Padre maestro fray remigio cernadasBiblio.com
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18322368<p>Oracion funebre en las honras celebradas en sufragio del alma de don juan jose diaz de espada y landa dignisimo obispo de esta diocesis por remigio cernadas primera edicion habana cuba 1832 nueva encuadernacionrestauradaoracion en memoria de la muerte del ilustre obispo de espada.<strong>Juan José DÃaz de Espada y Fernández de Landa</strong> más conocido como <em>Obispo Espada</em> Arroyabe >Ãlava 20 de abril de 1756 - La Habana Cuba 12 de agosto de 1832 fue un religioso >español segundo obispo de La Habana en la isla de Cuba. Director de la >Sociedad Económica de Amigos del PaÃs de La Habana y presidente de la sección de educación. >Gran Cruz de Isabel la Católica. el folleto es de una gran importancia bibliografica fue publicado por la imprenta de bolona en la habana.Los Boloña fueron una notable familia de impresores habaneros cuya trascendencia en el oficio marcó la historia de la imprenta en Cuba.</p><p>Esteban José Boloña estableció su taller en La Habana en 1776. A su muerte en 1817 ostentaba los cargos de impresor de la Marina de la Curia Eclesiástica del Tribunal del Santo Oficio e impresor de la Cámara del Rey.José Severino Boloña sustituyó a su padre en el oficio con un gran espÃritu de superación e ideas revolucionarias para su época que lo llevaron a convertirse en el impresor más sobresaliente del siglo xix en Cuba.</p><p>Su taller era de los más modernos y sus impresiones podÃan competir con las realizadas en Europa. De sus prensas salieron obras muy relevantes como <em>Teatro histórico jurÃdico y polÃtico-militar de la Isla Fernandina de Cuba </em>1789 de Ignacio José de Urrutia uno de nuestros primeros libros de historia. En 1797 publicó el estudio de Tomás Romay sobre el vómito negro y ese mismo año imprimió la primera defensa de la cirugÃa publicada en Cuba realizada por el médico español Francisco Javier de Córdova.</p><p> A José Severino Boloña se le debe la impresión de la primera novela cubana <em>El espetón de oro</em> de Cirilo Villaverde y la publicación del periódico <em>La Mujer Constitucional</em> entre 1820 y 1823 cuyo lema era "No siempre las mujeres han de tratar de dijes y alfileres"</p> Oficina de don jose bolona hardcover
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm.
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 956AG
186496471August 1st 1864. 1864. Good. - A two-and-a-half page letter consisting of over 80 words penned on three sides of 8 inch high by 5-1/8 inch wide "The Opera Company" stationery. Hatton has crossed out the letterhead and penned his home address below. In his letter addressed to James Couper sp Hatton seeks to correct the assumption made in an article about the title of his forthcoming opera: "My dear Sir" he writes "There is an article in Saturday's Orchestra signed 'J.C." -- J.C. it is yours -- what put it in yr head that my opera is called 'Blue Beard' The story of my work is as unlike the career of that courageous individual as it well can be." He goes on to write that he's not yet decided on a name for his work "but I think it is likely to be 'Rose de mai-" and requests that J.C. correct the mistake. Signed "J.L. Hatton". The recipient has penciled "yes JC" in the left margin of the first page affirming that he was indeed the author of the article. Folded several times for mailing with a couple of short tears along the edges of the folds. The bottom third of the integral second leaf has been clipped without loss to the text. Apparently once mounted into an album with paper remnants along the top and inner edges of the verso of the second leaf. Good. <p>The English composer conductor pianist and singer John Liptrot Hatton 1809-1886 was a pupil of Michael Maybrick and also studied in the academy of Mr. Molyneux. An organist by the age of 16 he acted on the Liverpool stage and later performed in London in Macready's Drury Lane production of "Othello". A man of many talents he was making a name for himself as a musician and composer at the same time directing the choruses in the English Opera series at the Theatre Royal Drury Lane and composing his own works. His fist operetta "Queen of the Thames or The Anglers" was followed by a more ambitious work "Pascal Bruno". He composed numerous songs in the style of the German classics and performed as a pianist. Hatton toured in the U.S. from 1848 to 1850 performing several public and private concerts in New York City which included some of his own works. As a composer Hatton set to music various songs to poems by Robert Herrick perhaps the most famous of which was "To Anthea". Engaged as Director of Music at the Princess's Theatre in London he composed music for "Macbeth" "Sardanapalus King of Assyria" "Henry VIII" "Faust and Marguerite" and several of Shakespeare's plays. In 1864 his third opera "Rose or Love's Ransom" likely the work to which he refers in his letter was performed at the Royal English Opera Covent Garden. August 1st, 1864. unknown
18815166La Habana: La Idea 1881. La Idea unknown
1872599451 vol. in-8 reliure plein vélin blanc, toutes tranches dorées, plats ornés, initiales M. S. de M. de A. [ pour Sanchez de Movellan ] au premier plat, Imprenta de Miguel Ginesta, Madrid, 1872, 197 pp.
187160237Portland OR: Himes & Bachelder Steam Printers 1871. 12mo. 4 pp unpaginated. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders folded originally a little cocked still NF copy. First edition of this exceedingly scarce original program for the 11th concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment features the return of local merchant and music enthusiast James B. Wyatt as conductor while Dr. Hatch has replaced Prof. H. Guido Grob. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870 and after that point no longer appears in census records or local directories on the West Coast. No copies in Worldcat. Himes & Bachelder, Steam Printers, paperback
186960236Portland OR: Himes & Daly Printers 1869. 12mo. 4 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders very faint offsetting on back from old glue mounting marks still NF copy. First edition of this exceedingly scarce original program for the eighth concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment with local Portland dentist Dr. James Henry Hatch 1839-1921 as conductor reprised the popular Civil War-era cantata The Storm King featuring words by Howard M. Ticknor and music by Benjamin Baker first performed in 1859 in Boston. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. Worldcat locates 2 copies U of O Yale; See: Belknap Oregon Imprints 1845-1870 1312. Himes & Daly, Printers, paperback
186960235Portland OR: Himes & Daly Printers 1869. 12mo. 4 pp. printed in lavender-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders ever-so-slight fading to ink still NF copy. First edition of this exceedingly scarce original program for the seventh concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. This program reveals a change in the conducting duties with former conductor James Wyatt replaced with local Portland dentist Dr. James Henry Hatch 1839-1921 who would only live in Portland until 1875 before moving his successful practice to San Francisco CA. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. No copies in Worldcat or Belknap Oregon Imprints 1845-1870. Himes & Daly, Printers, paperback
1839617001839. unknown
186860234Portland OR: Carter Printer 1868. 12mo. 3 4-7 1 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved device of piano on front cover woodcut printer’s device on back cover couple very minor spots slight shelfwear NF copy. First edition of this exceedingly scarce original program for the fifth concert organized by the nascent Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s offerings opened with the Society Anthem soprano solo duet & chorus followed by Double Quartette a piano solo by Prof. Grob solo by his daughter Miss O. Grob and violin solo as well. Wyatt 1828-1905 was an Oregon pioneer who first emigrated to the territory from Vermont in 1850 via steamship and was a longtime hardware merchant in Portland musical enthusiast and his wife Maggie Congle Wyatt 1847-1917 was a popular singer and daughter to local and successful liveryman John Congle who had brought his family over the Oregon Trail in 1847. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. No copies in Worldcat or Belknap Oregon Imprints 1845-1870. Carter, Printer, paperback
186432827Boston: F. A. Searle Printer 118 Washington Street 1864. VG some creasing folding and wrinkling to edges small horizontal tear to mid left edge. One broadside sheet printed recto only. 18-1/4" x 6-1/4" <br/><br/>A scarce broadside playbill from an early American production of Gounod's Faust in five acts as originally performed at Paris' Theatre Lyrique in 1859 which would later be selected as the inaugural opera performance of the New York Met in 1883. This bill advertises research suggests the same Opera Company as first brought Faust to the States initially performing it at the Philadelphia Academy of Music 1863 cf. Armstrong. RECORD Of The OPERA In PHILADELPHIA. Includes advertisement for Miss Maggie Mitchell on May 16 1864 performing Fanchon The Cricket. F. A. Searle, Printer, 118 Washington Street unknown books
