Livre Rare Book
BOUTET de MONVEL (Maurice)Livre Rare Book
"Fête dominicale".
1898137271898 1 Dessin à l'encre de Chine sur calque, (1890), 23.8 x 38 cm.
Librairie Chrétien · Paris, France1 600,00 €
71 309 résultats
192975248Reliure bradel demi-vélin ivoire. Dos lisse avec titre doré en long. Couverture conservée. Reliure signée Abbaye de Maumont. Édition illustrée de 29 gouaches en couleurs par Maurice DENIS, gravées sur bois par Jacques Beltrand.
1898137271898 1 Dessin à l'encre de Chine sur calque, (1890), 23.8 x 38 cm.
11823London, Printed by W. Bulmer and Co. Cleveland Row, St. James's, for the Author and Sold by G. and W. Nicol, and J. Wright, and B. Uphill, 1801, First Edition. 1 volume, in4, 571 pp., 3 large folding maps (Map of the Island of Mauritius or Ile de France, Plan of Port Louis and a Chart of the Great Ethiopian Archipelago), half-calf binding, marbled boards. Includes the list of subscribers. First detailed book in English on Mauritius. An excellent copy, fresh and crispy. With a stamp: Constitutional Club Library: The Gift of the Right Honorable Lord Colchester, 1887.
10445N.R.F. 1948, 1955, 1966, 1976. 4 tomes en 4 volumes in-8°, reliures demi-percaline bordeaux, couverture conservée pour chaque tome. 278 & 239 & 292 & 399 pages. Chaque tome est en E.O. sur papier ordinaire (les tomes I et IV sont en S.P.). Chaque tome comporte un envoi autographe signé de Michel Leiris à un seul et même dédicataire. Ce dédicataire est le critique et historien de la littérature Maurice Saillet. Il est exceptionnel de rencontrer la série complète de la Règle du Jeu, dont la parution s'étale sur une durée de 28 ans, dédicacée à une même personne. La dédicace du tome I est : " A Justin qui si injustement s'est substitué à Maurice " ; elle fait allusion au pseudonyme - Justin Saget - que Maurice Saillet utilisa pour signer l'article qu'il consacra à Biffures dans le journal Combat. La dédicace du tome IV : " Pour Maurice Saillet, ce livre qui - je l'espère - fera chez lui une cure d'air nervalien ! ".
20344Ensemble de 9 tomes en édition originale in-16 (181 mm env.), demi-chagrin à coins havane, dos à cinq nerfs, caissons décorés d’encadrements dorés, pièce de titre rouge, double filet doré sur les plats, tête dorée, non rogné (Flammarion) ; Ex-libris “Bibliothèque de Robert Buthaud” dessiné et gravé par Raoul Serres.- Dans les Brandes. Poèmes et rondels. Paris, Librairie Sandoz et Fisbacher, 1877 ; couverture et dos conservés ; [2], 287, [1] pp. Envoi autographe signé “A Louis Cilié. Bien affectueusement, Maurice Rollinat”. Bel exemplaire.- Les Névroses. Les ames. Les luxures. Les refuges. Les spectres. Les ténèbres. Avec un portrait de l’auteur par F. Desmoulin. Paris, Charpentier, 1893 ; VIII, 399 pp., portrait en frontispice. Quelques petites rousseurs, plutôt vers la tranche extérieure. Bon exemplaire dans l’ensemble.- L’Abîme. Poésies. Paris, Charpentier, 1886 ; 292 pp. Quelques rousseurs éparses. Bon exemplaire dans l’ensemble.- Les Apparitions. Paris, Charpentier-Fasquelle, 1896 ; 310 pp., les deux derniers cahiers (25 et 26) sont sur un papier plus blanc et brillant. Bel exemplaire.- Paysages et paysans. Poésies. Paris, Eugène Fasquelle, 1899 ; 332 pp., bel exemplaire.- En errant - proses d’un solitaire. Paris, Eugène Fasquelle, 1903 ; 325 pp., [1] f. de table. Bel exemplaire.Oeuvres posthumes :- Ruminations - proses d’un solitaire. Paris, Eugène Fasquelle, 1904 ; 296 pp. ; rousseurs aux 2 premiers feuillets, le reste en bon état.- Les bêtes. Poésies. Paris, Eugène Fasquelle, 1911 ; VII, 227 pp. ; bel exemplaire.- Fin d’oeuvre. Préface de Gustave Geffroy, avec un portrait de l’auteur et trois illustrations. Paris, Eugène Fasquelle, 1919 ; 341 pp. (avec le catalogue complet de l’oeuvre musicale de Maurice Rollinat) ; 3 photographies hors-texte sur papier glacé.
19517867SALMON 1951 1 Quartier latin, Plaisance, Montparnasse, Les Quais, Saint-Germain des Prés. Avant-propos et illustrations de Vlaminck. Paris, Chez l'auteur, Lacourière, 1951, in-4, en feuilles, sous couverture gravée sur cuivre représentant "le coin d'atelier", sous chemise cartonnée imitant le bois et étui toilé, titre sur le dos, 112 pages.
19841709Crown Publishers 1984. Signed limited edition. #72 of 250 copies signed by Maurice Sendak. Includes original signed lithograph by Sendak. In opened original shrink-wrap. Mint. Crown Publishers unknown
188535888Illustrations de Maurice Leloir, un des 75 exemplaires sur Japon (n° 59) avec triple suite des eaux-fortes et avec une suite des vignettes tirées à part sur Japon, 1 vol. fort in-4 (32,5 x 24 cm) en feuillets sous chemise en plein maroquin bordeaux et étui bordé, dos lisse orné, encadrement ornementés - reprenant les compositions de Maurice Leloir - dorés sur plats, gardes de soie bordée, chasses richement ornées, chemise signé L. Godet, Lyon, Librairie Artistique, H. Launette, Paris, 1885, XX pp. (faux-titre; frontispice, titre rouge et noir orné du portrait de Manon, "Collaborateurs", préface et "Avis de l'auteur"), 1 f. (table des eaux-fortes), 1f. (faux-titre de la première partie); 203 pp. et 2 ff. n. ch. (tables de matières et achevé d'imprimer), avec triple suite des 14 eaux fortes (12 + les 2 mises en vente postérieurement en 1886, avec la couverture de livraison conservée), et suite des 225 vignettes tirées à part sur Japon
19300224021930s-1940s. Photograph. The Parker photograph without the original thick paper cover. Fine. Three formal original photograph portraits 7-1/2" x 9-3/4" tipped to an 11" x 14" mat SIGNED in pencil by the photographer Maurice Goldberg 18811949 of Dorothy Parker Alan Campbell and both Parker and Campbell together. <br/><br/>Parker and Campbell produced over 20 scripts made into movies most famously the script of the Oscar-winning A STAR IS BORN. The couple was married from 1933 to 1947 and again from 1950 until 1963 when Campbell died of an apparent suicide. unknown
183433774London: Richard Bentley New Burlington Street 1834. 1st edition NCBEL III 1392; Sadleir 1672. Not in Wolff. 19th C. maroon morocco-style half-leather binding by Budden with marbled paper boards. Elaborate gilt-decorated spines. Marbled paper eps. AEG. Joints professionally strengthened. Bookplate. Townshend's signature at base of t.p. in each volume. A VG set. 3 volumes 4 300; 4 311 1 blank; 2 288 pp. 12mo. 7-5/8" x 4-5/8" <br/><br/>Author's first book and apparently only published novel issued anonymously. Maurice named the villian of his novel "Captain Marryatt" which was as Sadleir termed it "an error of judgement which brought Maurice a challenge to a duel." Uncommon on the commercial market. Richard Bentley, New Burlington Street hardcover books
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br /> <br /> A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown
12836P., Ambroise Vollard, 1903 ; in-4. VII-1 f. bl.-XIII-456 pp.-1 f. Plein maroquin gris orné sur le dos et les plats de filets à froid disposés en rosace, rehaussé de losanges dorés, pastille circulaire timbré dun chrisme, dos lisse, titre doré, tranches dorées, gardes en soie moirée orange, couvertures et dos conservés. Magnifique exemplaire.
197494251P., Galerie Petrides, 1959 1974 5 volumes in-4, les 4 premiers broché, le 5 cartonné, chemise et étui 2 étuis un peu fanés, non coupé, 486- 540- 373- 469- 309 pp. 3697 oeuvres catalogués reproduite en noir. Une planche en couleurs. Bel exemplaire.
51-3720Paris : F. Champenois for Secours de Guerre 1916. Original color lithograph. Very good. Normal fold marks. Mounted on archival paper.; 125 x 90 cmimage: Marshal Philippe Pétain dressed as a gendarme directs a crowd of civilians and children towards the Seminary of Saint-Sulpice in the background. Belgian and French colonial troops stand foreground right. text: Le SECOURS de GUERREFondé le 10 Août 1914 par des COMMERÇANTS et GARDIENS de la PAIX des VIe et XVIe ArrtsApprouvé par les Ministères de la GUERRE de L'INTÉRIEUR et la VILLE DE PARISAncien Seminaire St SulpiceMaurice Romberg 1916IMP.F.CHAMPENOIS_66 Bould. St. Michel_PARIS.War Aid Founded on 10 August 1914 by business people and policemen in the 6th and 14th arrondissements. Approved by the Ministries of War and the Interior and the city of Paris. Former Seminary of Saint-Sulpice. Paris : F. Champenois for Secours de Guerre [1916] unknown
19841235531984. Signed. SENDAK Maurice. Poster inscribed ""The Love for Three Oranges"". New York: Farrar Straus Giroux 1984. Color poster measuring 18 by 14 inches; handsomely framed entire piece measures 19-1/2 by 15-1/2 inches. $1800.Lovely color poster illustrated by Maurice Sendak promoting the 1984 book companion to Corsaro and Sendak's 1982 adaptation of Prokofiev's opera inscribed in the lower margin for presentation to Sendak's close friend and neighbor: ""For Elizabethfrom Maurice Sendak. Dec. '85.""This poster advertises the Farrar Straus and Giroux book The Love of Three Oranges offering a behind-the-scenes look including transcribed conversations from the 1982 opera of the same name. The Prokofiev opera was directed by Corsaro at the Glyndebourne Festival in 1982 with sets and costumes by Sendak. The poster's illustration is unusually bawdy for Sendak in keeping with the overall feel of the opera. Hanrahan C11. The former owner of this inscribed poster was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
19761236831976. Signed. SENDAK Maurice. Poster inscribed ""Stages"". No place 1976. Large color poster measuring 15 by 23 inches closely framed. $1800.Poster for the original production of the play ""Stages"" with art by Maurice Sendak inscribed by him ""For Elizabeth with my best wishes! Maurice Sendak June '78.""Sendak like this poster enough to include it in his Posters collection one of only 24 to be selected. The play fared less well: it closed on opening night. Hanrahan C6a. The former owner of this inscribed poster was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
Pétridès, Paul: L'oeuvre complet de Maurice Utrillo. 5 vols. Paris: Galerie Petrides, 1959-74. 2,195 pages. 3,697 works catalogued and illustrated in black and white. 1 colour plate in Volume 2. Cloth. 34 x 26.5cms. Maurice Utrillo's complete works published in 5 volumes on Arches vellum paper, edition limited to 1000 copies. Text in French. Maurice Utrillo's complete works published in 5 volumes on Arches vellum paper, edition limited to 1000 copies. Text in French
30141Paris, Librairie A. Rouquette, 1895. Plein maroquin parme, plats mosaiqués, quadruple filet doré, dos à nerfs richement orné, tranches dorées sur témoins, filets dorés sur les coupes, gardes couleur, couvertures illustrées en couleurs et dos conservés. Reliure signée CHAMPS.
1945LIQ-333P. Raoul Mortier 1945. In-f° plein maroquin orangé à bandes, plats ornés de bandes de papier de couleurs, dos à nerfs, tête dorée, couverture muette conservée.
195479898Gallimard , Galerie de La Pléiade | Paris 1954 | 18 x 23.50 cm | reliure de l'éditeur
19696535229 janvier 1969 | 21 x 27 cm | une feuille filigranée Guerimand Voiron
17730034671773 Amsterdam, et se trouve à Paris, Chez Merlin, 1773. Deux volumes in-8 (134 X 205 mm) veau fauve marbré, encadrement de filet à froid sur les plats, dos cinq nerfs, caissons dorés avec fleuron central, large dentelle en queue et tête, coupes et coiffes ornées, pièces de titre et de tomaison maroquin rouge, tranches rouges (reliure de l'époque). Tome I : (1) f. blanc, faux-titre, frontispice, titre, 328 pages, 3 planches et 4 tableaux dépliants, (1) f. blanc ; Tome II : faux-titre, titre, 278 pages, 2 planches, (1) f. blanc. Notice ancienne collée sur le premier contreplat du tome I. Les planches de Moreau sont brunies.
194866593Paris Gallimard 1948 1 vol. broché in-16, broché, 148 pp. Édition originale de ce récit philosophique qui revient, par l'entremise du narrateur, sur l'année 1938. Un des 13 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul grand papier. Très bel exemplaire conservé sous un double emboîtage de Devauchelle.
194866593Paris Gallimard 1948 1 vol. broché in-16, broché, 148 pp. Édition originale de ce récit philosophique qui revient, par l'entremise du narrateur, sur l'année 1938. Un des 13 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul grand papier. Très bel exemplaire conservé sous un double emboîtage de Devauchelle.
9357Avertissement par Noël Arnaud. Paris, Les Pages Libres de la Main à Plume, (1943), in-16, en feuilles, couverture illustrée. Édition originale, avec un dessin en frontispice de Yves TANGUY. Tirage limité à 265 exemplaires. 1/10 num. sur papier Auvergne (tirage de tête avec 5 Chine) comprenant un deuxième état du frontispice tiré en bleu sur papier Japon. MANUSCRIT AUTOGRAPHE joint, 4 pages sur feuilles de cahier ligné, 21,8 x 16,5, foliotées de 1 à 4. Manuscrit complet du premier poème Les Pelouses fendues d'Aphrodite, qui donne son titre au recueil. Dans une chemise étui toilée à 4 rabats, papiers et gardes assortis de Julie Nadot.
