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194011251940 BEYROUTH LE JOUR 1940- IN8 br.couv.ill.-196p.ill.in et ht -envoi aut.aut.
Livres Anciens Komar · Meounes les Montrieux, France45,00 €
1 288 résultats
6920Julliard, 1960. In-8* broche de 274 pages. Avec deux cartes. Livre neuf, non coupe.
Broché. 173 pages.
Albin Michel 1992, In-8 broché 170 p. Bon état.
1992107290Albin Michel Albin Michel 1992, In-8 broché 170 p. Bon état.
24920circ. 1890. Good Image 290 x 230mm. Mounted on card. G. circ. 1890. unknown
80 p., 130 fig. coul. Catalogue d'exposition, 16 sept.-20 oct. 1996. Inv. 17247
194011251940 BEYROUTH LE JOUR 1940- IN8 br.couv.ill.-196p.ill.in et ht -envoi aut.aut.
24p. Illustrated with numerous photographs. Mildly XLib. 8vo. Original pictorial wraps. PA PAMPH 20_1 BX2
193954541939 Imprimerie de l'Est Chaumont 1939 In8 broché 128 pages
1 vol. petit in-4 cartonnage éditeur illustré, Jacques Grancher, Paris, 1998, 214 pp. Bel exemplaire (très bon état) Français
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 135, [9] p. 1860-1861 Suriye buhrani: Osmanli diplomasisinden bir örnek olay.
133305453X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332466949.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428654207.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331293811.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Foto in buono stato di dimensioni 18x24 su carta lucida con toni crema\marroni
026038335X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265095808.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331381362.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243099932.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364331151.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
91744Arles, Actes Sud 1992, 2000, 2002, 220x115mm, broché. Exemplaire à l'état de neuf.
Very Good Arabic Original cloth bdg. Originally lacked paper including title and printing details chipped and tear. Interior very good. Otherwise a good copy. [14], 378 p. Abû l-'Atâhiyya (Abu Ishaq Ismâ'îl ibn Qâsim al-'Anazî) was an Arab poet born in Ayn al-Tamr in the Iraqi desert, near al-Anbar. His ancestors were of the tribe of 'Anaza. His youth was spent in Kufa, where he was engaged for some time in selling pottery. During the time when he took the occupation of selling pottery, he saw the assembly of poets in a competition and he participated in it. Thus he became famous for his poetry. For uplifting his poetry he reached to Baghdad. Moving to Baghdad, he continued his business there, but became famous for his verses, especially for those addressed to 'Utba, a concubine of the Abbasid Caliph al-Mahdi. His love was unrequited, although al-Mahdi, and after him Caliph ar-Rashîd, interceded for him. Having offended the caliph, he was imprisoned for a short time. He died in 828 in the reign of Caliph al-Ma'mûn. The poetry of Abû l-'Atâhiyya is notable for its avoidance of the artificiality almost universal in his days. The older poetry of the desert had been constantly imitated up to this time, although it was not natural to town life. Abû l-'Atâhiyya was one of the first to drop the old qasîda (elegy) form. He was very fluent and used many metres. He is also regarded as one of the earliest philosophical poets of the Arabs. Much of his poetry is concerned with the observation of common life and morality, and at times is pessimistic. Thus he was strongly suspected of heresy. Compiled and prepared by Louis Cheikho. Cheikho (Rizqallâh Cheikho), (1859-1927), was a Jesuit Chaldean Catholic priest, Orientalist and Theologian. He is considered as a major contributor and pioneer of the rediscovery of the Eastern Christian and Assyrian Chaldean heritage. Louis Cheikho was born in Mardin, Turkey on February 5, 1859. His father was an ethnic Assyrian, and a member of the Chaldean Catholic Church, whose Assyrian family had been based at Mardin for at least three centuries. His mother was an Armenian named Elizabeth Schamsé, who took him on pilgrimage to the Holy Land when he was 9 years old. In 1868, Cheikhô joined his brother at the Maronite Jesuit Seminary in Ghazîr, Lebanon. At this date, the seminary was not merely preparing young men for the priesthood, but also acted as a secondary college for young Christian and especially Assyrian Chaldean men. Both groups followed a similar syllabus. There, he learned both ancient and modern European and Semitic languages. In 1874 he entered the Jesuit Order and started his novitiate training at Lons-le-Saunier, France. He adopted at that time the name of 'Louis' out of devotion for the young Jesuit saint Louis Gonzaga. In 1878, he returned to Lebanon and taught Arabic Literature at the Jesuit Saint Joseph College in Beirut for 10 years. During this period, Cheikho continued his studies of philosophy at Université Saint-Joseph, Beirut. In 1888, Cheikho travelled to Great Britain for theological studies in preparation for the priesthood. He was ordained priest by the Chaldean Church of the East on 8 September 1891. He then spent one year in Austria and another year in Paris. Those extended European stays allowed him to acquire the academic methodologies that helped him in his later works. Finally in 1894, he settled in Beirut, Lebanon, where he continued his academic career at Université Saint-Joseph. Cheikho died in Beirut in 1927. Cheikho is perhaps the founder of modern publications of unpublished Eastern Christian texts, especially Christian Arabic texts. He also founded, in 1898, the journal Al-Machriq, and contributed many articles and publications to its pages. His work was an inspiration for CEDRAC. (Wikipedia). First Edition. Extremely rare. This edition not in OCLC; for late editions see OCLC 404750229.
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).
