71 431 résultats
193389578Flammarion | Paris 1933 | 12.5 x 19 cm | Broché
1887116451887 P., Librairie Artistique H. Launette & Cie, 1887, 1 vol. grand in-8° (285 x 195) plein cartonnage en soie bleue aux bords biseautés, grande plaque dorée sur le plat supérieur, dos illustré, marque de limprimeur illustrée sur le plat inférieur (ENGEL Rel.), de XXVII pp. (faux-titre, titre, table des eaux-fortes, préambule et avant-propos) - 208 pp. (1) f. (achevé dimprimer) - (1) f. bl.Fleur de la soie du dos légèrement frottée, rousseurs, cartonnage très frais.
196064724GLM | Paris 1960 | 10.50 x 16.50 cm | broché
191471372Dessins de Maurice Lalau, 1 vol. in-4 br. sous couverture rempliée, Ancienne Librairie Furne, Boivin & Cie, Éditeurs, Paris, 1914, 154 pp., avec 9 hors-texte en couleurs contrecollés
28046Paris Les Editions G. Crès & Cie 1927 in 4 (25,5x20) 1 volume reliure plein maroquin vert, dos à nerfs, le plat supérieur porte dans un encadrement géométrique de filets à froid croisés le chiffre 5 mosaïqué en beige, triple encadrement de filets dorés intérieur, double gardes de moire de soie, et de papier marbré, tranches dorées, couverture conservée, frontispice, 171 pages [1], étui bordé bordé assorti. Reliure signée de G. Cretté, successeur Marius Michel. Georges Cretté, Créteil 1893-1969, est l'un des relieurs français les plus importants du XXe siècle. Ouvrage illustré de 24 eaux-fortes de Maurice Asselin, dont 4 hors-texte. '' Collection des Arts '', 5. Tirage limité à 350 exemplaires numérotés, celui-ci un des 15 exemplaires hors-commerce, nominatifs, imprimé sur papier Japon impérial, et numéroté II, il est enrichi d'une aquarelle originale de Maurice Asselin et in fine de deux suites des eaux-fortes de Maurice Asselin, la première sur papier fin, la seconde sur papier épais. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
18580024891858 Paris, A. Morel et Cie, 1858. In-folio (288 X 395 mm) percaline violine, dos lisse muet, double encadrement avec écoinçons à froid sur les deux plats, auteur, titre et illustrateur dorés au centre du premier plat, grand fleuron à froid au centre du second plat, tranches dorées (reliure de l'éditeur) ; (2) ff. de faux-titre et titre illustré, VII pages (table des matières, fac-similé d'une lettre de George Sand à Maurice Sand et avant-propos), 48 pages et 12 planches hors-texte.
39152Petit in-8 (175 x 105 mm), demi-veau acajou, dos orné dun décor romantique de compartiments garnis dun jeu de filets estampés au noir en place des nerfs et dun fer spécial répété au centre, palettes dorées en tête et pied, titre doré (reliure de lépoque), 71 pages imprimées et 43 feuillets sur papier fort interfoliés, contenant des annotations et corrections autographes en regard du texte imprimé à modifier. Paris, chez l'Auteur, Hôtel Carnavalet, (...) et chez les principaux libraires, 1838.
1964SPN-1050Paris : Scripta, 1964. In-folio sous emboîtage éditeur cartonné vert, en pages volantes contenues dans une chemise contre-pliée de papier vert, numéroté 220 avec suite en couleurs. 154 pages illustrées par des lithographies en couleurs de Vlaminck, 48 images dessinées sur pierre en noir et couleurs (chaque couleur sur une pierre différente), 40 lettrines dessinées par Paul Bonnet, tirage des lithographies originales sur les Presses de Mourlot Frères, par Célestin et Deschamps, texte d'achevé d'imprimer par Féquet et Baudier, typographes. Livre établi par le Dr Roudinesco, avec la collaboration du Colonel Sickles, pour le Groupe de Bibliophiles et Amateurs d'Art "Scripta et Picta" et le Cercle Lyonnais du Livre. [BE]
194443788Paris Corra 1944 In-4, broch, couverture imprime.Edition originale, regroupant sous ce titre deux nouvelles, Le BSuf et Couleur locale. Elle est illustre de 15 compositions de l'auteur dont 12 reproduites en couleurs. Tirage limit 1.850 exemplaires numrots. Un des 200 premiers exemplaires sur vlin d'Arches. Exemplaire enrichi sur la premire page de garde d'un envoi autographe sign par Vlaminck, adress l'ami Marco Montmartre 1949 et accompagn d'un dessin original de l'artiste reprsentant la silhouette vue de dos d'une jeune femme avec un chignon, lgend la rousse !
1919015166Paris François Bernouard et Galerie Simon 1919 plaquette in-4 Broché
5002680811979. 1979. Bon état unknown
19795002680811979 1979.
192957165New York: Covici Friede Publishers 1929. First American edition with the bookplate of the translator on the front pastedown and his signed manuscript note on the front endpaper "Two copies uncut and bound by hand of which this is No. I / Paris 1929 / A Little Gift for the Shining Lady". 8vo. 6 213 1 pp. Correspondence in French and English on facing pages; "The Centaur" is in English. Guerin's "death-bed letter" he actually died several years later dictated to his friend Barbey d'Aurevilly and signed by Guerin is affixed to an internal page in its chronological sequence. Maurice de Guerin 1810-1839 was a French Romantic poet who achieved cultish admiration as one of the earliest practitioners of the poem in prose; with his friend Barbey d'Aurevilly 1808-1889 he would have a decisive impact on the later "Decadent" writers. Very good untrimmed copy. Three-quarter black morocco marbled boards and endpapers gilt spine title top edge gilt. #6162. <br/><br/> Covici, Friede, Publishers hardcover books
1952135187London: Jonathan Cape 1952. First edition in English preceding the American edition by one year of one of the best-selling mountaineering books of all-time. Octavo original blue cloth illustrated throughout. Presentation copy inscribed by the author on the half-title page "To James Helgar with my compliments It is a pleasure to dedicate this book to you Maurice Herzog Paris 15th of March 08." Near fine a very good price-clipped dust jacket. Translated from the French by Nea Morin and Janet Adam Smith. With an introduction by Eric Shipton. First editions are rare and desirable signed. In 1950 when no mountain taller than 8000 meters had ever been climbed Maurice Herzog led an expedition of French climbers to the summit of an 8075-meter 26493-foot Himalayan peak called Annapurna. But unlike other climbs the routes up Annapurna had never been charted. Herzog and his team had to locate the mountain using crude maps pick out a single untried route and go for the summit. Annapurna is the unforgettable account of this heroic climb and of its harrowing aftermath including a nightmare descent of frostbite snow blindness and near death. Herzog’s masterful narrative is one of the great mountain-adventure stories of all time. “Those who have never seen the Himalayas those who never care to risk an assault will know when they finish this book that they have been a companion of greatness" New York Times Book Review. Named by National Geographic's as one of the 100 Greatest Adventure books of the 20th century. Jonathan Cape hardcover
1837870Neapoli: Ex Regia Typographia 1837. <p>Large 4to. 300 x 220 mm. 11 ¾ x 9 inches. 1 iv 24 pp. One folding plate of Arabic letter forms. Later 19th century marbled paper wrappers; some minor foxing.</p> <br /><p>Treatise on Arabic writing forms and grammar based on manuscripts in the Royal Library in Naples written by Maurizio Lettieri 1804-1849 a professor of Arabic at the University of Naples. The essay describes fourteen Arabic manuscripts and provides bibliographic and textual information on each including examples of the script used by the scribes recording the text. The Arabic text is often accompanied by the Latin equivalents providing access to both the script and the contents of each manuscript. </p> <br /><p>The folding plate shows examples of various manuscript alphabets and numbers and it includes specimens of type made to represent the scripts.</p> <br /><p>Not cited in ICCU the Italian Union Catalogue. NUC or OCLC.</p> . Ex Regia Typographia
1955006590NY: Harper & Brothers. SIGNED first edition. Hard cover in original cloth and dust jacket. Published NY: Harper & Brothers 1955 first printing. Hanrahan A18. 12mo. 5 3/8" x 6 3/4" unpaginated 24pp. color illustrations by Maurice Sendak. Sendak's first all-color illustrated book. Black cloth and pictorial paper covered boards floral design decorative endpapers in color. Inscribed by Sendak to 5 year-old Sing-Si Schwartz on half-title. Sing-Si later became a fine-arts photographer and presumably photographed the laid-in Sendak illustrations : "Jul 70' For Sing-Si hello: Maurice Sendak" Laid in is a 1955 publication notice of the book in "The Villager" Greenwich Village NY Dec 15 1955 featuring a photo of Sendak holding a dog. Three 4" x 6" duotone prints of Sendak's illustrations for the book laid in. Book is fine with no wear dust jacket very good $2 price on flap mild age toning darkening fade along the spine with a small chip off the crown hairline split along dj spine with internal repair inner front flap has offsetting from newspaper clipping. Three laid in prints fine. Uncommon signed. . Fine. Hard. 1st. 1955. Harper & Brothers unknown
100074AG1975. New York Harper and Row c.1975. Gicleé prints. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition. Maurice Bernard Sendak June 10 1928 May 8 2012 was an American illustrator and writer of children's books. He became widely known for his book Where the Wild Things Are first published in 1963. Born to Polish-Jewish parents his childhood was affected by the death of many of his family members during the Holocaust. Sendak also wrote works such as In the Night Kitchen Outside Over There and illustrated many works by other authors including the Little Bear books by Else Holmelund Minarik. Sendak gained international acclaim after writing and illustrating Where the Wild Things Are edited by Ursula Nordstrom at Harper & Row. It features Max a boy who "rages against his mother for being sent to bed without any supper". The book's depictions of fanged monsters concerned some parents when it was first published as his characters were somewhat grotesque in appearance. Before Where the Wild Things Are Sendak was best known for illustrating Else Holmelund Minarik's Little Bear series of books. Sendak later recounted the reaction of a fan: "A little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children's letters sometimes very hastily but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote 'Dear Jim: I loved your card.' Then I got a letter back from his mother and she said: 'Jim loved your card so much he ate it.' That to me was one of the highest compliments I've ever received. He didn't care that it was an original Maurice Sendak drawing or anything. He saw it he loved it he ate it." Almost fifty years later School Library Journal sponsored a survey of readers which identified Where the Wild Things Are as a top picture book. The librarian who conducted it observed that there was little doubt what would be voted number one and highlighted its designation by one reader as a watershed "ushering in the modern age of picture books". Another called it "perfectly crafted perfectly illustrated . simply the epitome of a picture book" and noted that Sendak "rises above the rest in part because he is subversive." Wikipedia unknown
175825960La Haye: Pierre Gosse Junior 1758. Folio pp. xii 228 2 errata and binder's directions 2; 40 engraved plates 16 double page and 4 folding and 41 engraved vignettes; bound with: Bonneville Supplement aux Reveries ou Mémoires sur l'art de la guerre de Maurice Comte de Saxe La Haye Chez Pierre Gosse 1758 pp. 15 1; 21 engraved plates 4 double page and one folding; contemporary red morocco-backed boards spine in 7 compartments black morocco label in 1 gilt ornaments in the rest; the boards with an overlay of 20th century pastepaper endpapers renewed. A standard work on warfare by Maurice Comte de Saxe 1696-1750 marshal of France son of the king of Poland conqueror of the English pretender to the dukedom of Kurland and universal lover here printed under the editorship of Zacharie de Pazzi de Bonneville. It is a remarkable work on the art of war. Though described by Carlyle as 'a strange military farrago dictated as I should think under opium' it is in fact a classic. It was published posthumously in 1757. This is the only folio edition. <br/><br/> Pierre Gosse Junior hardcover books
175825960La Haye: Pierre Gosse Junior 1758. Folio pp. xii 228 2 errata and binder's directions 2; 40 engraved plates 16 double page and 4 folding and 41 engraved vignettes; bound with: Bonneville Supplement aux Reveries ou Mémoires sur l'art de la guerre de Maurice Comte de Saxe La Haye Chez Pierre Gosse 1758 pp. 15 1; 21 engraved plates 4 double page and one folding; contemporary red morocco-backed boards spine in 7 compartments black morocco label in 1 gilt ornaments in the rest; the boards with an overlay of 20th century pastepaper endpapers renewed. A standard work on warfare by Maurice Comte de Saxe 1696-1750 marshal of France son of the king of Poland conqueror of the English pretender to the dukedom of Kurland and universal lover here printed under the editorship of Zacharie de Pazzi de Bonneville. It is a remarkable work on the art of war. Though described by Carlyle as "a strange military farrago dictated as I should think under opium" it is in fact a classic. It was published posthumously in 1757. This is the only folio edition. Pierre Gosse Junior unknown
1919825821919 Paris, Jacques Beltrand, 1919, in 4° relié plein maroquin marron foncé, dos à nerfs, grande scène religieuse au trait (or et paladium) décorant le plat supérieur, tête dorée, couverture illustrée et dos conservés, étui bordé de maroquin, XXIV-189 pages et 4 pages (Spécimen).
1922421411922 Paris. Les Cent Bibliophiles. 1922. 1 volume in-8 , plein maroquin bleu, triple filet doré s’entrelaçant en encadrement sur les plats, dos à nerfs orné légèrement passé, titre doré, tranches dorées, bordures intérieures ornées de motifs dorés, couvertures et dos conservés. Reliure signée Yseux suc. Thierry Simier.
1571486271571 (Lyon) Lugduni, Apud Ioan. Tornaesivm (Jean de Tournes), Typogr. Regium (Typographe royal). MDLXXI - 1571 - In-16, 12 x 8,5 x 3,8 cm - Edition Originale - Reliure vélin de récupération avec manque -Collationné complet des 110 gravures sur bois- 637 pagers + Index (3) manque pages d'index- fortes mouillures - Envoi rapide et soigné - Réf. 48627
186271056Texte et dessins par Maurice Sand, Gravures par A. Manceau, Préface par George Sand, 2 vol. grand in-8 reliure postérieure plein chagrin bordeaux, dos à 5 nerfs orné, tête dorée, filetd dorés d'encadrement en plats et fers dorés en écoinçons, couvertures conservées, A. Lévy Fils, Libraire-Éditeur, Paris, 1862, VIII-356 pp. ; 2 ff., 384 pp. avec 50 planches en couleurs hors texte
19811235001981. Signed. SENDAK Maurice. Poster inscribed ""The Pierpont Morgan Library Drawings & Watercolors by Maurice Sendak"". New York: No publisher 1981. Chromolithographic poster measuring 17 by 23 inches; professionally lined and framed entire piece measures 17-3/4 by 23-3/4 inches. $1700.Wonderful poster advertising The Pierpont Morgan Library's 1981 Sendak exhibition focusing on The Magic Flute and Outside Over There inscribed for presentation to Sendak's neighbor and close friend: ""For ElizabethaffectionatelyMaurice Jan:81.""This poster advertises the Morgan Library's 1981 exhibition of Sendak's work in which his work was presented in dialogue with two other exhibitions featuring works by William Blake and W.A. Mozart. Sendak's exhibition focused on his illustrations for The Magic Flute and Outside Over There. In fact a pencil study from Outside Over There was used for the main poster illustration and depicts the protagonist Ida playing a jig on her horn to scare goblins away from her little sister. The former owner of this inscribed poster was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Inscription faded to gray but still fully legible. Fine condition. unknown
43418Genève, Maurice Barraud & André Kundig, 1934. In-8°, 135p. Reliure muette plein parchemin, avec un dessin original de Barraud au dos, couverture conservée.