6 121 résultats
18321342430Japan: Hoeido 1832. A color woodblock print from the series The Fifty-Three Stations of the Tokaido of the landscape at Chiryu-juku overlooking a field with resting horses at either dusk or dawn; black writing at upper right and left corners with red artist's seals; very good condition. Framed and matted; not examined out of frame; hand-written label at back of frame "No. 90 By Hiroshige." Dimensions in frame: width 19 1/4 inches x height 15 1/4 inches; dimensions by sight: width 8 1/4 x height 5 inches. Located at Dupont store. 1342430. Arts & Antiques. Hoeido unknown books
2092902138300300Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
23016901Tokyo 1927 Asahi. Large Kawaraban broadside a Dai-Oban color woodblock print sheet:45.4 x 39.4 cm.;print: 51.6 cm. 3 old folds now flat 4 tiny corner pin holes mendec small scuff to upper left corner else clean solid. RARE EXAPLE . . . MOON-GAZING AT TANABATA FESTIVAL ON THE TAMAGAWA RIVER . . . AUGUST DREAM OF A LOST LOVER . . . A NOSTALGIC VIEW OF THE MOON . . . A JOINT COLLABORATION OF THE TWO MASTER ARTISTS . . . HIROSHIGE DREW THE LANDSCAPE TOYOKUNI DREW THE WOMAN . . . A RARE EXAMPLE THE FIRST ONE WE HAVE SEEN SINCE 1967 ! . This is the Tanabata festival also known as the "Star Festival." It is a Japanese festival originating from the Chinese Qixi Festival. It celebrates the meeting of the deities Orihime and Hikobosh. It is celebrated by lovers longing for their separated partners. . According to legend the Milky Way separates these lovers and they are allowed to meet only once a year on the seventh day of the seventh lunar month of the luni-solar calendar. The date of Tanabata varies by region of the country but the first festivities begin on 7 July. The celebration is observed between July and August. . THE PRINT TITLE: The title is found at the top right of the print in a red cartouche box alas it is unread. However the title most likely would be something like "Otsuki-mi" "Moon Watching". . The work was printed by NIHON MOKUHAN INSATSU in Tabata To yo. . THE RARE DOUBLE-OBAN WOODBLOCK COLOR PRINT FORMAT: . This unusual format Deluxe print size was seldom executed as it was extremely hard to find cherry wood with such wide ad large dimensions. Also such large woodblocks were easily warped and checked rendering prints of poor quality. . This double or Dai-Oban print was probably an insert in the Asahi morning newspaper "KALANDA" "CALENDAR" it has a chart listing all of the year's holidays at the left margin. . The scene is of a typical Edo period Bijin Japanese beauty on a veranda the Tamagawa river wearing a summer cotton Kimono gazing at the moon & stars. She longs for her distant lover. . . Her poetry paper bamboo brush pen & Sumi ink are placed is on her desk awaiting inspiration to write a poem or letter to her lover. There is a blue paper-covered book and another open to double-text as inspiration. . This is an excellent Shin Hanga Deluxe print. Produced in 1927 long after the two artist's death nevertheless a nostalgic look at the fond past and a revisit to the superb art work of two great masters of the Edo epoch. . Color photos are posted to our website. . CONDITION: . This is an original color woodblock printed example from Showa 2nd. year 1927. . It is contained in a modern black mat with a Mylar dust protector. The mat is merely a good protector and has wear to the edges mostly on the lower edge. We leave the print inside the matted folder to keep it flat. . The print has been well-preserved and the three old mild vertical folds have been pressed out and fully opened flat for decades. . It was issued with tree vertical folds ca. 14 x 39 cm. to fit into a newspaper in the distant past. The old mild folds still remain but are now greatly reduced and quite flat. . SHIPPING OPTIONS: . The buyer has two shipping options: a. We refold the print back to its original size which accompanied the Asahi Morning newspaper. It folds down to be ca. 27 x 39.5 cm. . b. We ship it in the mat which is overall ca. 60 x 46 cm. opened flat in its current state therefore additional shipping packing costs will apply. . . unknown
1845448631845. Loose leaf. vg. Color woodblock print. Oban tate-e format. 14.5 x 9.5". This print represents Kameyama the 49th station of the Tokaido taken from the series known as "Fifty-three Pairings for the Tokaido Road" or 53 Parallels for the Tokaido Road. This set paired historical characters associated with the Tokaido to a respective station and was composed of work from Hiroshige Kunisada and Kuniyoshi. In this print by Hiroshige a woman dreams of three characters from the kabuki play Reigen Kameyamahoko The Kameyama Revenge. Text in Japanese. unknown
18802092902138101185Koichi Yamamoto 1880. Soft Cover. Fine. Number of books: 3 large sheets Koichi Yamamoto paperback
184918899AB1849. Tokyo Iseya Heikichi 1849. 18 : 125 cm. 20 woodblock printed leaves ink and colour on paper. Original boards japanese binding. Rare work by Utagawa Hiroshige the woodcuts show different flowers fish etc. and one view of Mount Fuji. - Binding wrinkled title-label missing inside the first three leaves with stains. hardcover
2092902138101460Ibasen Saburo 1176. Soft Cover. Fine. Size: Large format Number of copies: 1 sheet Ibasen Saburo paperback
19062090502113709395Not Available 1906. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18712110502150909080Kansendo version 1871. Soft Cover. Fine. Number of books: 1 Kansendo version paperback
18882110502150908602Heitaro Kato version 1888. Soft Cover. Fine. Number of books: 3 Heitaro Kato version paperback
2111902154600994Takamizawa Mokuhansha N.A. Soft Cover. Fine. The book is in fine condition. Takamizawa Mokuhansha paperback
19721805300026Tokyo : Shueisha Co 1972. Hardcover. Very Good. Folio 43 cm. Tan cloth. Held in grey cloth portfolio case with 2 bone ties. 133 xiii pages chiefly illustrations 55 color plates. Tissue guards. A gorgeous limited edition reproduction of the work of Hiroshige. Masterpieces of Ukiyo-e prints. Special series vol. 1. Summary in English. Edited by Zauho Press. This is an oversized or heavy book which requires additional postage for international delivery outside the US. [Tokyo] : Shueisha Co hardcover
19731805300032Tokyo : Shueisha Co 1973. Hardcover. Very Good. Folio 43 cm. Tan cloth. Held in black cloth portfolio case with 2 bone ties. xiii 115-96 pages 46 leaves of plates : chiefly color illustrations. A gorgeous limited edition reproduction of the work of Hokusai. Masterpieces of Ukiyo-e prints. Special series vol. 2. Summary in English. "English adaptation by Yuko Ochi and Patrick Cafferkey"--Page viii. Edited by Zauho Press. This is an oversized or heavy book which requires additional postage for international delivery outside the US. [Tokyo] : Shueisha Co hardcover
19792091502135308258Kosaisha 1979. Soft Cover. Fine. Number of books: 1 box Kosaisha paperback
18001404867Japan Edo Period likely mid 1800s. Other. Original muticolor woodblock print. Ink on paper. In Very Good condition in a Very Good frame. Exposed paper measures w. 6.5 in. x h. 9 in. Frame measures w. 11.875 in. by h. 14.75 in. Triple matted. Pigments vivid though paper is moderately age toned. Not examined out of frame. Artist presumed but unconfirmed. SJF collection. Shelved Dupont. 1404867. Arts & Antiques. unknown
42023901Edo 1833-34 Takenouchi. A single Oban horizontal color woodblock print: 35.7 x 23 cm. sheet:37.5 x 34.8 cm.dusty excellent impression and registry a bit of old 'rubbing' to surface else solid & firm. RARE EARLY EDITION . . . SUPERB COMPOSITION LANDSCAPE BY JAPAN'S MOST ICONIC . . . LANDSCAPE ARTIST & PRINTMAKER . . . HIROSHIGE . . . FROM THE SERIES: . . . TOKAIDO GO JU SAN TSUGI NO UCHI: . . . NO. 5 IN "THE 53 STATIONS OF THE TOKAIDO HIGHWAY" . . SHINMACHI-BASHI: NEW TOWN BRIDGE . . THE ARTIST: ANDO Hiroshige 1797-1858 was the last major master of the Ukiyo-e school. In 1811 he entered the studio of Utagawa Toyohiro soon given the 'nom d'artiste' "Hiroshige." . He published his first color woodblock printed book in 1818. He was greatly influenced by Hokusai's series of landscape prints including this series TOKAIDO GO JU SAN TSUGI. Being impressed Hiroshige set out to do his own impressions of the Tokaido highway series. . . Hiroshige soon distinguished himself as the landscape master of Japan during this period. He made a large contribution to the development of the landscape color print as well as the traditional "Kacho" "Bird & Flower" prints with a tendency to the Kyoto Shijo School. . He remained the master of impressionist creating poetic views of nature and remained the best-loved of all Japanese artists. See Lane below p.229. With signature samples by dates. . FAMOUS PRINT FROM THE FAMOUS TOKAIDO HIGHWAY SERIES: . This famous series by Ando Hiroshige I TOKAIDO GOJU SAN TSUGI NO UCHI: THE FIFTY-THREE STAGES OF THE TOKAIDO HIGHWAY has been a standard and famous series of 54 prints since its issue in 1833-34. This is stop #5 showing Hodogaya Shin Machi Bashi New Bridge over the Katabira river. . Published by Takenouchi Magohachi Hoeidô and Tsuruya Kiemon Senkakudô circa 1833-34 Tenpo 4-5th. years with the red Hanko seal/chop of both Hoeido and Senkakudo. . CONDITION: . NOTES ON SPECIFIC COPIES: . Copy 1.: This is the original FIRST EDITION of the print. It was published circa 1833-34. The front surface is rubbed dusty the back side is re-backed with some Japanese calligraphy paper. . The impression & registry are excellent the colors are strong. . There are some neat restorations to the back side of the print using Washi handmade Japanese mulberry fiber paper when the item was re-backed in the distant past. . The white borders intact and perhaps a tiny bit trimmed. . The front side as usual a bit dusty rubbed with minor soil a feint discoloration above the trees on the left 1/3. Regardless the image & coloring are strong & impressive. . The print has been 're-backed' some time in its distant past using some old Washi paper which appears to have been an old signature samples sheet with other Fude bamboo brush & Sumi black ink writing. There are 2 small pin/tiny holes which are mended by the backing. . This was a common practice in the early 19th century. The work is now quite firm & solid. The backing paper is not visible from the front side. . Given the fact that is print is about 187 years old it is in better than the average condition. Please review the photos prior to ordering. . edition. It is in pristine condition excellent registry & impression about as good as it can get. . Copy 2: This is a circa 1920's reprint of the original edition. A pristine example UNUSED with superb impression and registry about as good as it can get. Ready for framing and display. . Color photos are posted to our website. . REFERENCES: . This print was exhibited at Le Musée National des Arts Asiatiques Guimet July-October 2019. This print was offered at Sotheby's London: see Sothebys 2020/fine-japanese-art/utagawa- iroshige-i-1797-1858-four-prints-hodogaya This link shows our Hodogaya print as the top left example. Their estimate was about $993 per print in a group of 4. LANE Richard: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT: see p.229 for an excellent biography of Hiroshige PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E: see p.232 #1 he cites: "55 Oban prints ca. 1833-34 publishers Hoeidoh & Senkakudoh." This print being #5 of the Tokaido series cited as #74 page 232 & illustration. See his p.230-31 for a map of the Tokaido station series. Wikipedia: Hiroshige I: TOKAIDO GOJU SAN TSUGI: See wikipedia for more info on 53 Stations of the Tokaido. unknown
1866313867Edo: Kinrindo Seishichi. 金鱗堂清七 1866. Five prints joined together mounted on a later scroll total 48x14 inches. Numerous ownership seals moderate spotting throughout penultimate print has a rectangular stain at the center. A map-scroll depicting famous sites across the breadth of Japan. Kinrindo Seishichi. 金鱗堂清七 unknown
1833448681833. First edition HÅeidÅ edition aka “Great Tokaidoâ€. Oblong oban yoko-e format. Color woodblock print. 10x15â€. Loose in plastic sleeve. 48th station of the Tokaido. From the first edition of “The Fifty-three Stations of the Tokaido Road†series by Utagawa Hiroshige. unknown
106381n.d. Hardcover. Fair/No jacket. Accordion folded woodblock print that has each successive color layer printed. In a trifold cover that is barely holding together. The woodblock are printed on heavy cardstock and are in very good shape.<br /> <br /> There is also Hiroshige's print of Miya Atsuta Juku from his series Tokaido Gujusan-Tsugi The Fifty-Three Stations of Tokaido. This is woodblock 42.<br /> <br /> This was originally owned by printer Paul Veres who reproduced the book as a beautiful inkjet version. All in a decorative clamshell box. hardcover
18802111902160200129Mizuno Keijiro 1880. Soft Cover. Fine. Size: 25.4cmx37cm Number of books: 2 points 1 sheet Mizuno Keijiro paperback
18614973Tokyo: Fuji-kei 1861. A full-colour woodblock print on lightweight paper hinge-mounted with tape on cream-coloured card. The print measures 34.5cm x 23.5 cm and is housed in a cream and red folder with a window on the front cover. A sheet of acetate is loosely inserted in the folder to protect the artwork. Light foxing or possibly glue marks on the top edge of the print very light wear on the upper part of the right-hand edge; otherwise a near-fine print with strong colour. HÅsen Temple at Nakano Nakano HÅsen-ji is one 49 woodblock prints in Hiroshige II's series Views of Famous Places in Edo Edo meishÅ zue. It was created by the artist and engraved by Horikane HorichÅ.</p> <p>The print depicts a three-tiered pagoda standing amid tall majestic trees. Several figures can be seen wandering through the grounds of this serene forest setting.</p> <p>Utagawa Hiroshige II 1826-1869 was the most successful pupil of master woodblock artist Hiroshige I so much so that for many years the work of the pupil was confused with that of the master. In the period this print was executed Hiroshige II specialised in landscapes based on the later works of Hiroshige I and created a number of series featuring pleasing views and images of nature.</p> <p>The print includes the aratame seal of the Censor Tsutaya Kichizo. Fuji-kei unknown
1833448661833. First edition HÅeidÅ edition aka “Great Tokaidoâ€. Oblong oban yoko-e format. Color woodblock print. 10x15â€. Loose in plastic sleeve.23rd station of the Tokaido. From the first edition of “The Fifty-three Stations of the Tokaido Road†series by Utagawa Hiroshige. unknown
183455363Edo 1834. Hoeido edition. A matted printed in a cloth and wooden frame. Ukiyo-e woodblock print. Oban Yoko-e. Approx 13 3/4 x 8 3/4" visible inside the mat. Print no. 10 from Hiroshige's acclaimed series The Fifty-Three Stations of the TÅkaidÅ. In possibly it's first state. This image depicts the 9th station of the Tokaido crossing the Sakawa River at the town of Odawara. Absent the presence of a bridge the image shows travelers being carried across the river by porters in the traditional manner. Hanging wire printed material and description attached to the back of the frame. Light stains to the print with a vertical folding crease visible. unknown
213356New York: Kotsu Nippon N.D. First Edition; First Printing. Softcover. Very Good in wraps. Faint soiling along spine. Kotsu Nippon unknown
2092902138101112Not Available N.A. Soft Cover. Fine. Size: 25.5cmx37.5cm Number of books: 1 Not Available paperback
