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18933075751893. 193 original albumen prints ranging in size from 180mm x 260mm to 239mm x 290mm mounted on card most captioned in ink in English in a fin-de-siècle Vienna hand; approx. 60 with small printed captions mounted to boards; 8 photographs untitled. 2 vols. Oblong 4to. Housed in two contemporary morocco backed cases stamped in gilt "Indien" on spine and upper covers with third box to match. Some occasional bowing of boards photographs fine and well preserved with exception of a stock image of the Taj Mahal lightly faded and some soiling to the mount. 193 original albumen prints ranging in size from 180mm x 260mm to 239mm x 290mm mounted on card most captioned in ink in English in a fin-de-siècle Vienna hand; approx. 60 with small printed captions mounted to boards; 8 photographs untitled. 2 vols. Oblong 4to. Group of 193 original albumen print photographs documenting the Indian portion of the world tour of Archduke Franz-Ferdinand of Austria 1863-1914. This official voyage of the Archduke lasting from December 1892 to October 1893 had explicit diplomatic ethnographic and scientific aims as well as an unspoken goal of permitting the Archduke to recover his health after a diagnosis of tuberculosis. The royal party traveled aboard the imperial cruiser Kaiserin Elisabeth the most modern vessel of the Austrian fleet. They spent two weeks in Ceylon now Sri Lanka before arriving in India in mid-January 1893. The party spent two-and-a-half months in India before touring Nepal returning briefly to Calcutta to embark for Singapore at the end of March. The world tour continued with visits in Australia the Pacific Islands Japan Canada and the American West before the Archduke sailed from New York to Le Havre.<br /> The Archduke's stay in India included diplomatic engagements military reviews and a formal visit to the sixth Nizam of Hyderabad who was in late Victorian times the richest man in the world. The Archduke was put up in the Nizam's Bashir Bagh palace. The Archduke also spent considerable time hunting hawking pigsticking bagging some 20 tigers and leopard antelope sambhur black buck and just about every other beast of the chase in Ceylon he had hunted elephant. Franz-Ferdinand was a devoted hunter whose lifetime game bag exceeded 200000 animals; on the world tour his entourage included a huntsman and his taxidemist Eduard Hodek 1858-1929 who was also the Archduke's photographer and boon companion. The itinerary of the Archduke's travels permits the close dating of many of the photographs and events of the trip. A detailed list of the photographs is available. An exhibition in Vienna in 1894 publicized the collections made by the Archduke during his world travels and his diary was published as Tagebuch meiner Reise um die Erde in two volumes 1895-6. Upon the death of his father in 1896 Franz-Ferdinand became the heir to the Austrian throne. His assassination at Sarajevo in 1914 proved the spark that sent Europe and the world into war.<br /> The photographs document a wide range of subjects both formal and informal including views of the Archduke's activities grand receptions by the Nizam of Hyderabad military reviews sporting and equestrian events topographical vistas palace scenes as well as ethnographic and hunting images including substantial game bags. Many of the formal photographs of events in Hyderabad were taken by Lala Deen Dayal 1844-1905 noted court photographer to the Nizam and the first Indian photographer to gain international recognition for his work as a pioneer of photography in India only a few bear his studio stamp; but the images are identified in Höfer. Some of the views of and around Calcutta are from Samuel Bourne or Bourne and Shepherd.<br /> A spectacular visual record of 1890s India the opulence of the court of Hyderabad and sporting episodes in the life of Franz-Ferdinand. Regina Höfer Imperial Sightseeing: Die Indienreise von Erzherzog Franz-Ferdinand von Österreich-Este Vienna Museum für Völkerkunde Wien 2010 unknown
18933075751893. 193 original albumen prints ranging in size from 180mm x 260mm to 239mm x 290mm mounted on card most captioned in ink in English in a fin-de-siècle Vienna hand; approx. 60 with small printed captions mounted to boards; 8 photographs untitled. 2 vols. Oblong 4to. Housed in two contemporary morocco backed cases stamped in gilt "Indien" on spine and upper covers with third box to match. Some occasional bowing of boards photographs fine and well preserved with exception of a stock image of the Taj Mahal lightly faded and some soiling to the mount. 193 original albumen prints ranging in size from 180mm x 260mm to 239mm x 290mm mounted on card most captioned in ink in English in a fin-de-siècle Vienna hand; approx. 60 with small printed captions mounted to boards; 8 photographs untitled. 2 vols. Oblong 4to. Archduke Franz-Ferdinand - Big Game Hunting in India 1893. Group of 193 original albumen print photographs documenting the Indian portion of the world tour of Archduke Franz-Ferdinand of Austria 1863-1914. This official voyage of the Archduke lasting from December 1892 to October 1893 had explicit diplomatic ethnographic and scientific aims as well as an unspoken goal of permitting the Archduke to recover his health after a diagnosis of tuberculosis. The royal party traveled aboard the imperial cruiser Kaiserin Elisabeth the most modern vessel of the Austrian fleet. They spent two weeks in Ceylon now Sri Lanka before arriving in India in mid-January 1893. The party spent two-and-a-half months in India before touring Nepal returning briefly to Calcutta to embark for Singapore at the end of March. The world tour continued with visits in Australia the Pacific Islands Japan Canada and the American West before the Archduke sailed from New York to Le Havre.<br/> The Archduke's stay in India included diplomatic engagements military reviews and a formal visit to the sixth Nizam of Hyderabad who was in late Victorian times the richest man in the world. The Archduke was put up in the Nizam's Bashir Bagh palace. The Archduke also spent considerable time hunting hawking pigsticking bagging some 20 tigers and leopard antelope sambhur black buck and just about every other beast of the chase in Ceylon he had hunted elephant. Franz-Ferdinand was a devoted hunter whose lifetime game bag exceeded 200000 animals; on the world tour his entourage included a huntsman and his taxidemist Eduard Hodek 1858-1929 who was also the Archduke's photographer and boon companion. The itinerary of the Archduke's travels permits the close dating of many of the photographs and events of the trip. A detailed list of the photographs is available. An exhibition in Vienna in 1894 publicized the collections made by the Archduke during his world travels and his diary was published as Tagebuch meiner Reise um die Erde in two volumes 1895-6. Upon the death of his father in 1896 Franz-Ferdinand became the heir to the Austrian throne. His assassination at Sarajevo in 1914 proved the spark that sent Europe and the world into war.<br/> The photographs document a wide range of subjects both formal and informal including views of the Archduke's activities grand receptions by the Nizam of Hyderabad military reviews sporting and equestrian events topographical vistas palace scenes as well as ethnographic and hunting images including substantial game bags. Many of the formal photographs of events in Hyderabad were taken by Lala Deen Dayal 1844-1905 noted court photographer to the Nizam and the first Indian photographer to gain international recognition for his work as a pioneer of photography in India only a few bear his studio stamp; but the images are identified in Höfer. Some of the views of and around Calcutta are from Samuel Bourne or Bourne and Shepherd.<br/> A spectacular visual record of 1890s India the opulence of the court of Hyderabad and sporting episodes in the life of Franz-Ferdinand. Regina Höfer Imperial Sightseeing: Die Indienreise von Erzherzog Franz-Ferdinand von Österreich-Este Vienna Museum für Völkerkunde Wien 2010 unknown books
1796ABC_49403Various places including Saudi Arabia and Yemen 1796. Contemporary or slightly later half black morocco marbled boards. Small folio ca. 19 x 30.5 cm. English manuscript on watermarked paper. With a loosely inserted manuscript map titled A Chart shewing the Track of HMS Ship Myrtle of the Bay of Biscay and Portugal and a hand-coloured manuscript signal chart. A detailed description of the voyage of the East India company vessel the Swift from 1794-1795 featuring visits to both Saudi Arabia and Yemen. Twelve pages of observations are dedicated to Jeddah alone witnessed at the height of the influx of pilgrims during the Hajj followed by a description of Mocha also Mokha in Yemen. Other ports visited include those of Brazil South Africa India the Nicobar Islands Malaysia and Sri Lanka.Jeddah the author says "has a very pleasant appearance as you approach it from the sea . The houses are all of stone of the coral kind." However as the Swift had arrived in the midst of the Hajj and its crew found provisions difficult to acquire as thousands of pilgrims poured into Jeddah: "It is astonishing the number of Mahometans arriving from all parts of the world to attend the yearly ceremony at Mecca called Hadgi from thence to Medina." Several accounts are given of particular Muslim practices through occasionally somewhat confused British eyes: "When near Geddah all the Pilgrims going their first journey altered their dress assuming what is called the Ihhram a piece of linnen ! which is wrapped round the loins leaving the rest of the body naked in this state they proceed through the rest of the pilgrimage till they have visited the Kaaba at Mecca; the other garment they are then suffered to wear is a cloth of linen over their shoulders. . Some of them carry a trade of muslins and some other little articles which if they are not robbed by the Bedouins wild Arabs they make out tolerably well . The landing of the pilgrims with their wives and household utensils would have been an excellent view for the inimitable Hogarth."The Swift appears to be one of the ships which accompanied the Suffolk a 64-gun ship to escort a convoy to India under the command of Captain Peter Rainier 1741-1808 later Admiral of the Blue and namesake of Mount Rainier. This particular voyage was in itself notable as a trial for the implementation of a citrus diet for sailors to ward off scurvy which was ultimately successful and became Admiralty policy the following year. On the first page of the account we find the following: "The beer being expended ordered the Company to be served wine mixed with 1oz of sugar and oz of lemon juice to every pint it was very nice tipple."The boards show mild traces of use. With a few small smudges on some of the leaves. Otherwise in excellent condition. hardcover
1837ABC_46027London Calcutta etc.: various publishers 1837. Half calf with marbled sides and lettering in gold on spine or cloth with marbled sides and a spine label. 8vo. Some illustrated with plates and maps. 107 volumes many containing multiple articles. Handsomely bound extraordinary collection of important scientific journal articles by 19th and 20th century Western explorers of Afghanistan Central Asia China the Himalayas India including Assam Bengal Kashmir and Punjab Karakoram Pakistan including Sindh and Tibet with content covering anthropology archaeology exploration geography geology glaciology history language and grammar mountaineering and politics. At the time these were the far outskirts of the world for Western science where a lot was yet to be learned. Often the maps in these journals are the first modern maps of such regions and findings were the first to be scientifically published.Generally in very good condition.Please inquire for a full list of contents. various publishers, hardcover
1865311412Madras: Lawrence Asylum Press 1865. Illustrated with 12 mounted albumen photographs captioned in ink. Text within braided rule borders. ii 65 pp. 1 vols. 8vo. Full black morocco spine with gilt rules boards with gilt roll borders ornamental cornerpieces titled in gilt on upper cover yellow endsheets with orange ticket Bound at the Lawrence Asylum Press within border. Some minor rubbing occasional foxing. Fine. Gift inscription on first blank "J. Michael with the kindest regards of J.C.H. July 17th 1875. Illustrated with 12 mounted albumen photographs captioned in ink. Text within braided rule borders. ii 65 pp. 1 vols. 8vo. Spectacular unrecorded privately printed diary recounting a hunting expedition in Kerala southern India from 27 July to 22 September 1865 "the best shikar trip I have ever had". The narrator and his companion A.M.D. bagged 43 heads of eleven different types of big game including tiger bear elephant bison chettul and others with original albumen photographs mounted and captioned in a neat hand. <br /> The unnamed narrator mentions passing hunting parties one such Brown Jones and Robinson suggests that he read Trollope when the novel appeared as a serial in the Cornhill; the terrain around Hassanoor Ghaut was familiar to him for he had planted fruit trees and roses near a camp building; mention is made also of Hamilton Brooke and Faulkener hunting the area the previous year. This may be Douglas Hamilton who in 1892 published a long retrospective 'Records of Sport in Southern India'.<br /> The narrator buys prepared photographic plates from a departing hunter who had ordered them from the Patent dry Collodion Co. of Birmingham. The two hunters were accompanied by the dog Scamp chief among a pack that included Tinker and a plucky three-legged dog Pinko both killed by a panther and bearers of cowardly deportment save for the plucky Rajii who stood by when the narrator faced bear and elephant. At times the grass was too high for a man to get through easily.<br /> Notably the hunter describes many photographic incidents including how the frontispiece "The Tiger's Siesta" came to be made. One day D. encountered a a tigress atop the head of a young elephant and shot her despite the commotion. The young elephant ran off. The next day going to photograph the tigress the narrator was charged by a herd of elephants. He shot an elephant cow and they moved on to photograph the elephant "taking the tigress with us. The men who carried her threw her body into the elephants arms and it looked so strange the tigers mouth being curiously drawn up as if she were laughing that I thought I would try a picture in that position.". UNRECORDED in all the usual references and catalogues Lawrence Asylum Press unknown
1865311412Madras: Lawrence Asylum Press 1865. Illustrated with 12 mounted albumen photographs captioned in ink. Text within braided rule borders. ii 65 pp. 1 vols. 8vo. Full black morocco spine with gilt rules boards with gilt roll borders ornamental cornerpieces titled in gilt on upper cover yellow endsheets with orange ticket Bound at the Lawrence Asylum Press within border. Some minor rubbing occasional foxing. Fine. Gift inscription on first blank "J. Michael with the kindest regards of J.C.H. July 17th 1875. Illustrated with 12 mounted albumen photographs captioned in ink. Text within braided rule borders. ii 65 pp. 1 vols. 8vo. UNRECORDED. Spectacular unrecorded privately printed hunting diary recounting a hunting expedition in Kerala southern India from 27 July to 22 September 1865 "the best shikar trip I have ever had". The narrator and his companion A.M.D. bagged 43 heads of eleven different types of big game including tiger bear elephant bison chettul and others with original albumen photographs mounted and captioned in a neat hand. <br/>The unnamed narrator mentions passing hunting parties one such Brown Jones and Robinson suggests that he read Trollope when the novel appeared as a serial in the Cornhill; the terrain around Hassanoor Ghaut was familiar to him for he had planted fruit trees and roses near a camp building; mention is made also of Hamilton Brooke and Faulkener hunting the area the previous year. This may be Douglas Hamilton who in 1892 published a long retrospective 'Records of Sport in Southern India'.<br/>The narrator buys prepared photographic plates from a departing hunter who had ordered them from the Patent dry Collodion Co. of Birmingham. The two hunters were accompanied by the dog Scamp chief among a pack that included Tinker and a plucky three-legged dog Pinko both killed by a panther and bearers of cowardly deportment save for the plucky Rajii who stood by when the narrator faced bear and elephant. At times the grass was too high for a man to get through easily.<br/>Notably the hunter describes many photographic incidents including how the frontispiece "The Tiger's Siesta" came to be made. One day D. encountered a a tigress atop the head of a young elephant and shot her despite the commotion. The young elephant ran off. The next day going to photograph the tigress the narrator was charged by a herd of elephants. He shot an elephant cow and they moved on to photograph the elephant "taking the tigress with us. The men who carried her threw her body into the elephants arms and it looked so strange the tigers mouth being curiously drawn up as if she were laughing that I thought I would try a picture in that position.". UNRECORDED in all the usual references and catalogues Lawrence Asylum Press unknown books
1822ABC_49460Aboard the Winchelsea written and drawn at sea 1822. Contemporary half gold-tooled brown calf marbled paper sides each volume with a different marbled paper the journal volume with marbled endpapers. 8vo. The two sketchbooks contain a total of ca. 100 pages of sketches of ships done in pencil including 1 page containing signal flags in colour. 3 volumes. With: Two sketchbooks with pencil drawings of ships. A neatly-written and illustrated sea journal kept by James Dudman the second mate on board the East India Company's ship Winchelsea during a 1822-23 voyage to India. Launched in 1803 the Winchelsea was already a veteran East Indiaman this being her ninth voyage - she made a total of eleven voyages for the EIC before she was broken up in 1834. On the present voyage commanded by Captain William Adamson she carried 592 people including the 17th and 44th Regiments of Foot and detachments of the King's and EIC's soldiers and a number of women and children. The sea journal volume is accompanied by two additional volumes by Dudman containing pencil sketches of unidentified masted sailing vessels.The Winchelsea's journey from its departure at Blackwall Dock on April 24 1822 to its arrival in Bengal and eventual return to England via St. Helena and The Downs on May 24 1823 reflects the extensive maritime routes integral to British imperial dominance. The ship's role in transporting personnel and cargo exemplifies the strength of the EIC's logistical network sustaining Britain's colonial and economic interests in India. The journal with its careful record-keeping offers an intimate glimpse into the daily operations experiences and extraordinary events encountered by the second mate aboard an East Indiaman during Britain's height of imperial expansion.The journal written in Dudman's beautiful scribe-like handwriting opens with an entry dated 24 April 1822 at Blackwall Dock where the voyage started "bound for Bengal." The next few pages contain a detailed listing of the people on board beginning with the ship's company of 122 men with names followed by the troops on board: "List of a detachment of His Majesty's Troops belonging to the 44th Regt. of Foot on board the Honable. Company's Ship Wincelsea for Bengal" comprising name and rank of 367 men followed by the names of 42 women on board as well as the name and age of 57 children on board including 3 who died at sea plus 4 additional passengers.At Saugur meaning Sagar Island they took on board further passengers duly noted in an additional "List of H.M. 17th Regiment of Foot with the Women and Children accompanying them. Embarked on board the Honble. Company's ship Winchelsea at Saugur New Anchorage for England."Beyond the usual records of position winds weather and other ships Dudman includes interesting notes on unusual occurrences. Perhaps the most fascinating event was recorded on February 10 1823: a major earthquake off the coast of India experienced by the Winchelsea: "At 10 minutes past 1 PM every one on board was greatly alarmed at the singular feel of the ship which was in a violent trembling motion as if the ship was grazing over a rocky shoal and a loud rumbling noise similar to the roll.g! of a Bull quickly along the deck this very singular seuration lasted certainly not less than a minute those below ran on deck to enquire the cause and those below the poop below to ask the same question. I was in the round house at the time when it comen'd. The noise appeared to me as coming along the quarter deck and instantly over the poop the sea was smooth and the day clear. I looked out at the stern windows but saw no appearance of any shoal which I certainly would have done had such existed. The water being very clear and the ship not going more than 2 knots I cannot account for this very singular phenomenon in any other way than its being the shock of an Earthquake".The voyage journal of the Winchelsea during its 1822-23 journey to Bengal provides valuable insight into the maritime operations of the EIC its commercial and colonial reach and the strategic importance of British trade with India in the early 19th century. As a veteran East Indiaman the Winchelsea was part of the vast trading network that connected Britain with the Indian subcontinent transporting soldiers goods and passengers under the auspices of the EIC which functioned as both a commercial enterprise and a colonial governing force.The journal volume contains the typographic book plate of Mr. Jas. Dudman on the front pastedown and a manuscript inscription in ink on the first flyleaf by Lumsden Dudman who was married to Mary Anne Shirreff "Joseph H. Shirreff from L.S. Dudman Xmas 1892" one of the sketchbooks contains a manuscript inventory list in Greek of goods for sale on the first flyleaf and one of the sketchbooks with ownership signature "L: Dudman / Sept. 27 1836" likely Rev. Lumsden S. Dudman perhaps a brother of James Dudman. Some general wear to the leather spines and corners of the boards of the volumes occasionally foxed but overall internally clean. Overall in good condition. unknown
1842M2ACVI942UQXLondon: Thomas McLean 1842. Contemporary half calf with cloth sides gold tooled title on front cover. Large folio 545 x 375 cm. With 6 hand coloured lithograph plates and a lithographed title. First and only edition of an ethnographic study of native Indian people by William Tayler 1808-1892 who was at that time Acting Salt Agent of the Central Division of Cuttack for the East India Company. He dedicated his work to "Lady William Bentinck" born Lady Mary Acheson 1809-1850 who was the wife of the Governor-General of India. The illustrations were drawn by Tayler himself who was an amateur artist and drew much of the Indian daily life that he encountered. He selected the present 6 drawings to be published and had them lithographed by J. Bouvier. The first 3 plates not only show the ways of Indian people but even more so the luxurious life of the English in India. The first plate The Young Civilian's Toilet shows a young man relaxing while being treated by several servants who are named Anglo-Indians. The room is strewn with objects of leisure. The next 2 plates The Young Ladies Toilet & The Breakfast show equal scenes. The other 3 plates are more ethnographic in nature showing native Indians in their everyday life: Women grinding at the mill; the Sunyasees Sannyasis & The village barber. Tayler later became a controversial figure for his excessively harsh oppression of Indian people when he was the commissioner of Patna.Spine and covers slightly worn pages a little frayed some foxing on the text pages. Dedication page broened. Plate 2 detached and inserted loosely. Plates in good condition.l Abbey Travel 465; Bobins I 272; H.K. Kaul Early Writings on India 454; Prasannajit De Silva Colonial Self-Fashioning in British India c. 1785-1845 2018 pp. 116-119. Thomas McLean, hardcover
16562582Amsterdam: Evert Nieuwenhoff 1656. Unbound as published. Final leaf soiled and dust stained; trifle worn along outer lower corner throughout. Unbound as published. 8 p. <p><br /> Scarce prospectus by the City of Amsterdam on behalf of the Dutch West Indies Company designed to find new settlers for New Netherlands during the colony's final phase under the governorship of Peter Stuyvesant. Published as an appendix to A. Van Der Donck Beschryvinge van Nieuw-Nederlant in 1656 the same year as its first <br /> appearance.<br /> <p><p><br /> The ordinance stating the conditions for those who wish to settle in New Netherland the American Dutch colony. It was published at a time when the colony experienced a period of economic prosperity and was in need of new settlers to strengthen the Dutch positions in the area.<br /> <p>. Evert Nieuwenhoff unknown
1906ST20132London: Printed by the Edinboro Press for the Grolier Society 1906-07. Edition magnifique letter J of 26 lettered sets. 260 x 180 mm. 10 1/4 x 7". Nine volumes volume II bound without two-page Appendix IV Jackson A. V. Williams. <br/> SPLENDID CONTEMPORARY EMERALD GREEN MOROCCO lavishly gilt and with delicate scarlet morocco inlays forming a repeating peacock feather motif surrounded by Art Nouveau twining vines all within a gilt French fillet spine similarly decorated raised bands BROWN MOROCCO DOUBLURES with a central inlaid and gilt triple elephant motif within a wide green morocco frame adorned by gilt peacock feathers with indigo morocco inlays unusually elaborate floral silk flyleaves top edge gilt other edges untrimmed. WITH 153 PLATES including 72 photographic reproductions on shiny paper and 81 plates in three states with printed tissue guards: one hand colored; one tipped on in black & white; and one sepia; plus numerous black & white illustrations 68 of these being full-page; and one double-page map. Spines uniformly sunned to a light tan but bindings otherwise lustrous and virtually unworn; one tissue guard stuck to the plate facing p. 150 in volume IV a few corner creases other trivial imperfections but very clean and fresh with some leaves still unopened.<br/> <br/> This nine-volume history of India features a luxurious binding with sparkling gilt and vibrant morocco inlays forming motifs that perfectly suit its contents. Intended to present the history of India from the "earliest times" through the British Raj this profusely illustrated work was written by some of the most prominent Victorian scholars on the subject and edited by an esteemed professor of Indo-Iranian languages at Columbia University. Volume I "From the earliest times to the sixth century B.C." is the work of native Calcutta historian Romesh Chunder Dutt 1848-1909 author of major works on the cultural and economic history of the country. Volume II "From the sixth century B.C. to the Mohammedan conquest" is the contribution of Irish antiquarian Vincent Arthur Smith 1848-1920 who wrote the "Oxford History of India" which DNB says "was to exert a vast influence over generations of students." Volumes III and IV "Medieval India from the Mohammedan conquest to the reign of Akbar the Great" and "From the reign of Akbar the Great to the fall of the Moghul empire" come from British orientalist and numismatics expert Stanley Lane-Poole 1854-1931 praised by DNB as "a versatile writer able to produce both academic reference works . . . and popular versions of his biographies and introductions to historical subjects." Volumes V-VIII were written by former administrators of the Raj who had taken up Indian history as an avocation. Volume V "The Mohammedan period as described by its own historians" was prepared by editors from earlier works by Sir Henry Miers Elliot 1808-53. Volumes VI and VII "From the first European settlements to the founding of the English East India Company" and "The European struggle for Indian supremacy in the seventeenth century" were penned by Sir William Wilson Hunter 1840-1900 who spent 25 years in the Indian Civil Service before retiring to write about the history of colonialism in India. The penultimate volume "From the close of the seventeenth century to the present time" was written by someone who actually lived key parts of that history Sir Alfred Comyn Lyall 1835-1911 survivor and hero of the Indian Mutiny lieutenant-governor of the North-Western Provinces and longtime member of the Council on India. In the final volume editor Abraham Valentine Williams Jackson 1862-1937 compiles "Historic accounts of India by foreign travellers classic oriental and occidental." All volumes are copiously illustrated with photo plates of life in Victorian India many taken from Jackson’s own photographs and with examples of Indian art architecture and crafts. Though unsigned the spectacular bindings were clearly the work of a master possibly Sangorski & Sutcliffe. The quality of materials skill of finishing and elaborate motifs are consistent with those produced by that outstanding bindery or another of equal skill and taste. While the work occurs with some regularity on the market it is extremely rare in such a beautiful decorative dress as seen here. Printed by the Edinboro Press for the Grolier Society unknown
18803050981880. Albumen prints approximately 9 x 11-1/2 in. mounted on card with manuscript captions 61 signed and numbered in the negative by Bourne the rest unattributed. 1 vols. Oblong folio. Contemporary full pebbled morocco. Light traces of rubbing occasional light foxing to mounts. Albumen prints approximately 9 x 11-1/2 in. mounted on card with manuscript captions 61 signed and numbered in the negative by Bourne the rest unattributed. 1 vols. Oblong folio. An excellent and varied view of British India in the 1860s with large-format photographs supplied by one of the longest running photography firms in the world. The images grouped by location generally show architectural views as well as some Himalayan and rural views. Images include scenes from Goverdhan Deig Cawnpore Lucknow Benares Calcutta Darjeeling Udaipur Palace in the Lake and Ahmedabad. unknown
18803050981880. Albumen prints approximately 9 x 11-1/2 in. mounted on card with manuscript captions 61 signed and numbered in the negative by Bourne the rest unattributed. 1 vols. Oblong folio. Contemporary full pebbled morocco. Light traces of rubbing occasional light foxing to mounts. Albumen prints approximately 9 x 11-1/2 in. mounted on card with manuscript captions 61 signed and numbered in the negative by Bourne the rest unattributed. 1 vols. Oblong folio. Bourne and Shepherd Views of India. An excellent and varied view of British India in the 1860s with large-format photographs supplied by one of the longest running photography firms in the world. The images grouped by location generally show architectural views as well as some Himalayan and rural views. Images include scenes from Goverdhan Deig Cawnpore Lucknow Benares Calcutta Darjeeling Udaipur Palace in the Lake and Ahmedabad. unknown books
1933ABC_45905Cambridge Mumbai New Delhi: Scott & Wilkinson Clifton & Co Hamilton Studios and Kinsey Bros. 1933. Oblong half morocco photograph album by W. Johnson & sons London. With 105 photographs mounted in the album ranging from 16 x 28 cm to 4 x 6 cm 2 photographs loosely inserted and a watercolour mounted at the back 11.5 x 21 cm. Unique photograph album showcasing the vigorous "fox" hunting scene in British India in the early 1930s particularly around Delhi. Most of the photographs show members of the British upper class in India often mounted on horses or posing for a group photograph and accompanied by hounds. The album contains no titles captions or inscriptions and the photographs do not seem to figure recurring individuals which suggests that it was probably compiled to commemorate the hunting and or riding club and its activities in the early 1930s. Numerous photographs show groups of mostly men posing with hounds at lunches and possibly a hunt ball or mounted on horses at jumping events and even a few cup trophies. The very first photograph is by Scott & Wilkinson in Cambridge active before 1933 and was therefore probably taken in England. The other inscribed photographs are by Clifton & Co. and Hamilton Studios from Bombay and Kinsey Bros. which started in New Delhi in 1935.British life in India mirrored life in native Britain and included popular equestrian activities such as hunting. Starting in the second half of the 19th century foxhounds were imported from Britain and subsequently bred in India. Regiments and brigades kept their own packs but at the beginning of the 20th century these had morphed into local hunts. Hounds were kept at over 12 hunting clubs which included Delhi Meerut Narbuda Vale Jaora Poona Bombay Bangalore Ooty Madras Lahore Quetta Peshawar and Karachi. Although the Indian silver fox was sometimes hunted the most common prey was the golden jackal.A different type of hunting popular in India was pig sticking: the chase of a wild boar on horseback with the spear. Several photographs in the album show pig sticking parties either posing or in action and sometimes accompanied by spectators on elephants. In contrast to the jackal-hunt parties the pigstick groups are composed of more military looking men and also include Indian men as opposed to the British-only hound groups.Most photographs show the area around Delhi and include a hunt near Shah Alam's Tomb. A photograph of this event is loosely inserted in the album and dated 1933/34 on the back. Other photographs show the Rashtrapati Bhavan one group shows the Earl later Marquess of Willingdon India's Governor-General from 1931 to 1936. Two images show the monumental Gateway of India completed in 1924 in Bombay Mumbai which can also be seen in an aerial photograph. Several photographs show what is probably the airfield at Karachi as it shows two airplanes loading mail on apparently the first voyage of the Indian Transcontinental Airways. Imperial Airways liner "Hanno" departing from Croydon had left for Karachi on 1 July 1933 via Bahrain and Sharjah. In Karachi the cargo was transferred to the Transcontinental airliner "Arethusa" as can be seen on the photographs.It is unclear why only half of the album was used. It is possible the compiler transferred to Kut in British Mesopotamia Kut al-Imara in modern Iraq. A watercolour on the final page of the album is captioned "A river bank north of Kut".Binding slightly rubbed and worn at the edges. Album leaves foxed throughout but most of the photographs in very good condition. The paper of the large photograph of the group near Shah Alam's Tomb is heavily damaged at the top and left side but the image itself is undamaged. A unique collection of British-Indian hunting photographs in very good condition.l Cf. Hamid "Riding with the Peshawar Vale hunt" thefridaytimes.com; Hunt "Delhi" in: Ten cities that made an empire; "1933 Eastwards: Karachi to Calcutta" indianairmails.com; Lucas Hunt and working terriers pp. 116-120; Mitter et al. The artful pose. Scott & Wilkinson, Clifton & Co, Hamilton Studios and Kinsey Bros., unknown
1898ABC_457021898. 2 PARK Superintendent. 1898. Catalogue of photographs by Sergeant A.J. Clarke R.E. taken during Tirah Expedition 1897-1898. Kirkee Pune India Sappers and Miners' Press 1898. Small folio 22 x 14.5 cm 4 pp. With a lithographed title-page. Loosely inserted in the album. Collection of photographs taken by a British Indian Army officer who served in the Peshawar Column during the Tirah Expedition in the Northwest Frontier of India from June 1897 to April 1898 including a manuscript Key that identifies seven British officers that are in the first photo of the album and a list of captions to 10 photos in the album.The Tirah Expedition was aimed against the Afridi and Orakzai tribes in British Indias Northwest Frontier modern-day Khyber Pashtunkhwa province of Pakistan. One of many Northwest Frontier campaigns of British India the Tirah campaign concentrated on the area west and south of Peshawar in the mountainous region between the valleys of the Bara and Kohat Rivers. The album primarily documents the actions of the Tirah field forces Peshawar Column under command of Brigadier-General Arthur George Hammond 1843-1919 which followed the route of the Bara Valley.The present photo album contains 8 large albumen photos documenting the movement of the Peshawar Column. The large photos were taken by W. Rahn according to the memoirs of Peshawar Column officer Richard Thomsett we had a photographer named Rahn with the column and he accompanied us until we arrived at Ali Masjid in December 1897 when an accident necessitated his returning to India. Rahn was a German who had come out to the East some twenty years before and seemed to be ubiquitous for wherever we were there he was with his camera ready and I must say he took some very excellent pictures.The present album also includes 43 smaller gelatin photos with manuscript captions for 10 of them on a small piece of paper perfectly describing the photos on leaves 5 and 9 of the album. The album is supplemented with a rare 4-page brochure no doubt produced in a small print-run that lists 99 photos. About 20 have been marked by hand in pencil probably by the albums compiler. The brochure indicates that the present photos could be purchased from the Bombay Sappers and Miners.8 of the large photos have contemporary manuscript captions in ink on the mounts. 2 marks on the front paste-down reading "photographs by British Royal Engineers. Tirah Expedition 1897-1898 North India. Binding slightly rubbed on extremities the original 5 cords replaced with 3 new black cords hinged to stubs . A few images mildly faded. The additional manuscript leaves foxed and worn. Otherwise in good condition.l The navy and army illustrated V no. 53 24 December 1897 pp. 150-152 4 of the 8 large photographs & no. 57 18 February 1898 p. 275; R.G. Thomsett With the Peshawar olumn. Tirah expeditionary force London 1899 pp. 103-104. unknown
1829222492London.: Smith Elder and Co. First Edition. 1829-1832. First edition. Rare. Two vols: <br>Vol I Engraved frontispiece large folding engraved map of Rajast'han hand-coloured in outline and laid-down on linen 29 engraved plates or tables three folding iii-xxx title dedication introduction contents lacks half-title ii list of plates 806 pp errata leaf; <br>Vol II Engraved frontispiece 22 engraved plates two folding iii-xxxii title dedication introduction lacks half-title ii list of plates 791 pp. <br>Two of the plates foxed four with marginal foxing images unaffected the list of plates in Vol I strengthened at the foot and p.329 with an archivally sealed tear no loss; contemporary half calf over marbled boards 31.5 x 25 cms quarto Vol I sympathetically re-backed endpapers renewed gilt-lettered title labels between gilt-ruled raised bands the remains of a library ticket to the head of Vol II speckled edges a good set of the rare first edition. <br>With the bookplate of Anthony Mactier Durris. A landmark illustrated work of British India; the rare first edition with a noteworthy provenance. Anthony Mactier 1773-1854 served as Registrar of the High Court in Calcutta before returning to Scotland in 1834 purchasing the Durris estate in 1837. At the time Tod's "Annals" was regarded as "the political officer's bible" see Charles Allen "Lives of the Indian Princes" 1985 p. 255 and shaped European and Indian perceptions of Rajput identity. . Smith, Elder, and Co. hardcover
1799ABC_45147Calcutta: Honorable Companys Press 1799. Never bound but side stitched through 3 holes. Super Royal 4to 33.5 x 25 cm. A British propaganda publication printed in Calcutta transcribing secret documents that the British supposedly found in the palace of Seringapatam: primarily Tipu Sultans correspondence with the French considered a betrayal of the British. Tipu Sultan 1750-1799 ruler of the Kingdom of Mysore in southern India took part in a long-standing military feud with the British but made peace with them in 1792. When the French under Napoleon made a push for India in 1798 the British attacked Tipus forces once again starting the Fourth Anglo-Mysore War and eventually killing Tipu Sultan in the attack on Seringapatam. He had a fearsome reputation as the Tiger of Mysore and the present publication attempts to discredit him as a traitor. His supposed affiliation with the French Jacobin Club would have especially concerned British readers. Most of the correspondence between Tipu Sultan the French and their allies including Zaman Shah Durrani ruler of what was to become Afghanistan is printed in parallel columns in English and French. Also included is the text of a letter from Tipu Sultan printed letterpress in Persian in the nastaliq script: 9 lines of type apparently set in the nastaliq type cut under the direction of Charles Wilkins 1749-1836 who served the East India Company in India and became their leading orientalist. It was first used at Calcutta in 1781. The only earlier type for the script that has been clearly documented is thought to have been cut in the 1590s for the Propaganda Fide in Rome who used it around 1633. Neil Benjamin Edmonstone translated the Persian and G.G. Keble the French. Although the book is a true very large quarto point holes along the fold at the head and deckles at the foot and fore-edge the chainlines are vertical though one would not expect sheets this large to be made in double moulds the usual reason for chainlines parallel to the long axis of the sheet.In good condition. Wholly untrimmed and with most bolts unopened and the point holes present.l Shaw Printing in Calcutta 359; Shaw SABREB sab00086; not in Cat. East-India Comp. Honorable Companys Press, unknown
1874ABC_46925Calcutta 1874. Contemporary gold-tooled half red morocco brown cloth sides. Oblong 8vo. With 33 mounted sepia albumen prints ca. 15/15.5 x 10.5/11 cm all captioned. Manuscript title and captions of the pictures in English written in brown ink in a neat 19th-century cursive hand. Photograph album containing 33 albumen prints of buildings important places views and people in Calcutta in the 1870s. The album opens with some architectural photographs including the governor's house the new market the post office St. Paul's cathedral and the high court. Also included are views of roads and streets that are still important today such as Benting Street Chilpore Road Russell Street and Strand Road and 5 albumen prints of the B.Y. Docks. The album also contains views near Kalighat and Barnatore especially of the landscape but also of a Hindu temple. The album concludes with some photographs of people living in Calcutta showing beggars carpenters palki bearers a barber ending the album with a group of Rohillas.The album includes a photograph of the statue of Sir James Outram unveiled in Calcutta on 22 May 1874 an all photographs seem likely to have been made soon after that.Binding a little worn and scuffed endpapers a little dust-soiled some leaves marginally slightly dust-soiled some leaves slightly browned some occasional foxing paper of the last photograph slightly damaged not affecting the image some images a little faded but overall in good condition. A highly interesting album showing life in Calcutta in the 1870s.l For dating the statue of Sir James Outram: Catalogue of the sculpture of J.H. Foley in: Dublin Historical Record 32 3 1979 pp. 108-116. hardcover
181942798Eastern India possibly Bengal or Assam circa 18th-19th century. Copper plate 13 7/8 x 9 1/8 inches engraved on both sides. The principal face with several lines of incised text at the head followed by a large engraved validating or emblematic mark and below this three dense sections of text divided by ruled horizontal lines. The reverse largely uninscribed with three small engraved seals or validating marks near the edge. An inscribed copper plate of Indian origin possibly Bengal or Assam engraved in a Bengali or Bengali-Assamese script and preserving a formal documentary text in metal.<br/> <br/> This copper plate belongs to the South Asian tradition of preserving legal devotional and administrative records on durable metal supports. Copper plate documents often described as tamrapatra or copper charters were used for grants endowments title rights decrees and other formal acts their material permanence giving them authority beyond that of ordinary manuscript documents. The present example appears to preserve a substantial text arranged in ruled sections and accompanied by validating marks. The script appears close to Bengali or Bengali-Assamese. The letterforms show rounded and looped shapes consistent with scripts used in eastern India. If confirmed this would suggest an origin in Bengal Assam or a neighbouring region where related scripts were used for administrative and religious writing. From their earliest centuries of development copper plate inscriptions have occupied a central place in South Asian documentary culture particularly in the recording of land grants royal edicts temple endowments and other formal transactions. Their durability made them suitable for preserving records intended to endure and they were often deposited in temples or held by families or institutions as proof of rights and privileges. While earlier examples are frequently associated with royal chancelleries the practice continued into the early modern and colonial periods with regional administrations and local authorities maintaining related forms of documentation. The present plate appears to belong to this later phase of the tradition when such documents were still being produced for administrative legal or commemorative purposes. Its relatively large format and the density of inscription suggest a formal text of some substance while the additional engraved devices indicate an effort to authenticate or formalise the record. The copper plate offers a direct example of a documentary practice that bridges manuscript culture and more durable forms preserving both the text itself and the physical conventions of its transmission. unknown
181942797Western or Northern India circa 18th or 19th century. Copper plate 15 1/2 x 9 3/4 inches engraved on both sides one face densely filled with horizontal lines of incised text and with additional marks including a dagger or torch device and other validating or ownership marks. The reverse more sparsely inscribed with two lines of text. An inscribed copper plate of Indian origin engraved on both sides and belonging to the South Asian tradition of preserving legal devotional and commemorative texts.<br/> <br/> A striking survival from the documentary culture of South Asia where copper served as a durable support for records intended to outlast paper and palm leaf. Such copper records often described as tamrapatra or copper charters were valued because they were portable difficult to alter and capable of serving as enduring witnesses to grants decrees endowments title rights and other formal acts. The script appears to belong to the Nagari family possibly Devanagari or a related cursive administrative hand such as Modi the script long used for Marathi official and business writing. From their earliest centuries of development copper plate inscriptions have occupied a central place in South Asian documentary culture particularly in the recording of land grants royal edicts temple endowments and other formal transactions. Their durability made them suitable for preserving records intended to endure and they were often deposited in temples or held by families or institutions as proof of rights and privileges. While earlier examples are frequently associated with royal chancelleries the practice continued into the early modern and colonial periods with regional administrations and local authorities maintaining related forms of documentation. The present plate appears to belong to this later phase of the tradition when such documents were still being produced for administrative legal or commemorative purposes. Its relatively large format and the density of inscription suggest a formal text of some substance while the additional engraved devices indicate an effort to authenticate or formalise the record. The copper plate offers a direct example of a documentary practice that bridges manuscript culture and more durable forms preserving both the text itself and the physical conventions of its transmission. unknown
1850254995Calcutta: Printed and Published by the Star Press; Sander Cones and Co Volumes 11 & 12 only 1850. First edition. The first 6 years complete with all plates called for. 12 vols. 8vo. Contemporary half tan calf and green cloth spines rubbed but generally sound. First edition. The first 6 years complete with all plates called for. 12 vols. 8vo. Volume III after p. 98 has 4 lithographic full portraits of Cricketeers James Cobbett William Lillywhite Fuller Pilch and Thomas Box done at Asiatic Lithographers by T. Black after the sketches originally printed at Brighton.<br/><br/> The Indian Sporting Review later became the Indian Field.<br/><br/>Latest issue consulted: Vol. 8 July-Dec. 1858<br/><br/>Plates Volume 1 as called for:<br/>Plates 1 and 2. Osteology of the Elephant at pages 5-6.<br/>Plate 3. Plan of the Calcutta Race Course. Surveyed by Charles Joseph from the India Sporting Review. 1845. Folding hand-coloured plate. H.M. Smith Lith. at p. 24.<br/>Plate 4. The Govenor General's Cup won by G.A.H. Elefoo. H.M. Smith Lith. at p. 29.<br/>Plate 5. The Bengal Club Cup 1844-5. Won by G.A.H. Crab the property of W.P. Grant. H.M. Smith. Lith. at p. 30.<br/>Plate 6 . Plan of the Dacca Race Course. Folding and hand-colourerd. H.M. Smith Lith.<br/>Plate 7. The Sporting Gallery.-No. 1. George Sheppard Barker Trainer and Principal Rider to Sir T. Herbert Maddock. p. 63.<br/><br/>No II June 1845.<br/><br/>Plate 1 2 3. The Columbidae pigeons of the Eastern Districts facing pp. 86-88-90. All hand-coloured and folding. Copied by H.M. Smith. <br/>Plate 4. Map of The Sporting Localities in the Dacca District. Folding and hand-coloured. p. 144.<br/>Plate 5. Portrait of Albert John de Hochepied Larpent Esq. late Sec. of the Calcutta Races Number II The Sporting Gallery at p. 166.<br/>Plate 6. The Boondela Cup-Presented by Col. Sleeman Governor General's Agent-Won by B.A.H. Postmaster. p. 174.<br/><br/>Vol. II Part 1. September-December 1845. with 4 pp. of Subscribers <br/><br/>Plate 1. Hold Hard! Mischief Bruin facing p. 4. Hand-coloured. H.M. Smith scr.<br/>Palte 2. A Queer fix! Hand-coloured. T. Black Asiatic Lith. Press. J. Hendrie Lith. Tape marks in gutter at p. 6. <br/>Plate 3. Stand from Under. Hand-coloured. T. Black Asiatic Lith. Press at p. 8.<br/>Plate 4. "Now's the Time." Hand-coloured. T. Black Asiatic Lith. Press. J. Hendrie Lith. at p. 10. <br/>Palte 5. "Stop a bit!!!" Hand-coloured at p. 12.<br/>Plate 6. "Mind you eye!!!" Hand-coloured. H.M. Smith Scr. at p. 12.<br/>Plate 7. "Devil take the hindmost!!!" Hand-coloured. H.M. Smith Scr. at p. 14.<br/>Plate 8. "Sharp's the Word!" Hand-coloured. T. Black Asiatic Lith. Press. J. Hendrie Lith. at p. 14.<br/>Plate 9. "The Emperor of Russia's Ascot Plate. Litrho. at p. 34.<br/>Plate 10. Tailpiece in text. Cheetah. at p. 49<br/>Plate 11. Portrait of the Squire. The Sporting Gallery. No. III. Signed C.G. in plate.<br/>Plate 12. Plan of the Madras Race Course. Hand-coloured folding. H.M. Smith scr. P. S. D'Rozario & Co. Oriental Lith. Press.<br/>Plate 12. in text at p. 86 "The Lady of Fashion."<br/>Plate 13. in the texy at p. 88 "The Milk Maid."<br/>Plate 14. in the text at p. 91 "Love Making in the Olden Times."<br/>Plate 15. in the text at p. 93 "Modern Courtship."<br/>Plate 16. in the text at p. 95 "The Flying Leap."<br/>Plate 17. "The Bayswater Fresco selections full page litho. at p. 92.<br/><br/>Part IV<br/><br/>Plate 1. Frontispiece. Elepoo. Steel Engraving. Engraved by H. B. Hall frontispiece folded<br/>Plates 2 & 3. The Columbidae Pigeons of the Easter Districts. Plates IV and V facing pp. 10-122 hand-coloured and folded<br/>Plate 4. My First Donkey actually entitled "Hunting the Cutchà or Wild Ass" by T. Black Asiatic Lith. hand-coloured at p. 127.<br/>Plate 5. Sporting Gallery No. IV. Portrait of Mr. John Beckwith Esq. by C. Grant. Lithograph at p. 160.<br/>Plate 6. Plan of the Bangalore Race Course. P. S. D'Rozario & Co. O.riental L.ith. Press. Hand-coloured folding at p. 170.<br/>Plate 7. "Henry Monarch" The Winner of the Derby 1845. Lithograph. J. Hendrie. at p. 177.<br/>Plate 8. "Refraction." The Winner of "The Oaks" 1845. Lithograph by Black Asiatic Lith. Press. J. Hendrie at p. 178.<br/>Plate 9. "The Baron" The Winner of "The Great St. Ledger" 1845. Lithograph by Black Asiatic Lith. Press. J. Hendrie at p. 180.<br/><br/>Part V<br/><br/>Plate 1. The Guard's Horn in text at p.2.<br/>Plate 2. The Cioac Box in text at p. 4.<br/>Plate 3. Happy go Lucky in text at p. 9.<br/>Plate 4. Sporting Gallery V. The Portrait of T. Bracken Esq. by C. G.rantfacing p. 34<br/>Plate 5. The Last Goodwood Cup in text at p. 90.<br/>Plate 6. The Stewart's Cup-Goodwood in text at p. 91.<br/>Plate 7. Lancaster Cup-1845 in text at p. 95.<br/>Plate 8. Plate presented by His Honor the Deputy-Govenor of Bengal. in text at p. 96.<br/>Plate 9. The Calcutta Trades' Plate-1846.in text at p. 97.<br/>Plate 10. Khajha Allee Moolah's Cup Dacca-1845 in text labelled Doncaster 1845 at p. 93.<br/>Plates 11 12 13 & 14 . 4 lithographic full portraits of Cricketeers James Cobbett William Lillywhite Fuller Pilch and Thomas Box done at Asiatic Lithographers by T. Black after the sketches originally printed at Brighton.<br/>Plate 15. Gladiotorial Games Bas Reliefs on the Tomb of Scaurus found at Pompeii folding lithograph by T. Black after J. Hendrie at p. 94.<br/><br/>No. VI. June 1846<br/><br/>Plate 1. The Rhoo Rhooie fish hand-coloured folded lith. at p. 123.<br/>Plate 2. The K halabause fish hand-coloured lith. at p. 124. NOT PRESENT<br/>Plate 3. The Meergah fish hand-coloured lith. at p. 124.<br/>Plate 4. The Cutla fish hand-coloured lith. at p. 124.<br/>Plate 5. The Boalee Siberius Boalis in text at p. 137<br/>Plate 6. The Novington Speechifying in text at p. 149<br/>Plate 7. Ned Norrington's Polka. in text at p. 150<br/>Plate 8. The Commercial Traveller in text at p. 155.<br/>Plate 9. Sporting Gallery No. VI W.P. Grant Portrait at p. 173<br/><br/>No. VII September 1846<br/><br/>Plate 1. Sketches on the Road-The Bar Belle in the text at p. 37<br/>Plate 2. The Distinguished Furriner in the text at p. 41<br/>Plate 3. I wonder whether My Missus thinks she's a making me religous in text at p. 44.<br/>Plate 4. "Race for the Winners' Handicap 1845 Walmer coming out again" hand-coloured folding by J. Hendrie Lithograph by Black Asiatic Lith. Press. facing p. 69.<br/>Plate 5. Sporting Gallery No VII. Henry Torrens Esq at p. 72.<br/>Plate 6. Ascot Racing Plates. The Queen's Vase. Won by Mr. Dawson's "Grimston"-Ascot 1846 at p. 80.<br/>Plate 7. The Royal Hunt Cup at p. 81.<br/>Plate 8. The Emperor's Cup at p. 82.<br/>Plate 9. "The Race weighing Stand Dacca and portraits of four and twenty gentlemen all in a row hand-coloured Lithograph by Black Asiatic Lith. Press. facing p. 83.<br/><br/>No. VIII. December 1846<br/><br/>Plate 1. A Night Scene-The Leopard Disturbed. litho. by H.M. Smiith by the Star Press at p. 167.<br/>Plate 2. Scrimmage with a Bear folding litho. at p. 168.<br/>Palte 3. The Portrait Gallery No. VIII-Dr. Sawers Litho. by C. Grant "If not the Father of the Indian Turf." at p. 172.<br/>Plate 4. The London Inn-Keeper litho in the text at p. 183.<br/>Plate 5. The Halderman litho. in the text at p. 183.<br/>Plate 6. Plan of Saugor Race Course 2 plates one folding and the other hand-coloured at p. 191.<br/>Plate 7. Portrait of the Winner of the St. Leger at p. 199.<br/>Palte 8. The Orange Cup at 200. <br/>Palte 9. The Goodwood Cup at p. 201.<br/>Plate 10. The Chesterfield Cup at p. 202.<br/>Plate 11. The Stewards' Cup Goodwood at p. 203<br/><br/>No. IX March 1847<br/><br/>Plate 1. Wild Ducks of the Rain hand-coloured folded by H.M. Smith at p. 2.<br/>Plate 2. Indian Water-Hen-Water Crane hand-coloured at p. 6.<br/>Plate 3. The water Pheasant-Chinese Jacana hand-coloured at p. 7.<br/>Plate 4. Antelope's Horns at p. 17.<br/>Plate 5. The Lhassa Tangahn of Tibet hand-coloured at p. 33.<br/>Plate 6. The Habshi or Ablac Tangahn of Bhutan hand-coloured printed at the Star Press at p. 34.<br/>Plate 7. The Gianchi Tangahn of Tibet hand-coloured at p. 34.<br/>Plate 8. The Chenglia Tanghan of Tibet hand-coloured at p. 35.<br/>Plate 9. Sporting Gallery No. IX. W.F. Ferguson Esq. at p. 43.<br/>Plate 10. A Sweetheart of Long standing in text at p. 59.<br/>Plate 11. My Pet Spaniel in text at p. 65.<br/>Plate 12. The Bengal Club Plate 1846-7 at p. 89.<br/>Plate 13. The Mercahnt's Cup 1846-7 at p. 92.<br/>Plate 14. The Trades Cup 1846-7 at p. 96.<br/>Plate 15 The Nawab Nazim's Palte 1846-7 at p. 97.<br/><br/>Number X<br/><br/>Number XVII. March 1849<br/><br/>Plate 1. The Sporting Gallery-No. XVII-Portrait of Sheik Ibrahim at p. 77.<br/>Plate 2. The Govenor General's Cup at p. 98.<br/>Plate 3. The "Trades' Plate at p. 105.<br/>Plate 4. The Saumbur Deer at p. 120.<br/>Plate V. Remarkable Hybrid Selections at p. 130.<br/><br/>No.XVIII. June <br/><br/>Plate 1. Plan of the Ganges and Jad-Gunga above Byramghattee folding at p. 129.<br/>Plate 2. Plan of Dumdar Nela and Genora folding at p. 137.<br/>Plate 3. Antelope Picta or the Nylghaw at p. 159.<br/>Plate 4. The Shirt Stakes at p. 185.<br/>Plate 5. Milla Shaib Milla! at p. 194.<br/>Plate 6. The Sporting Gallery-No. XVIII-Abdool Rayman at p. 202<br/>Plate 7. "Fanny Grey Winner of the Manchester Grand Steeple Chase at p. 316<br/><br/>No. XIX September 1849<br/><br/>Plate 1. Sketch of the Rectum and Part of the large intestines of the Horse at p. 58<br/>Plate 2. The Sporting Gallery-No. XIX-William Pybus Esq. at p. 73.<br/>Plate 3. The Rein Deer or Caribou-Plate 1 at p. 74.<br/>Plates 4 & 5. Antlers of the Rein Deer-Plates II and III at p. 77.<br/>Plate 6. Barren-Ground Bucks-Plate IV at p. 83.<br/>Plate 7. Plan of the Kirkee Race Course folding litho at p. 139.<br/><br/>No. XX . December 1849<br/><br/>Plate 1. The Rectum of the Horse at p. 215.<br/>Plate 2. The Sporting Gallery-No. XX-Sir John Creape C.B. at p. 225.<br/>Plate 3. Sambur Horns at p. 256.<br/><br/>No. XXI March 1850<br/><br/>Plate 1. A Map with the Places for Shooting Along the Left Bank of the Ravee folding lithograph at p. 53.<br/>Plate 2. The Sporting Gallery-No. XXI-James Grant Esq. C.S. by C. Grant at p. 79.<br/><br/>No. XXII June 1850<br/><br/>Plate 1. Firing a Horse litho. of both sides at p. 214.<br/>Plate 2. Horns of the Sambre in text at p. 216.<br/>Palte 3. Taty ka Keyl in text at p. 217.<br/>Plate 4. The Sporting Gallery-No. XXII-John Johhnstone Esq. at p. 229.<br/><br/>No. XXIII September 1850<br/><br/>Plate 1. The Sporting Gallery-No. XXIII-Portrait of Abel East at p. 81. BM 19: 869 294 Printed and Published by the Star Press; Sander, Cones and Co [Volumes 11 & 12 only] unknown books
48671presented to the Lords States Generall of the united Provinces in defence of the said Company touching the bloudy proceedings against the English Merchants executed at Amboyna. Together with the Acts of the Processe against the sayd English and the Reply of the English East India Company to the said Remonstrance and Defence. Published by Authority. London : printed by John Dawson for the East India Company 1632. Three parts in one volume small quarto modern panelled calf in period style spine in compartments with gilt decoration and lettering; pp. 8 29 1 blank; 2 separate title-leaf 38; 47; 1; with a full-page woodcut depicting the torture of one of the English merchants at Ambon bound in at the end of the preliminaries in effect as a frontispiece to the first part; main title with woodcut armorial device woodcut initials head- and tailpieces; some mild browning a fine copy. Together the three parts of this work provide a summarised account of the so-called Amboyna or Ambon massacre a watershed event that occurred at a time of growing rivalry between the English and Dutch East India Companies over control of the lucrative spice trade. In early 1623 at the Dutch garrison of Fort Victoria on the island of Amboyna in the Moluccas the local Dutch governor ordered the arrest of ten English merchants suspected of plotting to take over the garrison; they confessed under torture and were executed in February 1623. The English reacted by branding the event a massacre. This volume is sometimes found bound with another that was published in London the same year which also presents the controversy from an English perspective A True Relation of the Unjust Cruell and Barbarous Proceedings against the English at Amboyna in the East-Indies by the Netherlandish Governor and Councell there. Both publications helped fuel a rising tide of anti-Dutch sentiment; it would not be long before animosity would give way to open hostility with the outbreak of the First Anglo-Dutch War in 1652. Rare especially in such fine condition. STC 7450a unknown
Contemporary morocco. 12mo. XXIV, 213 pages. IV, 136; 17 cm. In French. De la religion des Brahmines, first French edition. Apologie Du Spinosa, second printing. A travelogue on the mores, customs, language, religion, and philosophy of Hinduism, contains two folded engraved tables; French translation from On the Origin and Nature of Despotism in Hindostan by Alexander Dow. The translator, Claude Francois Bergier (1721-1784) , was a French Jurist, writer, and English translator (including Fergusons Essay on Civil Society) . An Apology for Spinoza and Spinozism, contains Lettre à M. Helvetius dated 15 juillet 1766: pages [125]-136 (Letter to Helvetius in the 1810 edition, absent from the 122 page Altona 1805 edition) . Bound in contemporary morocco, with gilt tooled edges and spine, decorative endpages. Subjects: Spinoza, Benedictus de, 1632-1677. India - History. Mogul Empire. OCLC lists 17 copies of Apologie Du Spinosa; 8 copies of De la religion des Brahmines, which sold for ove USD 6700 alone at auction in 2011. Light rubbing to extremities of morocco, otherwise fresh and clean. Very good + condition. (KH-1-6)
1796398421796. The archive comprises: 1. Autograph letter signed "John Canning." Bifolium 13 x 8 1/4 inches 21 lines in fine Malay Jawi with Arabic opening formula docketed "Calcutta 10 Dec 1796"; octagonal red-wax armorial seal of the Canning family. Letter requests that local rulers receive Capt. Hogan "as our agent. to conclude a treaty advantageous to both sides" dated 22 Jumada II 1211 / 10 Dec 1796. 2. to 5. 4 Paper wrappers. English addresses in a copperplate hand & parallel Jawi headings each with intact Canning seal. Addressed to the Sultan of Magindanao King of Mempawah Borneo King of Bali Sultan of Borneo. 6. to 8. 3 Yellow-silk diplomatic covers. Golden satin sleeves with paper address bands in two languages; two remain unopened and sealed. Addressed to the Sultan of Johor unopened King of Sumbawa unopened Sultan of Sulu wrapper only. An exceptional archive uniting British Malay and Islamic manuscript traditions that captures the East India Company’s first concerted overtures to the island-states of Southeast Asia.<br/> <br/> Drafted in the wake of the Dutch East India Company's collapse and the French Revolutionary Wars this archive documents the East India Company's first concerted diplomatic overtures to the maritime courts of the Malay world. With Dutch control unraveling after the 1795 Batavian Revolution Britain saw a strategic opportunity to enter the lucrative Spice Island trade. Lacking on-the-ground alliances the Company turned to private initiative: Captain Michael Hogan an Irish-American merchant and former convict transport captain was enlisted as unofficial envoy aboard his ship Marquis Cornwallis. The diplomatic texts were composed by Captain John Goodall Canning then Harbour-Master of the port in refined court Malay using Jawi script the Islamic-inflected lingua franca of diplomacy from Aceh to Sulu. In keeping with regional tradition the letters open with Islamic invocation and florid honorifics followed by carefully phrased expressions of friendship and commercial intent. The surviving autograph letter fixes the date of the mission and declares its purpose: "to plant affection and concord and if Your Highness deem it good to enter with us into a compact benefiting both realms." After disembarking convicts in Port Jackson Sydney in February 1796 the Marquis Cornwallis passed northward through Torres Strait calling at New Guinea the Moluccas and ports across the Java Sea almost certainly delivering these and parallel documents en route. The silk wrappers signal the elevated diplomatic status of the messages which were meant to be presented in person by Hogan and opened only in the presence of the addressee. The present archive offers a rare and vivid glimpse into the hybrid ceremonial linguistic and political world of early modern Southeast Asia and into the improvisational diplomacy of the Company at the edge of empire. unknown
First and only edition, small folio (305 x 190 mm), [12], xix, [1], 705, [1]pp., woodcut title page vignette in Arabic, woodcut head- and tail-pieces, several leaves folding, a couple of minor repairs to inner margin of title, recent half calf to style, marbled boards, spine tooled in gilt, red morocco spine label lettered in gilt, a handsome copy with text clean and fresh. This volume 'forms a complete treatise in itself, since the it exhausts the Science of Arabic Inflexion'?Preface. All published, the intended second volume of Arabic "syntax" never made it to print.
1951M9730London c.1951-1953. Very Good mounted on contemporary linen. Notes: A very scarce wall map of Bahrain published jointly by the Royal Geographical Society and the Bahrain Petroleum Company. The map depicts roads tracks buildings cultivated areas marshland and the Bahrain Refinery. Major cities as Awali Manama Town and Muharraq Town are shown in detail. The map has three large insets of Muharraq Awali and Manama.<br><br>Bahrain small Arab state situated in a bay on the southwestern coast of the Persian Gulf. It is an archipelago consisting of Bahrain Island and some 30 smaller islands. Its name is from the Arabic term al-baḥrayn meaning “two seas.†The economy has long relied on processing crude oil from neighbouring countries and more recently the financial commercial services and communications sectors have grown markedly as has tourism.<br>Britain’s decision to withdraw all of its forces from the gulf in 1968 led Bahrain’s independence in August 1971. A treaty of friendship was signed with the United Kingdom terminating Bahrain’s status as a British protectorate.<br> Size : 925x655 mm 36.42x25.79 Inches Coloring: Hand Colored Category: Maps Asia Middle East Persian Gulf; unknown
