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2025Manohar-9781138896161Routledge Manohar 2025. Paperback. New. Routledge (Manohar) paperback
175622766Paris: n. p. 1756. First edition 12mo pp. 4 124; lacking the errata leaf; head- and tail-pieces throughout; contemporary mottled calf the spine gilt in six compartments red morocco label in 1 and all edges red; light wear to extremities small worm trail on back cover affecting leather only and a small 1-inch diameter illegible stamp in red on title-page; overall a very attractive clean copy. An important treatise on crop rotation. La Salle de l'Etang d. 1765 provides one of the earliest systematic plans for rotating food crops with "artificial" pastures allowing tilled lands to rebuild nutrient reserves. In addition the author advocates raising livestock for manure to fertilize dry and sterile lands. In order to facilitate his plan he calls for the establishment of a national bureau of agriculture that would be responsible for record-keeping distributing produce throughout the country in times of famine and regional crises regulating foreign trade in agricultural products and maintaining fair prices. A second edition of La Salle de l'Etang's treatise appeared in 1758 and a third expanded version of 330 pages in 1762 both with a Brussels imprint. Six copies in US libraries: Harvard Yale Delaware UC-Davis and 2 others. <br/><br/> [n. p.] hardcover books
59393Luzern Faksimile-Vlg. 1987 88. Kl.8° 140 x 104 cm. Faks.: 30 Bl. zahlreiche Miniaturen. Kommentarbd.: 482 S. 46 Taf. Faks: Violetter Samt m. zwölf Rosetten Ecken und Schließen aus echtem massivem Sterling-Silber; Kommetarbd. Samt m Rückenschild. in Plexischuber in OLwd. Schuber Tadell. Nr. 491 von 950 Exemplaren. Das Fragment eines Stundenbuches aus dem 16. Jahrhundert ist einer der schönsten Landschaftszyklen und ein Meilenstein flämischer Buchmalerei. Simon Bening revolutionierte in diesem Werk die Kalenderminiaturen indem er ihnen je zwei Seiten einräumte und sie als eigenständige Szenen behandelte.Simon Benings Flämischer Kalender der aus dem Kalenderteil eines Stundenbuches besteht und somit ein Fragment ist stellt einen der schönsten Landschaftszyklen innerhalb eines Kalenders überhaupt dar.Er ist nicht nur ein Meilenstein flämischer Buchmalerei des 16. Jahrhunderts sondern auch ein Höhepunkt in Benings künstlerischer Entwicklung als Landschaftsilluminator.Kalendarien sind Abschnitte am Beginn eines Andachtsbuchs in denen die Feste des Kirchenjahres aufgeführt werden. Vielerlei Tätigkeiten sowie Tierkreiszeichen die mit dem jeweiligen Monat in Verbindung stehen charakterisieren traditionsgemäß die einzelnen Monate.Da die Monatsarbeiten meist landwirtschaftliche Tätigkeiten wie die Bestellung von Acker und Feld in freier Natur stattfinden spielten Landschaften und Ausschnitte davon eine besondere Rolle in der Kalenderdekoration während des gesamten Mittelalters.Im Spätmittelalter erleichterte zudem eine neue Auffassung von der Natur die Entwicklung der Landschaftsdarstellung in illuminierten Kalendern. Ein Kalender enthielt im allgemeinen elf Landschaftsminiaturen. Eine oder auch zwei waren zumeist der Darstellung eines Innenraumes vorbehalten.Bening revolutionierte die bildliche Darstellungsweise in Kalenderminiaturen. Er stellte die Kalenderdekoration auf die gleiche Stufe wie die detaillierten Programme der Andachtsbilder die im Buch auf sie folgen.In illuminierten Stunden- und Gebetbüchern war oft ein kleiner Streifen unterhalb des Textes für Illustrationen benutzt worden. Bening dagegen war seit einem Jahrhundert der erste Künstler der ganzseitige Kalenderminiaturen malte und er war der erste der sie als eigenständige Szenen behandelte die ein möglichst genaues Abbild der Umwelt ergeben sollten.Kein anderer Künstler vor Pieter Breugel d.Ä. erkundete die Landschaft so systematisch wie Bening. Er malte verschiedene Landschaftstypen mit einer erstaunlichen topographischen Vielfalt; ebenso schilderte er die unterschiedlichsten Wetterlagen. Seine Landschaften sind poetisch: mit Empfindsamkeit beobachtet präzis komponiert und voller Atmosphäre. Damit hat er einen wichtigen Beitrag zum erhöhten Ansehen der Landschaft in der flämischen Kunst geleistet.Diese poetische Kalenderfolge Benings offenbart Bild für Bild eine geschäftige und harmonisch geschlossene Gesellschaft. Einige Miniaturen zeigen die Tätigkeit oder die Vergnügungen des Monats neben gesellschaftlichen Ereignissen.In unserem Kalenderzyklus ist im Vergleich zu anderen Handschriften die Bedeutung der traditionellen Monatsarbeiten allerdings zurückgenommen. Nun wird den Vergnügungen der Oberschicht mehr Raum zugestanden. Diese Miniaturen weisen eine strukturelle Geschlossenheit eine Subtilität der Farben und atmosphärischen Effekte auf die in der flämischen Kunst jener Zeit selten waren.Auf dem Januar-Bild etwa werden ein Holzhacker in der freien Natur sowie Personen gezeigt die sich in einem nahe gelegenen Innenraum an einem Feuer wärmen; beides Tätigkeiten die den Winter symbolisieren. Im rückwärtigen Teil des Hauses und hinter dem Haus gehen andere Bauern ihrer Arbeit in dem verschneiten Dorf nach. Den Bildern der flämischen Landschaft werden auch andere Motive an die Seite gestellt so etwa die Liebeswerbung. Solche »romantischen« Motive waren immer schon Bestandteil der flämischen Kalenderikonographie.Die älteren Kalender integrierten meistens eine oder zwei solcher Szenen in die Serie. Hier sind es sogar drei; gezeigt werden Liebespaare in einem Garten ein Paar bei einer Bootsfahrt oder ein Ball in einem eleganten flämischen Haus. Für die Kalenderbilder insgesamt fand Simon Bening in Gestalt der zweiseitigen Miniaturen eine neue Form um vor allem den Mittel- und Hintergrund zu erweitern. Es ist eine Entwicklung die in letzter Konsequenz zu den Landschaften eines Pieter Breugel führen sollte.Die Faksimile-EditionAlle 60 Seiten des Flämischen Kalenders im Format von 140 x 104 cm wurden getreu dem Original faksimiliert. Die Faksimile-Edition erschien in einer weltweit einmaligen streng auf 980 Exemplare limitierten Auflage.Der Kommentarband deutsch/englisch/französisch erklärt wissenschaftlich die Handschrift und ihr künstlerisches Umfeld. Thomas Kren Curator of Manuscripts am J. Paul Getty Museum in Malibu bespricht die Entwicklung der Landschaft in der flämischen Buchmalerei und analysiert die Miniaturen der Handschrift und Prof. Dr. Johannes Rathofer Universität Köln erläutert die Texte der Handschrift. Ursprünglicher Preis: CHF 5980.– Restlos vergriffen! 010 Luzern, Faksimile-Vlg., 1987, 88 unknown
CBS 9783030624255USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
196892125Paris: Denise Renard 1968. Fine. Georges Leroux's copy with an original drawing by Brigitte Simon and a double suite of drypoints Denise Renard Paris 1968 25.50 x 34 cm en feuilles sous chemise et étui First edition one of 85 numbered copies printed on Arches wove paper this being one of the 15 deluxe copies issued with an additional suite of the 7 original drypoints and 8 rejected drypoints on Auvergne paper all individually numbered and signed in pencil by Brigitte Simon from the deluxe issue.The upper cover lightly and uniformly sunned. Fine copy complete with its original grey cloth chemise and slipcase. Illustrated with 7 original drypoints by Brigitte Simon. Claude Esteban and Brigitte Simon's handwritten signatures beneath the limitation statement.Signed autograph inscription from Brigitte Simon to the bookbinder Georges Leroux on the half-title accompanied by an original pencil drawing. Denise Renard hardcover
#[71188]Dordrecht Abraham Andriesz 1659 xxvi 573 36 pp. Main title page preceded by copperplate allegorical title page featuring an image of Lady Justice. Quarto 7-3/4" x 6". Contemporary vellum title in ink on spine A Classic Roman-Dutch Treatise on Arrest Peck Pieter 1529-1589. Van Leeuwen Simon 1626-1682 Translator and Editor. l Second edition by Van Leeuwen. Peck was a professor at the University of Louvain the school where he studied law and a judge of the High Court of Mechelen. He was a prolific author; several of his works were standard texts. Verhandelinghe van Handt-Opleggen ende Besetten is a comprehensive treatise on arrest and seizure of property. First published in Latin in 1654 as De Iure Sistendi it went through several Latin editions into the seventeenth century and was one of the titles included in the Tractatus Universi Juris 1584-1586 the multi-volume anthology of key contemporary legal works edited by Francesco Ziletti under the patronage of Pope Gregory XIII. The translation edited by Van Leeuwen possibly the most widely read Dutch jurist of the late-seventeenth and eighteenth centuries expanded its audience. First published in 1653 it went through seven subsequent editions the last one in 1784. The Van Leeuwen editions are scarce. OCLC locates 2 in North American law schools a 1569 edition at Yale and a 1712 edition at UC-Berkeley Law School. Dekkers Bibliotheca Belgica Juridica 99 131. hardcover
1987Q-0961726601Parkside Pubns 1987. hardcover. New. In shrink wrap. Looks like an interesting title! Parkside Pubns hardcover
201599379Archivum. London. 2015. Archivum. 2015. No ISBN number listed for this true first edition that appeared two years before the trade edition. This was a deliberate move by the publishers to make this a true collectible. Square 4to hardback in slipcase. Loosely inserted is large poster. Illustrated throughout with stills and photographs in colour and b/w. A fine copy in a very slightly used slipcase white with a black boot to centre of front and the four beatles skiing on the back. Blue silk ribbon to help take book out of slipcase there is a slight tearing of paper internally to inside of slipcase where ribbon is attached. VERY SCARCE. The follow-up to the successful Hard Day's Night Help! is considered the forerunner to contemporary rock musicals and pop videos with rare unseen photos. The film includes a host of classic tracks such as Ticket To Ride You're Going To Lose That Girl and the title track Help! This is the first book on The Beatles' film Help! and that in itself a rare milestone in Fab Four history. The project has renowned Beatles researcher and author Simon Wells on board to curate and narrate the story with specialist forensic art and photography restorer Paul Skellett handling the full image remastering process. hardcover
1738999F9London: B. Motte and C. Bathurst 1738 . First edition. Leather. Very Good. 9" by 6". None. A wonderful uncommon large paper first edition of one of Jonathan Swift's final works a satire of the banal conversation exchanged between the upper classes in the early 18th century. The uncommon first edition of this work. The large paper first issue with Neptune headpiece as called for. These large paper copies are printed on heavier paper than the standard issue.A satirical work published by Jonathan Swift under the pseudonym Simon Wagstaff.Presented as a reference-style guide to the "most polite mode and method now used at court and in the best companies of England." Swift uses witty ironic conversation among fictional speakers to mock the banal formulaic and pretentious exchanges of English high society and the affectations of upper-class manners.The majority of leaves - excepting title page - have been washed and are clean and bright.ESTC T97411 a-e8 f4 B-O9 P4. Collated bound without the preliminary advertisement leaf otherwise complete.Rebacked retaining the original endpapers. With the armorial bookplate of Sir Joseph Copley Bart to the front pastedown and of Oliver Brett a British peer and politician to the front free endpaper.Bergen Evans calls it "a tissue of moth-eaten phrases worn-out wisecracks musty proverbs and threadbare sententiousness". Rebacked in morocco retaining the contemporary calf boards and retaining original endpapers with hinges reinforced with cloth. Rubbing to board perimeters otherwise externally excellent. Bookplates to front pastedown and front free endpaper. Internally firmly bound. The majority of leaves have been washed and are exceptionally clean and bright with the title page unwashed and age toned. Bound without the preliminary advertisement leaf. Very Good B. Motte, and C. Bathurst hardcover
1963ZB394018Hansom Books 1963. volumes 10; 21-23; 25; 28-30. 1963-1984. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Hansom Books unknown
1999mon0003015430Text Publishing 1999-01-01. Paperback. Good. 1.1024 9.1339 5.9843. some creasing on the back cover and some of the pages Text Publishing paperback
1710135220London: Printed and sold by the booksellers of London and Westminster 1710. A small group comprising Clement's pamphlet supporting the establishment of a non-partisan government a response to Clement claiming to be the second part of his pamphlet the anonymous counterblast Faults in the Fault-Finder and Clement's defence of his treatise in A Vindication of the Faults on Both Sides. In the past Faults on Both Sides has been attributed to Robert Harley but it is generally accepted that Simon Clement c.1654-c.1730 was the author. However it does seem that Harley had some role in its publication and it can be seen as election propaganda for the 1710 election with Harley being the implicit non-partisan choice. Joseph Trapp published a response arguing that the pamphlet was a conspiracy by the Whigs who saw that their dominance was ending and were consequently urging for a coalition government to keep their power which Clement responded to in A Vindication. At any rate the number of editions which the pamphlet and its responses ran to shows the significance of the publication on the contemporary political scene. The four pamphlets comprise: i CLEMENT Simon. Faults on Both Sides. the second edition. ESTC T35447. ii Anonymous at times catalogued under Clement but listed by ESTC as an answer to him. Faults on both sides: Part the Second. Or an essay upon The Original Cause Progress and Mischievous Consequences of the Factions in the Church. Shewing That the clergy of whatsoever Denomination have always been the Ring-Leaders and Beginners of the Disturbances in Every State. London: Printed and sold by the booksellers of London and Westminster 1710. First edition. ESTC T35448. iii Anonymous. Faults in the fault-finder: or a specimen of errors in the pamphlet entitul'd Faults on both sides. London: printed and to be sold by A. Baldwin 1710. ESTC T35446. Second edition although two variants are known without established priority. iv CLEMENT Simon. A Vindication of the Faults on both sides from the reflections of the Medley the specimen-maker and a pamphlet entituled Most faults on one side. With a dissertation on the nature and use of money and paper-credit in trade and the true Value of Joint-Stocks maintaining the Assertions of the Author in Relation to those Matters. London: printed and sold by the booksellers of London and Westminster 1710. ESTC T50855. First edition. Octavo 189 x 118 mm. Four works sewn together in one disbound vol. extracted from a larger pamphlet vol. with remnants of original spine. Some light soiling staining and browning some worming with minor loss to text. Overall good copies. See Paul B. Patterson "Harley Defoe Trapp and the 'Faults on Both Sides' Controversy" Albion Vol. 11 No. 2 1979 pp. 128-142. unknown
163852865<p>London printed by Edward Griffin for John Harison at the golden Unicorne in Pater noster-row 1638. TITLE CONTINUED: or The best way for planting grafting and to make any ground good for a rich Orchard: Particularly in the North and generally for the whole kingdom of England as in nature reason situation and all probability may and doth appear. With the Country-Houswifes Garden for herbs of common use: their vertues seasons profits ornaments variety of knots models for trees and plots for the best ordering of Grounds and Walkes. As also the husbandry of Bees with their several uses and annoyances all being the experience of 48 yeares labour and now the third time corrected and much enlarged by William Lawson. Whereunto is newly added the Art of propagating Plants with the true ordering of all manner of fruits in their gathering carrying home and preservation. "The Country House-wives Garden" has separate dated title page with imprint: London printed by Anne Griffin for Iohn Harrison at the Golden Unicorne in Pater-noster-row 1637. Followed by "A MOST PROFITABLE New Treatise from approved experience of the Art of propagating Plants; by SIMON HARWARD": caption title page.109; followed by: The HUSBAND MANS FRUITFULL ORCHARDwith caption title page. Pagination and register are continuous. 8vo approximately 190 x 130 mm 7½ x 5½ inches woodcut to title page repeated later 5 plates of knot gardens full page plan of an orchard 2 text illustrations of trees and one small illustration of a straw beehive 4 tiny text illustrations printer's woodcut device to title page of the Country House-Wives Garden decorated initials and headpieces. Pages: 8 1-133 1 last page blank page edges untrimmed printed notes to margins bound in modern quarter calf over marbled boards gilt title to spine new cream endpapers. Pale age-browning throughout narrow repair to outer edge of page 132 outer edge of the orchard woodcut slightly trimmed with loss to several word endings staining to edges of remaining old free endpaper at rear occasional small spot and stain some light old ink scribble mostly to woodcuts see images. A good copy of an early edition. The Country Housewives Garden is the first book written especially for women gardeners. See: Blanche Henrey British Botanical and Horticultural Literature before 1800 Volume 1 page 255 listing earlier editions; H. Frederic Janson Pomona's Harvest page 84: "Pomona's English herald was William Lawson the author of A New Orchard and Garden. It is unique and important as the first English entry of note into pomological literature"; Rachel Hunt Catalogue of Botanical Books Volume 1 page 229 No. 209 listing an earlier edition; Sandra Raphael An Oak Spring Pomona pages 29-32; British Bee Books 1500-1976 No. 20 pages 46-47; Lt-Col. Walker Catalogue of Bee Books page 44 listing a later edition; F. Poynter A Bibliography of Gervase Markham page 165 also issued as Part 3 of Gervase Markham A Way to Get Wealth. ESTC S93434. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> London, printed by Edward Griffin for John Harison, at the golden Unicorne in Pater noster-row, 1638. hardcover
5399Paris Bossange Masson et Besson 1806-08. 1st Edition . Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Two works bound in one volume. Crown octavo. Pp. iv xix 302 2 Errata verso blank. Plus large folding engraved map "Crimeé ou Tauride" printed on handmade cotton rag paper 43x56 cm cartographed by J. B. Poirson and engraved by P. E. Tardieu; handsome folding engraved map "Plan de Sevastopole et de ses environs" drawn and engraved by Tardieu; 3 folding tables; 3 engraved plates of coins and medals one of which is folding; 6 engraved head- and tail-pieces drawn and engraved by J. Duplessi-Bertaux of which one is a lovely map of the Black Sea drawn and engraved by Tardieu; Engraved title-page by Duplessi-Bertaux. BOUND WITH: Pp. ii xii 89. Engraved illustration to title-page. Half-title present. HARDCOVER bound in contemporary half calf and marbled boards flat spine with large raised band decorated in gilt four compartments tooled in blind remainder lettered in gilt marbled endpapers; boards and corner-tips bit rubbed; small mark at corner of first title old inscription dated 1842 in a very neat hand to verso of first free endpaper small signature and small oval private ownership stamp to corner of blank prelim unidentified crowned monogram "H B" lightly stamped to half-title testimony to a previous ownership of a nobility baron or count. In fine condition. Excellent copy. ~ FIRST EDITION. Two celebrated works bound together. Previously the property of an unidentified nobility baron or count with his crowned monogram stamp "H B". Baron Jean de Reuilly 1780-1810 traveller explorer of the Crimea and the Black Sea. In the Préface to "Voyage." he writes: "Ce que quelques voyageurs ont écrit sur la Crimée est incomplet et déjà veilli. Pour former le tableau que j'en voulais donner je n'ai pas cru devoir me priver du secours des observations faites avant moi . j'ai rendu compte des changements que la Crimée a éprouvés depuis son occupation par les Russes . La forme du voyage en Egypte et en Syrie de M. Volney m'ayant paru réunir plusieurs avantages je l'ai adoptée." In 1807 the work appeared in English as "Travels in the Crimea and along the shores of the Black Sea performed in the year 1803". ~ The second work in this volume "Description du Tibet" is the rare First French Edition. It was translated by Reuilly from the original German of Peter Simon Pallas commonly without accrediting this to him. The original was published in 1776 as part of "Sammlungen historischer nachrichten über die Mongolischen Völkerschaften". The French translation was the first time this work appeared separate from the larger work. It was published in Paris in 1808 by Bossange Masson et Besson same publishers who published "Voyage.". ~ Peter Simon Pallas 1741-1811 was a German zoologist and botanist who worked in Russia after being appointed to professor of natural history in St. Petersburg. He travelled and wrote extensively. Cordier Sinica 2879; Lust 207. For a lengthy analysis of Reuilly's work and life see: "Biographie universelle ancienne et moderne" vol. 37 Paris 1824. c Descriptive Text Copyright Librarium of The Hague. C-4 <br/> <br/> Paris, Bossange, Masson et Besson, 1806-08. hardcover
168976779Chez Reinier Leers | à Rotterdam 1689 - 1690 | 19 x 25 cm | 2 volumes reliés
174866395à Paris: Chez Nyon fils 1748. Fine. Chez Nyon fils à Paris 1748 10 x 16.70 cm relié First French edition. Translation by Auguste-François Jault. Contemporary full marbled calf binding. Smooth spine decorated. Red morocco title and volume labels. Triple gilt fillet frame on boards. Rich interior border. Lacking at head of volume I. Upper joint cracked at head and tail. Micro crack at tail of volume II. Despite some defects handsome copies. Important work by English orientalist Simon Ockley 1678-1720 professor of Arabic at Cambridge: The Conquest of Syria Persia and Egypt by the Saracens. The study begins with an abridgement of the life of Mohammed and continues with the history of the Caliphs his text being based on several unpublished Arabic manuscripts which are cited at the end. Chez Nyon fils hardcover
1998SONG1558993975Cambridge University Press 1998-04-24. 1. hardcover. Used: Good. 6.00x0.94x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
20102-0199297665Oxford Univ Pr 2010. Hardcover. New. 2nd edition. 704 pages. 9.69x6.73x0.12 inches. Oxford Univ Pr hardcover
19381007H22Berlin; Munchen: Zeitgeschichte-Verlag; Verlag Heinrich Hoffmann 1938-1942. First edition. Paperback. Very Good Indeed/Very Good Indeed. 10.5" by 7.5". Frid Muth; Herbert Ahrens; None Stated. A striking trio of Third Reich photographic propaganda volumes with photographs selected to celebrate the Saar the Mosel and German air power. In the publisher's original paper wraps complete with the original unclipped dust wrappers. Including the Saar plebiscite which is extremely rare especially in dust wrapper. Three first editions of these National Socialist photographic propaganda volumes comprising pictorial works celebrating the Saar plebiscite and its incorporation into Germany the Mosel region and the Messerschmitt Bf 109 fighter aircraft. Richly illustrated throughout with black and white photographic plates presenting staged and documentary-style imagery. Including two works edited under the direction of Heinrich Hoffmann 1885-1957 Adolf Hitler"s official photographer and a central figure in the visual propaganda apparatus of the Third Reich. Hoffmann"s publishing house produced widely disseminated image-led works designed to construct and reinforce Nazi narratives both domestically and abroad. Comprising:1938 Hitler die Saar heim with introductory text by Gauleiter Josef Bürckel published bt Zeitgeschichte-Verlag Berlin.1942 Moselland: Ein Bildbericht by Frid Muth and Herbert Ahrens with a foreword by Gauleiter Gustav Simon published by Verlag Heinrich Hoffmann München.1941 Me 109 der siegreiche deutsche Jäger published by Verlag Heinrich Hoffmann München. In the publisher's original paper wraps complete with the original unclipped dust wrappers. Externally very smart. "Saar" more worn than the other volumes. Light scattered spotting to wraps of "Saar." Hinges slightly strained but firm. The odd spot to endpapers. Slight age toning to perimeters more so to "Saar." Dust wrappers very smart. Wraps of "Saar" slightly more worn with scattered spotting and tape repairs to inner extremities. Slight sunning to spines. Internally firmly bound. Pages bright and clean. The odd light spot to first and last few leaves of "Saar." Very Good Indeed Zeitgeschichte-Verlag; Verlag Heinrich Hoffmann paperback
428224° gebonden in 5 perkamenten reliefbanden uit de tijd 736 742 750 742 792 pag. Geillustreerd met gegraveerde titel en portret van De Vries 1685. In deel 5 liggen een aantal katernen los gevolg o.a. van een mindere kwaliteit papier in de tweede helft. Oud exlibris met pen: E.M. Blanckvoort. Baggerman Drukkend gewicht nr. 43. Groot geschiedwerk waarin De Vries de wereldgeschiedenis vanaf een halve eeuw voor de geboorte van Christus tot in zijn eigen tijd behandelt. unknown
Z1-K-032-01967Kogan Page Ltd. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Kogan Page Ltd unknown
18991982285Hartford Michigan: C.H. Engle 1899. Hardcover. Used-Very Good. 8vo. Maroon cloth with gilt-stamped coever and spine stamped in black. Spine a little sun-faded corners lightly rubbed; very well preserved overall. Publisher's notice tipped in after copyright page. 255 pp. illus. All edges gilt. First edition. C.H. Engle hardcover
1793WB18433Rotterdam: Johannes Jakobus Meyneken 1793. Hardcover. Very Good. 4to 265 x 207 mm. 10 engraved plates with hand-coloring; engraved headpieces. Minor losses to lower margin of a few leaves some minor mostly marginal dampstaining. Contemporary calf-backed boards gilt uncut and unopened some wear. A rare later edition. The first edition of Boddaert's annotated translation of parts of Pallas' Spicilega Zoologica was published in 6 parts in 1767-1770; a second edition was published by Esveldt & Holtrop in 1779. The present edition is a reissue of the 1767-70 edition adding a new title-page and 6 section titles. According to Wood the present edition is "one of the many editions of the author's Dierkundig Mengelwerk" see Wood p.511. Plates depict several species of antelopes bats an opossum and the tufted puffin. Landwehr Color Plates 154; see Nissen ZBI 3072. <br /> <br/><br/> Johannes Jakobus Meyneken hardcover
160435N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. <br /> <br /> Undated script:<br /> <br /> Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound.<br /> <br /> June 27 2017 script:<br /> <br /> Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown
1931122696Sm. London: Soncino Press 1931. Sm. folio x136 pp. and inserted leaves. Original beige buckram a little soiled despite being in the original slipcase worn internally clean. § Number 106 of 275 copies printed in red and black on mould-made paper with inset leaves on blue paper and decorated throughout with printers' ornaments. Initials designed by J. Van Krimpen; decorations by Edward Bawden Claudia Guercio and Celia Fiennes; headpiece engraving by Barnett Freedman; wood engravings by Eric Gill John Nash Rene Ben Sussan; color stencil illustrations by E. McKnight Kauffer Edward Bawden and Barnett Freedman. The Miscellany was a supplement to the typographical material assembled in the 'Specimen Book of Types' 1928. It includes essays by Paul Nash The Stencil Harold Curwen On Printing from the Wood and Harry Carter Sans Serif Types illustrations of work printed by Curwen and a record of the Curwen Sans and other faces vignettes and borders. "The high point for most people will always be the drawing 'Homage to Dicky Doyle' by Edward Bawden specially done to show the use of colour applied by stencilling at the Curwen Press" Collinge and Clark. Soncino Press hardcover books