Musique

Capelle, Pierre et les auteurs du Journal des Gourmands et des BellesBiblio.com

Le Caveau Moderne ou le Rocher de Cancalle Chansonnier de Table

1807CAT000099Paris: Capelle et Renand 1807. First Edition. Hardcover Full Leather. Good Condition. A mixed set 11 volumes published 1807-1817. Volumes 2-10 in full acid calf worn spines dry and chipped one board detached others loose volume 1 in later half vellum and volume 11 in original wraps worn and chipped. A complete run of this annual of food and drink associated poetry and song. Volume 4 with a portrait of Marc-Antoine-Madeleine Désaugiers who wrote most of the songs laid down and each volume with an engraved frontispiece. Size: 12mo duodecimo. 11-volume set complete. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Cooking Wine & Dining; Music. Inventory No: CAT000099. Capelle et Renand hardcover

Pazzo Books · États-Unis1 150,00 $US≈ 973,02 €

Locke, Arthur WareBiblio.com

Smith College Monographs No. 2 Selected List of Choruses for Women's Voices

w6435Northampton: Smith College. Very Good. 1946. Hardcover. 8vo 8" - 9" tall; 237 pages; No Dust Jacket Book Tight Library Binding Text is clean no markings seen; BX223 . Smith College hardcover

Ye Old Bookworm · États-Unis1 150,00 $US≈ 973,02 €

Biblio.com

Albanian Village Music Recorded in Tirana in 1930

199800002532Interstate Music LTD 1998. CD_music. As New. r. This is a rare CD not a book. The code number is HT CD 40. Priced on Amazon at $902. Interstate Music, LTD unknown

Millbury Books · États-Unis1 125,00 $US≈ 951,86 €

I [Johann] Ph [Phillipp] KirnbergerBiblio.com

GRUNDSATZE DES GENERALBASSES ALS ERSTE LINIEN ZUR COMPOSITION

179350100Vienna / Wien: Musicalische-Typographische Gesellschaft 1793. Hardcover. Very good. 7 x 9 inches. 6 88 pages of text followed by 'Noten-Beispeile zu Kirnberger's Grundsatze des General Basses in Drei Abtheilungen - three sections of music 13 18 & 15 pages in length 2. Text in german. No date circa 1793. Period binding half brown morocco over marbled boards gilt decoration on spine red leather spine label. Condition is Very Good; moderate wear to spine edges and corners boards rubbed it looks like someone has gone over some of the printed title page in black ink text pages have light to moderate toning pencil underlining and marginal lines on about a dozen pages of text music pages are not toned and are unmarked but have light water-stains on upper 1/3 of pages binding is tight. RRGR Musicalische-Typographische Gesellschaft hardcover

Andre Strong Bookseller · États-Unis1 100,00 $US≈ 930,71 €

[VOCAL MUSIC - Sacred - Early 17th Century - Manuscript]Biblio.com

Manuscript musical settings for 5 voices. Altus part only. Italian first half of the 17th century

39522Large oblong octavo ca. 186 x 257 mm. Notated on six 5-line rastrum-ruled staves in black ink on both sides of a single leaf. Some light foxing and staining; edges worn with tears resulting in minor loss of music. The music on the recto "Et in terra pax hominibus" and "Qui tollis peccata mundi" is composed in a somewhat chant-like style mostly syllabic with only occasional miniature melismas. The music on the verso two settings of "Kyrie eleison" and one of "Christe eleison" is more flowing with more frequent scales contrasts in vocal range and shifts in melodic contour. The initial letters of each movement are executed in an ornamental calligraphic script. An attractive 17th century document revealing a variety of text-setting strategies and styles. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis1 093,00 $US≈ 924,79 €

Liturgical musicBiblio.com

Leaf from a Gradual

12523Arezzo: Second Master of the Cortona Antiphonaries 1260. This fragment belongs to the Common of Saints section of A CHOIR BOOK PRODUCED FOR THE FRANCISCAN CONVENT AT CORTONA. The initial's whimsical decoration and color palette match those of a group of codices realized in the same Arezzo workshop by at least three collaborating artists. The distinctive "ribbon of parchment tinted with egg white" inserted between the letter and its internal ornamentation Degl'Innocenti Gambuti tr. identifies our fragment's decoration THE WORK OF THE SECOND MASTER OF THE CORTONA ANTIPHONARIES responsible for at least four other choir books still preserved between Cortona and Arezzo. The recto begins with three Alleluia verses followed by the Offertory chant Confitebuntur caeli mirabilia tua domine. The rubric on the bottom right corner of the page introduces the Introit section and specifies its liturgical context: Mass celebrating the feast of a generic group of martyrs from Easter to Pentecost. The decorated S marks the beginning of the Introit antiphon Sancti tui domine benedicent te which continues on the verso with the verse Exaltabo te deus meus followed by another verse: Sancti tui domine florebunt a chant more typically used for the Lauds Office. The erased note next to this last piece may have been signaling this uncommon use. In nice condition blue and green pigments faded or abraded a 6 mm. marginal tear not affecting text three later pencil corrections to the music a later marginal note 7º in red crayon traces of adhesive tape on the verso. ¶Degl'Innocenti Gambuti "Sulle tracce di una scuola miniatooria aretina" in I Codici miniati medievali della biblioteca comunale e dell'accdemia etrusca di Cortona 44-6; Passalacqua I Codici liturgici miniati dugenteschi nell'Archivio Capitolare del Duomo di Arezzo 97-8. Second Master of the Cortona Antiphonaries] unknown

Bruce McKittrick Rare Books · États-Unis1 093,00 $US≈ 924,79 €

Liturgical musicBiblio.com

Leaf from a Gradual

12524Arezzo: Second Master of the Cortona Antiphonaries 1280. This fragment belongs to the Common of Saints section of A CHOIR BOOK PRODUCED FOR THE FRANCISCAN CONVENT AT CORTONA. The initial's whimsical decoration and color palette match those of a group of codices realized in the same Arezzo workshop by at least three collaborating artists. The distinctive "ribbon of parchment tinted with egg white" inserted between the letter and its internal ornamentation Degl'Innocenti Gambuti tr. identify our fragment's decoration as THE WORK OF THE SECOND MASTER OF THE CORTONA ANTIPHONARIES responsible for at least four other choir books still preserved between Cortona and Arezzo. The long text block on the recto lists rubrics and incipits of liturgical chants for Mass to be sung on various generic feasts. The chants include Offertory Communion and Tract for celebrations of a single male saint single female saint or multiple saints falling either between Septuagesima Sunday and Holy Wednesday or between Easter and Pentecost. Introit Gradual and Tract for Masses dedicated to St Benedict 21 March and the Annunciation 25 March are also given noting that the Tract must be substituted with two Alleluias if the feasts fall after Easter. The decorated A marks the beginning of the Annunciation Tract Audi filia et vide et followed on the verso by the verse Vultum tuum deprecabuntur omnes divites and the first letters of the verse Adducentur regi virgines post eam. The first two lines of music on the recto above the text block are the ending of a Gradual for the Common of Martyrs: Beatus vir qui timet dominum. In nice condition blue and green pigments faded or abraded red pigment and some brown ink on the recto mildly flaked. ¶Degl'Innocenti Gambuti "Sulle tracce di una scuola miniatoria aretina" in I Codici miniati medievali della biblioteca comunale e dell'accdemia etrusca di Cortona 44-6; Passalacqua I Codici liturgici miniati dugenteschi nell'Archivio Capitolare del Duomo di Arezzo 97-8. Second Master of the Cortona Antiphonaries] unknown

Bruce McKittrick Rare Books · États-Unis1 093,00 $US≈ 924,79 €

TWENTIETH CENTURY MUSIC COLLECTIONBiblio.com

An interesting collection of 142 editions of 20th century music predominately full scores in study and miniature format but also including some folio editions. Together with a small sampling of chamber and piano music

41186Most items from the collection of noted musicologist Stanley Boorman b. 1939 specialist in early music; music bibliography printing and publishing; and author of the monumental Ottaviano Petrucci: A Catalogue RaisonnÃ© some with his small neat signature and occasional minor annotations. In very good antiquarian condition overall with occasional minor defects including minimal signs of wear creasing soiling detached wrappers etc. Contents as follows: 1. ANDRIESSEN Hendrik 1892-1981 Ballade voor Hobo en Piano 1952. Amsterdam: Donemus Â©1953. Folio. Wrappers. 10 pp. 1f. blank. 2. ANDRIESSEN Pastorale voor fluit viol en piano. Amsterdam: Donemus Â©1948. Folio. Wrappers. 12 pp.; 2 pp. of a bifolium violin; 2 pp. of a bifolium flute. 3. BADINGS Henk 1907-1987 Cavatina voor een melodie-instrument met pianobegeleiding. Parts. Amsterdam: Donemus Â©1952. Folio. Wrappers. 8; 2 pp. Reproduction of the composer's manuscript. 4. BANTOCK Granville 1868-1946 Serenade "In the Far West" for string orchestra . Full score M. 6.- n. Parts each M.1.20 n. Full score. New York: Breitkopf & HÃ¤rtel PN 2338 1912. Folio. Original publisher's light green printed wrappers with titling to upper within decorative blue board publisher's advertisements to lower. 1f. recto title 37 i blank pp. With printed dedication to Edward Steel Harper to head of title. Wrappers worn and chipped; detached. Slightly browned; some creasing and chipping to edges; handstamp "Music Div. 2nd Copy Not to leave the Library" to corner of upper wrapper. First Edition. The present Serenade was composed in 1912. "Bantock's compositional output was prodigious and from the turn of the 20th century to his death in 1946 he poured out apparently effortlessly orchestral and choral works piano and chamber music compositions for brass band and hundreds of songs. .Gradually Bantock's music passed out of fashion for reasons easily understood: Bantock was strongly influenced by Wagner and Richard Strauss but failed to find a consistently distinctive musical language of his own. He never adopted the advanced harmonic idiom of Tristan let alone Salome or Elektra. His harmonic style suggests rather such works as Der fliegende HollÃ¤nder and Guntram. It is based on common chords and diatonic discords; the complex chromatic suspensions of Tristan are outside its scope as is the dissonant counterpoint of Strauss's more advanced works. His obsession with pseudo-eastern subjects was also a handicap since it was the theatrical east of magnificent processions the gigantic and the gaudy that attracted him; and although he travelled to several Asian countries the subtlety and restraint of oriental thought escaped him." Peter J. Pirie David Brock and Andrew King in Grove Music Online 5. BARBER Samuel 1910-1981 Collected Songs For High Voice. Ed. 2167. New York / London: G. Schirmer Â©1980. Folio. Wrappers. 137 i blank pp. 6. BARTÃ“K Bela 1881-1945 BB 39. Suite No. 1 for Orchestra. Op. 3. Study score. London: Boosey & Hawkes Â©1956. Small octavo. Wrappers. 2ff. title notes 188 pp. Hawkes Pocket Scores 794. Reproduction of the score published by Editio Musica Budapest PN Z. 1022. 7. BARTÃ“K BB 52. String Quartet No. 1 Op. 7. Study score. London: Boosey & Hawkes 1969 Â©1956. Small octavo. Wrappers. 39 pp. Hawkes Pocket Scores 824. Reproduction of the score published by Editio Musica Budapest PN Z. 1585. 8. BARTÃ“K BB 110. Streichquartett V VonÃ³s nÃ©gyes - String Quartet. Study score. Wien: Philharmonia W.Ph.V. 167; Universal Edition U.E. 10736 1963 Â©1936. Small octavo. Wrappers. 92 pp. Text in German English and French by GyÃ¶rgy Ligeti. Reprint. 9. BARTÃ“K BB 119. Sixth String Quartet. Study score. London: Boosey & Hawkes PN B. & H. 8437 1965 Â©1941. Small octavo. Wrappers. 1f. title 46 pp. Hawkes Pocket Scores 25. With "10-65 L & B" at conclusion. 10. BEDFORD David 1937-2011 Music for Albion Moonlight Four Poems by Kenneth Patchen for soprano and six instruments. Score. London: Universal Edition U.E. 14162 L 1966. Oblong folio. Wrappers. 2ff. 28 pp. With performance instructions. First Edition. 11. BEDFORD Two Poems for Chorus On words of Kenneth Patchen "The Love Poems" City Light Books San Francisco. Score. London: Universal Edition UE 14705 L Â©1967. Large folio. 1f. 32 pp. With performance instructions in English and German. No title as issued. Reproduced from the composer's manuscript. First Edition. 12. BEDFORD Gastrula. Study score. London: Universal Edition PN UE 14679 L Â©1969. Octavo. Wrappers. 3ff. title instrumentation notes 41 pp. Reproduced from the composer's manuscript. First Edition first issue. 13. BERKELEY Lennox 1903-1989 Partita for Chamber Orchestra. Op. 66. Study score. London: J. & W. Chester PN J.W.C. 289 Â©1966. Large octavo. Wrappers. 1f. title 48 pp. 14. BLOMDAHL Karl-Birger 1916-1968 Sisyphos Choreographic Suite for orchestra 1954. London: Schott & Co. 5897 1967. Octavo. Wrappers. 1f. 87 pp. 15. BRITTEN Benjamin 1913-1976 Twelve Variations for solo piano 1931. London: Faber Music Limited Â©1986. Folio. Wrappers. 14 pp. 16. BRITTEN Op. 68. Symphony for Cello and Orchestra. Study score. London: Boosey & Hawkes PN B. & H. 19205 1964 Â©1963. Small octavo. Wrappers. 2ff. title instrumentation 115 pp. Hawkes Pocket Scores 759. With "9. 64 E." printed at conclusion. First Edition possible first issue. Banks p. 126. BTC 1114. 17. BRUCH Max 1838-1920 and Ernest Bloch 1880-1959 Bruch's "Kol Nidrei" and Bloch's "Schelomo" for Cello and Orchestra in Full Score. New York: Dover n.d. Folio. 105 i blank pp. 18. CARTER Elliott 1908-2012 Double Concerto for Harpsichord and Piano with Two Chamber Orchestras. Full score. New York: Associated Music Publishers AMP 8075 1994 Â©1964. Small folio. Wrappers. ix 168 pp. Fine. Re-issue of the 1st edition. 19. CARTER Holiday Overture 1944/61. Study score. New York: Associated Music Publishers PN AMP-96119-68 Â©1962. Large octavo. Original publisher's light gray wrappers printed in dark green. 70 2 pp. Catalogue of Carter's works to last page. First Edition. "The new simplicity and American quality of Copland's Billy the Kid 1936 set a pattern which many American composers including Carter would follow in the next decade. Carter's simplified style appears in the First Symphony 1942 rev. 1954 . and the Holiday Overture 1944 rev. 1961 which begins like Piston and ends like Ives; typically both works were considered difficult despite Carter's effort to write in the populist manner. . Hints of Carter's later style can be found in. the explosive counterpoint of the Holiday Overture." David Schiff and Mark R. Porcaro in Grove Music Online 20. CARTER String Quartet 1951. Study score. New York: Associated Music Publishers AMP 95544-119 1956. Small octavo. Wrappers. 121 pp. Second edition. 21. CARTER String Quartet No. 3. Study score. New York: Associated Music Publishers AMP 7303 1973. Large octavo. Wrappers. 1f. 94 pp. First Edition. Awarded the Pulitzer Prize for Music 1973. 22. CARTER String Quartet No. 4. Full score. New York: Hendon Music; Boosey & Hawkes PN HPS 1130 1989 Â©1986. Small folio. Wrappers. 2ff. title notes 59 pp. Hawkes Pocket Scores 1130. First engraved edition earlier printings were holograph reproductions. 23. COPLAND Aaron 1900-1990 In the Beginning. For Mixed Chorus a Cappella with Mezzo-soprano Solo. Choral Score. London Boosey & Hawkes Â©1947. Small quarto. Wrappers. 56 pp. 24. DALLAPICCOLA Luigi 1904-1975 Tre poemi. Study score. Mainz: Ars Viva AV 62 1960. Small octavo. Wrappers. 3ff. 23 pp. 35498 25. DANIELPOUR Richard b. 1956 The Enchanted Garden Preludes Book I. Solo Piano. Associated Music Publishers June 1993. Folio. Wrappers. 35 i blank pp. 26. DAVIES Peter Maxwell 1934-2016 Op. 19. First Fantasia on an In Nomine of John Taverner for orchestra. Study score. London: Schott & Co. PN S. & Co. 6488 Â©1966. Octavo. Wrappers. 1f. title instrumentation 38 pp. Edition Schott 10818. 27. DAVIES Op. 72. The Martyrdom of St Magnus Das Martyrium des heiligen Magnus. A Chamber Opera in Nine Scenes. Study score. London: Boosey & Hawkes PN B. & H. 20810 Â©1987 1977. Large octavo. Wrappers. 4ff. title synopsis instrumentation 170 pp. Text in English and German. Hawkes Pocket Scores 1141. Libretto by the composer after the novel Magnus by George Mackay Brown. German translation by GÃ¼nther Bauer-Schenk. 28. DAVIES Op. 119. Symphony No. 3. Study score. London: Boosey & Hawkes PN B. & H. 20747 1987 Â©1985. Large octavo. Wrappers. 1f. title instrumentation 266 pp. Hawkes Pocket Scores 1114. "First printing 1987 United Kingdom" to verso of title. 29. DEBUSSY Claude 1862-1918 1er Quatuor pour 2 Violons Alto et Violoncelle. Paris: A. Durand & Fils n.d. Small quarto. Black cloth boards. 50 pp. 30. DEBUSSY Danses. I. Danse SacrÃ©e. II. Danse Profane pour Harpe chromatique ou Harpe Ã Pedales ou Piano avec acct. d'orchestre d'instruments Ã cordes. Paris: Durand & Cie. Â©1910.Small quarto. Light blue wrappers. 28 pp. 31. DEBUSSY Iberia "Images" pour Orchestre No. 2. Full score. Paris: Durand & Cie PN D. & F. 7576 January 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. recto title verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments 110 pp. A re-issue from plates of the first edition. Lesure p. 127. 32. DEBUSSY Jeux. PoÃ¨me dansÃ©. Partition d'Orchestre. Paris: Durand & Cie. Â©1914. Small quarto. Gray wrappers. 118 pp. 1f. recto printer's note verso blank. 33. DEBUSSY Nocturnes Nouvelle edition 1930. I. Nuages. II. FÃªtes. III. SirÃ¨nes . Partition d'Orchestre. Paris: SociÃ©tÃ© des Ã‰ditions Jobert PN JJ 419 1964. Large octavo. Ivory wrappers. 111 i publisher's catalogue pp. 34. DEBUSSY PrÃ©lude Ã l'aprÃ¨s midi d'un faune Partition d'orchestre. Paris: Editions Jobert PN E. 1091 F. Â©1922. Small quarto. Light brown wrappers printed in orange. 31 i printer's note pp. Analytical notes throughout. 35. DELIUS Frederick 1862-1934 Sea Drift for Baritone Solo Mixed Chorus and Orchestra. Poem by Walt Whitman. German translation by Jelka Rosen. This edition is a reprint in reduced format of the full score edited and revised by Sir Thomas Beecham and published in 1951. A few misreadings and errors have been corrected. London . Boosey & Hawkes Â©1952. Small quarto. Wrappers. 83 i blank pp. 36. DELIUS Two Pieces for Small orchestra . On Hearing the First Cuckoo in Spring . Summer Night on the River . Price 3/6/. London: Oxford University Press Â©1930. Octavo. Wrappers. 14 pp. 37. DISTLER Hugo 1908-1942 MÃ¶rike-Chorliederbuch: Gesamtausgabe. Kassel: BÃ¤renreiter BA 1515 1966. Large octavo. Wrappers. 144 pp. 38. DUKAS Paul 1865-1935 Ariane et Barbe-Bleue. Conte en Trois Actes. PoÃ¨me de Maurice Maeterlinck . Partition d'Orchestre. Paris: Durand & Cie. Â©1907. Small quarto. Ivory wrappers. 572 pp. 39. DUKAS Symphony in C Major. Melville N.Y.: Belwin Mills n.d. Small quarto. Yellow wrappers. 215 i blank pp. Kalmus Miniature Scores 1469. 40. EGGE Klaus 1906-1979 Symphony no. 1 op. 17. Oslo: Harald Lyche & Cos. Musikkforlag Â©1946. Small quarto. Blue printed boards. 148 pp. Edition Lyche Nr. 101. 41. EGK Werner 1901-1983 La Tentation de Saint Antoine d'aprÃ¨s des airs et des vers du 18e siÃ¨cle pour alto quatuor Ã cordes et orchestre Ã cordes. Study score. Mainz: B. Schott's SÃ¶hne B.S.S 37095a; 4559 1956. Octavo. Wrappers. 1f. 72 pp. 42. EBEN Petr 1929-2007 Laudes Pro Varhany 1964. For organ solo. Praha: Panton 1975. Folio. Wrappers. 40 pp. 43. EINEM Gottfried von 1918-1996 Dantons Tod. Eine Oper in zwei Teilen sechs Bildern frei nach George BÃ¼chner. Text eingerichtet von Boris Blacher und Gottfried v. Einem. Study score. Wien: Universal Edition UE 13197; UE 11817 Â©1961. Large octavo. Publisher's red leatherette titling gilt to upper and spine. 2ff. 507 pp. Text in German. Reduced size reprint of the first edition full score. 44. ELGAR Edward 1857-1945 Op. 36. Variations on an original Theme for Orchestra. London: Novello and Company Limited Â©1899. Small quarto. Light brown publisher's wrappers. 128 pp. 45. ELGAR Op. 38. The Dream of Gerontius by Cardinal Newman. Set to Music for Mezzo-Soprano Tenor and Bass Soli Chorus and Orchestra . Book of Words with Analytical and Descriptive Notes by A.J. Jaeger. London: Novello and Company Limited n.d. Small quarto. Wrappers. 51 pp. 46. ELGAR Op. 38. The Dream of Gerontius by Cardinal Newman. London: Novello and Company Limited Â©1928. Small quarto. Wrappers. 212 pp. 47. ELGAR Op. 40. Cockaigne in London Town. Concert Overture. London . Boosey & Hawkes Ltd. PN 101 H. 3239 Â©1942. Small quarto. Light brown wrappers printed in dark green. 71 i blank pp. Hawkes Pocket Scores. 48. ELGAR Op. 85. Concerto for Violoncello and Orchestra. London: Novello and Company Limited Â©1921 PN 14737. Small quarto. Wrappers. 104 pp. 49. ENESCO Georges 1881-1955 Roumanian Rhapsody No. 1. A Major. Op. 11. New York: M. Baron Co. n.d. Small quarto. Wrappers. 91 v publisher's catalogue pp. Ex libris American composer Brian Leo Fennelly 1937-2015 with his small handstamp to upper wrapper. 50. GERHARD Roberto 1896-1970 Concerto for Orchestra. Study score. London: Oxford University Press Â©1965. Large octavo. Wrappers. 3ff. 153 pp. First Edition. Out of print now rental only. 51. GERHARD Dances from Don Quixote. Study score. London: Keith Prowse Â©1964. Large octavo. Wrappers. i 79 pp. 52. GERHARD Hymnody. For seven wind instruments percussion and two pianos. Study score. London: Oxford University Press Â©1965. Large octavo. Wrappers. 2ff. 100 pp. First Edition. Out of print now rental only. 53. GIELEN Michael 1927-2019 Musica per archi pianoforte baritono trombone e timpani. Parole dell' Interludio di Paul Claudel: "Le soulier de satin". Full score. Wien: Universal Edition U.E. 12518 1958. Folio. Wrappers. 1f. 64 pp. 54. GILBERT Anthony b. 1934 Op. 10. Nine or Ten Osannasfor clarinet horn violin cello piano 1967. Study score. London: Schott & Co. 6807; Edition Schott 11066 1969. Octavo. Wrappers. 2ff. 39 pp. 55. GINASTERA Alberto 1916-1983 Op. 26. 2do. Cuarteto de Cuerdas RevisiÃ³n 1968. Study score. Buenos Aires: Barry B & C 1006 Â©1968. Small octavo. Wrappers. 72 pp. First Edition of the revised version. 56. HÃ–LLER Karl 1907-1987 Op. 56. Sweelinck-Variationen "Mein junges Leben hat ein End" fÃ¼r Orchester. Study score. Mainz: B. Schott's SÃ¶hne B.S.S 38011a; 4062 1952. Octavo. Wrappers. 1f. 111 pp. With original Musica Nova series overwraps. 57. IVES Charles 1874-1954 Central Park in the Dark Edition prepared by Joh Kirkpatrick and Jacques-Louis Monod . Study Score. Hillsdale New York: Mobart Music Publications Inc. PN B-B 22 Â©1978. Octavo. Yellow wrappers. 30 1f. printed notes by Ives etc. 58. IVES Scherzo for 2 Violins Viola and 'Cello. New York . Peer International Corporation . Â©1958. Octavo. Gray wrappers. 6 pp. Loose in wrappers. With publisher's catalogue to verso of lower wrapper. 59. IVES String Quartet No. 1 for 2 Violins Viola and 'Cello. New York: Peer International Corporation . PN 724-28 Â©1963. Octavo. Gray wrappers. 30 pp. 1f. blank. With publisher's catalogue to verso of lower wrapper. 60. IVES String Quartet No. 2 for 2 Violins Viola and 'Cello. New York: Peer International Corporation . PN 293-26 Â©1954. Octavo. Gray wrappers. 27 i blank pp. With publisher's catalogue to lower wrapper. 61. JANÃÄŒEK LeoÅ¡ 1854-1928 PrÃhody liÅ¡ky bystrouÅ¡ky Das Schlaue FÃ¼chslein . Klavierauszug mit Singstimmen Bretislav Bakala. Piano-vocal score. Wien: Universal Edition U.E. 7564 1969 Â©1952. Large octavo. Wrappers. 183 pp. Reprint. 62. JANÃÄŒEK Quartetto II Listy Duverne - Intimate Letters. Study score. Praha: Editio Supraphon H 4261 1988 Â©1938. Small octavo. Wrappers. vi 49 pp. Reprint. 63. JANÃÄŒEK Sinfonietta Das Schlaue FÃ¼chslein . Klavierauszug mit Singstimmen Bretislav Bakala. Study score. Wien; Praha: Universal Edition U.E. 8680; W.Ph.V. 224; Editio Supraphon 1967 Â©1954. Small octavo. Wrappers. 115 pp. Reprint. 64. JANÃÄŒEK JÃlek FrantiÅ¡ek arr. Suita z opery Z mrtvÃ©ho domu Suite aus der Oper Aus einem Totenhaus - Suite of the Opera From the House of the Death. Study score. Praha Wien: Editio Supraphon H 7506; Universal Edition UE 19531 Â©1990. Large octavo. 140 pp. First Edition. 65. JONGEN Joseph 1873-1953 Mass Op. 130. Vocal score. Oxford University Press 1990. Small folio. Wrappers. 80 pp. Edited by John Scott Whitely and Tom Cunningham. 66. KABALEVSKY Dmitry 1904-1987 Op. 38. 24 Preludes Edited with special annotations by Leo Smit. Solo piano. New York: Leeds Music Corporation Â©1947. Small folio. Wrappers. 73 pp. Wrappers somewhat worn; partially split at spine. 67. KAGEL Mauricio 1931-2008 Die Himmelsmechanik Komposition mut BÃ¼hnenbildern. Libretto/Partitur. Score. London: Universal Edition UE 13520 LW Â©1967. Large Quarto. Decorative wrappers. 2ff. 9 1 pp. Text in German. Reproduction of the composer's manuscript. First Edition first issue. 68. KAGEL Match fÃ¼r drei Spieler 2 violoncelli 1 schlagzeuger. Score. London: Universal Edition UE 14543 LW Â©1967. Oblong quarto. Wrappers. 24 pp. Performance instructions in German English and French. First Edition first issue. 69. KAGEL Sexteto de cuerdas. Study score. London: Universal Edition UE 13022 LW Â©1962. Small octavo. Wrappers. viii 28 pp. Performance instructions in German English and French. For string sextet: 2 violins 2 violas 2 cellos. 70. KAGEL Sonat fÃ¼r Gitarre Harfe KontrabaÃŸ und Fellinstrumente - for guitar harp double bass and membranophones - pour guitare harpe contrebasse et instruments Ã¡ peau 1960. Study score. Frankfurt: Henry Litolff's Verlag; C.F. Peters 30224; Nr. 5972 Â©1964. Large octavo. Wrappers. 10 parts laid in: Instructions 35 pp.; Nomenclature 5 folding leaves; Faites votre jeu I 8 pp.; Faites votre jeu I 7 pp.; Faites votre jeu II 7 pp.; Marquez le jeu 4 pp.; PiÃ¨ce touchÃ©e piÃ¨ce jouÃ©e 7 pp.; PiÃ¨ce de rÃ©sistance 4 pp.; Fin I 2 pp.; Fin II 31 pp. Instructions and text in German English and French. 71. KALABIS Viktor 1923-2006 Op. 24. SymfonickÃ© variace Variazioni sinfonici per grande orchestra. Study score. Praha-Bratislava: Panton P 533 Â©1966. Small octavo. Wrappers. viii 48 pp. Preface in Czech German English and French. First Edition. 72. KALABIS Op. 25. Concerto per grande orchestra. Study score. Praha: Panton P 915 1969. Large octavo. Wrappers. 190 pp. Preface in Czech German English and French. First Edition. 73. KALABIS Op. 34. IV. Symfonie. Full score. Praha: Editio Supraphon H 5637 Â©1974. Folio. Wrappers. 184 pp. Preface in Czech and German. First Edition. 74. KERNIS Aaron Jay b. 1960 Musica Celestis Arranged from String Quartet by the composer. Full score. New York: Associated Music Publishers AMP-8077 1994 Â©1992. Small folio. Wrappers. 14 pp. 75. KODÃLY ZoltÃ¡n 1882-1967 Op. 2. I. VonÃ³snÃ©gyes Quartetto d'archi N. I. Study score. Budapest: ZenemukiadÃ³ VÃ¡llalat Z. 1013 1954. Small octavo. Wrappers. xvi 51 pp. Preface by PÃ¡l JÃ¡rdÃ¡nyi in Hungarian Russian German English and French. 76. KODÃLY Concerto for Orchestra. Study score. Budapest: Editio Musica Budapest Z. 2665 1958. Small octavo. Wrappers. 101 pp. 77. KUBIÄŒKA Miroslav b. 1951 I. Symfonie. Full score. Praha: Panton P 2561 1988. Quarto. Wrappers. 54 pp. Reproduction of manuscript. First Edition. Out of print. 78. LEEUW Ton de 1926-1996 Trio voor fluit klarinet en piano. Parts. Amsterdam: Donemus Â©1953. Small folio. Wrappers. 22; 6; 6 pp. 79. LIEBERMANN Rolf 1910-1999 Concerto for Jazz Band and Symphony Orchestra. Score. Wien . Universal Edition PN U.E. 121353/12358 Â©1954. Small quarto. 127 i blank pp. 80. LUTOSÅAWSKI Witold 1913-1994 I Symfonia 1st Symphony - 1. Sinfonie - 1re Symphonie. Study score. KrakÃ³w: Polskie Wydawnictwo Muzyczne PWM-2624 1980 Â©1957. Octavo. Wrappers. 132 pp. First Edition fourth issue. 81. LUTOSÅAWSKI Wariacje symfoniczne Symphonic Variations. Study score. KrakÃ³w: Polskie Wydawnictwo Muzyczne PWM-5771 1990. Octavo. Wrappers. 45 pp. First Edition fourth issue. 82. MAHLER Gustav 1860-1911 Das Lied von der Erde. Eine Symphonie fÃ¼r eine Tenor- und eine Alt- oder Bariton- Stimme und Orchester . Partitur. Revidierte Ausgabe. Wien: Universal Edition PN U.E. 3392. 3637. Â©1964. Quarto. Light blue wrappers printed in dark blue. 146 pp. Band IX SÃ¤mtliche Werke. Kritische Gesamtausgabe. 83. MAHLER Symphony No. 2 in C Minor. Kalmus Miniature Orchestra Scores No. 154. N.p.: Edwin F. Kalmus n.d. Large octavo. 209 i blank pp. 84. MAHLER Symphonie II . Revised version. Wien: Universal Edition PN U.E. 2933 W. Ph. V. 395 Â©1952. Small quarto. Green wrappers. 209 i blank pp. Philharmonia No 395. 85. MAHLER Symphonie Nr. 6 in vier SÃ¤tzen fÃ¼r grosses Orchester. Partitur. Revidierte Ausgabe. Lindau: C.F. Kahnt PN 4526 Â©1963. Quarto. Light blue wrappers printed in dark blue. 263 i blank pp. Band VI SÃ¤mtlioche Werke. Kritische Gesamtausgabe. 86. MAHLER Symphony No. 9. Score. Wien . Universal Â©1952. Small quarto. 182 pp. 87. MARTIN Frank 1890-1974 Petite Symphonie Concertante pour Harpe Clavecin Piano et deux orchestres Ã cordes. Study score. Wien-London: Philharmonia; Universal Edition W.Ph.V. 385 1959 Â©1947. Small octavo. Wrappers. 2ff. 6 150 pp. Notes in German French and English. Smaller format reprint of the first edition. 88. MEALE Richard 1932-2009 Homage to Garcia Lorca. Study score. London: Boosey & Hawkes PN B. & H. 19426 1967 Â©1966. Small octavo. Wrappers. 2ff. title notes 84 pp. Hawkes Pocket Scores 791. With "5. 67. E" at conclusion. 89. MEDTNER Nikolay 1880-1951 Op. 58 No. 2. Knight-Errant for Two Pianos. London: Augener 17938 R Â©1946. Folio. Wrappers. 44 pp. each. 90. MEYER Krzysztof b. 1943 Koncert na wiolonczelÄ™ i orkiestrÄ™. Full score and part. Concerto for Cello and Orchestra. KrakÃ³w: Polskie Wydawnictwo Muzyczne PN PWM-7520 Â©1973. Folio. Illustrated wrappers. 107 1 blank pp. solo cello part: 23 1 blank pp. With abstract illustration by Janusz Wysocki to upper wrapper. First Edition first issue. Commissioned by and dedicated to Mstislav Rostropovich. 91. MEYER Quartettino per soprano flauto violoncello e pianoforte. Study score. KrakÃ³w: Polskie Wydawnictwo Muzyczne PWM-6798 1976 Â©1969. Small octavo. Wrappers. 13 pp. First Edition second issue. 92. MIGOT Georges 1891-1976 Le livre des danceries quatre piÃ¨ces pour orchestre. Full score. Paris: Alphonse Leduc PN 17833 1931. Folio. Original publisher's ivory printed wrappers with titling within ruled border to upper. 1f. recto title verso blank 1f. recto instrumentation verso blank 94 pp. Printed dedication: "a Madame Emma Leduc-Ravina." Contains: 1. Introduction - 2. Gai - 3. Religieux - 4. Conclusion. Wrappers very slightly worn and soiled; spine reinforced with white linen tape; price stamped to upper corner with "Printed in France" to lower inner corner. Browned slightly heavier to edges. First Edition. The present work premiered in the original trio version in Paris by the Ars Nova Trio on 21 January 1930. "Georges Migot the French painter engraver poet philosopher aesthete and composer remains little known in today's musical world. His music was performed a good deal and his talent duly appreciated in the period between the wars. After the Second World War however his work like that of numerous other so-called independent creators fell into neglect. Though unique Migot was certainly no musical pariah. The composer was an active and highly acclaimed participant in French musical life who at around the time the Trio was composed became president of "La Spirale" an influential Parisian concert society dedicated to offering performances of newly-composed French and international works. The stylistically unified Livre des danceries for flute violin and piano is clearly indebted to this aesthetic. Written in 1929 three of its four movements were dedicated to the members of the "Ars Nova" Trio Jan Merry flute; Colette Franz violin; and Elen Merry piano which premiered the work in early 1930." Liner notes from Trio Hochelaga's album Georges Migot. 93. MORAVEC Paul b. 1957 Impromptus for Piano. N.p. Subito Music 2004. Quarto. Wrappers. 1f. 8 pp. 94. NIELSEN Carl 1865-1931 Overture from the Opera "Masquerade." Study score. KÃ¸benhavn: Wilhelm Hansen 21752; Nr. 3230b 1930. Small octavo. Wrappers. 31 pp. Reprint. 95. NONO Luigi 1924-1990 Polifonica-Monodia-Ritmica. Study score. Mainz: Ars Viva AV 76 1965. Small octavo. Wrappers. 20 pp. 96. ORR Robin 1909-2006 Symphony in One Movement. Study score. Glasgow: Bayley & Ferguson BF 2050 Â©1965. Octavo. Wrappers. 72 pp. Includes original sell sheet with composer's program notes. First Edition. Out of print. 97. PENDERECKI Krzysztof 1933-2020 Sonata per Violoncello e Orchestra. Partiture. KrakÃ³w: Polskie Wydawnictwo Muzyczne Â©1966. Small quarto. Wrappers. 42 pp. With publisher's catalogue to verso of lower wrapper. 98. RAVEL Maurice 1875-1937 Introduction and Allegro. 2 pianos. Transcribed for two pianos by the composer. Reprinted from the 1906 Durand edition. Vista California: Lauren Publications 019 ca. 2000. Folio. 25 pp. 99. RAVEL L'Heure Espagnole Comedie Musical en un Acte PoÃ¨me de Franc-Nohain . Partition d'Orchestre. Paris: A. Durand & Fils Â©1911. Small quarto. Ivory wrappers printed in dark red. 200 pp. 100. RIEGGER Wallingford 1885-1961 Op. 42. Symphony No. 3 . Revised Version. New York: Associated Music Publishers Inc. Â©1957. Octavo. Gray wrappers. 164 pp. 101. RIESMAN Michael b. 1943 Ballade for Violoncello and Piano. Score and violoncello part. Self-published September 1969. Two volumes. Folio. Plain black spiral-bound boards. Score: 20 pp. Photographic reproduction of manuscript most probably autograph score notated on 12-stave printed music paper. Violoncello: 13 i blank pp. cut and pasted from the score and newly reproduced by Circle Blue Print Co. New York. Note to caption title: "commissioned by Robert Sylvester." Credits to upper right corner of first page: "Michael Riesman 1969." Note to lower right corner of last page of music: "W. Bratteboro Vt. Sept. 1969." Violoncello part marked up throughout in two layers: beat count in red ink; fingering bowing and articulation in pencil. Browned at edges. Names of Michel Riesman and Robert Sylvester erased from first page of score leaving small hole; names later restored in black ink. Scarce. WorldCat 1 copy of the score only at the Juilliard School. Riesman graduated from Mannes College in 1967 and obtained a PhD from Harvard in 1972 where he studied composition with Leon Kirchner Roger Sessions and Earl Kim. He has been a member of the Philip Glass Ensemble since 1974 arguably its most important one. Besides his work for Glass as a keyboardist conductor and arranger Riesman has continued to compose sporadically but his music remains unpublished. A few of his student compositions including his graduation pieces can be accessed at Harvard University and the Juilliard School. 102. ROCHBERG George 1918-2005 Contra mortem et tempus for flute clarinet violin and piano. Bryn Mawr: Theodore Presser Company 114-40116 1967. 4 scores. Small oblong folio. Wrappers. 39 pp. each. First Edition. 103. ROUSSEL Albert 1869-1937 Op. 17. Le Festin de l'AraignÃ©e Ballet-Pantomime de Gilbert de Voisins . Partition pour le Piano RÃ©duit par l'Auteur Prix net: 10 francs. Piano score. Paris: A. Durand & Fils PN D. & F. 8778 1913. Folio. Original publisher's ivory wrappers with titling printed in red. 1f. title 1f. dedication to Jacques RouchÃ© 1f. named cast list for the first performance 54 pp. Wrappers somewhat soiled; spine frayed split and partially lacking. Inner corners slightly creased. First Edition. CPM Vol. 49 p. 216. OCLC no. 8906509. Le Festin d'AraignÃ©e was first performed at the ThÃ©Ã¢tre des Arts in Paris on April 3 1913. "Following the resounding success of Evocations Jacques RouchÃ© then director of the ThÃ©Ã¢tre des Arts asked Roussel to write the ballet score Le festin de l'araignÃ©e 1913. This was so successful that RouchÃ© newly appointed director of the OpÃ©ra next commissioned an opera from Roussel to inaugurate his term of office there. Though he was touched by the successive waves of impressionism and neo-classicism in French music Roussel was an independent figure his music harmonically spiced and rhythmically vigorous." Nicole Labelle in Grove Music Online 104. RUBBRA Edmund 1901-1986 Op. 122. Inscape Suite for Mixed Voices Strings & Harp or PFTE. Piano-vocal score. South Croydon: Alfred Lengnick & Co. PN A.L. & Co. Ltd. 4202 Â©1965. Octavo. Wrappers. 44 pp. 105. SCHOECK Othmar 1886-1957 AusgewÃ¤hlte Lieder und GesÃ¤nge. Band I. Mittel Selected Lider and Songs. Volume I. Middle voice. Wiesbaden: Breitkopf & HÃ¤rtel EB 6872 ca. 1985. Folio. Wrappers. 30 pp. Reprint. 106. SCHOENBERG Arnold 1874-1951 Op. 8. Sechs Orchesterlieder Klavierauszug von Anton Webern. Piano-vocal score. Wien: Universal Edition UE 13540 1975 Â©1939. Small folio. Wrappers. 36 pp. 107. SCHOENBERG Op. 9. Kammersymphonie fÃ¼r 15 Solo-Instrumente. Study score. Wien: Universal Edition UE 7147 1967 Â©1950. Octavo. Wrappers. 144 pp. Reprint. 108. SCHOENBERG Op. 15. FÃ¼nfzehn Gedichte aus "Das Buch der hÃ¤ngenden GÃ¤rten" von Stefan George fÃ¼r Gesang und Klavier. Mit einem Nachwort von Theodor W. Adorno. Wiesbaden: Insel-BÃ¼cherei Nr. 683 1959. Oblong 12mo. Publisher's patterned boards with printed label to upper and spine. 83 1 pp. Later edition with afterword by Adorno. Out of print. 109. SCHOENBERG Op. 16. Five Orchestral Pieces. Study score. Dover 1999. Small octavo. Wrappers. 58 pp. Reprint. 110. SCHOENBERG Op. 21. Dreimal sieben Gedichte aus Albert Girauds Pierrot Lunaire Deutsch von Erich Otto Hartleben. FÃ¼r eine Sprechstimme Klavier FlÃ¶te auch Piccolo Klarinette auch Bass-Klarinette Geige auch Bratsche und Violoncell. Full score. Los Angeles: Belmont Music Publishers BEL-1051 1990. Small folio. Coated wrappers. 78 pp. Corrected edition. 111. SCHOENBERG Op. 24. Serenade. Oslo: Wilhelm Hansen Musik Forlag Â©1924-1952. Octavo. Light green wrappers printed in dark green. 63 i publisher's catalogue pp. With publisher's catalogue to verso of lower wrapper. 112. SCHOENBERG Suite for String Orchestra. New York: G. Schirmer 45443 ca. 1965 Â©1935. Large octavo. Wrappers. 60 pp. Small-format reprint of the first edition. 113. SCHOENBERG Lieder mit Klavierbegleitung SÃ¤mtliche Werke; Abteilung I: Lieder und Kanons; Reihe A Band 1. Mainz; Wien: B. Schott's SÃ¶hne; Universal Edition Â©1966. Folio. Dark gray cloth with titling to upper and spine in black. xix 177 pp. Edited by Josef Rufer. 114. SCHOENBERG Five Orchestral Pieces - Pelleas und Melisande. Full score. Dover 1994. Folio. Wrappers. 186 pp. Reprint. 115. SCRIABIN Alexander 1872-1915 Symphony No. 1. Op. 26. New York: Belwin Mills n.d. Large octavo. Wrappers. 131 i pp. 116. SEROCKI Kazimierz 1922-1981 Freski symfoniczne Symphonic Frescoes. Study score. KrakÃ³w: Polskie Wydawnictwo Muzyczne 1979 Â©1966. Octavo. Wrappers. 61 pp. First Edition second issue. 117. SESSIONS Roger 1896-1985 Concerto for Orchestra. Full score. Bryn Mawr: Merion Music 446-41042 1983. Small folio. Original publisher's blue wrappers with white titling to upper. 48 pp. First Edition of Sessions' Pulitzer prize-winning work composed in 1981 and premiered in Boston under Seiji Ozawa on 23 October of that year. 118. SESSIONS Symphony No. 7 .Full score. Bryn Mawr: Merion Music; Theodore Presser 1977. Quarto. Wrappers. 74 pp. First Edition. 119. SHAPEY Ralph 1921-2002 String Quartet No. 8. Score. Bryn Mawr: Theodore Presser 114-40777 Â©1995 2000. Quarto. Wrappers. 1f. 20 pp. 120. SHOSTAKOVICH Dmitri 1906-1975 Op. 138. Quartet No. 13. Kvartet dlya dvuch skripok al'ta i violoncheli. Study score. Moskva: Izdatel'stvo "Muzyka" 7350 1972. Small octavo. Wrappers. 32 pp. Parallel texts in English and Russian. First Edition first issue. Hulme p. 534. The parts were published the previous year by Sikorski. 121. SIBELIUS Jean 1865-1957 Op. 87. Humoresques I-II pour violon seul avec orchestre. Study score. KÃ¸benhavn: Wilhelm Hansen 26419; Nr. 3787b ca. 1960 Â©1942. Small octavo. Wrappers. 1f. 28 pp. Reprint. 122. SIBELIUS Op. 89. Humoresques III-VI Violon avec accompagnement d'instruments Ã cordes. Study score. KÃ¸benhavn: Wilhelm Hansen 26420; Nr. 3788b ca. 1960 Â©1923. Small octavo. Wrappers. 1f. 51 pp. Revised and edited by Julia A. Burt. 123. SIBELIUS Op. 109. Aus der Musik zu Shakespeares "Der Sturm" Vorspiel - Erste Suite - Zweite Suite. Study scores. KÃ¸benhavn: Wilhelm Hansen ca. 1960. 3 volumes. Small octavo. Wrappers. Nr. 1. Vorspiel. Hansen Edition Nr. 2738b. 25 pp.; Nr. 2. Erste Suite. Hansen Edition Nr. 3207b. 77 pp.; Nr. 3. Zweite Suite. Hansen Edition Nr. 3208b. 50 pp. 124. SMALLEY Roger 1943-2015 Missa Brevis After William Blitheman for Sixteen Voices. Choral score. London: Faber Music F0154 1967. Folio. Wrappers. 55 pp. 125. STRAUSS Richard 1864-1949 Op. 20. Don Juan. Wien: Wiener Philharmonischer Verlag A.G. PN U.E. 1061 W. Ph. V. 239 n.d. Small quarto. Brown boards. 104 pp. 126. STRAUSS Op. 20. Don Juan. New York: Kalmus n.d. Folio. Wrappers. 96 pp. 127. STRAUSS Op. 24. Tod und VerklÃ¤rung. PN U.E. 1078 W. Ph. V. 241 Â©1904. 123 i blank pp. Bound with: Op. 28. Till Eulenspiegels Lustige Streiche. 104 i blank pp. and Op. 35. Don Quixote. PN U.E. 1132 W. Ph. V. 244 Â©1904. 176 pp. Small quarto. Half blue leather with cloth boards. All Wien: Wiener Philharmonischer Verlag Â©1904. 128. STRAUSS Concerto for oboe and Small Orchestra. London .: Boosey & Hawkes Ltd. PN B. & H. 16388 Â©1948. Small quarto. Light green wrappers printed in dark green. 61 i blank pp. With publisher's catalogue to verso of lower wrapper. Hawkes Pocket Scores no. 645. 129. STRAUSS Till Eulenspiegels Lustige Streiche nach alter Schelmenweise - in Rondeauform - fÃ¼r grosses Orchester . Foreword by Richard Specht. New York .: C.F. Peters Corporation Â©1932. Octavo. Dark yellow wrappers. 100 pp. Edition Eulenburg no. 443. 130. SUK Josef 1874-1935 Op. 12. KlavÃrnÃ skladby. Praha: StÃ¡tnÃ hudebnÃ vydavatelstvÃ H 3462 1962. Â©1896. Quarto. Wrappers. 26 pp. 131. SZYMANOWSKI Karol 1882-1937 Op. 11. Vier Lieder fÃ¼r eine Singstimme und Klavier. Gedichte von ThaddÃ¤us MiciÅ„ski. Wien: Universal Edition UE 3860 1981. Folio. Wrappers. 19 pp. Text in German and Polish. Reprint. 132. TIPPETT Michael 1905-1988 Divertimento for Chamber Orchestra. "Sellinger's Round." Miniature score. Edition Schott 10307. Price 9s. 6d. London: Schott and Co. Ltd. PN S&Co.5887 Â©1954. Octavo. Gray wrappers printed in dark blue. 53 i blank pp. 133. TIPPETT Fantasia Concertante on a theme of Corelli for String Orchestra. Miniature score. Edition Schott 10220. Price 8s. net. London: Schott & Co. Ltd. PN S&Co 5765 Â©1953. 61 i blank pp. 134. TIPPETT String Quartet No. 2 in F sharp. Study score. London: Schott & Co. 5152; Edition Schott 10209 1944. Small octavo. Wrappers. 40 pp. First Edition later issue. 135. TIPPETT String Quartet III. Study score. London: Schott & Co. 5220 1948. Small octavo. Wrappers. 1f. 65 pp. First Edition. 136. TIPPETT Symphony No. 2. Miniature Score. Edition Schott 10620. London .: Schott & Co. Ltd. . PN S & Co. 6141 Â©1958. Octavo. Gray wrappers printed in dark red. 140 pp. 137. VAUGHAN WILLIAMS Ralph 1872-1958 A London Symphony. London: Stainer & Bell Limited Â©1920. Small quarto. Mid-brown wrappers. 193 i blank pp. 138. VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis. London . : Boosey & Hawkes PN B. & H. 8838 Â©1921. Small quarto. Publisher's light green wrappers printed in dark green. 21 i publisher's catalogue pp. With additional publisher's catalogue to verso of lower wrapper. Hawkes Pocket Scores no. 59. 139. WALTON William 1902-1983 Duets for Children In 2 Books. Piano 4-hands. London: Oxford University Press Â©1940. 2 volumes. Small folio. Publisher's decorative wrappers. 19 16 pp. Contains 10 works for 4 hands. First Edition probable first issue. 140. WALTON Duets for Children . Books 1 and 2. London: Oxford University Press Â©1940. Folio. Wrappers. 19; 16 pp. 141. WEBERN Anton 1883-1945 Op. 16. FÃ¼nf Canons nach lateinischen Texten FÃ¼r hohen Sopran Klarinette und Bassklarinette. Score. Wien: Universal Edition UE 9522 1966 Â©1928. Large octavo. Wrappers. 13 pp. Reprint. 142. WEBERN Op. 19. Zwei Lieder fÃ¼r gemischten Chor mit Begleitung von Celesta Gitarre Geige Klarinette und Bassklarinette. Full score. Wien: Universal Edition UE 9536 1978 Â©1928. Large octavo. Wrappers. 20 pp. Reprint. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis1 093,00 $US≈ 924,79 €

MUSIC MANUSCRIPTBiblio.com

Duetti per Corni da Caccia. Corno Primo and Corno Secondo 2 volumes. There is no indication of author or place; the paper is laid no discernible watermark. The text comprises a blank before title 40 leaves of manuscript score 6 leaves without score final blank. The titles are bordered with garlands of leaves and berries in green and red.

65286. Two volumes in full late eighteenth to early nineteenth century calf spines with raised bands marbled end-papers and all edges gilt within a contemporary slip-case the corners show a little wear some scuffing but overall in very good condition. The corno da caccia a brass instrument comes from the group of horn instruments and translates from Italian as "hunting horn". At the beginning of the 17th century this meant mainly small horn instruments which were important as signalling instruments in hunting. At the start of the 18th century this instrument which emerged from the hunting horn as a signal instrument became one of the most popular brass instruments because of its softer sound and the virtuosity it elicited. In the course of time the term also seems to have been used to designate the pitch of the voice. Very high bright compositions were denoted as Corno da caccia. Both Bach and Telemann wrote specifically for this instrument. hardcover

PATRICK POLLAK RARE BOOKS · Royaume-Uni750,00 £GB≈ 856,35 €

( Original Antiphony Music Manuscript 18th century )Biblio.com

ANTIPHONALE MONASTICUM PRO FESTIS ABBBATIALIBUS - ORIGINAL HARDCOVER MANUSCRIPT ANTIPHONY HOUSED IN CUSTOM-MADE FULL LEATHER HAT-BOX COVER LIKELY 18TH CENTURY Beautiful! RARE

a85941no place given. Possibly written in 1725 as the book's full title on the titlepage is: Antiphonale Monasticum pro Festis Abbatialibus cum Suis Commencorationibus Ferial : Dominical: et Festivis Concurr: Mann Nota in Sequetem Ordinem Dispositum . Anno quo Fata LI se C Is Ioseph I f Vnere a VenIs Nostrae EngleLberto sVnt Data IVra Mitrae. The capitalized letters in the title that are written in red ink on the final two lines add up to the date 1725. This kind of "secret coding" appeared sometimes in books of 17th and 18th century. Certainly the book and its box appear to be 18th c or earlier. The 4to Hardcover book is fully covered in rich red leather with full gilt decoration. The book measures 9 x 12 inches; 31 x 22.5 cm. Text is 1-1/4 inches thick 3 cm. All edges gilt. 292 pages of which about 40 are blank. All entires are manuscript most in black ink a few in red ink. Many pages have black block notes on music scores with lyrics. The book has an Index. The book is clearly a work in progress as there are pencil-drawn guidelines and partially completed pages after the first 250 completed pages. The book is Good Plus with light wear light rubbing slight staining but intact with no major faults no cracks no chips no tears. The binding is secure. The book is housed in a custom-made finely constructed matching hardcover box measuring 13 x 9-1/2 inches which is fully covered in leather in the shape of a book . This cover resembles a pull-apart flat hatbox. Both the book and the box have delicate hand-painted paper - as end paper on the book and as box lining - with a similar but not exactly the same floral/geometric design in matching maroon tan and purple colors. Cover on box fits very snuggly but is easy to open. All manuscipt entries are done neatly carefully and artistically. Text pages are near Fine with no foxing and almost no spots with only slight rippllng. Overall the book is in Good Plus condition and the box is VG.ks no chips. Text pages are near Fine with no foxing and almost no spots a faint bit of rippling only. Box is VG but does have some spots of wear and some light fraying along edges but quite secure. Must be seen. Truly Beautiful - unique. Pictures sent on request. . hardcover

Xerxesbooks · États-Unis1 000,00 $US≈ 846,10 €

M Maurice Magre Decors et Costumes de M Georges Delaw Musique de scene M Gabriel GrovlezBiblio.com

Le Marchand de Passions. Comedie en 3 images d'Epinal et en vers

1911L3 box256 b5Le Marchand de Passions. Comedie en 3 images d'Epinal et en vers de M. Maurice Magre. Decors et Costumes de M. Georges Delaw. Musique de scene M. Gabriel Grovlez. Acheve d'imprimer le dix-huitieme jour de Mars MCMXI sur les presses de La Belle Edition. 71 Rue des Saints-Peres 71 Paris. IL a ete tire de cet ouvrage: Vingt exemplaires sur japon a la forme numerotes de 1 a 20 et vingt sur Hollande van Gelder numerotes de 21 a 40 qui ont ete signes et paraphes des auteurs et des editeurs. Hardcover book size: 6.125 x 5.75 x 0.5 inches. La Belle Edition. hardcover

findbook2004 · États-Unis999,00 $US≈ 845,25 €

words and music by Scott MacKenzieBiblio.com

Hey What About Me

196625-04-24-gw-41755-lczThe Hudson Bay Music Co 1966-01-01. sheet_music. Good. 0x0x0. Some wear. Very readable copy. The Hudson Bay Music Co unknown

Blind Pig Books · États-Unis999,00 $US≈ 845,25 €

Madge, Wallace JBiblio.com

Welte Music Roll Catalogue

192728784London: Steinway & Sons. Very Good with no dust jacket. 1927. First Edition; First Printing. Hardcover. Bound in dark green cloth which is somewhat faded/soiled. ; 8vo 8" - 9" tall; 312 pages . Steinway & Sons hardcover

Robert's Bookshop · États-Unis995,00 $US≈ 841,87 €

[VOCAL MUSIC - 18th Century - English - Manuscript]Biblio.com

Collection of 20 vocal solos duets and trios with continuo and instrumentation. Copyist manuscript. England 1792 or earlier

40330Oblong folio 227 x 293 mm. Disbound. i manuscript index tipped-in 233 pp. including three blanks. Notated on 10-stave rastrum-ruled paper with watermark of a shield with "GR" below. Contains the following works: 1. Clari Giovanni Carlo Maria 1677-1754 adapted by Charles Avison 1709-1770. "Unto the Lord." Duet. 16 pp. 2. Clari/Avison. "O all ye Nations." Duet. 10 pp. 3. Carissimi Giacomo 1605-1674. "Hodie Simon Petrus." Duet. 5 pp. 4. Carissimi. "O nomen Jesu." Duet. 4 pp. Attributed to Giovanni Battista Bassani in RISM ID: 800226688. 5. Steffani Agostino 1654-1728. "Saldi marmi." Duet. 19 pp. 6. Steffani. "Dolce è per voi." Duet. 9 pp. 7. Clari. "L'Amante disperato" "O femina mendace". Duet. 16 pp. 8. Steffani. "M'hai da piangere." Duet. 11 pp. 9. Steffani. "Dolce labbro." Duet. 9 pp. 10. Purcell Henry 1659-1695. "In guilty Night." Trio. 9 pp. 11. Anon. "O sanctissima." Duet. 1 p. Not in index. 12. Handel George Frederic 1685-1659. "T'amo sì." Duet. Full score. 12 pp. 13. Kent James. 1700-1776. "Hear my prayer." Anthem for two solo voices and four-part choir. 10 pp. 14. Marcello Benedetto 1686-1739. "My God my God." Solo. Full score. 16 pp. 15. Marcello. "Da voi parto." Solo cantata. 10 pp. 16. Astorga Emanuele. "Ruscelletto che vai." Solo cantata. 10 pp. 17. Clari. "Ecco Amor ecco Amore." Trio. 21 pp. 18. Astorga. "Oh che voi direste bene." Duet. 14 pp. 19. Caldara Antonio 1671-1736. "Voi vene pentirete." Duet. 4 pp 20. Kent. "When the son of Man shall come." Anthem for three voices. 15 pp. Incomplete. All pieces in a single hand with the exception of items 11 and 20 in two different hands. With "Lady Cornewall" in contemporary manuscript to upper margin of index; "1792" to upper outer corner and "554" to upper inner corner of first page. Occasional pencil annotations including figured bass; half a measure canceled on p. 185. Disbound; first signature detached. Occasional small tears to edges; several minor inkstains to pp. 56-57; pp. 124-125 excised likely due to a scribal error with no loss of music; contemporary repairs to upper outer margin of p. 7; final leaf detached; remnants of red sealing wax to corners of index. It is notable that the all of the music in the present manuscript is drawn from repertoire significantly older than the manuscript's date of 1792 in some cases over 100 years earlier performance of music of the past being a relatively novel concept at the time. The Academy of Ancient Music was "founded as the Academy of Vocal Music in 1726 to revive the glories of 16th- and 17th-century sacred music and madrigals. Again though it was the music itself rather than profit that provided the inspiration the founders a mix of leading professionals and aristocratic enthusiasts; and again the society was formalized and admitted larger audiences as the century progressed - although these changes brought their own problems with an increasing partiality for later Baroque music including Handel's oratorios and a gradual decline in missionary zeal for the older repertory." Simon McVeigh in Oxford Music Online "Lady Cornewall" was most likely Catherine Cornewall 1752-1835 wife of Sir George Amyand Cornewall 1748-1819 a portrait of whom by Sir Joshua Reynolds 1723-1792 is held at the National Gallery of Art in Washington D.C. The manuscript index is possibly in her hand. "Rather different in character was the collection made by the Cornewall family of Moccas Court Herefordshire which has almost entirely vanished. Fortunately a detailed and most interesting manuscript catalogue dated 1796 and now owned by Albi Rosenthal has survived. This was predominantly a vocal collection amounting to about 2000 items with some Italian bias but besides Alessandro Scarlatti and Jomelli it extended to Gluck. A special section of the catalogue dated 1795 contained music belonging to a Miss Cornewall who also owned R.C.M. MSS. 2061-4." A. Hyatt King: Some British Collectors of Music p. 17. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis978,00 $US≈ 827,49 €

Sally Cruikshank (director, animator); Kim Deitch (assistant animator); Robert Armstrong, Allan Dodge, Paul Woltz (music)Biblio.com

Make Me Psychic Original 16mm film reel for the 1978 animated film

1978144565Los Angeles: Filmways 1978. Original 16mm film reel for the 1978 animated short "Make Me Psychic" created by animator Sally Cruikshank and featuring music by the Cheap Suit Serenaders Robert Armstrong Allan Dodge and Paul Woltz. "Make Me Psychic" a followup to Cruikshank's lauded short film "Quasi at the Quackadero" and features the director's recurring duck characters Quasi and Anita in a psychedelic adventure in which Anita uses a hypnotizing machine to try and harness her psychic powers. Instead Anita ends up hallucinating while never leaving her own overflowing bathtub. An innovator in her field with a signature flowing style of motion Cruikshank created music videos for Sesame Street between 1989 and 1999 won the 1986 Maya Deren Award given by the American Film Institute and "Quasi at the Quackadero" was selected for the National Film Registry by the Library of Congress in 2009. Near Fine housed in a Near Fine plastic film canister and a Very Good plus metal-cornered shipping box with Cruikshank's Berkeley address to the box and film reel. Filmways unknown

Royal Books · États-Unis975,00 $US≈ 824,95 €

Whitney, JohnBiblio.com

Digital Harmony: On the Complementarity of Music and Visual Art

1980006912Peterborough NH: McGraw-Hill. First edition. Hard cover in original cloth and dust jacket. Published Peterborough NH: McGraw-Hill 1980 first printing. 8vo. 7 1/2" x 9 1/4" 235pp. illustrated with color and b/w plates. A seminal work by a pioneer in computer graphics and cinema techniques. Near fine clean and bright in a very good dust jacket with edgewear and a short closed tear. . Near Fine. Hard. 1st. 1980. McGraw-Hill unknown

The Wild Muse · États-Unis974,99 $US≈ 824,94 €

[Music]. BEMETZRIEDER , [Antoni]. (1743-1817)Biblio.com

Lecons Declavecin et Principes D' Harmonie

177144016Paris: Chez Bluet Libraire 1771. 4to. 20cm trimmed in 4's viii362 but 363pp. & 1p. "Approbation du Censeur Royal complete with half title stylized initial B vignette on the title page initial illustrated vignette in frame border on page one beginning and ending printed chapter device decorations printed music throughout in near contemporary quarter calf backed blue paper over boards gilt ruled bands and panel device decorations and faded title the spine is somewhat worn the upper hinges is cracked the board edges are heavily worn text block is sound on the whole considering the contemporary period a very good. Very Good. Antoine Bemetzrieder en allemand : Anton Bemetzrieder est un compositeur théoricien et professeur de musique français né à Dauendorf le 26 mars 1739 et décédé à Londres en 1817. Il suit d'abord des études à Strasbourg et est diplômé en philosophie en 1760 et en droit en 1762. Il part s'installer à Paris en 1766 et entame l'étude de la musique qu'il enseigne bientôt. En particulier il fut engagé par Denis Diderot en 1769 pour enseigner le clavecin à sa fille. Son premier ouvrage les Leçons de clavecin et Principes d'harmonie rencontra un vif succès. Il y avait pu profiter de l'aide de Diderot qui donna sans doute sa forme de dialogue à ce traité pédagogique. Bemetzrieder publiera d'autres ouvrages pédagogiques jusqu'à son départ pour Londres en 1781. Il y enseigne encore la musique réédite ses œuvres et en écrit de nouvelles sur la musique les mathématiques la philosophie et l'éthique. BEMETZRIEDER Antoni 1743-1817. Antoine Bemetzrieder in German: Anton Bemetzrieder was a French composer theorist and music teacher born in Dauendorf on March 26 1739 and died in London in 1817. He first studied in Strasbourg graduating with degrees in philosophy in 1760 and in law in 1762. He moved to Paris in 1766 and began studying music which he soon began teaching. In particular he was hired by Denis Diderot in 1769 to teach his daughter the harpsichord. His first work Harpsichord Lessons and Principles of Harmony was a great success. He benefited from the help of Diderot who undoubtedly gave this pedagogical treatise its dialogue-like form. Bemetzrieder published other pedagogical works until his departure for London in 1781. There he continued to teach music republished his works and wrote new ones on music mathematics philosophy and ethics. With a contemporary bookplate "Bibliotheque de Mr. Gaston Calmann-Levy Chez Bluet, Libraire unknown

Patrick McGahern Books, Inc. (ABAC) · Canada1 200,00 $CA≈ 815,04 €

[American Art – Music – Nineteenth Century] Cowell, Sam; Homer, Winslow [Illustration Attributed To]Biblio.com

The Ratcatcher’s Daughter

1856List3639Boston / New York / Philadelphia / New Orleans 1856. Lacks stitches at spine likely removed from a larger volume lithograph in fine condition one small tear to margin at final leaf. Very good plus overall. An uncommon American sheet music printing of the popular comic song unknown

Auger Down Books · États-Unis950,00 $US≈ 803,80 €

[Folk Music] [Len Chandler] [Victoria Spivey]Biblio.com

Newport Folk Festival 1964

19649029Irvington NJ: Gil Kravette 1964. 4to. 47pp. Illustrated wrappers in red white and purple staple-bound some foxing and wear ink writing throughout some staining very good. Laid in is a tri-fold brochure to order tickets for the workshops and panels held during the festival creased with a few smudges else near fine. By 1964 the Newport Folk Festival had established itself as a focal point of folk music in America and featured performers like Joan Baez Bob Dylan Johnny Cash Peter Paul and Mary and dozens more.Â This copy belonged to Len Chandler and bears his name and address on the inside front cover in blue ink. Chandler was both a singer-songwriter and a political activist perhaps best known for his songÂ Keep Your Eyes on the Prize Hold On which heÂ sang backed by Bob Dylan and Joan Baez at the March on Washington where Martin Luther King Jr. gave his â€œI Have a Dreamâ€ speech. He was a performer at the festival this year. The back cover also has the signature and some doodles by Victoria Spivey legendary blues singer songwriter and founder of Spivey Records. Her professional collaborations include Louis Armstrong and she served as a mentor to Bob Dylan. Spivey was not on the lineup but there are photographs placing her at the festival that year. Gil Kravette unknown

Peruse the Stacks · États-Unis950,00 $US≈ 803,80 €

Audsley, George AshdownBiblio.com

The Art Of Organ-Building two volume set A Comprehensive Historical Theoretical and Practical Treatise on the Tonal Appointment and Mechanical Construction of Concert-Room Church and Chamber Organs

1905A42525New York: Dodd Mead and Company. Near Fine. 1905. Limited Edition; 1st Printing. Hardcover. This edition limited to 250 numbered copies signed by the author. This is copy 109. The two volume set is in Near Fine condition and was issued without dust jackets. The volumes are half vellum with green cloth and gilt lettering and decorations to the spines of the books. The text pages are clean and bright. There are previous owner's bookplates on both front pastedown pages. T. E. G. Top Edge Gilt Foredges and bottom edges of the text block are untrimmed. The spines of the books have some ground-in dirt. "Audsley's interest in the pipe organ was largely sparked by early experiences hearing W. T. Best at St. George's Hall Liverpool. Audsley wrote numerous magazine articles on the organ and as early as the 1880s was envisioning huge instruments with numerous divisions each under separate expression in imitation of the symphony orchestra. The Los Angeles Art Organ Co. successors to the Murray M. Harris Organ Company had Audsley design the world's largest organ they were building for the St. Louis Exposition of 1904 and included him on the paid staff. This instrument was produced just as his book on The Art of Organ-Building was being published This great pipe organ eventually was purchased for the John Wanamaker Store in Philadelphia PA where it is today known as the Wanamaker Organ. In 1905 Audsley published the monumental two-volume The Art of Organ Building as an attempt to position himself as the pre-eminent organ designer in the US. The lavish work includes numerous superb drawings done by Audsley and is still consulted today although organ fashions have evolved in many directions in the ever-fluid passion-driven world of music. He was an early advocate of console standardization and radiating concave pedal keyboards to accommodate the natural movement of human legs. Unfortunately his plan to develop the profession of "organ architect" as a consultant to work in consultation with major builders in achieving a high-art product was short-lived." from Wikipedia Due to the extreme weight of this book postage will have to be determined at time of ordering. ; Signed by Author . Dodd, Mead, and Company hardcover

S. Howlett-West Books (member of ABAA & ILAB) · États-Unis950,00 $US≈ 803,80 €

Carlton, Larry; White, Leon (Transcriber)Biblio.com

Larry Carlton - Songbook With Guitar Sheet Music and Chords

1981555j0134USA: PMP / Belwin Mills Publishing Corp. Fair. 1981. First Edition. Paperback. Considered a guitar god by many Larry Carlton "built his career as a studio musician in the 1970s and 1980s for acts such as Steely Dan and Joni Mitchell. He has participated in thousands of recording sessions recorded on hundreds of albums in many genres for television and movies and on more than 100 gold records." - Wikipedia. He is perhaps best known for his incredible solo work on Steely Dan's "Kid Charlemagne" and Mike Post's "Theme from Hill Street Blues". Befitting Larry's strong international popularity this book includes detailed introductory information in English German French and Spanish. Includes guitar sheet music for these songs: It Was Only Yesterday; Night Crawler; Midnight Parade; Mulberry St. Don't Give It Up; Strikes Twice; Springville; Rio Samba; Room 335; Point It Up. Many songs include Larry's Harmonic Analysis. 92 pages. Two black and white photos. Few pencil markings to contents. Above-average but not excessive wear. Binding intact. A worthy vintage copy of this rare and amazing Larry Carlton memento. Sure to please any serious guitar aficionado.; 4to . PMP / Belwin Mills Publishing Corp. paperback

RareNonFiction.com · Canada950,00 $US≈ 803,80 €

Eleanor Roosevelt (subject); Jerome Coopersmith (book); Cy Coleman (music); Dorothy Fields (lyrics)Biblio.com

Eleanor Four original scripts for multiple stagings of the off-Broadway play

1984169941N.p.: N.p. 1984. Four vintage scripts for multiple stagings of the off-Broadway play. Two scripts dated 1970 and noted as First Draft and Revised and two scripts undated one circa 1970 and one circa 1984. Copies belonging to playwright Jerome Coopersmith with his occasional annotations in manuscript ink and pencil to two scripts. Laid in with the Revised Draft are three manuscript leaves in Coopersmith's hand noting editorial thoughts and revisions to dialogue. The play was first staged at Massachusetts State College in 1967 then in a musical version at Hunter College in 1974 and finally in 1984 at the National Portrait Gallery in Washington DC in conjunction with the Eleanor Roosevelt Centennial. A dramatization of the early life of Eleanor Roosevelt focusing on her romance and eventual marriage to Franklin and her attempts to balance motherhood with political involvement and a career. Coopersmith's first venture into writing for the stage following a successful career writing for television. First Draft: Green untitled Studio Duplicating Service wrappers. Title page present noted as copy No. 11C in manuscript ink dated September 1970 noted as First Draft with credits for Coopersmith composer Cy Coleman and lyricist Dorothy Fields. 89 leaves with last page of text numbered 2-6-28. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus bound with two gold screw brads. Final Draft: Mustard titled Studio Duplicating Service wrappers. Title page present noted as Revised and dated December 1970 with credit for Coopersmith. 80 leaves with last page of text numbered 2-6-27. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus bound with two gold screw brads. Undated circa 1970: Green titled Studio Duplicating Service wrappers. Title page present undated with credit for Coopersmith. 89 leaves with last page of text numbered 2-8-38. Mimeograph duplication rectos only. Pages Near Fine wrappers Very Good plus bound with two gold screw brads. Undated circa 1984: Blue wrappers with a title label crediting Coopersmith. Title page present with a credit for Coopersmith and a return address at the bottom right corner noting Coopersmith's name and a Rockville Centre address. 89 leaves with last page of text numbered 2-6-37. Xerographic duplication rectos only. Pages Near Fine wrappers Near Fine bound with three gold screw brads. N.p. unknown

Royal Books · États-Unis950,00 $US≈ 803,80 €

Feldman, Allen; O'Doherty, Eamonn; Robinson, Andrew (transcriptions); Joynt, NatalieBiblio.com

The Northern Fiddler - Music and Musicians of Donegal and Tyrone

1980812h1747Northern Ireland: Blackstaff. Good. 1980. Second Edition. Paperback. 0856401552 . "To audiences both at home and throughout the world traditional music is arguably the finest most varied and best-loved manifestation of Irish culture. This superb book records one of the most interesting aspects of this art - that of the solo fiddlers of Tyrone and Donegal. Allen Feldman's text captures the atmosphere and excitement of the performances and gives a lucid fascinating account of the historical and social background of the subject. Eamonn O'Doherty's photographs and drawings record with a superb visual eloquence not only the fiddlers themselves but the lives they lead and the landscape in which they live. Together they have made a fitting tribute to one of Ireland's most beautiful and fragile of treasures." - back cover. First printed in 1979 this is a second impression copy from 1980 with additions and alterations. p. 6 251. Includes many pages of sheet music. Unmarked with average wear. Binding intact. A sound copy of this uncommon and treasured work.; 4to . Blackstaff paperback

RareNonFiction.com · Canada950,00 $US≈ 803,80 €

Mitchell, Kim; Dubois, Pye; [Max Webster]Biblio.com

Best of Kim Mitchell for Guitar - Authentic Guitar-Tab Edition - Includes Complete Solos Max Webster

1991812j1287Don Mills Ontario: Warner/Chappell Music Canada Ltd. Good. 1991. First Edition. Paperback. 076920581X . Kim Mitchell as a member of Max Webster or in his solo career has been rocking Canada since the 1970s and is one of the nation's most beloved rock performers and personalities. Along the way he hosted a drivetime radio show on Toronto's Q107 classic rock radio station for over a decade. This compilation includes guitar-tab including complete solos for the following hits: Alana Loves Me; All We Are; Diamonds Diamonds; Easy To Tame; Go For Soda; Hangover; High Class in Borrowed Shoes; Lager & Ale; Lost Lovers Found; On The Road; The Party; Pation Lanterns; Rock N' Roll Duty; Rockland Wonderland; That's The Hold; Toronto Tontos. 135 pages. Tight clean and unmarked with moderate wear. A sound example of this ultra-rare Kim Mitchell/Max Webster memento. ; Photography; 4to . Warner/Chappell Music Canada Ltd. paperback

RareNonFiction.com · Canada950,00 $US≈ 803,80 €

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