78 235 résultats
1979500167Leipzig, Zentralantiquariat, 1979. 4°. 8 Bl., VII S. OBr.
3 Bde. 8°. OLn. Deckel gering beschabt.
7 Bde. 8°. OLn. Deckel minimal beschabt, Bd. 1 Verblasst.
24 Lieferungen in einem Band. 4°. HLn. d. Zt. Notenbeisp. Portr. Ill. 1 Notenbeilage mitgebunden. Mit vielen Beitr. über niederländische Chordirigenten, Chöre und Sänger-Feste.
31 Hefte. Heft 64 fehlt. Dazu: Jahrbuch (Band 70) 2006. OBrosch. Teilw. randfleckig. Einige Deckel gefleckt. Viele Notenbeisp. und Ill.
78 S. OPp. Notenbeisp. Mit Beiträgen von Yvonne Rokseth, Vladimir Fedorov, Suzanne Clercx, Jacques Chailley u.a.
IN HEBREW WITH ENGLISH INTRODUCTION. 240x170 mm. 710+XI pages. Hardcover. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
IN HEBREW WITH ENGLISH SUMMARY. 240x170 mm. 28+426 pages. Softcover. Cover yellowing, slightly scratched and slightly wrinkled. Cover corners and edges rubbed. Spine yellowing and slightly stained. Spine edges worn. Few page corners slightly wrinkled. Pages yellowing. Else in good condition.
IN HEBREW WITH ENGLISH SUMMARY. 245x170 mm. 426+28 pages. Hardcover. Cover corners and spine slightly rubbed. Pages yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1953044510Wien / Vienna: Universal 1953. 1st Edition . Soft cover. Very Good. 117 Pp. Softcover Large Format. Inscribed Jan. 3 1954 By Zeisl To His Friend Hugo Apparently A Close Friend Of The Schoenfeld Sisters Violinists. Erich Zeisl 1905 - 1959 Often Spelled Eric Was An Austrian-Born American Composer. Born To A Middle Class Jewish Family In Vienna Zeisl Was The Son Of Kamilla Feitler And Siegmund Zeisl. His Musical Precocity Enabled Him To Gain A Place At The Vienna State Academy Against The Wishes Of His Family When He Was 14 At Which Age His First Song Was Published. While There He Studied With Richard Stöhr Joseph Marx And Hugo Kauder. He Won A State Prize For A Setting Of The Requiem Mass In 1934 But His Jewish Background Made It Difficult To Obtain Work And Publication. After The Anschluss In 1938 He Fled First To Paris Where He Began Work On An Opera Based On Joseph Roth's Job And Then To New York City. Eventually He Went To Hollywood Where He Worked On Film Music But Increasingly Felt Isolated And Ill At Ease With The Production-Line Demands Of His Employers. Among The Films For Which He Wrote Music Were The Postman Always Rings Twice 1946 And Abbott And Costello Meet The Invisible Man 1951. Zeisl's Style Was Essentially Tonal And Conservative Compared To Contemporaries Such As Arnold Schoenberg And Thus Not Totally Unsuited To Film Music Composition. But His Heart Lay Elsewhere. At One Stage He Was Employed To Arrange The Music For A Highly Inaccurate Stage Show About The Life Of Tchaikovsky Song Without Words. His Anguish About His Reduction To Such Work Together With The Straits To Which Other Émigré Composers In America Were Reduced At The Time Is Evident In A Letter Written To A Friend In 1945: 'Even Milhaud Stravinsky Tansman Are Struggling. Béla Bartók Died In New York Of Hunger! . Last Year I Orchestrated A Tchaikowsky Operetta Which Provided A Living For 8 Months But Why Does Tchaikowsky Have To Be Put Into An Operetta . No Composer Is Important Here'. Nonetheless Zeisl Was Able Eventually To Find Academic Appointments And Time To Compose In His Own Style. These Works Included A Variety Of Chamber Music A Piano Concerto A Concerto For Cello Written For Gregor Piatigorsky And A Setting For Choir Soloists And Orchestra Of Psalm 92 In Hebrew Which He Titled Requiem Ebraico Hebrew Requiem Written In 1944-5 In Memory Of His Father. A Work Of Variations For Orchestra Was Based On The Christmas Carol "It Came Upon A Midnight Clear." His Opera Hiob Job Was Never Completed. Zeisl Was Married To Gertrud Susanne Jellinek. His Daughter Barbara Zeisl Schoenberg Married Ronald Schoenberg The Son Of The Composer Arnold Schoenberg. His Grandson Is Lawyer E. Randol Schoenberg. Zeisl's Status As A Proscribed Musician Under The Nazi Regime Has Been One Element In A Revival Of Interest In His Music Some Of Which Is Now Available On Cd. The Premiere Performance Of The Requiem Ebraico Was Held In Los Angeles In The Hollywood First Methodist Church On April 8 1945 By Hugo Strelitzer Conducting The Fairfax Temple Choir. <br/> <br/> Universal paperback
IN HEBREW WITH ENGLISH TRANSCRIPT. 28x22 cm. 195 pages. Hardcover. In good condition.
3 p. Gr. 4°. Kl. randscheurtjes. Opgedragen aan borones C.S.S. van der Duijn.
brossura; coll."Schola Cantorum Basiliensis. Scripta 1" vol. 1; cm. 16x24; 2 tomi : Teilband A "Werbetrachtungen" - Teilband B "Stilmerkmale und weitere chronologische Indizien"; in lingua tedesca; in condizioni molto buone, il volume e' autografato dall'autore
199152212Teldec, 1991. CD CD
1 S. Qu.-12mo. Auf der Verso-Seite einer Eintrittskarte zu Heinz Conrads' Sonntagvormittagsrevue "Was gibt es Neues?"; mitunterzeichnet vom Pianisten, Komponisten und Dirigenten Herbert Seiter (1921-96). - Heinz Zednik studierte am Wiener Konservatorium, debütierte in Graz und wurde 1965 Mitglied der Wiener Staatsoper. Seit 1970 sang er bei den Bayreuther Festspielen, wo er der Nachfolger Gerhard Stolzes und Gerhard Ungers als Mime, Loge und David war. Unter Karajan sang er den Valzacchi im 'Rosenkavalier', unter Abbado den Schreiber in 'Chowanschtschina', unter James Levine den Monostatos in der 'Zauberflöte' und unter Lorin Maazel den Regisseur in 'Un ré in ascolto'. - Herbert Seiter erfuhr seine musikalische Ausbildung durch Ferdinand von Rebay und Emil von Sauer, studierte Komposition bei Joseph Marx und besuchte die Dirigentenklasse von Hans Swarowsky. Später war Seiter Dirigent des ehemaligen Kleinen Wiener Rundfunkorchesters, wurde 1952 Programmgestalter beim Österreichischen Rundfunk und begleitete den Conférencier Heinz Conrads seit 1970 viele Jahre hindurch am Flügel. Seit 1945 schrieb Seiter auch zahlreiche Wienerlieder, U-Musik, Tanz- und Filmmusik.
<br/> TITOLO: Rossini. La donna del lago. Saggi critici sull'opera rossiniana. <br/> AUTORE: Zedda,Alberto. Gosset,Philip. Casstelvecchi,Stefan. Dotto Gabriele.<br/> CURATORE: Ediz. italiana e inglese.<br/> EDITORE: Alinari<br/> DATA ED.: 1992,<br/> EAN: 9788872921975
Milano, Ceschina, 1962, in-16, tela edit. con sovracc., pp. 423, (1).
ill., br. Elsa Respighi (Roma, 24 marzo 1894 - Roma 17 marzo 1996) compositrice, cantante, scrittrice, moglie del celebre Ottorino Respighi, è una figura poliedrica del mondo musicale italiano novecentesco, di cui è testimone e attenta osservatrice per quasi un secolo. Chi era veramente Elsa Olivieri Sangiacomo, la giovane, brillante allieva di composizione al Santa Cecilia di Roma, che durante la Grande Guerra si innamora e sposa il suo Maestro Respighi, per dedicarsi totalmente a lui come Musa ispiratrice, interprete vocale, collaboratrice, organizzatrice, regista e curatrice delle sue opere e per portarle all'affermazione internazionale anche dopo la sua morte? Aprire lo scrigno di doti e tesori nascosti nel percorso biografico ed artistico di Donna Elsa, tracciare il suo passaggio nella Verona degli anni '20 e '30, esaminarne l'originalità creativa, lo stile, la psicologia, è l'intento degli interventi del Convegno svoltosi a Verona nell'ottobre del 2015, in occasione del Concorso internazionale di Musica vocale da camera a lei dedicato.
17 cm, br. edit, p. 94, ritratto di Verdi al retro del frontespizio. Dedica autografa di Zecchi ad una pag
In-16 (Cm 17 x 12), pp. 94, brossura editoriale. Lieve brunitura alla brossura anteriore. MOLTO BUONO
In-8° (cm. 21,3), pp. 116 + 15 TAVOLE in bianco e nero fuori testo foto di cori lignei o marmorei, e di cori di cantori, tra cui quello diretto da Cremesini a Bologna nel 1927, polifonico dell'accademia di Santa Cecilia a Roma dir. Bonaventura Somma, Gruppo Madrigalistico femminile G. B. Martini di Bologna dir. Adone Zecchi, Canterini Romagnoli dir. Corrado Zaccari, Pochissime sottolineature a matita. Il ricco, fitto e prezioso DIZIONARIO riguarda il CANTO di tutti i tempi, dalla Bibbia ai greci ecc., compositori, promotori, tipi di canti, termini tecnici ecc. e occupa circa 75 pagine. Insolito e sorprendente.
