br /> Rossini Gioachino<br /> Questo cor ti giura amore Duettino nel Demetrio e Polibio Del Sig.r Maestro Gioachino Rossini. Eseguito in Roma al Teatro Valle delle Signore Maria e Ester Monbelli. <br /> Milano: Presso Gio.i Ricordi Editore di Musica … PN 118 1812. 2 title page 11 1 p. <br /> First edition. Engraved full score. Albertine de Staël’a possessor’s inscription at the top left of the title page trimmed. Musical notes in pencil on p. 3. a doodle on p. 11. A light water stain on the outer edge throughout. A cluster of brown spots at the upper outer corner of the title page. Otherwise in fine condition. <br /> Excerpt from Rossin’s first opera Demetrio e Polibio written in 1806 and premiered in May 1812 in Rome’s Teatro Valle. <br /> <br /> <p>4 <br /> Mayr Simon<br /> Gran Duetto E’deserto il bosco intorno nell’Opera La Rosa bianca e la rosa rossa Del Sig.r M.o Gio. Sim. Mayr. Eseguito in Milano dalli Signori Elisabetta Pinotti e Claudio Bonoldi nell’Anno 1815 e Dedicato all’egregio Cantate Signor Claudio Bonoldi sud.to dall’Editore. <br /> Milano: Presso il Negoziante di Musica Gio. Ricordi … PN 214. 1815. 2 engraved title page 3 letterpress “Catalogo†2–37 engraved score 1 p.<br /> First edition engraved title page and full score letterpress catalog of the publisher. Albertine de Staël’a possessor’s inscription at the top left of the title page slightly trimmed. Lower outer corner of p. 9 torn no effect on the print space. Otherwise in fine condition. <br /> Excerpt from Simon Mayr’s opera La rosa bianca e la rosa rossa premiered in 1813 in Genoa and apparently staged in Milano in 1815.<br /> <br /> <p>5 <br /> Rossini Gioachino<br /> Cavatina. Il mio piano è preparato Nell'opera La Gazza Ladra del Maestro Gioachio Rossini Dedicata dall’Editore Al Dilettante Sig.r Luigi Zuccoli. <br /> Milano: Presso Gio. Ricordi … PN 458 1817. 1 title page 2–9 1 p.<br /> First edition. Engraved score for cembalo and voice. Bookseller’s stamp on title page. In fine condition.<br /> Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan.<br /> <p><br /> 6 <br /> Rossini Gioachino<br /> Duettino Vorrei che il tuo pensiero Nel Dramma Otello Del. Sig.a M.o Gioachino Rossini. Eseguito in Napoli della Sig.a Colbran e Manzi Dall’Editore Dedicato Alla Signora Carlotta de Luigi nata Kramer. <br /> Milano: Presso Gio. Ricordi … PN 341 1816. 2 title page 13 1 p.<br /> First edition. Engraved full score. Bookseller’s stamp on title page. In fine condition.<br /> Excerpt from Rossin’s opera Otello premiered in December 1816 in Naples Teatro del Fondo.<br /> <p><br /> 7 <br /> Rossini Gioachino<br /> Cavatina Bell’Alme generose Nell’Elisabetta d’Inghilterra Del Sig.r M.o Gioachino Rossin.i Eseguita in Napoli dalla Sig.a Colbran ed in Mil.o dalla Sig.a Adel.e Sala. Dedicata dall’Editore all’insigne dilettante signora Elena Viganó. <br /> Milano: Press il Negoziante di Musica Gio Ricordi … PN 342 1815. 2 title page 7 1 p.<br /> First edition. Engraved full score. Bookseller’s stamp on title page. Lower outer corner of the first and last leaves are torn. Otherwise in fine condition.<br /> Excerpt from Rossin’s opera Elisabetta regina d'Inghilterra premiered in October 1815 at the Teatro San Carlo in Naples.<br /> <p><br /> 8<br /> Rossini Gioachino<br /> Preghiera. Deh tù reggi in tal istante Nell’Opera La Gazza Ladra del Sig.r M.o Gioachino Rossini. Eseguita al R. Teatro alla Scala dalla Sig.a Teresa Belloc. Dedicata dall’Autore Ella Sig.a Marietta Lodi Torriani.<br /> Milano Presso Gio. Ricordi … PN 339 1817. 2 title page 14 p.<br /> First edition. Engraved full score. Bookseller’s stamp on title page. In fine condition.<br /> Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan.<br /> <p><br /> 9<br /> Rossini Gioachino<br /> Duetto. E ben per mia memoria nell’Opera La Gazza Ladra Del Sig.r M.o Gioachino Rossini. Eseguito al R. Teatro alla Scala dalle Sig.re Belloc e Gallianis. Dedicato dall’Editore All’Ill.ma Sig.ra la Signora Contessa Amalia Belgiojoso. <br /> Milano: Presso Gio. Ricordi … PN 340 1817. 2 title page 32 p. <br /> First edition. Engraved full score. Bookseller’s stamp on title page. Lower outer corner of p. 13 and lower edge of p. 21 torn. Otherwise in fine condition.<br /> Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan. unknown
19153270budapest: Orsz. Magyar Képzőműv. Múzeum 1915. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. Fine condition. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. 1t.LXXII272p.16t. From the collection of Arpad Plesch. Orsz. Magyar Képzőműv. Múzeum unknown
1618I44EE8UGV899Rotterdam: Jan van Waesberge 1618. Contemporary sheepskin parchment sewn on 4 vellum tapes laced through the joints with an old paper spine label. With: 2 STEVIN Simon. Nouvelle maniere de fortification par escluses. .Rotterdam Jan van Waesberge 1618. 2 works in 1 volume. Folio in 4s.With 2 title-pages each with Van Waesberges large woodcut publishers device angel with horn and ouroboros in an elaborately decorated frame with the nine muses one singing and each of the others with a different instrument signed Antonius van Leest more than 50 woodcut illustrations in the text many full-page or nearly full-page woodcut headpieces tailpieces and decorated initials 3 series. Set in roman types with incidental italic. The Castrametation lacks 2 preliminary leaves with the portrait and coat-of-arms of Maurits of Nassau Prince of Orange. First French editions of two complementary works in matching format and layout by Simon Stevin on the layout of army camps and on hydraulic engineering for fortifications in particular the use of pivoted sluices for deepening waterways draining land and operating locks. The Castrametation provides a window into daily life in the Dutch army during the Eighty Years' War of independence from Spain shedding light on both the physical arrangement of troops supplies armaments etc. and the rules that soldiers were expected to follow. The Fortification par escluses both reflects and helped to establish the Dutch mastery of the seas and waterways which was unique among nations at this date. While the numerous fortification plans are presented as general types to illustrate principles many are based on actual Dutch cities. The book therefore provides Stevin's analysis of the strtegic situation of many Dutch cities and the ways their security could be improved by hydraulic engineering. Both works were published during the Twelve Years' Truce 1609-1621 partly in anticipation of the renewal of hostilities in 1621 and therefore the need to improve the Dutch defences.With ink owner's additions to the fortification plan on F3 of the second work. Four of the fortification plans also have some additions drawn over them perhaps somewhat later in pencil. With bookplate. The Castrametation lacks 2 preliminary leaves with the portrait and coat-of-arms of Maurits of Nassau Prince of Orange. With a water stain at the head of the leaves in the first half and slightly browned throughout. The binding shows a few stains and scuffmarks with one tape broken at one joint and the paper label tattered but is otherwise good. First French editions of two important Dutch military works.l Bierens de Haan 4576 & 4577; Simoni S258; Sloos Warfare 8014 & 8015; STCN 5 & 4 copies; cf. Jähns I 127 . Jan van Waesberge, hardcover
99279Gr8° 26 x 19 5 cm 3 Bl. 345 277 S 2 Bl.; 2 Bl. 388 S. CLXXXiV S. 1 Bl. Kart. Rücken aus einer lateinischen Handschrift gefertigt m Rückenschild teilweise am Kopf knapp beschnitten minimaler Textverlust. Ueberzugs-Kleisterpapier teilweise gelöst mit Fehlstellen Deckel beriebn. Innen wenig wasserändig - insgesamt ein schönes Exempalr. Akkurat handgeschriebenes Antiphonar eines Stiftsherren - Edmund Simon Carouge - aus Auxerre.Das Proprium de Tempore enthält die wechselnden Texte bzw. Gesänge der Sonntage Wochentage sowie Herrenfeste des Kirchenjahres das nach einzelnen Festkreisen geordnet ist – beginnend mit dem 1. Advent. Das Proprium umfasst grundsätzlich immer die wechselnden Gebete bzw. Gesänge der Messfeier Introitus Graduale Tractus Alleluja Sequenz Offertorium Communio.Dass Titelblatt bezieht sich auf das 1726 neu erschienene Brevier des Bischofs Charles de Caylus 1669-1754. Dieser war von 1704 bis zu seinem Tod Bischof von Auxerre. Er wurde wegen seiner jansenistischen Ansichten eine Zeit lang in seine Diözese verbannt veränderte sie jedoch grundlegend und machte sie zu einer Hochburg des Jansenismus.Der Jansenismus war eine besonders in Frankreich verbreitete Bewegung in der katholischen Kirche des 17. und 18. Jahrhunderts die sich auf die Gnadenlehre des Augustinus berief und als häretisch verfolgt wurde. 010 unknown
148827Camden NJ: The Long Art Studios. First edition of this early twentieth century travelogue of Canada and the western part of the United States of America. Quarto original blue cloth with gilt titles to the front panel triple ruling stamped in blind to the front and rear panels illustrated with 14 mounted sepia toned gelatin silver prints. Presentation copy lengthily inscribed by the author on the front free endpaper "My dear Mark: Choo-choo! Choo-choo! Sting-a-ling! Sting-a-ling! All aboard! Sounds like business eh And your berth is all prepared for you with the select party now 'Doubling the North American Isle' with Your friend W.S. Long. Xmas 1913." In very good condition. Rare. Doubling the North American Isle by William Simon Long is a travel narrative that explores diverse regions of North America through a lens of cultural observation historical reflection and geographic curiosity. Published in the early 20th century the book reflects Long’s continued interest in promoting continental unity and appreciation for the varied landscapes and peoples of North America. He combines first-hand impressions of places such as Nova Scotia British Columbia and the American Southwest with speculative commentary on ancient civilizations like Quibera blending romanticized history with contemporary travel writing. Particularly notable is his descriptive account of the Grand Canyon which exemplifies the book’s focus on natural grandeur and national identity. The Long Art Studios hardcover
19241674Éditions de la Galerie Simon (D.H. Kahnweiler), Paris 1924. Volume petit in-4 broché (25 x 20 cm), 22 pages, couverture ivoire illustré d'une eau-forte. ÉDITION ORIGINALE illustrée de 4 eaux-fortes d'André Masson, dont celle de la couverture et 3 en hors-texte. Premier livre de Georges Limbour et premier livre illustré par André Masson. Tirage à 112 exemplaires, celui-ci étant l'un des 90 numéroté sur vergé d'Arches (n° 53), SIGNÉ PAR L'AUTEUR ET L'ARTISTE au colophon. Les gravures de Masson les plus authentiquement surréalistes.
20681 p.l. 140 pp. 8vo attractive antique half-calf & boards. Paris: Mauger & Hubert An VII 1799.<br/> <br/> The very rare sale catalogue of duplicates from the library of Mérard 1749-1812 man of letters. He was born into a very rich family and for a number of years was in charge of the residence of the future Louis XIII. After retiring from his public duties in 1782 he concentrated on his growing collection of books and commissioned editions printed in severely limited numbers. <br/> <br/> Guigard wrote Vol. II p. 351: “San l’amour des livres Mérard de Saint-Just serait complètement oublié.†In 1783 he issued a famous catalogue limited to 25 copies. The catalogue is an odd combination of books which were present in his library books no longer in his library and books which he desired for his library including some completely imaginary books. <br/> <br/> His collection was not large but fine. Mérard did not have the taste for editio princeps except for Aldines but preferred the best editions with careful editing. He bought books from many of the great collections of the 18th century — Pompadour de Boze Gaignat Randon de Boisset Mac-Carthy Reagh Gouttard etc. — and selected choicely bound volumes including examples by Padeloup Derôme Roger Payne and Baumgarten. <br/> <br/> 1079 lots and priced throughout in a contemporary hand. <br/> <br/> Lacking half-title but a nice copy. <br/> <br/> ⧠Grolier Club Printed Catalogues of French Books Auctions.1643-1830 396. Peignot p. 113. unknown
20681 p.l. 140 pp. 8vo attractive antique half-calf & boards. Paris: Mauger & Hubert An VII 1799. The very rare sale catalogue of duplicates from the library of Mérard 1749-1812 man of letters. He was born into a very rich family and for a number of years was in charge of the residence of the future Louis XIII. After retiring from his public duties in 1782 he concentrated on his growing collection of books and commissioned editions printed in severely limited numbers. Guigard wrote Vol. II p. 351: "San l'amour des livres Mérard de Saint-Just serait complètement oublié." In 1783 he issued a famous catalogue limited to 25 copies. The catalogue is an odd combination of books which were present in his library books no longer in his library and books which he desired for his library including some completely imaginary books. His collection was not large but fine. Mérard did not have the taste for editio princeps except for Aldines but preferred the best editions with careful editing. He bought books from many of the great collections of the 18th century - Pompadour de Boze Gaignat Randon de Boisset Mac-Carthy Reagh Gouttard etc. - and selected choicely bound volumes including examples by Padeloup Derôme Roger Payne and Baumgarten. 1079 lots and priced throughout in a contemporary hand. Lacking half-title but a nice copy. ❧ Grolier Club Printed Catalogues of French Books Auctions.1643-1830 396. Peignot p. 113. hardcover books
1703B7160Nuremburg: Berlegung Wolfgang Moritz Endters / Wolfgangue Maurice Endter. 1703. Interior clean and crisp. Binding: Full original vellum boards rebacked saving original spine. Spine with brown morocco label. Notes: Text in Latin German Italian and French each printed in single column with two columns per page; Italian and French on recto Latin and German on verso. Size: Folio 340 x 215mm Illustration: Near fine example of this quatro-lingual treatise on horses and horse breeding illustrated with 46 fine copperplate engravings plus engraved title. Detailed plates illustrating training mating behavioural presentation etc.; also including mating between horses and bulls donkeys etc.<br>PLATES:<br>1.104<br>2.124<br>3.223 44 plates<br> Provenance: Ex-Libris; bookplate of Fritz von Baroalaban mounted to front pastedown. Pages: P Engraved title. Blank. Latin/German title. Blank. Italian/French title. Blank. Dedication. Author’s dedication 3. Dedication title. Author’s second dedication 5. Note to the reader. Index 6. Blank. Title. Pp. 2-223. Category: Book Natural History; Berlegung Wolfgang Moritz Endters / Wolfgangue Maurice Endter. hardcover
2017AME_9780128032008Elsevier 2017. 3rd. Hardcover. New/New. Elsevier hardcover
1774189500London: 1774. Exposing the bread conspiracy First edition of this incisive attack on physiocracy by the habitual contrarian and one-time physiocrat published as the first two parts of this six-part collected edition of his works. This set also includes the first edition of Linguet's Du Pain et du Bled and a revised edition of the Théorie des loix civiles first published in 1767 his critique of Enlightenment liberalism. Simon Nicolas Henri Linguet 1736-1794 was among the most renowned lawyers in France during the 1760s and 1770s until his attacks on colleagues led to his expulsion from the bar in 1775. Voltaire observed of his streak of nonconformity that "Paris too has its Jean-Jacques Rousseau" quoted in Vyverberg p. 476. The works published here inveigh against multiple aspects of the pre-revolutionary status quo including physiocratic notions of liberty and the dependence of the French upon bread. The Théorie des loix civiles opened Linguet's campaign again the physiocrats but did not target them by name: the Plus Heureux Gouvernement by contrast directly charged that physiocratic concepts of liberty were opportunistic shams designed to enrich the elite. Linguet's Du Pain et du Bled On Wheat and Bread tackles the systemic dependence of the French peasantry on bread contending - perhaps hyperbolically - that it was a fundamentally harmful food responsible in large part for the grim health of the poor. A response by Tissot 1728-1797 published at Neufchatel in 1779 is bound in this volume. 2 works in 5 vols octavo 163 x 91 mm. With 2 folding letterpress tables. Contemporary tree sheep spines decorated in gilt and with twin red and black morocco labels edges sprinkled grey. Light rubbing and stripping a couple of spots of wear to rear board of vol. 1 and slight loss to head of spine minor browning and foxing to contents: a very good copy ESTC T149730. Henry Vyverberg "Limits of Nonconformity in the Enlightenment: The Case of Simon-Nicolas Henri Linguet" French Historical Studies vol. 6 no. 4 Sept. 1970. unknown
207016Amsterdam, Arkstée et Merkus, 1758 6 vol. in-4, veau blond moucheté, dos à nerfs orné, roulette dorée sur les coupes et intérieure, tranches rouges mouchetées (reliure de l'époque).
176887056Chez Arkstée & Merkus | à Amsterdam et Leipzig 1768 | 12.20 x 18 cm | 6 volumes reliés
87232A Paris, chez Lagrange, Libraire/Chez Maradan, 1788-1793, 5 volumes de 200x265 mm environ et 1 atlas de 245x340x40 mm environ, xxxij-763, 539, 491, 722-(1) f., 559 pages, demi reliure en veau rouge, titres et tomaisons dorés, dos très ornés de motifs dorés, tranches et coupes marbrées. Coupes et coins émoussés, coiffes de l'atlas ébréchées avec début de fente sur le bas du dos, frottements sur les plats et sur les coiffes, des rousseurs, sinon belle série rare et recherchée avec 122 planches (dont 4 cartes dépliantes, manque la carte générale de l'Empire de Russie.
1936455026London : Signature printed at the Curwen Press 1936. First Edition. Softcover. Very good paperback issues; wrappers somewhat dust-dulled and slightly edgeworn. Internally bright clean and strong with a faint warp to lower corner as from storage. Plates retain their tissue guards with folding materials remaining crisp. A well-preserved selection overall. Provenance: from the collection of Marie Marques with a signed letter from Curwen Press loosely inserted. Physical description; eight volumes : illustrations some color ; 25 cm. Notes; selection includes issue no.s 2-9 Mar 1936-Jul 1938. Subjects; Printing - Periodicals Illustration of books - Periodicals Graphic arts - Periodicals. London : Signature, printed at the Curwen Press paperback
77965London Printed by A. Stahan for T. N. Longman and O. Rees 1802-03. 4to. XXIII 1 552 XXX 2 523 1 s. 51 kobberstukne delvis foldede plansjer. 28 vignetter 4 kobberstukne foldede karter. De fleste av plansjene og vignettene er håndkolorerte. Samt. skinnbd. med 4 opphøyde bind. Sort skinn tittelfelt. Rik ryggdekor i gull. Rebacked med bevaring av gammel rygg. Ex libris på forsats. . <br/><br/><em>Cont. half calf with 4 raised bands. Spine richly gilt. 51 engraved plates many folding. 28 vignettes. 4 engraved maps. Most of the plates and vignettes are hand-coloured. Rebacked with the original spine laid down. Book plate on front paste down. Plates clean and in very good condition. </em> hardcover
1758263129Paris: Chez de Bure 1758. First. hardcover. good. l'Histoire Naturelle; les Moeurs Coutumes & Religion des Naturels. folding map of the Gulf of Mexico 40 engraved plates including the folding plan of New Orleans lacks large folding map of Louisiana. 3 volumes. 16mo contemporary mottled calf gilt spines spines and some edges of covers worn on all volumes shellac applied to all spines ex-lib lacks errata leaf in volume I. Paris: Chez de Bure 1758. First Edition.<br/> <br/> "One fo the most useful contemporary authorities on French Louisiana. Le Page du Pratz lived there for 16 years and his detailed description is one of the main sources of his period." Streeter Sale 127. "Relation based on a residence from 1718 to 1734 valuable for showing French claims to the southern territory east of the Mississippi and for particulars concerning Indian nations there." Howes L-266. Ex libris from the library of the American Chamber of Commerce in Paris with their bookplate on the front and back endpapers of each volume. Clark I: 75. Graff 2462. Field 910. Sabin 40122. Raines p. 73.<br/> <br/> Chez de Bure unknown
1758263129Paris: Chez de Bure 1758. First. hardcover. good. l'Histoire Naturelle; les Moeurs Coutumes & Religion des Naturels. folding map of the Gulf of Mexico 40 engraved plates including the folding plan of New Orleans lacks large folding map of Louisiana. 3 volumes. 16mo contemporary mottled calf gilt spines spines and some edges of covers worn on all volumes shellac applied to all spines ex-lib lacks errata leaf in volume I. Paris: Chez de Bure 1758. First Edition.<br/><br/> "One fo the most useful contemporary authorities on French Louisiana. Le Page du Pratz lived there for 16 years and his detailed description is one of the main sources of his period." Streeter Sale 127. "Relation based on a residence from 1718 to 1734 valuable for showing French claims to the southern territory east of the Mississippi and for particulars concerning Indian nations there." Howes L-266. Ex libris from the library of the American Chamber of Commerce in Paris with their bookplate on the front and back endpapers of each volume. Clark I: 75. Graff 2462. Field 910. Sabin 40122. Raines p. 73.<br/><br/> Chez de Bure unknown books
51-5820Lutetiae Parisiorum Paris: Typis & formis Francisci Langlois aliaÌ€s dicti Chartres . 1646. Folio Contemporary vellum repaired with new endpapers. 25 x 37.5cm. 38 222 42 numbered plates.OCLC Number / Unique Identifier:889852935.Added engraved t.p. by Karl Audran after Simon Vouet. Engraved port. of NiceÌron by Michel Lasne. Plates by Jean Blanchin after NiceÌronHead and tail pieces. InitialsSignatures: ãⶠchi1 ẽⴠĩⴠA-2Dâ´ 2Eâ´ -2E4 Lutetiae Parisiorum, [Paris]: Typis & formis Francisci Langlois, aliàs dicti Chartres ..., 1646 hardcover
193088520London: The Fleuron Printed at the Curwen Press / Cambridge University Press 1930. Hardcover. Near Fine/Very Good. 28 x 22 cm. Quarto. Complete set mixed edition. Some foxing in volume 1 &2. Cloth spine of volume 1 faded scuffed on front cover. Volumes 1 & 2 are quarter cloth with paper over boards. Volumes 3 & 4 are bound in black cloth. Volumes 3-7 are limited editions on hand-made paper while volumes 1 & 2 are of the standard edition 1/1000 copies on Antique Cream Laid paper. Vol III: 48/125 vol IV: 78/120 vol V: 90/110 vol VI: 11/160 vol VII: 128/210 Small closed tears to spine of volume 4. Volumes 5 6 & 7 are in dust jackets. The deluxe limited editions feature additional illustrations not present in the standard edition.<br /> <br /> Volume 6 with a pamphlet of Greek type specimen "The New Hellenic" which has an engraving signed by David Jones pamphlet mounted opposite page 231. The final volume is signed by one of the editors Stanley Morison on the colophon page as well as artist Eric Gill on his Perpetua type specimen preceding page 51. Jackets with a few small closed tears. Extensively illustrated throughout with type specimens engravings portraits head and tail pieces and high quality color facsimiles of pages from finely printed books. Tipped inclusions in volumes 56 & 7. One of the most important and influential typographical periodical. Many of the most important people in the book arts and typography for the time period are discussed and illustrated such as Karl Klingspor Rudolf Koch and J. E. Laboureur. Beatrice Warde’s writing as Paul Beaujon important scholarly article on Garamond typefaces appears in volume 5. <br /> <br /> Reference: Grant Shipcott. Typographical Periodicals Between the Wars: A Critique of The Fleuron Signature and Typography. The Fleuron, Printed at the Curwen Press / Cambridge University Press hardcover
1794S508Paris: Maradan 1794. Uniform contemporary mottled calf richly gold-tooled spines. 8vo text and large 4to atlas. With 8 title pages and 8 half-titles 108 engraved plates and maps of which 22 folding and 2 double-page. 8 text-volumes and 1 atlas-volume. Second French edition of Pallas's 1768-1774 journeys through Russia. Peter Simon Pallas Berlin 1741-1811 studied medicine and natural history in Germany Holland and England. In 1767 he went to St Petersburg and began to conduct research in Russia. He was an eminent botanist zoologist and geographer and "sought to advance from merely describing nature to finding the causal interrelationships and hidden regularities of natural phenomena." Darwin acknowledged his work to have been influential in the development of evolutionary ideas DSB .In the years 1768 to 1774 Pallas joined so-called "academic expeditions" which traversed the Russian Empire from west to east. He studied flora and fauna landscape geological condition local population and culture. His findings were published in Reise durch verschiedenen Provinzen des russischen Reichs 3 volumes St Petersburg 1771-1776. The French translation of the work appeared in five volumes and one atlas-volume 1788-1793. The present nouvelle édition revised by Lamarck and Langlès comprises eight text-volumes and one atlas volume with maps and plates. The large map of Russia 55 x 117 cm is accompanied by ten others of parts of Russia three folding and two double-page. The other illustrations show plants ca. 58 costumes animals buildings inscriptions etc. A fine set; large bookplates of "Charles Baron de Selby" with smaller bookplates with the text "Caroli de Hoffmann Bruxellis" pasted onto them. Fine setof a great work on Russian natural history.l Cat. Russica 36; DSB X pp. 283-285; Stafleu & Cowan 7224; Wood p. 511. Maradan, unknown
Inscribed and initialed by Polanyi to "Sir Ernest and Lady Simon", Sir Ernest Simon, The Lord Simon of Wythenshawe, and his wife, upon front free endpaper. Simon, a British industrialist, politician and public servant, had a long association with the University of Manchester where Polanyi was a professor at the time of publication. Ink stamp reading "University of Manchester Broomcroft Hall" atop front free endpaper and inside back board solidifies this provenance as it was then the residence of the Simons. ix, [1], 116 pages. Includes these essays: The Rights and Duties of Science (1939), Collectivist Planning (1940), Soviet Economics - Fact and Theory (1935), and Truth and Propaganda (1936). "In those years the ideas of liberty... were left almost uncultivated." - from Preface. Minimal faint pencil markings to contents. Average wear and some fading to publisher's pale green cloth which is sunned at spine. Binding intact. Heavy wear to dust jacket which is now preserved in archival-grade Brodart. Today, the thoughts of the author, a scientist and philosopher who lived from 1891 to 1976, are faithfully upheld by a society named in his honour. Book
181229945London: John Stockdale 1812. 2 volumes 4to pp. xxiii 1 552; iii-xxxii 525; complete with with 52 engraved plates 43 hand-colored 26 folding 29 in-text vignettes 23 hand-colored all by Geissler and three large folding maps; contemporary full calf with an octagonal panel central on all covers within double gilt rules rebacked ca. 1930 in brown calf gilt-decorated spines brown morocco labels lettered in gilt; extremities a bit worn and rubbed but the binding is sound and a few spots and some minor offsetting aside it's internally fine. Cox I p. 199: "Pallas was one of the savants chosen by the St. Petersburg Academy to carry on the work of examining the resources of the far distant parts of the Russian Empire. He left St. Petersburg in 1768 and spent a full six years investigating various districts of Siberia the Urals the Caspian Tobolsk Lake Baikal the Lower Volga etc. His reports on the geology fauna and flora are of great scientific value." His journey extended to the frontiers of China. "Few explorations have been as fruitful as this six years' journey" EB. The translator F. W. Blagdon. in addition to the narrative the natural history results of the expedition which were not included in the first German edition. Abbey Travel 222 for the first English edition of 1802-03; Tooley pp. 357-8. <br/><br/> John Stockdale unknown books
17386<p><strong>First Edition - The copy of king Louis Philippe I</strong></p><p><strong>Exceedingly rare hunting treatise on Bird trapping </strong><em><strong>pipée </strong></em><strong> AS A METHOD TO protect and preserve bush animals from birds of prey</strong></p><p>Simon Jean-Baptiste. <em>Moyens de conserver le Gibier par la destruction des oiseaux de rapine ; Et les Instructions pour y parvenir. </em><em>Traité de la pipée Chasse amusante & divertissante très-convenable aux Dames. </em>Paris Veuve Prudhomme 1738.</p><p>12° 163 x 10 cm contemporary full leather binding gilt decoration and title at compartments pp. 4 – first blank <em>recto</em> of second page engraved frontispiece xxvii 3 84 4 engraved handcoloured frontispiece original silk bookmark perfectly preserved red edges.</p><p>Hand coloured full page engraving at frontispiece representing a birds trap with the Latin <em>motto</em> "<em>Silentio Decipiuntur</em> Deceived in Silence"</p><p>Only three complete copies of this first edition recorded in worldwide libraries WorldCat</p><p>Extremely rare treatise on Birds Trapping <em>pipée</em> which as the author specifies in the preface can be considered the first and most complete popular and infomrative work on this hunting technique.</p><p>This method of hunting now prohibited and already discussed in Simon's time is based on the preparation of traps usually poles leaning against trees or branches sprinkled with a sticky substance towards which a team of beaters lures the birds with decoys.</p><p>Simon tries to valorise this hunting method not considering it only as it was mainly considered at the time a fun pastime perfectly suitable for ladies but as a very useful hunting method to control the number of birds of prey and therefore preserve bush animals otherwise destined to be their victims.</p><p>Book Structure:</p><p>· Hand coloured engraved frontispiece</p><p>· Title page</p><p>· Preface</p><p>· Table of Contents</p><p>· Chapter I – On the hunting methods of the "<em>pipée" </em>in general</p><p>· Chapter II – On the preparation of the "Glue" for the traps</p><p>· Chapter III – How to optimize the glue</p><p>· Chapter IV – On Glue in general</p><p>· Chapter V – About the best locations to prepare the traps</p><p>· Chapter VI – How to choose the tree and how to prepare it</p><p>· Chapter VII – Where to hide the hunt beaters</p><p>· Chapter VIII – IX How to set up the traps</p><p>· Chapter X – About the best time of the day to start the hunting</p><p>· Chapter XI – About the decoys in hunting</p><p>· Chapter XII – The best season for "<em>pipée"</em></p><p>· Chapter XIII – The best weather to practice Hunting</p><p>· Chapter XIV – Which are the birds usually captured with "<em>pipée"</em></p><p>· Chapter XV – How to build a perfect Hunting Team.</p><p>· Printing Authorization</p><p>· King's privilege</p><p>Simon Jean-Baptiste early XVIII century - 1762 was a French Lawyer member of the Parliament and Royal censor from 1742 to 1762. He was author of works on bees birds hunting and cosmography.</p><p>Census: exceedingly rare edition. Only three copies of this first edition are recorded in Worldcat plus one imperfect:</p><p>· 2 in USA Yale imperfect Berkeley</p><p>· 1 in Sweden Kungliga biblioteket</p><p>· 1 in France BnF.</p><p>Conditions: Perfect copy of an exceedingly rare hunting treatise with an important noble provenance and with hand colored illustration.</p><p>Provenance: I. From the prestigious <em>Bibliothèque royale de Louis-Philippe au château d'Eu </em>with his ownership stamp at title page. Louis Philippe 6 October 1773 – 26 August 1850 was King of the French from 1830 to 1848 the last King and penultimate monarch of France and <em>Château d'Eu</em> served as his summer residence. II: handwritten shelf location notes at front and back fly leaves.</p> Veuve Prudhomme
1923014522Paris Galerie Simon 1923 In-8 Broché