Hiroshige

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HIROSHIGE, Ando I [Utagawa]Biblio.com

EDO MEISHO ZUE HYKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. #8 MITSUI ECHIGOYA SURU

44025801Tokyo n.d. ca 1920's.A color Oban woodblock print sheet: 25 x 37 cm. print: 21.7 x 33.4 cm. multi-colors excellent impression and registry UNUSED old fine exaple reprint. RARE ORIGINAL COLOR WOODBLOCK PRINT . . . MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. . . . A PRINT FROM THE SERIES OF 119 VIEWS . . . A SUPERB VIEW OF #8 MITSUI ECHIGOYA SURUGA TEFU: . . NIHONBASHI-MURO-MACHI CHUO . . MITSUI TEXTILE STORES & MT. FUJI . A bright view of Mt. Fuji from the textile sellers at Suruga-street including the Mitsui textile store later to become the famous Mitsukoshi Store at Yago Echigoya corner and others. . Done in what could be thought of "Western Perspective" more than likely influenced by the Dutch traders at Deshima Island in Nagasaki bay. . The red title cartouche in upper right corner reads: MEISHO EDO HYAKKEI HYAKKEI. . Left to that is an orange series title: "Suruga-cho." In block signed inside the red cartouche in lower left corner: "HIROSHIGE GA" i.e. "drawn by Hiroshige." Originally issued in autumn i.e. September 1856. . The scene is in the colors of autumn the original orange color has turned brownish-black due to oxidation over time. . The series was depicted using major landmarks that appear in the print listed in order of increasing distance from the viewer. . THE ARTIST: UTAGAWA Hiroshige 1797-1858: He was a Japanese Ukiyo-e artist considered the last great master of that tradition. . The original series was published from 1856-1858. This being a 20th century high-quality original color woodblock printed reprint edition. No date or publisher's seal as usual. . Color photos are posted to our website. . CONDITION: . The print is in superb UNUSED condition brilliantly colored with superb impression & registry. By and lager about as good as it can get. . Ready for framing and display. . There is a small stamp on the back:"Made in Japan" in blue i k. . REFERENCE: . See Wikipedia for comprehensive info on Hiroshige and One Hundred Famous Views of Edo. . . unknown

HIROSHIGE, Ando I [Utagawa]Biblio.com

ROKUJU YOSHU MEISHO ZU: HARIMA MAIKO NO HAMA. #45 FAMOUS VIEWS OF THE SIXTY-OD

44026201Tokyo n.d. ca 9120's. Vertical color woodblock print in very bright condition superb impression & registry sheet: 25.2x 37.8 cm.; print: 22.4 x 35.5 cm. Watanabe square seal in lower left corner also there is a small bump. RARE . . . STUNNING SUNSET ON THE BAY FROM THE PINE FOREST . . . VIEW OF HARIMA AT MAIKO NO HAMA: MAIKO BEACH . . This is an excellent example. It shows the shore of the bay with the tide coming in. The view is of the sunset three tiny sailing vessels are on the horizon. The view is from the thick pine forest along the shoreline with three people and a teahouse in the mid-ground. A classic view by Japan's master of landscape scenery. . THE SERIES: ROKUJUYOSHU MEISHO ZUE is a series of Ukiyo-e color woodblock prints by the eminent Japanese master landscape artist Hiroshige 1797-1858: . The series consists of a 70 prints of famous views from each of the 68 provinces of Japan plus a print of Edo the capital and a contents page for a total of 70 prints. The prints were first published in serialized form by Koshimuraya Heisuke in 1853-56. . This charming example represents one of the best from that series. It is printed on an oversized large Oban size sheet . Color photos are posted to our website. . THE PUBLISHER: This print was published by Takemura a woodblock printing & publishing house in Tokyo of the period. . CONDITION: In excellent condition superb impression & registry strong colors no fading. Verso blank with two tiny old glassing hinges at top edge. Lower left & right corners mildly bumped now pressed flat very minor impression. . There are two tiny paper defects in the lower margin They are so small that our scanner could not pick them up they can be matted out when framed very minor issue. . . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · États-Unis175,00 $US≈ 148,07 €

HIROSHIGE, Ando I [Utagawa]Biblio.com

MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. #88 TAKINOGAWA RIVER IN OJ

44025601Tokyo n.d. ca 1920's.A color Oban woodblock print sheet: 20.6 x 30 cm. print: 18.4 x 28 cm. multi-colors excellent impression and registry UNUSED old fine exaple reprint. RARE ORIGINAL COLOR WOODBLOCK PRINT . . . MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. . . . A PRINT FROM THE SERIES OF 119 VIEWS . . . A SUPERB VIEW OF TAKINOGAWA IN OJI # 88 IN THE SERIES . . A bright view of the Takinogawa river hills & forests Matsubashi foot bridge cliffs waterfall bathers tea house Kongoji temple & Benten Shinto shrine. All located in Kita Oji north Oji. Edo is the old name of Tokyo. . The red title cartouche in upper right corner reads: MEISHO EDO HYAKKEI HYAKKEI. . Left to that is an orange series title: "Takinogawa in Oji." In block signed inside the red cartouche in lower left corner: "HIROSHIGE GA" i.e. "drawn by Hiroshige." Originally issued in 1856. . The scene is in the colors of autumn the original orange color has turned brownish-black due to oxidation over time. . The series was depicted using major landmarks that appear in the print listed in order of increasing distance from the viewer. . THE ARTIST: UTAGAWA Hiroshige 1797-1858: He was a Japanese Ukiyo-e artist considered the last great master of that tradition. . The orignal series was published from 1856-1858. This being a 20th century high-quality original color woodblock printed reprint edition. No date or publisher's seal as usual. . Color photos are posted to our website. . CONDITION: . The print is in superb UNUSED condition brilliantly colored with superb impression & registry. By and lager about as good as it can get. . Ready for framing and display. . REFERENCE: . See Wikipedia for comprehensive info on Hiroshige and One Hundred Famous Views of Edo. . . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · États-Unis150,00 $US≈ 126,92 €

HIROSHIGE, Ando (1797-1858)Biblio.com

Japanese Woodblock Picture. "Relaxing by the Water".

X14HIROSHIGE Ando 1797-1858. Relaxing by the Water. Original woodblock from the series "Ehon Edo Miyage" published by Kikuya Kozaburo Volume 3 printed in Japan 1850-68. 295 x 210mm. This original print is delivered to you in its unframed state carefully protected in a solid cardboard tube.Utagawa Hiroshige born AndÅ TokutarÅ å®‰è—¤ å¾³å¤ªéƒŽ; 1797 â€“ 12 October 1858 was a Japanese ukiyo-e artist considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the TÅkaidÅ and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre whose typical focus was on beautiful women popular actors and other scenes of the urban pleasure districts of Japan's Edo period 1603â€“1868. The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject though Hiroshige's approach was more poetic and ambient than Hokusai's bolder more formal prints. Subtle use of color was essential in Hiroshige's prints often printed with multiple impressions in the same area and with extensive use of bokashi color gradation both of which were rather labor-intensive techniques. For scholars and collectors Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists such as Manet and Monet collected and closely studied Hiroshige's compositions: Vincent van Gogh for instance painted copies of some Hiroshige prints. Japanese woodblock prints known as ukiyo-e Produced in their many thousands and hugely popular during the Edo period 1615 â€“ 1868 these colourful woodblock prints known as ukiyo-e depicted scenes from everyday Japan. Ukiyo-e literally means 'pictures of the floating world'. The 'floating world' referred to the licensed brothel and theatre districts of Japan's major cities during the Edo period. Inhabited by prostitutes and Kabuki actors Kabuki is a traditional Japanese form of theatre these were the playgrounds of the newly wealthy merchant class. Despite their low status in the strict social hierarchy of the time actors and courtesans became the style icons of their day and their fashions spread to the general population via inexpensive woodblock prints. The ukiyo-e style was developed in 1765 and remained popular until the closing decades of the Meiji period 1868 â€“ 1912. While only the wealthy could afford paintings by the artists of the day ukiyo-e prints were enjoyed by a wide audience because they could be produced quite cheaply and in large numbers. The production process The earliest woodblock prints were simple black and white prints taken from a single block. Sometimes they were coloured by hand but this process was expensive. In the 1740s additional woodblocks were used to print the colours pink and green but it wasn't until 1765 that the technique of using multiple colour woodblocks was perfected. The glorious full-colour prints that resulted were known as nishiki-e or 'brocade pictures'. The team involved in the production of ukiyo-e was known as the 'ukiyo-e quartet'. It comprised the publisher who usually had overall control of the process the designer/artist the block cutter and the printer. The artist would draw the design on paper. Once complete an exact copy was made and placed face-down on a cherry wood block. Cherry wood was favoured due to the fine even grain and consistent density. The block cutter then carved directly through the copy to produce what is known as the 'key-block'. The printer used the key-block to produce a number of black and white prints from which further blocks could be made for each colour needed in the final print. Known as 'key-block proofs' these prints feature registration marks: small rectangles outside the area of the picture. When the colour blocks were carved these marks were used to create stops so that the printer could line up the separate colours precisely.

Martin Frost · Royaume-Uni106,00 £GB≈ 121,03 €

HIROSHIGE, Ando (1797-1858)Biblio.com

Japanese Woodblock Picture. 'Sipping Tea Viewing Mount Fuji'.

X16Sipping Tea Viewing Mount Fuji. Original woodblock from the series "Ehon Edo Miyage" published by Kikuya Kozaburo Volume 3 printed in Japan 1850-68. 295 x 210 mm. This original print is delivered to you in its unframed state carefully protected in a solid cardboard tube.Utagawa Hiroshige born AndÅ TokutarÅ å®‰è—¤ å¾³å¤ªéƒŽ; 1797 â€“ 12 October 1858 was a Japanese ukiyo-e artist considered the last great master of that tradition.Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the TÅkaidÅ and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre whose typical focus was on beautiful women popular actors and other scenes of the urban pleasure districts of Japan's Edo period 1603â€“1868. The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject though Hiroshige's approach was more poetic and ambient than Hokusai's bolder more formal prints. Subtle use of color was essential in Hiroshige's prints often printed with multiple impressions in the same area and with extensive use of bokashi color gradation both of which were rather labor-intensive techniques.For scholars and collectors Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists such as Manet and Monet collected and closely studied Hiroshige's compositions: Vincent van Gogh for instance painted copies of some Hiroshige prints.Japanese woodblock prints known as ukiyo-eProduced in their many thousands and hugely popular during the Edo period 1615 â€“ 1868 these colourful woodblock prints known as ukiyo-e depicted scenes from everyday Japan. Ukiyo-e literally means 'pictures of the floating world'. The 'floating world' referred to the licensed brothel and theatre districts of Japan's major cities during the Edo period. Inhabited by prostitutes and Kabuki actors Kabuki is a traditional Japanese form of theatre these were the playgrounds of the newly wealthy merchant class. Despite their low status in the strict social hierarchy of the time actors and courtesans became the style icons of their day and their fashions spread to the general population via inexpensive woodblock prints.The ukiyo-e style was developed in 1765 and remained popular until the closing decades of the Meiji period 1868 â€“ 1912. While only the wealthy could afford paintings by the artists of the day ukiyo-e prints were enjoyed by a wide audience because they could be produced quite cheaply and in large numbers.The production processThe earliest woodblock prints were simple black and white prints taken from a single block. Sometimes they were coloured by hand but this process was expensive. In the 1740s additional woodblocks were used to print the colours pink and green but it wasn't until 1765 that the technique of using multiple colour woodblocks was perfected. The glorious full-colour prints that resulted were known as nishiki-e or 'brocade pictures'.The team involved in the production of ukiyo-e was known as the 'ukiyo-e quartet'. It comprised the publisher who usually had overall control of the process the designer/artist the block cutter and the printer.The artist would draw the design on paper. Once complete an exact copy was made and placed face-down on a cherry wood block. Cherry wood was favoured due to the fine even grain and consistent density. The block cutter then carved directly through the copy to produce what is known as the 'key-block'.The printer used the key-block to produce a number of black and white prints from which further blocks could be made for each colour needed in the final print. Known as 'key-block proofs' these prints feature registration marks: small rectangles outside the area of the picture. When the colour blocks were carved these marks were used to create stops so that the printer could line up the separate colours precisely.

Martin Frost · Royaume-Uni106,00 £GB≈ 121,03 €

HIROSHIGE, Ando (J 797-1858).Biblio.com

Japanese Woodblock Picture. "Waterfall at Jujyo No Sata."

X13HIROSHIGE Ando J 797-1858. Waterfall at Jujyo No Sato. Original woodblock from the series "Ehon Edo Miyage" published by Kikuya Kozaburo Volume 3 printed in Japan 1850-68. 295 x 210 mm.This original print is delivered to you in its unframed state carefully protected in a solid cardboard tube.Utagawa Hiroshige born AndÅ TokutarÅ å®‰è—¤ å¾³å¤ªéƒŽ; 1797 â€“ 12 October 1858 was a Japanese ukiyo-e artist considered the last great master of that tradition.Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the TÅkaidÅ and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre whose typical focus was on beautiful women popular actors and other scenes of the urban pleasure districts of Japan's Edo period 1603â€“1868. The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject though Hiroshige's approach was more poetic and ambient than Hokusai's bolder more formal prints. Subtle use of color was essential in Hiroshige's prints often printed with multiple impressions in the same area and with extensive use of bokashi color gradation both of which were rather labor-intensive techniques.For scholars and collectors Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists such as Manet and Monet collected and closely studied Hiroshige's compositions: Vincent van Gogh for instance painted copies of some Hiroshige prints.Japanese woodblock print known as ukiyo-e were produced in their many thousands and hugely popular during the Edo period 1615 â€“ 1868These colourful woodblock prints depicted scenes from everyday Japan. Ukiyo-e literally means 'pictures of the floating world'. The 'floating world' referred to the licensed brothel and theatre districts of Japan's major cities during the Edo period. Inhabited by prostitutes and Kabuki actors Kabuki is a traditional Japanese form of theatre these were the playgrounds of the newly wealthy merchant class. Despite their low status in the strict social hierarchy of the time actors and courtesans became the style icons of their day and their fashions spread to the general population via inexpensive woodblock prints.The ukiyo-e style was developed in 1765 and remained popular until the closing decades of the Meiji period 1868 â€“ 1912. While only the wealthy could afford paintings by the artists of the day ukiyo-e prints were enjoyed by a wide audience because they could be produced quite cheaply and in large numbers.The production processThe earliest woodblock prints were simple black and white prints taken from a single block. Sometimes they were coloured by hand but this process was expensive. In the 1740s additional woodblocks were used to print the colours pink and green but it wasn't until 1765 that the technique of using multiple colour woodblocks was perfected. The glorious full-colour prints that resulted were known as nishiki-e or 'brocade pictures'.The team involved in the production of ukiyo-e was known as the 'ukiyo-e quartet'. It comprised the publisher who usually had overall control of the process the designer/artist the block cutter and the printer.The artist would draw the design on paper. Once complete an exact copy was made and placed face-down on a cherry wood block. Cherry wood was favoured due to the fine even grain and consistent density. The block cutter then carved directly through the copy to produce what is known as the 'key-block'.The printer used the key-block to produce a number of black and white prints from which further blocks could be made for each colour needed in the final print. Known as 'key-block proofs' these prints feature registration marks: small rectangles outside the area of the picture. When the colour blocks were carved these marks were used to create stops so that the printer could line up the separate colours precisely.

Martin Frost · Royaume-Uni106,00 £GB≈ 121,03 €

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