COLE, C W; STANILAND, C JBiblio.com
173 résultats
1518177262London.: The Graphic. September 151894. Nine engraved illustrations with captions on a single newspaper leaf pp 315-6 unrelated text on the verso 40 x 28.7 cm in very good condition. Engravings by Charles Joseph Staniland social realist and genre painter one of the stalwarts of the British 19th Century illustrated newspaper The Graphic after sketches by the marine artist Charles William Cole. Arranged as a storyboard the rather "Boy's Own" illustrations and lighthearted captions narrate the going ashore of marines to "souvenir" stones from the Great Wall of China and to test their composition but not in any scientific way. The final caption concludes ".it is discovered that the bricks possess the merits only more enhanced of those coming from Bath.". . The Graphic. unknown
1600017131Circa 1600 1600. Original Antique Engraving . Single Sheet. Very Good. Original Antique Engraving On Laid Paper Mounted On Single Sheet Of White Paper. Plate Mark 4 1/2" X 5 1/2" With 1/2" To 3/.4" Margins. Text "Nomen Habent Acci Per Te Sebethides Unda Ut Per Sebethi Flumina Nomen Habes" Inear Bottom. Either From An Unidentified Book Or Possibly Published In A Set Of Similar Portraits In Similar Format. Not Signed By Artist; Numbered "I.Ll" At Lower Right. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> unknown
1572163316Kyoto. 昭和拾八 1943. Japanese manuscript written in calligraphy issued by the influential Japanese Zen Buddhist temple Tōfuku-ji awarding a Japanese monk 花伯齊 the honourable title of 法橋Hokkyō. This title is the third highest rank is given to the Buddhist sculptors and is followed by the first and second ranks 法印 Hōin and 法眼 Hōgen. Certificate folded in original envelope two chops on corners some light foxing on sheet and envelope small holes on folds on envelope otherwise in good condition. Text in Japanese. 19.3 x 53.5 cm when folded sheet measures 38.5 x 53.5cm. The temple was built in 1236 on the instructions of Kujo Michiie but unfortunately has been destroyed by fire a number of times since then. . unknown
1501176078Venice.: Bonetus Locatelli. circa1501. Single leaf printed recto and verso 29.7 x 20.1 cm text in two columns 65 lines foliated initials scattered wormholes a few affecting the text the paper dampstained but the text in good condition. Leaf from the commentary of Thomas Aquinas on Peter Lombard's Bishop of Paris c. 1100-1160 third book of the Sentences a foundational work of medieval doctrinal theology. . [Bonetus Locatelli]. unknown
160029867s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed in burin after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin. Impression on watermarked laid paper work from the early 17th century. This is an illustration of the Gospel according to Matthew 6-11 ""Give us this day our daily bread."" from the Lord's Prayer. Latin caption in the lower part of the engraving. Artist's signatures in the plate. Numbered mention ""4"" in the lower right corner within the engraving and manuscript notation ""50"" in the margin in the upper right corner. Crown watermark visible by transparency. Minimal foxing and dampstains mainly marginal small corner stains not affecting the engraving one skillful restoration using a very small piece of filmoplast on verso otherwise very fine condition for this extremely rare engraving of great freshness. Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin 1498 in Heemskerk - October 1st 1574 in Haarlem is one of the major portraitists and history painters of the Netherlands. He is famous for his series of the Seven Wonders of the World. S. n. unknown
152043079Folio Society 2015 2018. 8vo. with coloured frontispiece and 6 plates; grey cloth upper board and backstrip blocked and lettered in silver and red a fine copy in publisher's pictorial board slip-case. Folio Society, hardcover
160029816s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 30 x 27.50 cm une feuille Original unsigned burin engraving probably by Claes Jansz Visscher known as Piscator. Printed on watermarked laid paper in the early 17th century. This is an illustration of the Gospel according to Matthew 2-12 ""Then being divinely warned in a dream not to return to Herod they departed to their own country by another way."" Latin caption in the lower part of the engraving. Numbered mention ""12"" in the lower right corner within the engraving and manuscript mention ""17"" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Crown watermark. Minor foxing and marginal stains small corner dampstains one tiny hole not affecting the engraving otherwise very fine condition for this extremely rare engraving. S. n. unknown
160029900s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original unsigned engraving presumably executed with burin after a 16th-century painting by Maarten de Vos or Martin. Proof on watermarked laid paper work of early 17th century. This is an illustration of the Gospel according to Matthew 25.36 ""I was sick and you visited me"". Latin caption in the lower portion of the engraving. Numbered notation ""6"" in the lower right corner within the engraving and manuscript notation ""114"" in the margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark visible by transparency. Rare and minimal foxing and stains mainly marginal one tiny corner loss otherwise very fine condition for this extremely rare engraving of great freshness. Maarten de Vos or Martin Antwerp 1532-1603 was a Flemish painter. He was a pupil of Frans Floris then completed his training with Tintoretto. He is credited with historical paintings in the Mannerist style notably a 'Saint Paul Bitten by a Viper on the Island of Malta' 1568 which is in the Louvre Museum in Paris. S. n. unknown
160029928s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33.50 x 27.50 cm une feuille Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen. Print on watermarked laid paper early 17th-century work. This is an illustration of a passage from Acts of the Apostles 9.1-3: ""But Saul still breathing threats and murder against the disciples of the Lord went to the high priest and asked him for letters to the synagogues at Damascus so that if he found any belonging to the Way men or women he might bring them bound to Jerusalem. Now as he went on his way he approached Damascus and suddenly a light from heaven shone around him"". Latin caption in the lower part of the engraving. Artist's signature in the plate. Numbered mention ""16"" in the lower right corner within the engraving. Manuscript notation ""149"" in margin in the upper right corner of the plate. An old manuscript annotation in Greek characters below the plate mark. Crown watermark. Rare and discreet foxing and small dampstains mainly marginal otherwise very fine condition for this extremely rare engraving. Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin 1498 in Heemskerk - October 1 1574 in Haarlem is one of the major portraitists and history painters of the Netherlands. He is famous for his series of the Seven Wonders of the World. S. n. unknown
1587016842: Abraham Ortelius Original 1587 But This A Reprint 1587. 5th or later Edition . No Binding. Near Fine/No Jacket. 19" x 17. Image Size: 18 7/8" X 13 3/4". Text "Cum Privilegio Decennali Ab. Ortelius Delineab. Et Excudeb. 1587" At Lower Right. However This Must Be A Late Eighteenth Century To Twentieth Century Reprint Printed On Wove Paper Sheet Never Placed In An Atlas. Strong Impression And Color Minor Loss Of A Millimeter Depth In A Tiny Area Of Lower Left Margin Otherwise Undamaged. Margins Irregular Up To 1" Deep. Professionally Cleaned And De-Acidified With Archival Materials By A Museum-Experienced Conservator. <br/> <br/> Abraham Ortelius (Original 1587 But This A Reprint) unknown
160029876s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 32.50 x 27.50 cm une feuille Unsigned original engraving probably executed in burin by Claes Jansz Visscher known as Piscator. Proof on watermarked laid paper work from the early 17th century. This is an illustration of the Gospel according to Luke 16.22 ""The poor man died and he was carried by the angels into Abraham's bosom."" Latin caption in the lower portion of the engraving. Numbered notation ""2"" in the lower right corner within the engraving and manuscript notation ""81"" in margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Crown watermark visible by transparency. Rare and minimal marginal foxing small corner stains not affecting the engraving a minimal corner lack otherwise very fine condition for this extremely rare engraving of great freshness. S. n. unknown
160029935s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed in burin by Claes Jansz Visscher called le Piscator after a 16th-century painting by Johannes Stradanus. Impression on watermarked laid paper work from the early 17th century. This is an illustration of a passage from Acts of the Apostles 19.13-16: ""Then certain of the vagabond Jews exorcists took upon them to call over them which had evil spirits the name of the Lord Jesus saying We adjure you by Jesus whom Paul preacheth. And there were seven sons of one Sceva a Jew and chief of the priests which did so. And the evil spirit answered and said Jesus I know and Paul I know; but who are ye And the man in whom the evil spirit was leaped on them and overcame them and prevailed against them so that they fled out of that house naked and wounded."" Latin caption in the lower portion of the engraving. Artists' signatures in the plate. Numbered notation ""29"" in the lower right corner within the engraving. Manuscript notation ""162"" in margin in the upper right corner of the plate. An old manuscript annotation in Greek characters below the platemark. Crown watermark visible by transparency. Minimal foxing and light marginal dampstaining not affecting the engraving otherwise very fine condition for this extremely rare engraving of great freshness. Johannes Stradanus called Giovanni Stradano or Jan van der Straet was a Flemish painter and engraver born in Bruges in 1523 and died in Florence on February 11 1605. After beginning to learn painting from his father and following the latter's death he continued his training in the workshop of Maximiliaan Frank from 1535 to 1537 then in that of Pieter Aertsen in Antwerp from 1537 to 1540. In 1545 he was received as a master in the Antwerp painters' guild. He began a journey through Europe: in France then in Italy where he stayed first in Venice before settling in Florence. There he worked for Cosimo I de' Medici and collaborated with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici and that of the Clement VII room in the Palazzo Vecchio. In 1565 he was part of the teams of painters and sculptors charged under Giorgio Vasari's direction with creating the gigantic décor planned for the entry into Florence of Joanna of Austria on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. S. n. unknown
160029904s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists including Michelangelo Johannes Stradanus contributed to the development of grand Italian historical painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578 he devoted a large part of his activity to engraving. S. n. unknown
160029885s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original unsigned engraving probably executed in burin after a 16th century painting by Maarten de Vos or Martin. Proof on watermarked laid paper early 17th century work. This is an illustration of the Gospel according to Matthew 25.35 ""For I was an hungred and ye gave me meat"". Latin caption in the lower portion of the engraving. Numbered mark ""2"" in the lower right corner in the engraving and manuscript notation ""110"" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Watermark visible by transparency. Tiny marginal foxing and stains a tiny corner lack a trace of corner fold all without affecting the engraving otherwise very fine condition for this extremely rare engraving of great freshness. Maarten de Vos or Martin Antwerp 1532-1603 is a Flemish painter. He was a pupil of Frans Floris then completed his training with Tintoretto. He is known for historical paintings in the Mannerist style notably 'Saint Paul bitten by a viper on the island of Malta' 1568 which is in the Louvre museum in Paris. S. n. unknown
160029897s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed with burin after a 16th-century painting by Maarten de Vos or Martin. Proof on watermarked laid paper early 17th-century work. This is an illustration of the Gospel according to Matthew 25.35 ""I was thirsty and you gave me drink"". Latin caption in the lower part of the engraving. Artist's signature in the plate. Numbered reference ""3"" in the lower right corner of the engraving and manuscript notation ""111"" in the margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark visible by transparency. Rare and minimal foxing and marginal stains not affecting the engraving otherwise very fine condition for this extremely rare engraving of great freshness. Maarten de Vos or Martin Antwerp 1532-1603 was a Flemish painter. He was a pupil of Frans Floris then completed his training with Tintoretto. He is credited with historical paintings in the Mannerist style notably a 'Saint Paul Bitten by a Viper on the Island of Malta' 1568 which is in the Louvre Museum in Paris. S. n. unknown
160029903s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed in burin after a 16th-century painting by Maarten de Vos or Martin. Proof on watermarked laid paper work from the early 17th century. This is an illustration from the Book of Tobit 2.9. in the Old Testament: ""But Tobit fearing God more than the king took away the bodies of those who had been killed hid them in his house and buried them during the night."". Latin legend in the lower part of the engraving. Artist's signature in the plate. Numbered marking ""8"" in the lower right corner of the engraving and manuscript notation ""116"" in the margin in the upper right corner. A manuscript annotation in pencil in Greek characters under the right corner of the plate mark translation of the legend. Watermark visible by transparency. Very rare and minimal foxing mainly marginal a discreet angular fold mark without damage to the engraving otherwise very fine condition for this extremely rare engraving of great freshness. Maarten de Vos or Martin Antwerp 1532-1603 is a Flemish painter. He was a pupil of Frans Floris then completed his training with Tintoretto. We owe him historical paintings in the Mannerist style notably a 'Saint Paul Bitten by a Viper on the Island of Malta' 1568 which is in the Louvre Museum in Paris. S. n. unknown
160029828s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 32.50 x 27.50 cm une feuille Original engraving executed with burin by Harman Jansz van Muller after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin. Proof on watermarked laid paper work from the early 17th century. This is an illustration of the Gospel according to Matthew 5-4 ""Blessed are those who mourn for they will be comforted!"" the second of the eight beatitudes pronounced by Jesus during the Sermon on the Mount. Latin inscription in the lower part of the engraving: ""Macte animo pastus fletu quem moeror & eger Luctus agit; nam te solamina grata manebunt. Rore rigat plantas Christi lachrymosa fideli Magdala hinc venia & sequitur lustratio mentis."". Artists' signatures in the plate. Numbered mention ""2"" in the lower right corner of the engraving and manuscript notation ""40"" in the margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark of a crown visible by transparency. Minimal foxing mainly marginal small corner dampstains without affecting the engraving otherwise very fine condition for this extremely rare engraving of great freshness. Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin 1498 in Heemskerk - October 1st 1574 in Haarlem is one of the major portraitists and history painters of the Netherlands. He is famous for his series of the Seven Wonders of the World. The engraver Harman Jansz van Muller worked with Cornelis Cort also known as Cornelio Fiammingo and may have been his pupil. S. n. unknown
1572170897No place of publication.: 日立製作所. Hitachi Seisakujo. Circa 昭和 35. 1960. 21 pamphlets with colour photographic illustrations varied sizes and pages a few chips and tears but generally in very good condition. This interesting collection of Hitachi home appliances pamphlets from the 1960s covers washing machines black and white televisions refrigerators cooling fans toasters sewing machines electric heaters water pumps and florescent lights. Many of them have stamps of an electric retail shop in Matsuzaka City in Mie Prefecture. The pamphlets provide interesting snap shots on evolution on electric home appliances and their advertisement. Their prices were quite high for ordinary consumers of that period and often exceeded monthly wages. This interesting collection provides not only information but also beautifully illustrates some of the dreams of many aspiring Japanese households at that time. . 日立製作所. [Hitachi Seisakujo]. unknown
160029872s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 32.50 x 27.50 cm une feuille Original engraving executed in burin by Claes Jansz Visscher known as Piscator. Proof on watermarked laid paper work from the early 17th century. This is an illustration of the Gospel according to Luke 16.19-21 ""There was a rich man who was clothed in purple and fine linen and who feasted sumptuously every day. And at his gate lay a poor man named Lazarus covered with sores who desired to be fed with what fell from the rich man's table; moreover the dogs came and licked his sores."" Latin caption in the lower portion of the engraving. Another Latin inscription in the upper right portion of the plate: ""Iesus apostolos docens de divite epulone parabolam dicit."" Artist's signature within the plate. Notation ""K"" in the upper left corner within the engraving numbered notation ""1"" in the lower right corner within the engraving and manuscript notation ""80"" in margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Crown watermark visible by transparency. Rare and minimal marginal foxing small corner stains not affecting the engraving otherwise very fine condition for this extremely rare engraving of great freshness. S. n. hardcover
160029893s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original unsigned burin engraving presumably by Harman Jansz van Muller. Printed on watermarked laid paper in early 17th-century. This is an illustration of the Gospel according to Matthew 25.20-23 ""And he who had received the five talents came forward bringing five talents more saying 'Master you delivered to me five talents; here I have made five talents more.' His master said to him 'Well done good and faithful servant. You have been faithful over a little; I will set you over much. Enter into the joy of your master.' Latin caption in the lower part of the engraving. Numbered references ""5"" at the bottom of the engraving and in the lower right corner in the caption section and manuscript notation ""107"" in the margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark. Rare and discrete foxing to the margins light stains and traces of marginal dampstaining not affecting the engraving a minimal lack of paper to a corner otherwise very fine condition for this extremely rare engraving. The engraver Harman Jansz van Muller worked with Cornelis Cort also known as Cornelio Fiammingo and may have been his pupil. S. n. unknown
160029869s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original unsigned engraving executed in burin probably after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin. Impression on watermarked laid paper work from the early 17th century. This is an illustration of the Gospel according to Matthew 6-12 ""Forgive us our trespasses as we also forgive those who trespass against us."" from the Lord's Prayer. Latin caption in the lower part of the engraving. Numbered mention ""5"" in the lower right corner within the engraving and manuscript notation ""51"" in the margin in the upper right corner. Crown watermark visible by transparency. Minimal foxing and dampstains mainly marginal small corner stains not affecting the engraving two skillful restorations on verso one old repair using a similar paper strip the other using a filmoplast strip otherwise very fine condition for this extremely rare engraving of great freshness. Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin 1498 in Heemskerk - October 1st 1574 in Haarlem is one of the major portraitists and history painters of the Netherlands. He is famous for his series of the Seven Wonders of the World. S. n. unknown
160029926s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33.50 x 27.50 cm une feuille Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen. Printed on watermarked laid paper in the early 17th century. This is an illustration of a passage from the Acts of the Apostles 5.19-20: ""But the angel of the Lord by night opened the prison doors and brought them forth and said Go stand and speak in the temple to the people all the words of this life."" Latin caption in the lower portion of the engraving. Artist's signature in the plate. Numbered notation ""10"" in the lower right corner within the engraving. Manuscript notation ""143"" in the margin in the upper right corner of the plate. An early manuscript annotation in Greek characters below the plate mark. Crown watermark. Occasional light foxing and small dampstains mostly in the margins otherwise very handsome condition for this extremely rare engraving. Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck Marten Maerten Martin 1498 in Heemskerk - October 1 1574 in Haarlem is one of the major portraitists and history painters of the Netherlands. He is famous for his series of the Seven Wonders of the World. S. n. unknown
1574016807Venice / Vinetia/ Padovano: Girolamo Porro 1574. First Edition 1st Printing. Disbound. Very Good. Title Page And All Nine Full Page Portraits A Set Of These Plates Only Without The Pages Of The Book Trimmed Close To Plate Mark Each Approximately 8 1/4" X 6"; This Item Includes The Plates Only Excised From The Book Which Is Not Present. All Editions Of The Book Are Rare; These Detached Plates Were Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Very Short Tear At Left Edge Of Title Page Otherwise All Plates Well Preserved. <br/> <br/> Girolamo Porro unknown
1552GT898Lyon: Seb. Gryphium 1552. Hardback. Vg. 16mo. 419 iii pp.Later full calf brown binding with blind rules to the spine and a label 'Ariani'. A sound copy. Thestory of Alexnader the Great 356-323 BC and the history of Iran to 640 AD. etc. 12cms. Numbers 383-384 repeated in the pagination. Some damp evidence but complete. <br/> <br/> Seb. Gryphium hardcover
160029888s. l. Hollande Holland: S. n. 1600. Fine. S. n. s. l. Hollande Holland Circa 1600 33 x 27.50 cm une feuille Original engraving executed in burin by Harman Jansz van Muller. Proof on watermarked laid paper early 17th century work. This is an illustration of the Gospel according to Matthew 25.16-17 ""Then he that had received the five talents went and traded with the same and made them other five talents. And likewise he that had received two he also gained other two."" Latin caption in the lower portion of the engraving. Artist's signature in the plate. Character mark ""Z"" at bottom in the engraving numbered mark ""2"" in the lower right corner in the caption area and manuscript notation ""104"" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Watermark visible by transparency. Discreet marginal foxing a small corner dampstain not affecting the engraving a tiny corner lack otherwise very fine condition for this extremely rare engraving of great freshness. The engraver Harman Jansz van Muller worked with Cornelis Cort also known as Cornelio Fiammingo and may have been his pupil. S. n. unknown
