Bernardeau Thierry, Pineau Marcel, Bezombes R.Livre Rare Book
78 266 résultats
1987RO30321150Hatier. 1987. In-Folio. Broché. Bon état, Coins frottés, Coiffe en pied abîmée, Intérieur frais. 127 pages illustrées de nombreuses photos et illustrations en couleur et en noir et blanc dans le texte. Texte sur 3 colonnes. Coins tâchés. Couverture légèrement pliée.. . . . Classification Dewey : 780-Musique
6330Paris, Gallimard, 1959 24 x 31, 224 pp., très nombreuses illustrations N/B et couleurs, cartonnage éditeur illustré, bon état
11 pages, music, covers frayed. eng
8' black hardcover. cover worn. fron cover and spine detached from spine. pages slightly yellowing. inscription on first white page. else in fair+ condition.
187828072New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected/faint tide-water line along spine of wrappers. 14 2 pp. Adverts last 2 pages for Nos 1-18 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC has no listings of this title; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
5 S. Gr. 4°. Kl. Randeinrisse. Selten.
Formato cm. 29,5x22,5. Pp. (4). Bello spartito manoscritto degli anni '30 di questa canzone del compositore Alberto Volonnino. Versi di M. Hebrard. Traduzione ritmica di P. Rippa. La partitura è composta dalla partitura per pianoforte e per canto. Il titolo è manoscritto alla prima pagina. In buone condizioni con rare fioriture.Beautiful manuscripted musical score of this song by the italian composer Alberto Volonnino. Verses by M. Hebrard. Rythmical translations by P. Rippa. the musical score is made up of the music for piano and text. The title is manuscripted in the first page. In good conditions with occasional foxings.<BR>
UTET 1971, I ed., volume rilegato con sovracc., pp. 416. Il volume è in condizioni molto buone, la sovracc. un po' ingiallita ha il margine superiore un po' sciupato.
Studienpartitur. 52 S. 8°. OKart.
AA.VV. "Il Melodramma , 23 capolavori italiani." Volume 2. , Ricordi s.d. 0, Copertina uso tela, con titolo dorato al dorso e al piatto. Tagli sporchi di polvere, pagine lievemente ingiallite. Volume II. Buono (Good) . <br> <br> <br> 528<br>
Estratto dalla Rivista musicale italiana, 1901, vol. 8, fasc. 4. Esemplare perfetto a fogli chiusi. Qualche brunitura della carta, classica del periodo. Brossura editoriale a stampa, pp. 148
2 SS. auf Doppelblatt. Folio. Titel mit eh. Widmung: "Der liebenswürdigen Frau Irene Steinberg-Frank zur freundl. Erinnerung". - Domanig-Roll war als Textdichter zahlreicher Wienerlieder u. a. für die Komponisten Rudolf Kronegger, Karl Föderl und Ludwig Gruber tätig; auch war er Mitarbeiter des vom Chordirigenten Eduard Kremser herausgegebenen Werkes "Wiener Lieder und Tänze".
1918962271918. 1918. Good. - Quarto 13-1/2 inches high by 10-3/4 inches wide. Printed self-wraps consisting of loose signatures and leaves. What is offered here is the contemporary score for the young composer Ethel Glenn Hier's "In a Carpenter's Shop" with lyrics from a poem by Sara Teasdale. The 12-page score consisting of 4 parts is lithographed from the holograph score onto 7 sheets of Ditson music paper. The first part for "High Voice" consists of 6 pages printed on both sides of each sheet. The second for "Soprano Violin Cello and Piano" consists of 4 pages printed on both sides of each sheet. The third and fourth parts for "Violin" and "Violoncello" each consist of one page printed on one side of the sheets. The pages are slightly soiled particularly along the edges. There are creases to the edges and corners with some tiny minor tears to the left edge of the pages of the "High Voice" part. The signature making up that part for Soprano is splitting along the spine. Good. <p>A review of a concert of original compositions given by the pupils of Walter Henry Rothwell on April 22 at the MacDowell Club states: "The works that perhaps received the greatest amount of applause were those of Ethel Glenn Hier. These included four songs 'May Song' 'In a Carpenter's Shop' 'Japanese Lullaby' and 'The Way That Lovers Use.' In all of them Miss Hier disclosed a delicate lyric quality and an ability to write charming melody. . Her second work to a poem by Sara Teasdale was unusual and seemed vaguely reminiscent of a Cesar Franck carol." - Published in the May 4th 1918 issue of "Musical America".<p>The American composer pianist and teacher Ethel Glenn Hier 1889-1971 studied composition under Stillman-Kelly and Percy Goetschius and piano under Marcian Thalberg at the Cincinnati Conservatory graduating in 1911. She went on to study at New York's Institute of Musical Art which was to become Juilliard before heading to Europe where she pursued her studies in Berlin under Hugo Kaun and in Italy under Gian-Francesco Malipiero and Ernest Bloch. She was highly influenced by composers of the Vienna School of music particluarly Alban Berg and Arnold Schoenberg whose works were making an impact in Europe at the time. Hier was awarded a Guggenheim fellowship in 1930-31 being one of only two women to do so at the time.<p>From the library of Louise Llewellyn Jarecka 1880-1954 concert singer & writer. The wife of the composer Tadeusz Jarecki. A student of Marcella Sembrich Jarecka was invited by President Wilson to sing at the White House. During the 1920's and 1930's she sang with many European Orchestras and in the Polish Opera.<p>RARE. [1918]. paperback
Livorno, 2017; br., pp. 248, ill. b/n, cm 17x23. (Saggi).
1947R300315459Gallimard. 1947. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Non coupé. 307 pages. Papier jauni.. . . . Classification Dewey : 780-Musique
1979R100059585Gallimard. 1979. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 427 pages - coins frottés.. . . . Classification Dewey : 780-Musique
2 SS. Folio. Lied für Singstimme und Klavierbegleitung ("Ob ich dich liebe? frage die Sterne") mit unterlegtem Text nach Karl Herlossohn, am Schluß Nachschrift an seinen Kompositionslehrer Wilhelm Cläpius (1801-68): "[Heinrich] De Marchion läßt Sie herzlich bitten, ihm das vorstehende Liedchen so rasch als möglich zu instrumentiren (aber in E oder Es dur), da er es doch schon am Mittwoch in der Probe singen, und daher die Stimmen ausgeschrieben haben muß. Sie haben wohl die Güte und nehmen das Nachspiel auch zum Vorspiel, damit das Lied einen ordentlichen Eingang hat. Nehmen Sie nur nicht übel daß ich Sie schon wieder belästige. Wenn das Liedchen fertig ist, bringen Sie's mir wohl [...]". - "Gumbert ließ sich 1842 in Berlin als Gesangspädagoge, Korrepetitor und Kompositionslehrer nieder und entfaltete eine ungewöhnlich fruchtbare Tätigkeit als Bühnen- und Liederkomponist sowie als Musikschriftsteller, Rezensent, Textdichter und Übersetzer" (MGG V, 1111). - Einige hinterlegte Randeinrisse; im ganzen wohlerhalten.
1944019984New York NY: Leo Feist Inc. Fair. 1944. Sheet music. Sheet music is in fair condition. Previous owner signature on front of wrapper; music company stamp on front of wrapper. Loose page is taped in. Wear to edges. ; 12" x 9"; 5 pp . Leo Feist Inc. unknown books
2012140110Stuttgart 2012. 50 Seiten. Mit zahlreichen teils farbigen Abbildungen. Illustrierte Originalbroschur. 22x16 cm
5 SS. Tinte auf Papier. Geheftet. Qu.-Folio. Psalm 26, komponiert für Singstimme und Klavierbegleitung: "Richte mich o Ewiger". - Stadler zählte zu den prominentesten Persönlichkeiten des Wiener Musiklebens an der Wende vom 18. zum 19. Jahrhundert; er war mit Mozart, Haydn, Beethoven und Schubert befreundet und verfasste zahlreiche Schriften über Mozart, dessen Nachlass er gemeinsam mit Georg Nikolaus Nissen ordnete. - Im Rand eigenh. Echtheitsbestätigung (um 1880) durch den Komponisten Josef Venantius von Wöss (1863-1943): "Comp. von Hrn. Abbé Max. Stadler. / Des unsterblichen Tondichters eigene Handschrift" sowie "Autograph". Sehr selten; seit 1950 kein einziges Autograph des Komponisten im Handel nachweisbar.
7 S. Mit dekorativem Titel.
47377Paris, Buchet/Chastel, 1968. 14 x 20, 317 pp., broché, très bon état.
191138026Chicago: Will Rossiter 1911. 1911. To Coolidge and Palmer Bandits from Woodlawn. 13 3/4" x 10 1/4" in blue pictorial cover. 5 pp. including cover. Rear wrapper missing front wrapper detached but present. Wear and chipping throughout along with light soiling to pages. Will Rossiter, 1911. unknown
Oblong folio (340 x 202 mm). 272 written pages with a total of 252 numbered chorales (and 4 pages of empty pen-staves). Contemporary half calf over mottled boards with manuscript title label to upper cover. All edges sprinkled in red. Highly interesting collection of Bach chorales, very likely assembled from 1765 onwards at St. Thomas School, Leipzig under the direction of Johann Friedrich Doles, the student of and successor to Johann Sebastian Bach, who sought to make his master's works more widely known. According to an expert opinion included with the volume (ca. 1940), the late head of the Peters Music Library, Kurt Taut (1888-1939), had surmised that the book was "written in Doles's own hand". This assumption is sustained by the apparently autograph entry "di Doles" at the beginning of the Doles chorales which entirely resembles the writing of the remainder of the manuscript. - The volume comprises a total of 252 chorales in a clean, contemporary copy by a single hand, numbered in red ink and (by a later editor) in pencil. Numbers 1 through 200 broadly agree with the two-part printed edition of Bach's chorales issued by Carl Philipp Emanuel Bach (Berlin/Leipzig 1765 & 1769), while numbers 231-251 represent the melodies for Gellert's "Geistliche Oden und Lieder" which Doles published in 1758, but in a revised order. As far as they could be identified, the final piece as well as the thirty pieces between the (real or ascribed) Bach music and Doles's settings consist of works by various composers of the 16th through 18th centuries, including Doles. - Provenance: In 1882 the book was in the library of the Leipzig-based cultural anthropologist and Bach collector Albrecht Kurzwelly (1868-1917), as shown by his label on the pastedown and his ownership on the flyleaf. After his death, it passed into the possession of the Zwenkau music publisher and collector Walter Höckner (cf. his stamp and the end). - Extremeties slightly bumped; a few spine defects have been professionally repaired. Signed expertise (1878) by the Leipzig choirmaster and Bach scholar Wilhelm Rust (1822-92); another opinion (1918) by Rust's successor Bernhard Friedrich Richter (1850-1931) is pasted between the upper cover and the flyleaf.
201216471DBBerlin. Salzburg. Köln., Berlin Akademie der Künste. Museum der Moderne Salzburg. Dumont Verlag Köln., 2012. 20,5 x 15 cm. 319 S. OKarton mit Klappenumschlag., 16471D Erste Auflage.- Einbandkanten etwas nachgedunkelt und berieben. Sonst gutes Exemplar.
