Callot, Jacques (French, Nancy 1592–1635 Nancy); Israel Henriet (French, Nancy ca 1590–1661 Paris)Biblio.com
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16-5806Paris: Israel Henriet 1635 . Etchings on laid paper. Lieure nos 1320 to 1332.Complete suite of 12 plates and a frontispiece.Frontispiece with Dedication to Mr. Claude Charles De Baufremont Marquis de Senecey.Proofs on laid paper from the 1st state before the numbers the frontispiece is in the 2nd state of 2 trimmed at the plate mark.H. 6.2 cm - W. 8 cm approx.The plate numbers have been added in pen at the bottom right-hand corner.Very slight soiling and marks. Expertise by Alain CANO AC Paris: Israel Henriet, 1635 unknown
18222753<p>1822. Lithograph published by Gihaut. Delteil 47 ii/iv before the no. 2 is added. École nationale supériore des Beaux-Arts 1997-1998 E.45. Slight foxing. Image: 8¼ x 9¼. Margins: 10 x 14¼.</p><p>Designed for the series of twelve lithographs entitled Études de Chevaux Lithographiés created by the artist soon after his return to France from England. Printed for the artist by Godefroy Engelmann I 1788 - Mulhouse - 1839.</p> Gihaut
203451. Ottimo Fine. Litografia originale a colori su fondo nero numerata e firmata a matita. Cm 77x62. . Ottimo Fine. . , unknown
1890ZB73114Paris 1890. 13 vols. with the fourth series in modern brown buckram and the fifth series in worn and chipped contemporary quarter leather & marbled boards; library markings else texts clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris hardcover
187420555AB1874. Paris Bellet 1874 46 : 31 cm. Mounted title and justification 60 etchings 14 with text and 30 small vignettes. Three quater green morocco on 5 raised bands gilt tile on spine. Stunning album about old Paris. One of 240 copies. "In this series of remarkable etchings the author-artist presents a curious mixture in a personal view of Paris in 1874. He is at his best when depicting working-class Parisians and his commentary enhances his art".- Lacombe Catalogue n° 1723. - While we admire the scholars who today reconstruct ancient cities through research into ruins or incomplete and often inaccurate documents one might well ask whether they would not contribute more to progress by observing their own time and country reporting facts and describing what they see before their eyes in the city where they live" - Edges a bit rubbed otherwise a fine copy with wide margins. hardcover
183914439Paris: Aimé André Libraire 1839. Sulla prima bianca trascrizione a penna di un pensiero pascolano datata 1895. Un poco schiarito il dorso ma pelle ben morbida e salda legatura buono stato di conservazione. Bella legatura della seconda metà dell'Ottocento firmata Thierry Sr De Petit-Simier in tutta pelle nocciola con ricchi fregi dorati dorso a 5 nervia centro piatto monogramma coronata e cartiglio con motto “Alpha et Omega†decori floreali taglio di testa dorato dentelle dorate e firma all’interno dei piatti sguardie in seta; in ottavo cm 24 x 15 pp 500 ritratto di Pascal all’antiporta. Sulla prima bianca trascrizione a penna di un pensiero pascolano datata 1895. Un poco schiarito il dorso ma pelle ben morbida e salda legatura buono stato di conservazione. Aimé André Libraire unknown
62439W. Phillips. London. 1823. 3 volumes. 8vo. pp. iv l xv i Errata 440; iv 472; iv 153 i blank ii 371 i blank. Contemporary half calf and marbled boards all with the book-label of J. W. CLARK CAMBRIDGE library cancel on the labels all rebacked a very good set. W. Phillips. London. 1823. 3 volumes. 8vo. hardcover
1928102017<p>Paris 1928. size c. 155 x 21 cm. Extensive specimen containing titlepage iv pp plus 154 specimens of printing ink. Printed boards.<br /><br />Lorilleux & Cie. was founded in 1818 by Pierre Lorilleux. Each specimen is in the form of an illustration printed with a particular colour ink with the name of the ink next to the illustration.</p>
196866998Milano: Grafica Uno 1968. Brossura custodia wrappers slip-case. Ottimo Fine. Five original lithographs on stone and a poem by Harold Perisico Paris. 5 litografie originali su pietra di cui due su fogli ripiegati sciolti ed un poema in inglese di Perisico Paris cm 17x215"; 325x42. 16mo cm 17x22. pp. 16litografie. Ottimo Fine. Prima edizione di 50 2 H.C. esemplari numerati First edition of 50 2 H.C. numbered copies. <em>La prima fase della produzione artistica di <strong>Harold P. Paris</strong> fu dominata da una personale interpretazione dell'<strong>espressionismo astratto</strong> per poi volgersi a una ricerca sull'espressività dei materiali in opere al limite tra la figurazione e l'astrazione.<br />Nel 1963 è chiamato ad insegnare all'<strong>Università di Berkeley</strong>. Prime personali nel 1965 e 1967 alla Hensen Gallery di San Francisco. Nel 1969 ha luogo la sua prima personale in Europa allo <strong>Studio Marconi di Milano</strong>. Negli Anni Settanta si dedica a lavori ispirati alla Shoah e alla cultura ebraica che espone al Jewish Museum di New York nel 1975. Nell'ambito della scultura realizza opere di respiro ambientale vere e proprie installazioni percorribili dai visitatori. Dopo la sua morte nel 1979 l'Università di Berkeley gli dedica una retrospettiva itinerante che tocca diverse città" degli Stati Uniti. da ''Autobiografia di una galleria. Lo Studio Marconi 1965/1992''.</em> Grafica Uno, unknown
1789470262ª Ed. española. Con las Licencias Necesarias.- Madrid: En la Oficina de Benito Cano Año MDCCLXXXIX 1789.- 5 h. LIV 406 p.: Con dos láminas plegadas al final grabadas al cobre; 4º menor 211 x 154 cm; Cuidada impresión sobre excelente papel verjurado fuerte y limpio; Enc. en Plena Piel pasta antigua de la época Lomo cuajado en oro tejuelo cortes tintados en color granate.- RARO. Libro en excelente estado de conservación con el papel perfecto sin la más mínima mancha. La encuadernación con normales y ligeras señales del tiempo. El Dr. Petit fue un famoso cirujano que desarrolló el sistema del torniquete. Adquirió gran notoriedad dada su habilidad y experiencia por sus estudios de casos de hemorragia fístula lagrimal y operación de frenillo por su tratado sobre enfermedades óseas y sobre todo por su tratado general sobre operaciones quirúrgicas en el que trabajó doce años y fue terminado póstumamente por François-Dominique Lesné 17221800. CIRUGIA EN GENERAL Y TRAUMATOLOGIA Libro en español Benito Cano hardcover
1914118972Paris 1914. Softcover. Good- general wear to exterior curling of front cover sporadic foxing throughout. Mostly bound volumes a total of 35 volumes. Text in French Explication of the Works of Painting Sculpture Architecture Gravure and Lithography of the Living Artists Exhibited at the Palace of the Champs-Elysees. The 35 volumes include the years 1859 1864 1868 1869 1872-1878 1880 1881 1883 1884 1887 1889 1892-1904 1908-1911 1913 1914. A total of 35 volumes. paperback
186959941Paris Charles Chauvin 1869. Folio-oblong 535 x 415 mm. In contemporary half calf with gilt lettering to spine. Extremities with wear and two paper-labels pasted on to front board. Very light soiling to first few leaves otherwise internally fine and clean. 214 pp full page weather charts showing the weather from America to the Caspian Sea. <br/><br/><em>Rare first printing of daily weather charts issued by Observatoire Impériale de France covering the North Atlantic and Western Europe constituting one of the earliest weather or climate atlases to be published </em> unknown
180458020N.p.: The Lady's Magazine and Modes de Paris 1804 - 1860. 4to.Ex-Library. In 2 volumes. Unpaginated. Bound in contemporary half morocco over boards. Raised bands to spines with gilt panels & lettering. Top edge gilt. Marbled endpapers. Boards marked. Internally very clean. No foxing. Ex-library with library stamp to each plate but with no other markings. Consists of two uniformly bound volumes containing 480 full-page plates with captions mostly hand-coloured and taken from various 19th century fashion journals/magazines. Volume I has 230 plates Vol. II with 250 plates. No text. The dates range from 1804 to the 1860's and have been arranged in chronological order. Many have been carefully mounted onto card while others are full-page. A splendid resource for costume designers. . Very Good. Half Morocco. 1804. The Lady's Magazine and Modes de Paris 1804 - 1860 unknown
24.08.Revolutionary<p>AN AUTHENTICK HISTORY OF THE LATE WAR BETWEEN THE UNITED STATES AND GREAT BRITAIN. <br />with a Full Account of Every Battle by Sea and Land; The Defection of General Hull His Trial and Sentence; The Massacre at the River Raisin; The Destruction of the City of Washington; The Treaty of Peace in 1815 </p><p>First Edition. <br />1829. </p><p><br />The binding is original. <br />Complete in one volume. </p><p>by Davis Paris M Ithaca: Published by Davis & Saunders. </p><p>Printed by Mack & Andrus 1829. 1st Edition. Leather. Very Good/No jacket as issued. 12mo. 360pp. Bound in full calf with title on red morocco label on spine in gilt. </p><p>Leather surface cracking particularly along the spine. General wear to edges and joints.<br />Paste downs browned. Occasional light scattered foxing or browning. Hinges secure. <br />A Very Good copy in the original binding. </p><p>Howes D128.</p><p><br />This will be well protected for shipping via Priority Mail. </p><p>Please see my other listings for similar books. </p><p>24.08</p>
1914118971Paris 1914. Softcover. Good- general wear to exterior curling of front cover sporadic foxing throughout. Mostly bound volumes a total of 55 volumes. Text in French Explication of the Works of Painting Sculpture Architecture Gravure and Lithography of the Living Artists Exhibited at the Palace of the Champs-Elysees. The 55 volumes include the years 1853 1857 1859 1861 1863-1870 1872-1914. A mighty run. paperback
1876013521Phildalephia: Joseph H. Coates & Co 1876. 1st Edition. Hardcover. VG. First edition 4 volumes printed 1876-1873 uniform blue cloth gilt device front. gilt tites spine. Ownership copy of Civil War surgeon Dr. James V. Kendall with his signature and address of Baldwinsville NY and the date each volume was purchased on the flyleaf of both volumes. Pasted into the second fly of the Volume I is a two-page ANS on chateau letterhead dated 12.8.85 from le Comte de Paris the author to Dr. Kendall in English in which le Comte acknowledges Kendall's laudatory letter and comments that he "has brought this work to about two thirds completion' anticipating "there will be ten in the French and five in the American edition' and regretting "unfortunately I can devote but little time to this great work". Beneath the pasted note Kendall has written a signed note in which he explains the nature of the correspondence from le Comte. Underneath that in pencil. Kendall notes that the work was never completed. Dr. Kendall 1818-1901 served in the 149th Regiment during the War between the States. Prince Philippe of Orléans Count of Paris Louis Philippe Albert 1838 -1894 was disputedly King of the French from 24 to 26 February 1848 as Louis Philippe II although he was never officially proclaimed as such. He was the grandson of Louis Philippe I King of the French. A historian journalist and outspoken democrat Philippe volunteered to serve as a Union Army officer in the American Civil War along with his younger brother Prince Robert Duke of Chartres. He was appointed as an assistant adjutant general with the rank of captain on 24 September 1861 and served under the name of Philippe d'Orléans the Count of Paris. He served on the staff of the commander of the Army of the Potomac Major General George B. McClellan for nearly a year. He distinguished himself during the unsuccessful Peninsular Campaign. He resigned from the Union Army along with his brother on 15 July 1862. Philippe's History of the Civil War in America is considered a standard reference work on the subject. Source: Wikipedia. All volumes in uniform condition. All maps and foldouts present. Covers are modestly rubbed and the internal hinges front and rear are exposed but binding still quite solid. Joseph H. Coates & Co hardcover
193347066Chicago: Paris Art Publishing Company 1933. First edition. Softcover. g- to g. Large Quarto. Unpaginated 27 pages. White illustrated wrappers with modernist art deco design in grey and a photographic reproduction on the front cover. This extremely scarce publication was issued in conjunction with the 1933 Chicago World's Fair for its "Streets of Paris" exhibit an attempt to recreate the glamour and excitement of Paris with its night life entertainment and romance. This publication contains b/w nude photography of various models often in theatrical poses for the purpose of creating "art subjects for artists" as is stated on the title page most likely to avoid censorship or other legal issues of the time. In most of the images the models are photographed in a manner using various art photography techniques including silhouette mutiple-exposure photo collage and/or superimposition. Other images have additional visual elements or illustrations added via overprinting onto the photographic reproductions such as backgrounds frames borders and/or other modernist design elements. The exhibit was most famous for the controversial fan dance performances of American burlesque dancer and actress Sally Rand. Of interesting note is the statement "Caution - this book is not to be mailed" printed on the title page. Initials N.S.E printed in small type on the back cover.<br /> <br /> Wrappers with a hole towards the upper left corner of the front cover not affecting the illustration as well as some smudges stains creasing closed tears an small wormholes. The wormholes continue throughout the book block mostly to the bottom portion of the pages with mostly minimal effect to the images when present. Most images clean and vibrant. There has been an attempt to repair some closed tears with scotch tape on the title page and the interior front cover. The leaf containing the third and forth images is detached but present. Wrappers in good- interior in good condition overall. Protected by modern mylar. Extremely scarce. Paris Art Publishing Company unknown
186160566Paris: Dunod Editeur successeur de Victor Dalmont Librairie 1861. Two vols. 1st - 4to. viii 64; 2nd - Folio. 11 x 14 in. 4 pp. With 24 large double-page steel-engraved plates executed by L. Guiquet folded & mounted on linen stubs at gutter margin nearly all retaining their original tissue guard. Uniformly bound in full green morocco gilt fleurette borders ruled borders gilt inner dentelles raised bands & gilt decoration on spines white silk moire endpapers a.e.g. minor edgewear & rubbing some bumping & wear to corners of the Atlas vol. occasional light foxing still a VG set. First editions of this uncommon set tracing the engineering and construction efforts by Vuignier 1798-1865 noted Parisian engineer to develop and expand the warehouse docks canal locks and canal infrastructure of the Canal de l’Ourcq into the Bassin de la Villette the largest artificial lake in Paris constructed under the reign of Napoleon I. Vuigner had not only overseen the construction of the original grain warehouse docks to feed Paris with the newly created canal link but from 1839-1840 was the original general manager of the Ourcq Canal Concession who designed and oversaw the construction of the five locks connecting the Canal de l’Ourcq into the Bassin de la Villette solving the severe sloping issue. As part of the development works carried out by Napoleon III and Baron Haussmann Vuigner oversaw the upgrading of the warehouse docks along the canals connecting to the Canal de l’Ourcq in order to solve water flow and depth issues of the Pont de Flandre and the Quai de la Gironde which are depicted here in drawings as are improved pumps and mechanisms for the locks. Two of the original warehouses survived at the end of the Bassin de la Villette and later converted into artists lofts but now they have been replaced by the MK2 cinema complexes and the areas in and around the Bassin and Canals have become thriving and popular outdoor areas. Worldcat locates 7 sets of both volumes Badische U of Hannover Paris-CNAM Paris-Mines Paristech U of Valencia Biblioteca Nacional Espana Sevilla. Dunod, Editeur, successeur de Victor Dalmont, Librairie, hardcover
196153377Olten Switzerland: Otto Walter Olten 1961. First edition. Hardcover. Very good condition. Quarto. 26pp. Original gray quarter cloth with black stiff paper plates with white lettering on cover. Special of "New Graphic Design/ Neue Grafik" No. 9. Compilation of forty-one samples of 1920s avant-garde design in Poland including designs by Jan Jerzy Wroniecki Titus Czyzewski Anatol Stern Stanislaw Stanislaw Mlodozeniec Leon Chwistek Wladyslaw Strzeminski and numerous designs by Henryk Berlewi as well as various Polish avant-garde groups and publications including several by BLOK. The designs are presented in b/w and color some include photographic images. <br /> <br /> "Despite the opinion of those who dream of "pure art" and despite its mechanical and industrial character typography give daily evidence of its close connection with present day developments in the plastic arts and shows its dependence on them by reflecting the various tendencies which arise. More than any other form of graphic design indeed typography today plays the part of a gauge of the general aesthetic level and mirrors the culture on which it is based. It is only necessary to glance at the typography of a country to get a fairly accurate idea of the degree of aesthetic and intellectual development reached there." Berlewi.<br /> <br /> Text including captions in German English and French. With biographical notes on Henryk Berlewi at rear. Minor wear. Otto Walter Olten hardcover
1807291015Paris : Toulon : Firenze.: Madame Huzard; Aug. Aurel: Residenza Accademica. 1807-1810. 8vo. Contemporary quarter brown leather over mottled boards gilt spine title on red label. Very good a little insect damage to front hinge old bookseller’s pencil notes and manuscript table of contents to endpapers. 19.7x13x2.8 cm. 5 titles in French one in Italian. Six scarce early 19th century treatises on cotton culture bound in one volume. weight: 1.0 lb. 2 folding tables. Madame Huzard; Aug. Aurel: Residenza Accademica. hardcover
198467028Milano: Grafica Uno 1984. Ottimo Fine. Textes et dix sché";mas à l'eau-forte en couleur par <strong>Estivals </strong>cm 28x21. Création et exécution à la presse par <strong>Giorgio Upiglio</strong>. 4to cm 38x28. pp. 56. Ottimo Fine. Edizione di 60 XV H.C. esemplari numerati e firmati Edition of 60 XV H.C. numbered and signed copies. <em>''Ainsi à la lutte des classes aux problèmes de la colonisation à l'opposition des générations s'ajoute la guerre des sexes. C'est ce dernier thème qui fait l'objet des schémas de cet ouvrage. Dans le temps du déclin général de l'homme occidental dans le temps de la montée en puissance de la femme comment ne pas évoquer la dialectique de son exploitation de l'homme la drague fé"minine la Dragogyne''<br /><br />"Così"; oltre alla lotta di classe ai problemi della colonizzazione e alla contrapposizione tra generazioni c'è anche la guerra dei sessi. Quest'ultimo tema è" l'oggetto dei diagrammi di questo libro. Nel tempo del declino generale dell'uomo occidentale nel tempo dell'ascesa al potere della donna come non evocare la dialettica del suo sfruttamento dell'uomo il drago femminile la Dragogyne"<br /></em> Grafica Uno, unknown
1883ZB73115Paris 1883. Ser. 3: volumes 6-12; Ser. 4: volumes 1-10; Ser. 5: volumes 1 2 6; Ser. 6: volumes 3 5 7; Ser. 7: volumes 1/2 5/6-9/10 partly bnd. some bindings require repair or replacement . - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Paris unknown
190033443N.P.: ca. 1900. ca. 1900. A fabulous advertising piece for Ed. Pinaud and his Parfumerie in Paris. It is a folded stiff card showing the 40 possibilities of moustache beard and sideburn possibilities and assures the consumer that it "imparts to the hair and moustache softness and brilliancy. No gentleman's dressing table complete without it." Mr. Ed Pinaud placed above competition at the Paris Exposition of 1900. On one side are the 40 beard mustache and sideburn profiles. When opened it measures 22 1/2" x 28 1/2" This side is near mint with only the slightest of stain. The obverse side is advertising Pinaud's other products those being Eau De Quinine Hair Tonic - The best Hair Restorer. A Positive Dandruff Cure; Ed Pinaud - Unsurpassed Extract Vegetal to use after shaving and Ed. Pinaud's Brillantine - Unequaled for imparting to the Hair and Moustache brilliancy and softness. Several stains to this side but overall in very good condition. The advertising piece was published by Palmer and Oliver of New York. ca. 1900. unknown
22523N.p.: N.p. N.d. Prints uniformly near fine; book is very good in worn quarter leather and ends over presumed pigskin boards. Presumed First Edition. Likely the second of two volumes. Folio. 23 photographs possibly albumen mostly of Paris buildings and monuments circa 1880-1900 captioned in white at the bottom of the prints. No other printed information save the title in gilt on the spine and no information easily findable online. N.p.: N.p. unknown
186142240Paris: Maison Martinet 1861. Oblong folio. 10 1/2 x 14 1/4 inches. Lithographed title page with a view of the Palais de l'Industrie and 25 tinted lithographed plates haphazardly numbered but complete. Finely bound in full brown morocco spine with raised bands forming six compartments boards and spine ruled gilt. Marbled endpapers gilt dentelles. All edges gilt<br/> <br/> A striking portfolio of mid-19th-century Parisian views produced during a period of intense visual and infrastructural transformation.<br/> <br/> A rare album documenting the architectural and urban transformation of Paris during the Second Empire. Issued by Martinet a leading publisher of illustrated works in mid-19th-century France the album captures many of the city's most recognizable monuments and public spaces as they appeared during Baron Haussmann's radical redesign of Paris. Among the views included are the Arc de Triomphe the Panthéon the Jardin du Palais Royal the Colonne de la Place Vendôme the newly rebuilt Louvre and the Palais de l'Industrie erected for the 1855 Exposition Universelle and a signature project of Napoleon III's modernization campaign. Published at a time when Paris was being refashioned into a model imperial capital the present work offers a compelling visual record of the city's architectural self-image. The use of tinted lithography lends the scenes a quiet almost romantic clarity emphasizing both the monumental and the picturesque. Maison Martinet unknown
