Musique

Voglers System für den Fugenbau. Notenbeispiele. 3631

1809212582n.g. 1809. Softcover Die Jahresangabe ist ungefähr nicht genannt. Zustand: Bibliotheksexemplar mit Kennungen. Rücken Ecken Kanten berieben. Der Nachsatz ist fleckig. n.g., paperback

Buchantiquariat Clerc Fremin · Allemagne254,00 €

(Country Music) Rainwater, MarvinBiblio.com

Collection of Marvin Rainwater fan club material

19552610171955. Contents docketted "Aug 28 1955" by the previous owner. Fine. Chief" Marvin Rainwater - he was 25% Cherokee - was one of the biggest country and rockabilly stars of the late 50s with notable hits "Gonna Find Me a Bluebird" and "Whole Lotta Woman." This collection of fan club material dating from before Rainwater's commercial success includes: - Reproduction of black-and-white headshot photograph inscribed to the fan club member "To Mrs Swayne your pal Marvin." - Marvin Rainwater Fan Club Newsletter. 10 pp mimeograph printed rectos only stapled covers - "A Note from Marvin Rainwater" printed note with autograph salutation. Rainwater complains about being broke but vows to persevere and make his fans proud. "Please keep on being my friend and remember - I love you forever. Your Marvin." - "I Gotta Go Get My Ba-xo!-by." Mimeograph typed song lyrics. - 1 p. mimeograph typed letter from Marvin to his fans suggesting they can help his career by requesting his songs from jukebox and record store owners - 1 p. mimeograph typed letter from Marvin to his fans asking them to send in song ideas promising the best idea will be used in one of his songs "the winning entry will receive one half of all writer's royalties and privileges". unknown

James Cummins Bookseller · États-Unis300,00 $US≈ 253,83 €

(DAVIS, Thomas Osborne), words by, and Miss Mary O'Neil, music byBiblio.com

Sheet music: The Green Above the Red: Adopted as the National Air and Song of Ireland

1866586352Trumansburgh NY: R. Mockford 1866. Softcover. Very Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. foxing and offsetting throughout and edgewear still a very good and complete copy. For voice and piano. Plate number 3912 - 3. Although published 72 years before Ireland would elect their first president Douglas Hyde the cover nonetheless states that this song is "dedicated to the first president of the Irish Republic." This is not an uncommon dedication to find on Irish sheet music of the late 19th and early 20th century. Though it should not be read today as a statement of prescience but as it would have been read in 1866 as a statement of hope and resilience in Ireland's fight for independence for the day "they proudly set the Irish Green above the English Red." Unrecorded by OCLC and it appears to be equally scarce in the trade. A rare and early example of this celebrated Irish poem set to music. R. Mockford unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

16 [OCLC Locates Only 2 Copies, None Outside Israel] Strigler, Mordecai Stenographed by Zvee Scooler; Music directed by NL ZaslaBiblio.com

HAGADAH SHEL PESAH TSUM DRITN SEDER FUN HISTADRUT KAMPAYN COVER TITLE:HAGADAH SHEL PESACH FARN DRITN SEDER HAGGADAH PESAH SEYDER KAMPEYN

195443290Nyu-York New York: Aroysgegebn fun Natsyonaln komitet farn arbetndikn Yisroel 1954. 2nd edition 1st was 1953 the year prior. Original Color photographic paper wrappers designed by Pinchas Schuldenrein showing the Israeli declaration of independence a cover design used on other 1950s-60s editions as well. 8vo 3 25 3 pages. In Yiddish and occasional Hebrew with 1-page introduction in English and 3 pages with song lyrics in transliterated Hebrew. Text primarily in Yiddish typescript i.e. Yiddish typewriter. Title translates as â€œHagadah for Passover for the Third Seder from the Histadrut Campaign.â€ With a few photos illustrations and calligraphic headings. Date and edition based on the introduction which explains the third seder as if it were a new concept to the audience. It continues â€œThe â€˜Hagadah for the Third Sederâ€™ was written under the impact of the great event in jewish history which took place six years ago in 1948â€“ the creation of the State of Israelâ€¦.The National Committee for Labor Israel in its thirtieth anniversary year proudly presents the â€˜Hagadah for the Third Sederâ€™ to all its friends in the United States and Canada.â€ Opens with Chaimâ€™s Weitzmannâ€™s 1941 Speech to the Histadruth in America during the Holocaust where he tells the labor organization: I do not want to deny to you that perhaps many of our troubles and difficulties stem from the fact that our work in the Land of Israel is so successful. If she had been less careful perhaps people would not have looked at what the Jews had done in the Land of Israel with such green eyes with the eyes of envy. Yesterdayâ€¦ The former High Commissioner of the Land of Israel said to England that after the war the groups in the Land of Israel would be considered as a model for the construction of the world. There he pointed out forms of life were formed which after all the crisis and search that Europe is going through it has not yet been achieved through the sacrifices of the Histadrut and the people who understood the role that the Histadrut played in the construction of Israelâ€¦. My few words are enough as a greeting in the difficult and unfortunate time we are living through. Right here in this country which is perhaps not yet as connected personally through people with the Land of Israel as you would like it to be. Your very own want and as I would want it and as the Histadrut would want it just in this country America which is led with such great and spirited peopleâ€¦many of the Jewish workers have well understood where their debt lies. These days I met with an unseen labor leader. I told him that now everyone has to work together for the Land of Israel he replied that all Jewish workers in America are already working together and that the leftist leftists are all for the Land of Israelâ€¦. To the work and sacrifices for Jewish establishment. I know we will still have bitter times. the world unfortunately it did not understand that while the dark forces attacked the Jews they attacked the Ten Commandments without which a civilized society cannot exist. But the new dark Egypt will also end. The sun will begin to shine again and it will shine for us too. But until the sun appears again we will still have to go through a difficult long and dark night. At Passover a count is taken. Today if I don't move any error is the foundation of grace in salvationâ€ The Histadrut Third Seder was a public communal event organized by the American Histadrut the Israel labor federation that took place annually in the United States particularly in New York City for several decades. It was a secular Yiddish cultural alternative to traditional Passover seders using the Seder structure to commemorate events in Jewish history often focusing on the 20th-century return of Jews to Israel and the founding of Histadrut itself. The Third Seder was an American secular and politically motivated interpretation of the Passover Seder tradition particularly associated with the Labor Zionist movement and institutions like Farband. Evolved from earlier educational models these public events combined Passover's themes of freedom and social justice with socialist ideals and support for Histadrut in Eretz Israel. They featured speakers Zionist and Yiddish songs and fundraising for labor projects creating a unique cultural and political Passover ritual for immigrant communities. For an interesting history of the third seder see Jenna Weissman Joselitâ€™s A Passover Do-Over: The third Seder was once an American tradition with a sense of community and politics that set it apart from the first two in Tablet April 5 2017 https://www.tabletmag.com/sections/belief/articles/a-passover-do-over T he National Committee for Labor Israel NCLI founded in 1923 as the National Committee for Labor Palestine was an American fundraising organization that supported the Histadrut Israel's labor federation. The organization closely linked to the Labor Zionist movement solicited funds from American labor unions and Jewish communities to finance the Histadrut's educational health and social programs. NCLI also aimed to strengthen ties between American and Israeli labor sectors and promote public support for Labor Israel. The committee eventually faced financial difficulties and dissolved. â€œNCLI was headquartered in New York City and oversaw regional fundraising offices in other cities such as Boston Chicago Cleveland Detroit Los Angeles Miami and Philadelphiaâ€¦. In spite of their close association the relationship between NCLI and the Histadrut was complicatedâ€¦.The labor involved in cataloging and assigning thousands of sponsorship opportunities transmitting monies between countries producing evidence of ongoing projects and attaching the correct names and acknowledgments to finished projects was considerableâ€”especially in light of the fact that the organizations operated in different languages in a mostly pre-computer workplace. The two periodically accused each other of mishandling funds and disagreed about which of them had the authority to resolve their disputesâ€¦.operations were ceased in 2006â€ Center for Jewish History. OCLC: 713758489 & 1284891527. OCLC locates only 2 copies of this edition worldwide NLI Ben Gurion U none outside Israel. Crease to cover at staples at spine as expected. Otherwise very good condition. Scarce. B Hag-26-12-LG. Nyu-York [New York]: Aroysgegebn fun Natsyonaln komitet farn arbetndikn Yisroel unknown

Dan Wyman Books · États-Unis300,00 $US≈ 253,83 €

[African-Americana – Music – Early Black Classical Performers / Minstrelsy] Blewitt, Jonathan; Glover, Stephen; Morena, Donna MaBiblio.com

Musical Bouquet. No. 276. Donna Maria Martinez Morena – Rosa Lee; & Sing Darkies Sing Solos & Choruses as Sung by the Ethiopian Serenaders

1850List3617London: Musical Bouquet Office 192 High Holborn; J. Allen 20 Warwick Lane Paternoster Row 1850. Folio sheet music 4 pp 9 Â½ x 13 Â¼ inches. Lithographed title with portrait illustration. Minor edge wear and light toning; very good. An early printed musical tribute to the Afro-Cuban singer Donna Maria Martinez Morena one of the earliest Black vocalists to achieve international recognition on the European stage. Morena was born in Havana to free Black parents and recognized early for her musical ability and intellectual promise. She was sent to Spain for formal study at MÃ¡laga and later admitted to the Royal Musical Conservatory of Madrid under the patronage of Queen Christina. By the mid-nineteenth century she was appearing in prominent theaters in Paris and London and was widely admired for the purity and range of her voice. Contemporary commentators sometimes referred to her as â€œThe Black Malibranâ€ comparing her to the celebrated Spanish soprano Maria Malibran while others regarded her as one of the few singers capable of rivaling the famed Swedish soprano Jenny Lind. The lithographed title page depicts Morena seated with a guitar framed by romantic landscape vignettes and identifies her beneath the portrait. The music included in the issue reflects the complex musical culture of the period. The second song printed here â€œRosa Lee; or Donâ€™t Be Foolish Joeâ€ composed by Jonathan Blewitt appears alongside â€œSing Darkies Singâ€ composed by Stephen Glover and presented as sung by the Ethiopian Serenaders one of the most prominent blackface minstrel troupes performing in Britain and the United States during the 1840s and 1850s. The juxtaposition of a portrait honoring a distinguished Black concert singer with minstrel repertoire illustrates the contradictory environment in which genuine Black musical achievement and racialized stage caricature circulated simultaneously in nineteenth-century popular entertainment. This piece forms number 276 of the Musical Bouquet a London sheet-music serial begun in 1848 and eventually extending to more than 8000 numbers. Early issues such as the present example were issued during the formative years of the series and represent some of the earliest numbers in the long-running publication. Complete at four pages. OCLC 726894236 noting a copy at the Levy collection at Johns Hopkins. Musical Bouquet Office, 192 High Holborn; J. Allen, 20 Warwick Lane, Paternoster Row unknown

Auger Down Books · États-Unis300,00 $US≈ 253,83 €

[African-Americana – Dance / Music] Baker, Josephine; Lara, Agustin; Misraki, Paul; Scotto, Vincent, et alBiblio.com

Three Pieces of Illustrated Sheet Music Showing Josephine Baker in Paris: J’ai deux Amours; Sur Deux Notes; Revoir Paris

1949List3603Various publishers 1949. Three titles as follows: J’ai deux Amours. Fox-trot chanté par Josephine Baker. Paris: Éditions Salabert 1930. 4 pp. Fine condition;. Near fine condition. A tight visually appealing trio of illustrated Parisian sheet music issues tracing Josephine Baker’s arc from Jazz Age sensation to postwar cultural legend. J’ai deux Amours—arguably her defining anthem—captures the carefully crafted dual identity that propelled Baker’s rise: African American expatriate turned Parisian icon marketed simultaneously as modernist spectacle and cosmopolitan muse. As scholars have noted Baker’s image circulated widely through commercial ephemera such as sheet music covers where graphic design celebrity branding and racialized fantasy converged in the interwar marketplace.1 Sur Deux Notes reflects Baker’s assimilation into mainstream chanson culture and her ongoing collaborations within Paris’s cabaret milieu while Revoir Paris issued after World War II resonates with her decorated service in the French Resistance and her celebrated return to the Folies Bergère stage. Together these pieces offer a compact visual and musical snapshot of Baker’s evolving persona across two decades—part performance artifact part cultural document and wholly emblematic of Paris as a crossroads of Black modernism and popular entertainment. 1 Bennetta Jules-Rosette Josephine Baker in Art and Life: The Icon and the Image University of Illinois Press 2007. Various publishers unknown

Auger Down Books · États-Unis300,00 $US≈ 253,83 €

[Civil War – Political Satire – Sheet Music] Cooper, George; Tucker, Henry; Eno, Henry [illustrator]Biblio.com

Jeff in Petticoats. A Song for the Times

1865List3646New York: Wm. A. Pond & Co 1865. Folio sheet music lithographed pictorial cover. 6 pp. including cover. 9.5 x 12.25 inches. Typical light age toning and minor edge wear; very good example with strong impression remnants of string at spine removed from a larger volume. A vivid piece of end-of-war political satire commemorating the capture of Confederate president Jefferson Davis whose attempted escape in May 1865 quickly became the subject of popular ridicule in Northern newspapers and song sheets. The cover lithograph depicts Davis fleeing through a wooded encampment while dressed in women’s clothing a reference to widely circulated reports that he attempted to evade Union troops by donning a shawl or petticoats; in truth he had borrowed a shawl from his wife. Behind him a Union soldier points in recognition while onlookers react with amusement. The music was written by Henry Tucker a prolific mid-nineteenth-century songwriter known for sentimental and topical pieces with lyrics by George Cooper one of the most active American lyricists of the period and collaborator with composers such as Stephen Foster and J. R. Thomas. Together they produced a number of patriotic and topical songs during the Civil War years. The myth of Davis in women’s clothing was represented a few different ways though this large lithographic illustration done by Henry C. Eno is possibly the most iconic. Wm. A. Pond & Co unknown

Auger Down Books · États-Unis300,00 $US≈ 253,83 €

[Drag Performance – Broadway – Sheet Music – Female Impersonation] [Julian Eltinge] Johnson, Howard; Meyer, George W; et alBiblio.com

Collection of Five Pieces of Sheet Music Composed for Drag Performer Julian Eltinge 1910–1917

1917List3648New York City: Leo. Feist Inc. and others 1917. Five pieces of sheet music see full inventory below. Overall very good plus. Julian Eltinge 1881â€“1941 was the most commercially successful and popular female impersonator of his time. Beginning with drag performances in his adolescence he developed a convincing portrayal of female charactersâ€”shocking audiences at the end of shows by revealing that he was in costumeâ€”and had a successful career on the vaudeville circuit and on Broadway followed by appearances in several silent films and as mores around crossdressing changed in nightclubs. Offered here are five pieces of sheet music written for Eltinge three of which are from the 1910 musical comedy The Fascinating Widow. A New York Times review of the Widow remarks that â€œonce over the initial unpleasantness of the idea of female impersonation which is not easy for people of delicate sensibilities there is nothing especially displeasing about Mr. Eltingeâ€™s efforts at femininityâ€ and notes Eltingeâ€™s popularity and ability to draw crowds.1 Titles Included: â€œIn the Land of Wedding Bells.â€ Howard Johnson and Geo. W. Meyer. New York: Leo. Feist Inc. 1917. 4 pp. Very good plus. â€œThe Crinoline Girlâ€. Julian Eltinge and Percy Wenrich. New York: Leo. Feist 1914. 6 pp. Very good. â€œThe Fascinating Widowâ€. E. Ray Goetz and Kerry Mills. New York: F.A. Mills Inc. 1911. 8 pp. Near Fine. The Fascinating Widow â€œJack-O-Lantern Moonâ€. Julian Eltinge Jack Mahoney and Percy Wenrich. New York: The Wenrich-Howard Co. 1913. 6 pp. Very good. The Fascinating Widow â€œWith Down-Cast Eyeâ€. Otto Hauerbach and Karl Hoschna. New York Chicago San Francisco London and Paris: M. Witmark & Sons 1910. 6 pp. Excellent. 1 â€œEltinge in Musical Play. Female Impersonator Seen at the Liberty in â€˜The Fascinating Widow.â€™â€ The New York Times September 12 1911. Leo. Feist Inc. and others unknown

Auger Down Books · États-Unis300,00 $US≈ 253,83 €

[Josh White] [Blues] [Folk Music] [Civil Rights] Shelton, RobertBiblio.com

The Josh White Song Book

19636862Chicago: Quadrangle Books 1963. Second printing. Large quarto. 191pp. Music edited by Walter Raim. Illustrations by Stu Gross. Cover is heavily worn with signs of rubbing and folding especially on spine stains on back cover good. Pages toned else fine internally. Inscribed on inner front cover. Josh White was was an American singer guitarist songwriter actor and civil rights activist. His career spanned many genres including blues spirituals protest songs ballads work songs and more. White used his music primarily to advance his passion for civil rights. He became the first black artist invited to play at the White House was the first black singer-guitarist to star in movies and Broadway plays and with Libby Holman became the first mixed-race duo to perform together at previously segregated venues throughout the United States. This book includes 57 songs from all his notable genres as well as a biography. The inscription reads "To a lovely friend Linda I wish you nothing but the best of everything good and may the best of good things come to you always. Your guy Josh White. Quadrangle Books unknown

Peruse the Stacks · États-Unis300,00 $US≈ 253,83 €

[Performance – Circus – Popular Music] Sparks, John H; Harding, Frank, et alBiblio.com

Music & Songs for the Pianoforte. The Best Collection of Music Ever Published. Compiled Expressly for John H. Sparks’ Shows

1892List3690N.p. 1892. Folio 9 Â½ x 11 Â½ inches. 17 pp. Pink printed newsprint wrappers with photographic portrait of John H. Sparks on the front cover. Covers detached paper toned and fragile as typical of newsprint; fair to good overall. An unrecorded music folio issued for the traveling circus of John H. Sparks in the early 1890s self-described as â€œThe Best Collection of Music Ever Published.â€ Sparks based in Ohio was building his circus during this period into a touring wagon show combining trained animal acts equestrian performances and sideshow attractions. Sparks toured widely presenting afternoon and evening performances and like other traveling acts relied heavily on printed ephemera for revenue. Songs include â€œWaiting to Hear the Verdictâ€ by Chales Osbourne; â€œAnnie Reillyâ€ by Johnnie Carroll; â€œDonâ€™t Abuse the Old Folksâ€ by Will H. Fox; â€œWhen the Sea Gives Up its Deadâ€ by J.J. Nolan; â€œWhen Summer Comes Againâ€ by James Thornton; â€œThe White Squadronâ€ by Arthur West; â€œWait Till My Ship Comes Homeâ€ by John Walsh; â€œMy Old Dutchâ€ by Charles Ingle; and â€œBuy a Nice Little Home in the Countryâ€ by Ed. Barry. Several compositions are copyrighted by Frank Harding 1864â€“1939 at the Royal Copyright Office which is peculiar and suggest the possibility that this was for an English audience though Sparks is not known to have toured England during this period. Harding was a New York music publisher who operated Frank Hardingâ€™s Music House at 229 Bowery during the formative years of Tin Pan Alley. unknown

Auger Down Books · États-Unis300,00 $US≈ 253,83 €

Bacchelli, RiccardoBiblio.com

Aida all'Arena di Verona. Dal 1913 al 1971

1971BOOKS059038IMilan: Davide Campari. Fine copy in printed paper folder. 1971. 1st. softcover. Oblong 4to pp. Limited to 1000 copies A portfolio of loose sheets on card stock; brief text followed by 33 plates covering performances of Verdi's Aida from 1913 to 1971 interspersed with reproductions of engravings picturing ancient theaters. Descriptive text with performance details opposite the appropriate plates. . Davide Campari paperback

Abacus Bookshop · États-Unis300,00 $US≈ 253,83 €

BACHELLER, Ann, music by, and Irving Bacheller, words byBiblio.com

Sheet music: A Few Songs

1920573074No place: Ann Bacheller 1920. Softcover. Very Good. First edition. 15pp. Paper wrappers bound with string with a paper label on the front wrapper. Dampstaining to the wrappers but the contents remain clean and unaffected small tear at the foot of the spine and light edgewear still very good or better. Inscribed by Ann Bacheller on the front cover. For voice and piano. A self-published collection of six songs composed by Ann Bacheller with all but two featuring lyrics by her husband Irving Bacheller who was a writer and a journalist remembered in part for his popular novel Eben Holden of which a piece in this collection is related to. The songs included are "Slumber Ship" "Co' Day: From Eben Holden" "The Robins Wedding" and "Untitled: Dedicated to Constance Brown" all with words by Irving Bacheller as well as a "Military March" with no words and "When a Feller Goes A-Hunting for a Rose" with words by Frank L. Stanton. In 1926 Irving Bacheller donated the Chapel Bells formally known as the Bacheller Memorial Chime to his alma mater St. Lawrence University; the largest of the ten bells is engraved with a dedication to his wife "To Ann Bacheller: Musician Wife Comrade. My love for her put a new song in my heart. Therefore let the singing of these bells be the voice of my gratitude." The bells still ring to this day. OCLC locates no holdings of this title. Ann Bacheller unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

BURNS, Robert, words by, and W Nash, music byBiblio.com

Sheet music: Lassie Wi’ The Lint White Locks

1827602037New York: E. Riley 1827. Softcover. Very Good. First edition. Folio. Single sheet printed on the recto and folded in half making for two pages of content. Notched and worn along the fold from once being bound within an album foxing some light dampstaining along the fold and light edgewear very good or better. For voice and piano. Dedicated to J.D. Patten and sung by Mr. Williamson at The New York Theatre. This piece is unrecorded by OCLC and appears to be equally scarce in the trade. E. Riley unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

Carter, SteveBiblio.com

Eden: A Drama in Three Acts signed

1976061513-PNew York: Samuel French 1976. Book. Good. Soft cover. Signed by Authors. 1st Edition. 1st. Edition 1976 Soft cover no cover 99 page book . plays floor plan on page 99. This African American play write Steve Carter has signed this copy with his name and address . Page 4 has a personal inscription on it from Steve Carter and signed . Condition : Good with dog eared corners aging to the pages Size: 16mo - over 5¾ - 6¾" tall. Samuel French Paperback

Gibbs Books · États-Unis300,00 $US≈ 253,83 €

COOK, Will Marion, music by, and Willam Moore, words byBiblio.com

Sheet music: Wid de Moon Moon Moon: Negro Love-Song with Piano Accompaniment As Sung by Miss Marie Cahill Low in D

1907571023New York: G. Schirmer 1907. Softcover. Good. First edition thus. Folio. Single bifolium with a single sheet insert making six pages. Separated at the fold toning music shop stamp on the front cover and edgewear including chips and small tears still a good or better complete copy. For low voice and piano. Plate number 23567. A sample of "To You" by Oley Speaks and Marie Beatrice Gannon on the back cover. Will Marion Cook was an African American composer who studied under Antonín Dvoák and is celebrated for his landmark musical In Dahomey which according to historian Gerald Bordman was "the first full-length musical written and played by blacks to be performed at a major Broadway house." OCLC locates seven holdings. G. Schirmer unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

Cross, Henry P Author of text and musicBiblio.com

LITTLE BLACK SAMBO: AN OPERETTA FOR CHILDREN

193647A SCARCE LITTLE BLACK SAMBO AN OPERETTA FOR "JUVENILE VOICES" PUBLISHED BY J. FISCHER & BRO. FOR SCHOOL ENTERTAINMENTS. Music arranged and libretto written by Henry P. Cross. INSCRIBED BY CROSS dated 1937. Inscription is personal and a bit wacky. Written in 1936 - the 3 characters speak in stereotypical black dialect. Book's owner F.E. Cross wrote his name in pencil at top edge of cover. He was probably related to the author. There are 2 pages of advertising at the back of the book - for children's musical school plays. The back cover has illustrated advertising for "Peter Rabbit" and "Goldilocks and the Bears" Operettas - both by Henry P. Cross. The front cover is black over orange title & illustration of " Little Black Sambo". There are 2 small chips at the bottom edge and a crease. Front cover spine has 2 spots where the paper pulled away from the 2 staples - but it is still tight & attached. Small corner crease at bottom right side. At the end of song No. 4 - a cast of characters are listed - and the M in Mumbo is made larger by pen by a child. The book's condition otherwise is tight and complete. VG- A SCARCE BLACK SAMBO J. Fischer & Bro. paperback

Enchanted Books, ABAA, AAS · États-Unis300,00 $US≈ 253,83 €

Crotch, William; Heber, Reginald; Tours, BertholdBiblio.com

Charles Harford Lloyd's Copy Palestine :A Sacred Oratorio

009949London: Novello Ewer & Co Book. Very Good. Decorative Cloth. Novello's Original Octavo Edition. Tall 8vo. Musical Score : Printed music : Oratorios 1 vocal score vi 232 pages. Words by Reginald Heber ; the music by William Crotch ; edited and the pianoforte accompaniment revised by Berthold Tours. For solo voices STB chorus SATB and orchestra; accompaniment arranged for piano.Words also printed as text. Publisher's original scarlet cloth stamped in blind and in gilt all edges gilt pale yellow end papers. No date circa 1870's From the personal collection of noted English composer and organist Charles H.arford Lloyd with his signature in ink dated February 1878 and additional annotations in ink by Lloyd at title page. Very Good light rubbing at edges end papers with light soiling rear paste down with 2" tear. Novello, Ewer & Co Hardcover

Dale Steffey Books, ABAA · États-Unis300,00 $US≈ 253,83 €

Fuld, James J; Foreword by Fletcher Hodges, JuniorBiblio.com

One of 10 Copies Specially Bound A Pictorial Biblography of The First Editions of Stephen C. Foster

1957010161Philadelphia: Musical Americana 1957. Book. Fine. Hardcover. First Edition. Folio - over 12" - 15" tall. "A limited edition of ten copies have been specially bound for: Fletcher Hodges Jr. James J. Fuld Eli Lilly Josiah Kirby Lilly Jr. Foster L. Barnes Carl Haverlin Lester S. Levy Emerson Greenaway Harry Dichter and Larry Magill. Fine in black crushed morocco gilt lettering at spine pictorial label of Stephen C. Foster front cover. While no indication in the book most likely J.K. Lilly's copy from the collection of someone who worked at the Lilly estate Oldfields as it was being transitioned into part of the Indianapolis Museum of Art. RARE the limitation not recorded at OCLC. Musical Americana Hardcover

Dale Steffey Books, ABAA · États-Unis300,00 $US≈ 253,83 €

GABRILOWITSCH, Ossip (1878-1936)Biblio.com

Autograph Musical Quotation Signed

20959Mark Twain's son-in-law wife of Clara Clemens was a Russian-born pianist and conductor who studied under Anton Rubenstein and Theodor Leschetizky; from 1918 until his death he led the Detroit Symphony Orchestra. AMuQS 1p heavy stock 3½" X 2½" card n.p. n.y. 1902. Near fine. Light even age toning. On a 2½" X 1" slip tipped to the center of this heavy card Gabrilowitsch neatly writes out three measures of music identifying it above as "Chopin Concerto." Below the slip on the heavy card he signs boldly. Quite attractive and very uncommon in this form. unknown

Main Street Fine Books & Manuscripts, ABAA · États-Unis300,00 $US≈ 253,83 €

Gardiner, WilliamBiblio.com

Music and Friends; or Pleasant Recollections of a Dilettante. Volume III Only

1853005067London: London: Longman Orme Brown and Longman. Combe and Crossley Leicester 1853. Book. Very Good. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. London: Longman Orme Brown and Longman. Combe and Crossley Leicester 1853. Volume III only. First and only Edition. RARE. In blue cloth with gilt decoration and titles. Preface Subscribers List vii-xii Contents xiii-xv Index to Music 383 pages. Very Good hinges cracking boards rubbed at the tips pages slight browning. Gardiner's wonderful chronicle of matters both musical and political in the first half of the 18th century. Volume III was published in the year fo his death 1853. London: Longman Orme Brown and Longman. Combe and Crossley Leicester Hardcover

Dale Steffey Books, ABAA · États-Unis300,00 $US≈ 253,83 €

Gay, JohnBiblio.com

The Beggar's Opera: As it is Acted At the Theatre-Royal in Lincolns-Inn Fields. Written by Mr. Gay. the Fourth Edition: to Which is Added the Ouverture in Score; and the Musick Prefix'd to Each Song

173533451London: John Watts. Very Good with no dust jacket; Boards rubbed and splayed some light . foxing and toning particularly at first and last several pages several pages stained. 1735. Fourth Edition. Hardcover. Woodcut vignette of cherub and floor globe at end of Table of Songs. Pp. 8 8 76 4. Rebound in brown paper-covered boards with brown leather spine probably contemporary with 1925 heraldic bookplate of previous owner Edward Heron-Allen. Titles stamped in gilt on spine. ESTC T13775. A lovely volume of this classic ballad opera first published in 1728 and still being staged and reinterpreted in contemporary productions. According to Wikipedia previous owner Edward Heron-Allen was also an important British scholar having earned the distinction of being a Fellow of the Royal Linnean Geological Zoological and Microscopical Societies as well as being renowned for his writings on Persian studies violin-making and palmistry. ; 12mo 7" - 7½" tall . John Watts hardcover

Old Saratoga Books · États-Unis300,00 $US≈ 253,83 €

GORDON, Marie, music byBiblio.com

Sheet music: Mother Goose's Nursery Rhymes: Set To Music By Marie Gordon

1910122007Philadelphia: J.H.Faunce 1910. Softcover. Very Good. First edition. Quarto. Sewn wrappers. Separating along the bottom of the spine a very faint inscription on the front cover faint music shop stamp at the bottom of the first page edgewear and some tearing to the inner margin of the last page where it appears to have once stuck to the rear wrapper still very good. For voice and piano. Plate imprint "Mother Goose N.R." Inscribed by pianist Maurits Leefson on the title page. Additionally a note is laid in addressed to the same recipient as the inscription written on Leefson-Hille Conservatory of Music stationary though we cannot fully make out the author's signature but we suspect it may be an assistant or secretary as the letter is written on behalf of Mrs. Leefson. Maurits Leefson was born in Amsterdam and came to America in 1887 as a choral and orchestra conductor going on to become a well-known piano teacher and the president of the Leefson-Hille Conservatory of Music located in Philadelphia PA. OCLC locates only a single holding of this piece and it appears to be equally scarce in the trade. J.H.Faunce unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

Hanna, Sherif; Jorgensen, Ernst MikaelBiblio.com

Elvis Presley: The Way it Was

2001048184BMG 2001. Book with CD photos. Hard Cover. New/No Jacket. BMG Hardcover

Jaguar 10 Books · États-Unis300,00 $US≈ 253,83 €

HARTE, Bret, words by, and FB [Francis Boott], music by F BBiblio.com

Sheet music: The Heathen Chinee

1870585954Boston: Oliver Ditson & Co 1870. Softcover. Very Good. First edition. Folio. 5pp. Wrappers. Notched and worn along the spine from once being bound within an album front wrapper separating a bit at the bottom of the spine a small tear at the bottom of pages three/four light soiling to the wrappers and light offsetting throughout still a very good and complete copy. For voice and piano. Plate number 26159. A song about two men presumably American being cheated by a Chinese man in a game of cards the result of which is shown in the shocking cover illustration. The poem appears to have been rather popular with various editions published at the time but this example set to music appears to be much less common. OCLC locates eight holdings. Oliver Ditson & Co unknown

Between the Covers- Rare Books, Inc. ABAA · États-Unis300,00 $US≈ 253,83 €

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