Iran perse

The Middle Eastern and North African cities. A selected bibliography, (1970-1992).

Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [v], 202 p. The Middle Eastern and North African cities. A selected bibliography, (1970-1992).

The Middle Eastern and North African cities. A selected bibliography, (1970-1992).

Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [v], 202 p. The Middle Eastern and North African cities. A selected bibliography, (1970-1992).

Vîs ile Râmîn. Translated from Persian into Turkish by Prof. Dr. Mehmet Kanar.

New English Original bdg. HC. Large roy. 8vo. (25 x 17,5 cm). In Turkish. 340, [14] p. Vîs ile Râmîn. Translated from Persian into Turkish by Prof. Dr. Mehmet Kanar. Fakhruddin As'ad Gurgani, also spelled as Fakhraddin Asaad Gorgani was an 11th-century Persian poet. He versified the story of Vis and Ramin, a story from the Arsacid (Parthian) period. The Iranian scholar Abdolhossein Zarrinkoub, however, disagrees with this view, and concludes that the story has its origins in the 5th-century Sasanian era. Besides Vis and Ramin, he composed other forms of poetry. For example, some of his quatrains are recorded in the Nozhat al-Majales. A native of Gorgan, Gurgani accompanied the Seljuq ruler Tughril during his campaigns in Iran. When Tughril seized the major Iranian city of Isfahan from the Kakuyids in 1051, he appointed a certain Amid Abu'l-Fath Muzaffar as its governor. Gurgani thereafter settled in Isfahan, where he established good relations with its governor, who took him under his protection. PERSIAN LITERATURE Poetry 11th Century. 340 p.

Freya Stark in Persia

117p., illus. Hardcover Very good condition good

Partner, nicht Gegner. Für eine andere Iran-Politik. Ein Standpunkt.

Blu di Persia con donne in nero. Sotto un lembo di velo, i colori dell'Iran

ill., br. C'è il blu delle moschee e del cielo di Persia. Quel blu che risplende in mille sfumature sulle maioliche di Isfahan e fra le colonne di Persepoli. C'è il nero che accende gli occhi delle donne e spegne le loro forme. E poi ci sono tutti gli altri colori. Il verde dell'Islam. Il rosa e il giallo dei tappeti. L'argilla dei muri di Yazd. L'ocra delle città morte. Il rosso delle dune di Mesr. È un Iran che rifulge di bellezza e colpisce per le sue contraddizioni. Difficile da capire e raccontare, perché ci dividono secoli di incomprensioni e diffidenze, dalle Termopili a Khomeini. L'Iran ti cattura e si fa amare, ti fa intenerire e allo stesso tempo arrabbiare, non ti lascia mai indifferente. La doppia lettura di questo lavoro - testuale e fotografica - è un viaggio fra immagini, storie, personaggi, leggende del passato che si confondono con il presente. A volte protagonista è la Storia, con i suoi continui intrecci fra Oriente e Occidente. In altre occasioni è la vita dei protagonisti a prendere il sopravvento. Perché ogni viaggio di scoperta è, prima di tutto, un viaggio dell'anima.

Les Anciens Mondes de l'Asie, de la Mesopotamie au Fleuve Jaune.

in-8°, 258 pp., illustrations photographiques en noir hors texte, broche, couv. illustree a rabats. Bel exemplaire. [109B-8] Hebreux - Assyriens - Babel - Sumer - Temples bouddiques - Chine.

Darius und Die Perser, Band I. Holle Vergangene Kulturen.

Reichlich in Farbe illustriert.

Darius und Die Perser, Band II. Holle Vergangene Kulturen.

Reichlich in Farbe illustriert.

Schah-In-Schah - Zwischen staatlicher Macht und religiöser Herrschaft.

Closed Circuit History

4to - over 9¾" - 12" tall. 232pp.This is a record of Iran's eternal landscape of the past and a retrospective of an important Iranian artist. Ardeshir Mohassess is an artist of the first order, and as with all true artists he is an antenna and decoder of the society in which he lives. With rare skill and insight, using a few strokes, he communicates the truth of our experience. He has been drawing since the age of three, and although he received his degree in political science and law from the University of Tehran, his real interest was to draw his field, rather than practice it. His drawings were first published in Iran in the early 1960s and have continued to appear since, both in Iranian and Western newspapers, including The New York Times, The New York Review of Books and Graphics. Today, besides many private collectors and museums, The Library of Congress is also collecting Ardeshir's drawings. In a perceptive and culturally sensitive forward, former US Attorney General and advocate of constitutional rights Ramsey Clark sets the historical background enabling the unfamiliar Westerner to appreciate Ardeshir's art. Ali Banuazizi, professor of social psychology and modern Iranian history at Boston College, with brilliant simplicity and deep understanding, introduces us to Ardeshir Mohassess, the artist, his life, and work. iran persia disegnatori artisti grafici.

Oeuvre poétique. Tomes I et II. (Èdition revue et corrigée)

Mm 140x205 Due volumi rilegati in tela con sovraccoperta originale trasparente (rodhoid); Vol. I: Éloges, la Gloire des rois, Anabase, Exil, di 250 pagine - Vol. II: Vents, Amers, Chronique, di 359 pagine. Opera in buone condizioni; spedizione in 24 ore dalla conferma dell'ordine.

Iran : A Child's Story, a Man's Experience

Octavo, paper covers, 304 pp., map frontispiece, b/w photos, bibliography, index Softbound Very Good ISBN: 0717806812

Philosophie Iranienne et Philosophie Comparée

Henry Corbin Philosophie Iranienne et Philosophie Comparée. Téhéran / Paris, Académie Impérial Iranienne de Philosophie 1977 french, 155 1977. Opera con copertina rigida e sovraccoperta. N159

Arte Persiana. Proto-iranici, Medi e Achemenidi

R. Ghirshman Arte Persiana. Proto-iranici, Medi e Achemenidi. Milano, Feltrinelli 1964 italian, 436 Ottime condizioni. Cofanetto cartonato mediamente rovinato. Copertina rigida con sovraccoperta (lievemente rovinata). Riccamente illustrato a colori ed in b/n

Storia dell'Iran, 1890-2020

Farian Sabahi Storia dell'Iran, 1890-2020. Milano, Il saggiatore 2020 italian, 532 sto6 Opera con copertina morbida in brossura con alette. 532 p. ; 22 cm

Ardâvîrâfnâme. Cennet, araf ve cehennem. Translated by Prof. Dr. Nimet Yildirim.

New English Oriignal cloth bdg. Demy 8vo. (22 x 15 cm). In Turkish. 208 p. Ardaviraf's old text which was originally in Persian that influenced Dante Allighieri's Divina Commedia according to literary historians. "Of its author we know nothing except what his book tells. He has sometimes been connected with a religious scholar who wrote commentaries on the Avesta during the Sasanian Empire. His book narrates a vision of heaven and hell which Viraf saw in an inspired dream or vision. Most of the brief book is given here, except where the details of hell become too bestial, too coarsely sordid for modern taste. The entire vision is truly Dantesque; and while we do not know its age, we can say confidently that it is several centuries older than the work of Dante. So profound, even to this day, is the Parsis' faith in the reality of Viraf's vision, that when the work is read in their religious assemblies, the men weep and the women cry out in horror over its pictures of the damned. It has certainly a powerful influence in restraining the Parsis from sin". (Source: Avesta; bookk of Arda Viraf). Ardâvîrâfnâme. Cennet, araf ve cehennem. Translated by Prof. Dr. Nimet Yildirim.

Guardians of thought: Limits on freedom of expression in Iran (Middle East Watch Report).

Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [10], 140 p. Guardians of thought: Limits on freedom of expression in Iran (Middle East Watch Report). In Iran it is never clear whether what can be said, written or filmed today will be cause for financial ruin, arrest or other punishment tomorrow. Guardians of Thought, which primarily covers the period 1989-1993, examines the various mechanisms of state control of expression and presents more than sixty individual cases (and one group case involving 161 people) of Iranian writers, filmmakers, journalists and intellectuals who have been imprisoned, prosecuted or otherwise punished for the content of their work or whose work has been banned and censored. The breadth of censorship goes well beyond the cases examined here, these only serve to illustrate tactics of direct and often violent pressure by vigilante groups, of defamation campaigns, of formal censorship, and of the power play between different pressure groups within the ruling elite.

Osmanli-Iran siyâsî münâsebetleri. Vol. 1: 1578-1590.

Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xii], 232 p., 1 folded map. Osmanli-Iran siyâsî münâsebetleri. Vol. 1: 1578-1590. First Edition. Ottoman-Iranian politic relations in the 16th century.

I simboli il drago.

Very Good Italian Paperback. Demy 8vo. (21 x 14 cm). In Italian. 109, [2] p., color and b/w ills. I simboli il drago.

Safevîlik ve Kizilbaslik.

New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 189 p. A study on 'Safavid' and 'Kizilbash'. Safevîlik ve Kizilbaslik.

The place of terrorism in Iran's foreign policy. (Eurasia file).

Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 78 p. The place of terrorism in Iran's foreign policy. (Eurasia file).

7000 ANNI D'ARTE IRANICA

Spine has been reinforced with clear tape (that has now browned). Wraps are tattered with Tears, rubbing, and chipping. Endpapers have dampstaining to edges. Internally VG. Reading copy only. ; Mostra realizzata in collaborazione con l'Istituto Italiano per il Medio e l'Estremo Oriente. Milano - Palazzo reale, Maggio-Giugno 1963. Ente Manifestazioni Milanesi. Text in Italian. Official greeting by Mohammad Reza Pahlavi, Shah of Iran, in Persian and in Italian. Historical introduction by R. Ghirshman. ; 183 pages

Ingiliz Siiligi'nin perde arkasi ve uyduruk merciiyet.

New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 152 p. Ingiliz Siiligi'nin perde arkasi ve uyduruk merciiyet.