NZ Neue Zeitschrift für MusikAntiquariat.de
78 235 résultats
196650036ABMainz, B. Schott's Söhne., 1966. 4°. [29,5 x 21 cm]. Seiten 371 - 414, 4 Blätter Annoncen. Illustrierte Originalbroschur, geheftet. (Mit wenigen Anstreichungen. Einzeilenstempel auf Deckel). - Ansonsten ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. 1. Auflage.
196750037ABMainz, B. Schott's Söhne., 1967. 4°. [29,5 x 21 cm]. Seiten 463 - 512, 3 Blätter Buchanzeigen/Annoncen. Illustrierte Originalbroschur, geheftet. (Mit wenigen Anstreichungen. Einzeilenstempel/Zahl auf Deckel. Oberes Eck partiell bestossen). - Ansonsten ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. 1. Auflage.
Altogether 35 pp. Various formats (4to to small 8vo). With 5 envelopes addressed in von Einem's hand. Copious correspondence with his aunt, Baroness Irmgard v. Willisen, and his cousin, Countess Michaela v. Stolberg. Von Einem reports on his compositions, his travels and holidays, touches upon internal family affairs, and discusses extensively the complications and problems arising during his various productions. - Fine collection of letters and postcards, encompassing half a century of the life of the important opera composer (‘Dantons Tod’, e. g.) with amusing, pointed, and occasionally rather caustic remarks.
18191811018th and 19th century. The compositions include pieces for the voice piano violin and cello and range from sonatas to airs to operas. The majority of the works many with fine engravings were printed in Britain from notable music publishers. The publication dates vary from the late eighteenth to the mid-nineteenth century. The collection contains works by classical composers like Mozart Handel and Beethoven as well as poets like Felicia Hemans Lord Byron and Robert Burns. Overall the books offer an interesting survey in the history of British music publishing the printing of classical compositions and the collecting of music. A complete list of all compositions is available upon request.<br /> <br /> I. Countess of Lonsdale Music Collection<br /> Two volumes bound for the library of Grace Cecile Lowther née Gordon Countess of Lonsdale 1854-1941 wife of 5th Earl of Lonsdale and daughter of 10th Marquess of Huntly. The first volume contains eight violin compositions for sonatas and the second volume has the corresponding parts for the piano. The volumes contain the earliest imprints mostly from the 1790s and has works by Mozart Haydn and Pleyel among others. <br /> <br /> II. STEVENSON Sir John & Thomas MOORE<br /> A selection of Irish melodies with symphonies and accompaniments by Sir John Stevenson Mus. Doc. And characteristic words by Thomas Moore Esq.r. London: Published & sold at W. Powers c. 1808-1810.<br /> Two bound volumes of issues of Stevenson’s and Moore’s Irish Melodies c. 1808-1834. The first book includes issues 1-4 issue 1 is lacking the title-page. The second book includes issues 4-6 issue 4 is a duplicate. There were 10 total issues printed. Stevenson 1761–1833 was an Irish composer and Moore 1779–1852 was an Irish poet singer and songwriter. Irish Melodies is Stevenson’s best known work and he collaborated with Moore on several other projects.<br /> <br /> III. Original Scottish and Welsh Airs<br /> Three bound volumes that consist of Original Scottish airs and Orignal Welsh airs from the music publisher George Thomson with his signature. Between the three books there are early editions of four volumes of Original Scottish airs four volumes of the rare violin parts for Scottish airs and one volume of the Original Welsh airs and a volume of its optional violin part. Thomson employed composers like Pleyel and Haydn and the poet Robert Burns to produce his series of national airs. These volumes also contain many copperplate engravings in addition to the sheet music. Signature of John Carnegie Glasgow 1810 on all volumes.<br /> <br /> IV. HANDEL George Frederic<br /> Solomon composed by G.F. Handel arranged for the organ or piano-forte by Dr. John Clarke Cambridge. London: Printed by Clementi Collard & Collard c. 1825. Folio. iii 193 1 pp. Engraved title with border design and vignette by Isaac Taylor; inscription in brown ink of Charles Severn.<br /> Arrangement of the vocal score for Handel’s 1685–1759 oratorio Solomon HWV 67. Until recently the librettist of Solomon was unknown. However it is likely that the English/Jewish financier-poet Moses Mendes c. 1690–1758 provided the lyrics to Handel’s oratorio according to a new documentary source. The previous owner of this volume was Charles Severn 1806–1894 a musician and member of the Royal Society of Musicians in Great Britain.<br /> <br /> V. ROSSINI Gioachino Antonio<br /> Mosè in Egitto oratorio in tre atti musica di Rossini nuova edizione. Paris: Ou Magazin de Musique de Pacini c. 1825. Folio. ii 1 ii 203 pp.<br /> Rossini 1792–1868 was an Italian composer known for his comic operas including William Tell 1829. He composed Mosè in Egitto with the librettist Andrea Leone Tottola around 1818. Rossini later revised the opera adding a fourth act and a ballet in 1827 and renamed it Moïse et Pharaon. Both versions were highly successful and remain Rossini’s best known works.<br /> <br /> VI. Voice and piano-forte<br /> This volume contains 23 engraved pieces of music. The majority of works are romantic songs with lyrics for solos or duets. There are also works for the piano-forte. All entries except four are from British composers and/or poets. The exceptions are two songs from Italian composers based in England a duet from Mozart’s The Marriage of Figaro printed by a British music firm and a book of eight anonymous Italian duets. Highlights include three songs from Lord Bryon’s and Isaac Nathan’s Hebrew Melodies title-pages with lithographs from Maxim Gauci’s firm and many works by women composers and poets like Felicia Hermans.<br /> <br /> VII. Trios<br /> Three volumes of trios for the piano violin and cello. There are six compositions in total with each volume containing the parts for each instrument. The sheet music comes from a variety of publishing firms with a date range of the early to mid-nineteenth century and consists of works by Classical composers including Mendelssohn Mozart and Beethoven. unknown
Barcelona, Edit. Caixa Penedès, 1995. Algunes il·lustracions en color i b/n fora text. 207 p. 8è. Rústica editorial il·lustrada. Molt bon exemplar.
Catalogo mostra Comune di Reggio Emila, 13 - 21 dicembre 1986 - 3 gennaio 1987, brossura, formato 14,5x21, pagine 164, con illustrazioni in nero fuori testo, ottime condizioni - 22264
8vo. 9 ff. Draft letters that for the greater part do not have an identifiable correpondent and that show a lot of cancellations. Amongst other things Liszt speaks about attacs on his person: "Before reading. (to Mme P.) I have not yet read the recollections in question; but from what has come back to me from it, the author enjoys to make me just as ridiculous as detestable. [...] to some scandals I would not know what to oppose but tacit decency that does not entrap me at all and leaves others the burden of their debasement. [...] one or the other [has] previously written to me numerous letters of excitement about the nobility of my character and the straightness of my feelings. Concerning this, I will not deny at all and I will continue to ascribe to them their remarkbale and brilliant talents of Artists, writers and inventors, fully regretting that they so strongly turn them against my poor person (page no. 1). The sesond page can be identified as a draft letter to the Hungarian Nobleman Albert Apponyi (1846-1933), to whom Liszt writes about the Academy of Music in Budapest, his interest in Hungarian art and his desire to be useful for his country: "at the chamber of deputies the said academy would be useful to emphasize art in Hungary; [...] Can one not take into account similar precendents now and set back when one is concerned with going forward? I cannot and I position myself in your view as wisely as favourably. Despite of the difficulties of a situation confused by different obsessions and despite of the smallness of our financial means we definitely have to return to our plan and not become unmanagable. Regarding my 'personal conveniences' that you are so kind as to worry about, let me assure you once more that I do not aspire anything else than this: the peace to work in my room. Orare et laborare. The point of honour that noone but you will understand better attaches me to Hungary, our home country. Could I fill it with all my duty of recognition!" At the end of this side a fragement of a letter written in German can be found: "Honoured friend, Strongly attached to you with my heart and my spirit, I am rarely and insufficiently sad to be able to show you my sincere friendship. Many thanks for your kind letter and its joyful notification." - In another draft Liszt mentions the Villa d'Este, Cosima and Wagner as well as his mother (Marie d'Agoult, alias Daniel Stern): "After your departure from the Villa d'Este I wrote to Cosima and also spoke to her about your last incriminated articles. She answers to me [...] 'the Italien hou [...] seemed superbe to me'! But what did not at all seem superbe to me but on the contrary repellent, shameful and disgusting was the cunning and frivolous behaviour of Cosima's mother against her daughter. I mention it to you confidentially. [...] (page no. 3). - Enclosed one photography of Liszt mounted on cardboard by Nadar, shortly before his death in 1886. - Provenance: Robert Bory, musicologist.
<br/> STATO: DA COLLEZIONE, MOLTO BUONO.<br/> TITOLO: 14 canti di montagna raccolti e armonizzati da Bruno Piccinelli. <br/> AUTORE: --<br/> CURATORE: A cura del Club Alpino Italiano.<br/> EDITORE: Forlivesi<br/> DATA ED.: 1931,<br/> Nuova edizione riveduta dall'Autore con aggiunta di 8 canti.
Bruno Piccinelli 14 canti in montagna . , Forlivesi and C. 1931, Copertina cartonata ingiallita. Tagli sporchi di polvere e ingialliti, pagine ingiallite, cucitura allentata. Mediocre (Poor) . <br> <br> <br> <br>
In-4° (cm 32x35), pagine non numerate 82, copertina editoriale fissata con fermagli metallici. Con 3 illustrazioni a colori e 36 illustrazioni in bianco e nero nel testo. Piccoli segni d'umido alla copertina, e, leggeri, alla prima e all'ultima pagina. Alla seconda e alla terza di copertina, in corrispondenza dei fermagli metallici, piccole macchie determinate dalla ruggine formatasi sui fermagli stessi. Per il resto, esemplare molto ben conservato. Sommario: Delio Redi, Il musicista pittore; Giuseppe Filippetti, Quattordici dipinti per quattordici sinfonie; Alfonso Oropallo, "Tu finirai, un giorno per dipingere con la musica e musicare con la pittura"; Mario Manchisi, "L'artista pontino"; I 14 dipinti sonori; Albenzio Fabozzi, Saggio sull'opera pittorica del M° Pieri; Luigi Giannini, Una realtà artistica di casa nostra; Omaggio alla città di Latina.
(Codice TU/0820) In 4º quadrotto (32,5x35 cm) 41 pp. Grande volume illustrato con 14 tavole in nero e a colori (dipinti del musicista/pittore Ilario Pieri ispirati alle sue stesse creazioni musicali) e varie foto. Saggi di Giuseppe Filippetti, Mario Manchisi, Alfonso Oropallo. Edizione su bella carta patinata forte. Brossura editoriale, fermagli metallici al dorso. Ottimo stato. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Zusammen 31¾ SS. auf 27 Bll. (Gr.-)8vo. Schöne Briefe an den Komponisten, Arrangeur und Dirigenten Eduard Kremser, die sich hauptsächlich auf seine Tätigkeit beim Wiener Männergesangsverein beziehen: "Gestern sprach ich mit Herrn Hellmesberger und der meint daß eine kräftige Probe - kurz vor dem Conzert hinreichen dürfte. Da ich aber für diese Probe noch eine letzte Correktur an den Auflagstimmen machen möchte so bitte ich Sie, so gut sein zu wollen und mir die Partitur für 1-2 Tage zu borgen [...]" (a. d. Br. v. 8. I. 1877). - "Die Zeit der Entscheidung der Chormeister-Angelegenheit im M. G. V. rückt näher, und ich bin unendlich neugierig zu erfahren inwiefern meine Chancen sich geändert d. h. gebessert haben, ich bin höchst gespannt wie die letzte Entschließung des Vereins fallen wird [...]" (a. d. Br. v. 11. IX. 1880). - "Für die große Freude die Sie mir gestern durch die unvergleichliche Wiedergabe des Chores 'Herbst' machten, sage ich Ihnen nochmal meinen wärmsten Dank. - Sollten Sie das Stück heuer bei einer Sommerliedertafel wieder bringen, so wäre ich sehr vergnügt darüber. Bei einiger Akustik des Raumes ist das Stück auch im Freien von sicherer Wirkung. (Ich hörte es vor 2 Jahren vom [G]razer Männergesangvereine, der es auch im Freien repetiren mußte.) [...]" (a. d. Br. v. 12. XI. 1885).
239 p., ill. a colori nel testo; 24 x 21 cm. Brossura editoriale. Ottimo
In-8 (Cm 24 x 21,5), pp. 239, brossura editoriale illustrata, illustrazioni a colori nel testo. COME NUOVO
in-4 lungo(cm 21x29,5), . pagg. XIX+178, n.17 della collana diretta dal prof.Armando Carideo, opera d’intavolatura d’organo e cimbalo, testo bilingue ingl/ital nuovo stato di conservazione, a cura di Aaron Carpenè.
<p>- 1927. 7 schede colorate cm 35x25 con pubblicità in b/n e una a colori per prodotti come: Dischi La Voce del padrone, Aspirina, pasticche Marchesini, impermeabili Aquila, dolciumi Unica, ricostituenti Proton e Trifosfol, rimedi per piedi stanchi e sviluppo del seno</p>
1993123191Sire Records Company 1993. Limited Edition . Hardcover. Good/No Jacket as Issued. 12mo - over 6¾" - 7¾" tall. Includes an interview by Bill Benytly. Pages are clean unmasrked but lightly age-toned. Text block is creased but pages are very secure. Disc appears unplayed. Covers have rubbing to extremities. "14 Songs" is the first official solo album from former Replacements singer/songwriter and front man Paul Westerberg. Limited Book Bound Edition sleeve pasted inside front cover. <br/> <br/> Sire Records Company hardcover
1980152313Leipzig, Edition Peters, (1980). 4°. 40 S. OBr. (Nr. 5546).
Edizione originale. Minimi difetti alla copertina, nel complesso ottimo esemplare. Uno dei capolavori dell’artista milanese, dove vengono approfondite le relazioni tra arte astratta e musica contemporanea, scale musicali e scale cromatiche. Raro.
195610783ABKöln, 1956. 8°. 128 Seiten. Mit dem Gesamtprogramm aller Festtage und einigen Werbetafelseiten. Illustrierter Originalkarton. (Deckelrand, Deckelinnenseite und Titel partiell randfleckig). - Ansonsten ein gut erhaltenes, sauberes Exemplar ohne Eintragungen.
195610814ABKöln, 1956. 8°. 128 Seiten. Mit dem Gesamtprogramm aller Festtage und einigen Werbetafelseiten. Illustrierter Originalkarton. (Hinterdeckel/Titel gering fleckig. 2 Ecken leicht bestoßen). - Im übrigen ein gut erhaltenes, ordentliches Exemplar ohne Eintragungen.
BN211564Bosworth Edition - Hal Leonard Europe GmbH. Softcover. 140 Deutsche Schlager der 50er und 60er jahre <br/><br/>140 Deutsche Schlager der 50er und 60er jahre Bosworth Music Bosworth Edition - Hal Leonard Europe GmbH paperback
DESCRIZIONE: Banca Toscana Prato 1992, br. ed. ca. con sovracc. ill., pp. 312 con molte ill. fotografiche a col. di luoghi, miniature, personaggi, ville-medicee, terracotta, dipinti, incisioni, ecc. in 4°. Dall'indice: L'eredità del 1492 in Europa, di J. Le Goff; Immagini di Lorenzo dei Medici, di E. Garin; 1492 Gli eventi, i luoghi, i protagonisti, di F. Cardini; Le strutture economiche dell'Europa del Cinquecento, di A. Molho; L'era nuova con Leonardo, di C. Perdetti; L'occhio dell'artista, lo sguardo della gente, di G. Fossi. CONDIZIONI: Ottime/Perfette. PESO / WEIGHT: 2100 gr. without package
23 p.; 15 cm. Brossura editoriale
RO80217900Les éditions Jean Picot. Non daté. In-12. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Papier jauni. Non paginé, environ 20 pages de paroles de chant. Toutes les pages du livre sont déchirées.. . . . Classification Dewey : 781.63-Musique populaire
