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aly1385Paris: Bibliotheque Nationale de France 1957 1958. 16mo. unpaginated. each volume contains 20 slides colour slides 160 slides in total. bds commentaries. bds slipcases with some pencil notes [Paris: Bibliotheque Nationale de France, 1957, 1958] unknown
193538735Paris.: OTUA L'Office Technique pour l'Utilisation de l'Acier. 1935. Original leather-backed boards with cover design by Cassandre. Spine scuffed otherwise v.g. Large folio. Numerous illustrations throughout. This book is the record of the competition sponsored by OTUA for a new Exhibition Centre complete with its own airport. The judges included Auguste Perret and Tony Garnier. The grand prize-winner was the firm of Tournon & Chappey. Additional prizes went to Alex & Pierre Fournier Molinie Nicod & Boulanger Umbdenstock R. Expert and Charles & Daniel Letrosne. The exhibition centre was never constructed. The book itself is a fine example of 1930's modernist design with the covers designed by Cassandre. OTUA (L'Office Technique pour l'Utilisation de l'Acier). hardcover
1833199435Paris.: Arthus Betrand. 1833-1835. Aquatint with handcolour 22.1 x 32 cms; 32.2 x 46.4 cms sheet including platemark "La Favorite" blindstamp at the foot light cockling to paper edge-toning the image a fine dark impression in very good condition. A fine view of the Fort of Bocca-Tigris in the Pearl River delta just downstream from Canton Guangzhou; one of the many fortifications protecting this strategic route of the China Trade to Canton. This atmospheric image of the fort with a junk and a yacht sailing in the river in the foreground is from the official account of the Laplace voyage in the Favorite 1830-32 by voyage artist François-Edmond Pâris 1806-1893. The strait is now crossed by the Humen Pearl River Bridge . (Arthus Betrand). unknown
1825feb01849Bucuresti 1825. First. <p>Used book For more details and availability please contact me</p> Bucuresti unknown
1825feb01850Tipografia Universitatii 1825. First. <p>Used book For more details and availability please contact me</p> Tipografia Universitatii unknown
1837feb01851Tipografia Eliade 1837. First. <p>Used book For more details and availability please contact me</p> Tipografia Eliade unknown
1820feb01848Bucuresti 1820. First. <p>Used book For more details and availability please contact me</p> Bucuresti unknown
18491708250058A. Morel 1849-12-31. Hardcover. Good. Architectural decorative motifs 50 chromolithographic plates. Folio 51 x 37 cm. Bound in modern cloth. Library perforated stamp on title page. Some hand smudging. Additionally contains an original hand colored water color decoration at rear. This is an oversized or heavy book that requires additional postage for international delivery outside the US. A. Morel hardcover
37312London: J. Edwards. 1791. 8vo 195 x 125 mm viii 164pp. with half-title original pink boards rubbed spine rather chipped but still a nice uncut copy. First issue of the title page with the 26th instead of the 28th of March as the first day of the sale. An interesting sale of mysterious ownership put together by James Edwards who had already brought the Pinelli books from Venice for sale in London. The additions came from the library of Cardinal de Brienne and from Italy. The sale also contained Aldines which never existed. Renouard in his Annales de Alde suggested that Edwards had purchased these books in Italy and had used the Italian booksellers notes to catalogue them without having seen them personally. The deception created five fictitious Aldines lot 18 171 206 223 and 526. De Ricci p. 89; Munby and Coral p. 90 Arthur Rau Bibliotheca Parisiana in 'The Book Collector' Autumn 1969. London: [J. Edwards]. 1791 hardcover
4694Rare Photography Broadside for a Parisian photography studio operated by Allophones Lionel who was active in the 1860s according to Getty Images. Lionel advertises a guarantee that no photographer had offered: a proof - "epreuve" - of the image before the photograph is printed and if the client does not like the image the photographer will take a second photograph and offer a second proof for no additional charge. <br /> <br /> A caricature of the famed French photographer Nadar appears to sit on a camera in the broadside's highly decorative design. The sheet measures 5 1/2 x 8 1/2 inches and is normally aged with slight chip in upper left corner else very good condition. Photographs of individuals in the carte-de-vi site style established in the 1850's became more popular in the 1860's with many photographers competing for clients. This richly designed broadside must have appealed to new customers. We have not found another example of this broadside. "Photography Universal Du XIX Cecile" Paris ca 1860s. unknown
171859024Paris L'Imprimerie Royale 1718. 4to. Fine contemp. full calf. Raised bands. Richly gilt spine. Tome- and titlelabels with gilt lettering. Gilt borders on covers. Light wear to foot of spine. Engraved frontispiece. 6114274 pp. 10 partly folded engraved plates. Clean and fine. <br/><br/><em>With original papers by: de la Hire Maraldi Lemery de Cadet Cassini Nicole Saulmon Delisle le Cadet Chevalier de Louville Rouhaut Saulmon Malezieu Maraldi & Cassini Petit Malezieu Reaumur Varignon Winslow FIRST EDITION of the paper describing "forarmen Winslowii": Nouvelles Observations anatomiques sur la Situation et la Conformation des plusieurs Visceres. pp. 226-235 Geoffroy le Cadet Senés. </em> hardcover
171858998Paris L'Imprimerie Royale 1718. 4to. Fine contemp. full calf. Raised bands. Richly gilt spine. Tome- and titlelabels with gilt lettering. Gilt borders on covers. Light wear to foot of spine. Engraved frontispiece. 6114274 pp. 10 partly folded engraved plates. Clean and fine. <br/><br/><em>With original papers by: de la Hire Maraldi Lemery de Cadet Cassini Nicole Saulmon Delisle le Cadet Chevalier de Louville Rouhaut Saulmon Malezieu Maraldi & Cassini Petit Malezieu Reaumur Varignon Winslow FIRST EDITION of the paper describing "forarmen Winslowii": Nouvelles Observations anatomiques sur la Situation et la Conformation des plusieurs Visceres. pp. 226-235 Geoffroy le Cadet Senés. </em> hardcover
187842839Paris Bianot 1878. 4to-oblong. 22x31 cm.Orig. full pictorial gilt cloth. First inner hinge broken. Spine with tears. Covers a bit rubbed and slightly discoloured.The Exposition Hall shown on frontcover in gilt. With 45 fine tinted lithographed view of Paris buildings places streets etc. Some brownspots mainly to the broad margins. Most of the views lithographed by Riviere but also some by Bachelier and Lemercier. No text called for. <br/><br/><em>Detailled lithographic views of Paris in the year of the Exposition in 1878. </em> hardcover
192348041Bordeaux: Feret & Fils Eds. 1923.- 2 Vols. 188; 214 pp.: profusión de ilus. entre el texto y al final XXI láms. numeradas en el primer tomo y XXXIII en el segundo algunas plegadas o a color mostrando planos mapas fotografÃas y dibujos; 4º 25 x 17 cm; Papel couché; Texto en francés; Enc. en Media Piel nueva de fina ejecución corte superior pintado conservando ambas cubiertas originales en los dos tomos.- Bibl. de l'Ecole des Hautes Etudes Hispaniques. 6. Ejemplar en excelente estado de conservación. ANDALUCÃA Livre en français Feret & Fils hardcover
1795ZB1254671Academie des Sciences Paris 1795. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item 10 volumes bound in modern green buckram minor library markings else very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Academie des Sciences, Paris hardcover
169513274Paris: Chez la Veuve Mabre Cramoisy 1695. Piccola gora bruna sull’angolo inferiore destro del margine delle pagine da 127 a fine volume sempre ben distante dal testo; tracce di distacco di ex libris sulla prima sguardia; ben conservato per il resto. Legatura coeva in tutta pelle fregi titoli dorati sul dorso a cinque nervi sguardie marmorizzate tracce di ex libris rimosso sull’anteriore e tagli marezzati in dodicesimo cm 16x10 pp 16 227 5 frontespizio parzialmente rubricato antiporta e 9 tavole incise di cui una ripiegata una carta bianca in apertura e in fine. Piccola gora bruna sull’angolo inferiore destro del margine delle pagine da 127 a fine volume sempre ben distante dal testo; tracce di distacco di ex libris sulla prima sguardia; ben conservato per il resto. Relazione dell’ambasceria del Cavaliere di S. Olon inviato da Luigi XIV presso il Sultano alawide Mulay Ismail 1645-1727 per concludere un’alleanza commerciale che avrebbe incluso tra l’altro uno scambio di prigionieri e la reciproca assistenza contro i pirati algerini e ottomani. S. Olon sbarcò a Tétouan ad aprile 1693 ed incontrò il Sultano a Meknès a giugno ma la ratifica dell’accordo non fu ultimata - addirittura l'ambasciatore fu brevemente imprigionato dalle autorità di Tétouan. La relazione apparve già nel 1694 col titolo di Estat Present de l’Empire de Maroc e fu ristampata l’anno seguente in questa edizione arricchita dell’apparato inciso da Daniel met de Penningen nativo di Anversa e attivo ad Amsterdam dal 1685 alla morte nel 1696; il successo dell’opera portò a traduzioni in inglese e olandese entro la fine del secolo XVII. Le tavole incise sono in tutto dieci: l’antiporta raffigurante l’incontro tra S. Olon e il Sultano la pianta ripiegata della città e fortezza di Larache riconquistata da Mulay Ismail nel 1689 e alcune immagini di costumi 4 semplici e 4 che presentano 2 figure ritratte sia di fronte sia di spalle. «The author was sent by Louis XIV. to effect an exchange of slaves and to conclude a treaty of peace and alliance against the Algerines. He disembarked in the Bay of Tetuan and met the Sultan at Mekenes but he had to leave the country without effecting his object. He was even imprisoned for some time at Tetuan by the Kaid of that place.» R. Lambert Playfair A Bibliography of Morocco n. 308. Boucher de la Richarderie IV p. 46. Chez la Veuve Mabre Cramoisy unknown
16-5808Paris: Israel Henriet 1635 . 6 of 14 plates from the Les Fantaisies suiteL. 1373 ii/ii 1374 ii/ii 1380 ii/ii 1381 ii/ii 1382 ii/ii 1383 ii/iiProofs on laid paper with numbers unevenly cut beyond the plate mark.mark.H. 6.2 cm - W. 8.2 cm approx. plus margin fillet.Slight soiling in the corners.Cette série de quatorze estampes dédiée à Jean-Louis de Bauffremont fut éditée en 1635 par Israël Henriet 1596-1661. Seigneurs de Sennecey les Bauffremont occupèrent auprès d'Henri IV et de Louis XIII des postes de conseillers et d'ambassadeurs. Henriet dédia à Claude Charles frère de Jean-Louis les Exercices militaires où Callot développe également sur une feuille de très petites dimensions des variantes d'un même sujet sur un fond blanc. Ici il s'agit d'une galerie de gentilshommes ou de soldats entourant des dames élégamment vêtues suite interrompue par une estampe où trois femmes lourdement chargées semblent symboliser l'hommage rendu par Callot aux paysans Expertise by Alain CANO AC Paris: Israel Henriet, 1635 unknown
1740120COMPTE JACQUES LAURE DE BRETENIL ACTIVE 1730-1750 IN PARIS. UN CHARLATAN. Lithograph. 15. 6 1/8 x 4 1/4.
51-6296Paris: Mai 1923. Manuscrit 243 pp. in-4 20.4x 30.7 cm. daté mai 1923 à Paris ; couverture illustrée de dessins de l’autrice .Née le 2 septembre 1872 à Paris 8e arrond. d’un père officier de marine et de mère inconnue Germaine Mauriès débute sa carrière comme cantatrice du conservatoire de Paris. Elle épouse le 26 juin 1895 à Paris 1er arrond. Jules Guiberteau employé puis chef de service à la préfecture de la Seine.Provenance: Estate of Stanislas-André Steeman 1908-1970 who was born in Liège on 23 January 1908 was a French-speaking Belgian writer and illustrator.Stanislas-André Steeman who was born in Liège on 23 January 1908 was a French-speaking Belgian writer and illustrator. Paris: Mai, 1923 unknown
51-6298Paris: circa 1944. « Les cinq mystères joyeux » par Louis Mercier 1924 plaquette 25 pp. in-8 illustrée par des dessins aquarellés de Germaine Guiberteau. Similar watercolors are dated 1944.Née le 2 septembre 1872 à Paris 8e arrond. d’un père officier de marine et de mère inconnue Germaine Mauriès débute sa carrière comme cantatrice du conservatoire de Paris. Elle épouse le 26 juin 1895 à Paris 1er arrond. Jules Guiberteau employé puis chef de service à la préfecture de la Seine.Provenance: Estate of Stanislas-André Steeman 1908-1970 who was born in Liège on 23 January 1908 was a French-speaking Belgian writer and illustrator.Stanislas-André Steeman who was born in Liège on 23 January 1908 was a French-speaking Belgian writer and illustrator. Paris: circa 1944 unknown
183558553<p>hand-coloured aquatint.</p><p>EXTREMELY RARE view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine … La Favorite … 1830 1831 1832 Vol. 1 plate number 29 under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur.</p><p>"La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests.<br />Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the <em>L'Astrolabe</em> 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on <em>La Favorite</em> 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on <em>La Bonite</em> 1836-1837.<br />Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints.<br />Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the <em>Astrolabe</em> in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative.</p><p>Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383</p><p>Condition: with La Favorite dry seal foxing along margins barely affecting plate.</p> Imprimerie Royal, Finot, under the direction of Louis Auguste de Sainson with Arthus Bertrand, editeur.
BN44983Hardcover. <br/><br/> hardcover
1601991Y16Francofurti: Typis Wechelianis apud Claudium 1601. Vellum. Good. 14" by 8.5". None. A vellum-bound early 17th-century printing of Matthew Paris' important historical chronicle 'Flores Historiarum' in the original Latin. A reprint of the second edition 1570 London of Matthew Paris's important historical chronicle formerly attributed to the fictional 'Matthew of Westminster'.In the original Latin text.Abridged from his first major work Chronica Majora.Bound in full vellum with raised bands and blind stamping. Recased bound with 18th century endpapers and blanks. Title page laid down with archival repair to the verso. No half title as issued according to the signature run with a1 beginning to title page. With printer's woodcut devise to title page and verso of final leaf. Ornate woodcut endpieces and initials. Paris was a renowned Benedictine monk and historian of mediaeval England. His Chronica is a renowned Medieval work in many cases being a key source for mid-13th century Europe.This text covering the period to 1259 is based on the author's Chronica; the 1259-1307 text was compiled and composed by various writers at St. Albans and Westminster; the text from 1307 to 1325 is by Robert of Reading. Includes the chronicle based on the work of Marianus previously attributed to Florence of Worcester now attributed to John of Worcester.From the library of Matthew Bloxam 1805-1888 a native of Rugby Warwickshire and a Warwickshire antiquary and amateur archaeologist. He also wrote a popular guide to Gothic architecture and was the original source of the legend of William Webb Ellis' invention of the game of Rugby football. With his engraved bookplate to the front paste down.Signature runs continuously: a4 A-Ooo6. Bound in full vellum. Recased with 18th century endpaper and blanks. Title page laid down with archival repair to the verso. Externally with significant handling marks toning and rubbing to the extremities. Loss to the head of the backstrip. Internally firmly bound. Pages are bright and generally clean with the occasional spots. Toning to title page. Tide mark becomes visible to the head of the central margins not affecting the text. Good Typis Wechelianis apud Claudium hardcover
2017Manohar-9781138201231Routledge 2017. Hardcover. New. Routledge hardcover
2017Manohar-9781138201231Routledge 2017. Hardcover. New. Routledge hardcover