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193334571New York: Street & Smith Publications Inc. 1933-1949. Tanning to pages of all some minor losses throughout front and back covers present bindings are bright with the exception of volumes 10-13 which are quite faded. All issues trimmed for binding. Overall the magazines are very good to nearly fine. The complete list report upon request. Note for shipping extra funds required. 34571. Octavo thirty-two volumes pictorial wrappers uniformly bound in green cloth. A complete file of 181 issues in bound volumes. Doc Savage was a precursor to the modern super hero. Clark "Doc" Savage Jr. was trained from birth with a rigorous regimen resulting in extraordinary strength and intelligence. He never killed unless necessary he had scientific gadgets a headquarters and a secret base a fortress of solitude. The stories combined mystery adventure and some science fiction. He also had a team of five experts in various fields to assist in his adventures. His stories were extremely popular during the pulp era and then found a new audience in the 1960s-70s when the series was reprinted in paperback. The novels were written using the house pseudonym of Kenneth Robeson the main author was Lester Dent who wrote nearly 80% of the novels. Other author contributors as Robeson included William Bogart Alan Hathway Harold Davis Laurence Donovan and W. Ryerson Johnson. There were many excellent contributors to the short stories which rounded out the magazine with authors such as Steve Fisher E. Hoffman Price Q. Patrick John D. MacDonald Bruno Fischer Frank Herbert William Lindsay Gresham to name a few. Street and Smith publishing executive Henry Ralston and editor John Nanovic established the initial idea for Clark "Doc" Savage Jr. - .a brawny 'superman' a master of many fields-surgeon mineralogist engineer inventor linguist. His skin was a glowing bronze.his hair was a matching hue and so too his eyes resembling gold flake. He would be known as the Man of Bronze."- Server Encyclopedia of Pulp Fiction Writers p.81. "Doc Savage was intended to be an adventure character but under Lester Dent's imaginative manipulations he became something more - the first superhero and an inspiration for countless pulp comic-book and television characters." - Cook Mystery Detective and Espionage Magazines pp. 521-527. "The enormously wealthy Doc Savage – headquartered in a fantasticated New York with his five sidekicks who specialize in various crafts and sciences at the borderline of sf – devotes his life to combating criminal conspiracies almost all masterminded by the kind of charismatic villain later given definitive form by Ian Fleming in the James Bond books. Doc Savage himself clearly influenced the creation of Superman." - SFE online. A note on artists Walter Baumhofer contributed the initial look to the character with his striking cover painting through late 1936. Other artists include Robert George Harris Emery Clarke Modest Stein and George Rozen. An ideal collection for an institution. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 183-185. Street & Smith Publications, Inc. unknown
In-4, 6 ff., 194 pp., (1) ff., frontesipizio figurato inciso e 36 tavole a piena pagina incise su rame, colophon con registro e data 1569 in fine; legatura in piena permamena molle coeva. Bellissimo esemplare genuino.
172816540La Haye, Pierre de Hondt, 1728 ; fort in-plano, demi-basane fauve marbrée, dos à nerfs, pièce de titre rouge (reliure moderne) ; recueil de 243 planches gravées sur cuivre, y compris les deux titres illustrés et les 29 planches doubles qui comptent pour deux chacune ; ont été ajoutés à la reliure, le portrait de Louis d’Orléans, premier prince de sang, par Coypel gravé par Jean Daullé, et, en fin d’ouvrage, une Vierge triomphante à la Croix sur l’épaule et l’agneau pascal, gravée par J. Dallé d’après J. Dumont, datée de 1737.
1814002659Paris, Nicolle, Mame frères, Martinet, 1814
In 4 (29,5x22) Quattro volumi. Cartonato con legatura in tela, rilegato im mezza pelle amatoriale e marmorizzatura, cofanetto con finiture in pelle. Incisioni in rame.Tomo I pp.428, tomo II: pp.534, tomo III: pp.594, tomo IV: pp.528. Ottimo.
178618502A Neuchâtel, et se trouve à Paris, Chés Guillot, libraire de Monsieur, rue Saint-Jacques, vis-à-vis celle des Mathurins, 1786. 4 volumes in-12 de 272; 312; 312; 324-[16] pages, pleine basane blonde, dos lisses ornés de filets dorés, pièces de titre en veau rouge, tranches mouchetées de rouge.
17822Paris et Caen, Laurent Hostingue et Jamet Loys pour Jean Petit et Robert Macé, 2 janvier 1504. In-8 ayant comme signatures : a-n8, i-k6, l-z8, 8, ç4, #6, plein veau chocolat, dos à nerfs, double filet estampé à froid en encadrement des plats.
17868810A Neuchâtel, et se trouve à Paris, Chés Guillot, libraire de Monsieur, rue Saint-Jacques, vis-à-vis celle des Mathurins, 1786. 4 volumes in-12 de 272; 312; 312; 324-[16] pages, demi-maroquin vert Véronèse (à moins que cela ne soit kaki) à coins, dos à nerfs ornés de filets et fleurons dorés, tranches dorées. Reliures signées Paul Vié.
Paris, L. Turgis, 1850 circa. Numero quattro litografie in colore d'epoca, cm 53 x 66 (il foglio). In basso al centro "Lithographiées par Lafosse d'après Lazerges", la firma di Lafosse nella parte figurata alla metà del margine laterale sinistro. Non facile a reperirsi la serie completa delle quattro. L'Asia e l'Europa presentano abrasioni del foglio nella parte superiore, lievissime fioriture d'insieme, tenue e bella la coloritura, molto decorative.
161948626Venedig, Nicolo Misserini, 1619. 4°. Mit breiter figürl. gest. Titelbordüre, 2 doppelblattgr. Kupferkarten u. 40 doppelblattgr. Kupfertafeln. 8 Bll., 407 S., 12 Bll., Etw. späterer Pgmt.-Bd. m. durchzogenen Bünden u. handschriftl. Rückentitel.
2015111723Park Books. New. 2015. Paperback. 3906027538 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. -- with a bonus offer-- . Park Books paperback
CAMPEDELLI OTTAVIO Bologna 1792 - 1862, studiò presso l'Accademia della città affermandosi nel genere storico paesaggistico. Il suo stile, nel corso degli anni, si indirizzò maggiormente verso idealizzazioni pittoresche e, in seguito, sfociò in un accentuato naturalismo. , , Foglio di cm 30,5 x 23,2, una piccola mancanza al margine superiore sinistro che colpisce per circa cm 3,5 x 1 (massimo), altro minuscolo angoletto mancante in basso a destra. Non toccando l'immagine ambedue le piccole mancanze sono facilmente riprendibili. Disegno a penna con tracce di matita e con alcune figure solo a matita, scena di paesaggio con querce e armenti, probabilmente su un lungofiume. Al retro si nota scritta a matita " Dintorni di Riola Campedelli con (?)". Sempre al retro, della stessa mano, si ritrova un bell'abbozzo di mucca. Tavola conforme a quelle presenti alle Collezioni d'arte della Cassa di Risparmio, si veda il volume curato da F. Varignana, I disegni vol. III Dal paesaggio romantico alla veduta urbana Buono (Good) . <br> <br> <br>
1965014529Paris Nouveau Cercle Parisien du Livre 1965 En feuilles, couverture illustrée à rabats
Inchiostro bruno e matita misure: mm 177 x 235 Pittore, disegnatore, bibliofilo, letterato, collezionista, poeta, critico e storico dell’arte. A soli quindici anni è accolto nell'Accademia dell’Arcadia per i suoi componimenti poetici. Successivamente segue a Brera i corsi di Traballesi, Knoller e Appiani. Nel 1795 è a Roma dove stringe amicizia con Felice Giani , Angelika Kauffmann e soprattutto con Antonio Canova, di cui diventa amico fraterno. Nel 1801, a soli ventiquattro anni , è nominato Segretario dell’Accademia di Brera. Grazie anche al sostegno della Repubblia Cisalpina egli imprime una svolta radicale alla suddetta istituzione, redigendo i nuovi statuti, ampliando la collezione della Pinatoca (si ricorda fra tutti l’acquisto dello “Sposalizio della Vergine” di Raffaello) e raccogliendo svariato materiale didattico; dalle stampe ai gessi ai libri. Viaggia intanto a Roma, Napoli e Parigi, dove fa la conoscenza di David. Nel 1802 vince il concorso bandito dalla repubblica Cisalpina con il dipinto “La Riconoscenza della Repubblica italiana a Napoleone”. Nel 1807 da le dimissioni dall'Accademia a causa dei contrasti col governo e la nuova politica – da lui giudicata troppo severa- di Napoleone. Nello stesso anno, su incarico del Viceré Eugenio di Beauharnais realizza una copia del Cenacolo vinciano. Per questa occasione pubblica nel 1810 il saggio “Del Cenacolo di Leonardo da Vinci”, che riscuote un immediato successo ed è ancora oggi considerato un testo fondamentale per lo studio del pittore toscano. Bossi muore prematuramente nel 1815 lasciando incompiuta la commissione per gli affreschi di Villa Melzi a Bellagio. Giuseppe Bossi fu un infaticabile ed eccelso disegnatore. Egli utilizzava il disegno come momento di studio ed elaborazione delle proprie idee figurative. Dotato di un segno veloce, sicuro ed energico; era inoltre in grado di realizzare, grazie all'uso di sapienti campiture acquerellate, opere di grande atmosfera. Esemplare grafico elegante. Le figure sono descritte attraverso la linea di contorno e sono visibili i ripensamenti dell'artista nel rappresentare i tre personaggi lasciati a matita. Studio preparatorio su carta vergellata. Ottimo stato di conservazione. Bibliografia: AA.VV. “Giuseppe Bossi Pittore”, Busto Arsizio, 1965; L.T.Brunetto “Giuseppe Bossi. L’Uomo e L’opera”, Busto Arsizio, Pianezza Editore, 1983; F. Leone & F. Mazzocca (a cura di)“L’officina neoclassica”, Silvana editoriale, Faenza, 2009; G. Fusconi (a cura di) L’Artista e il suo atelier. I disegni dell’acquisizione Osio all’Istituto Nazionale per la Grafica”, Palombi editori, Roma, 2006.
193334709Chicago: Popular Publications Inc. 1933. Mild tanning to text paper slight edge wear closed tears at upper spine edge mild spine fade a nearly fine to fine copy. 34709. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. The second issue. "The Wheel of Death" by R. T. M. Scott. This is the last to be written by Scott starting with the next third issue a house pseudonym was used. The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
192731969New York: Experimenter Publishing Co. 1927. Text paper mildly tanned front cover shows a touch of edge rubbing a lovely copy bound in brown cloth which has preserved this issue quite nicely. This issue does not appear to be trimmed for binding. 31969. Large octavo single issue bound volume pictorial wrappers in brown cloth with spine stamped in gold. Bedsheet-sized pulp bound. This features the first printing of "Master Mind of Mars" by Edgar Rice Burroughs. The only issue of AMAZING STORIES ANNUAL. Released in July 1927 its 100000-print run sold out. The success of the ANNUAL encouraged Gernsback to launch AMAZING STORIES QUARTERLY in January 1928. Reference: Tymn and Ashley eds Science Fiction Fantasy and Weird Fiction Magazines pp. 49-51. Experimenter Publishing Co. unknown
194833277Sauk City Wisconsin: Arkham House 1948-1949 volume 1 number 1-volume 2 number 4. First edition. Touch of wear to corner tips and spine ends to several issues the usual rust staining from the staples a nearly fine to fine set. A very nice set. 33277. Octavo printed wrappers. All published. A short lived but important periodical. In addition to printing first appearances of fiction by Ray Bradbury H. P. Lovecraft Clark Ashton Smith Robert Bloch Theodore Sturgeon A. E. van Vogt and many others the magazine published essays criticism memoirs and book reviews. One issue was devoted to science fiction. The final issue included an index. All issues were limited to 1200 copies except the "All Science-Fiction Issue" that had a 2000-copy print run. Reference: Parnell Monthly Terrors pp. 14-15 listing contents. Tymn and Ashley eds. Science Fiction Fantasy and Weird Fiction Magazines pp. 112-114. Arkham House unknown
100977<p>New York October 14 1976. 1976. Very good. - Over 110 words penned in two columns on his personal 7 inch high by 8-1/2 inch wide ruled "Message/Reply" stationery. John Cage writes to Sydney Cowell Henry Cowell's widow about Henry Cowell's compositions "Recv enclosed letter from my Japanese composer friend. Located piece in Ms. at Lincoln Center. It is actually 2 pieces called Set of Two but one was too difficult and the other was recorded in Japan under the title Prelude for Vn & Hapschd. I have given Kuniharu Akiyama's address to Mr. Jackson." He goes on to indirectly refer to his own compositions "Renga" and "Apartment House 1776" which were performed in Boston: "The Boston piece went very well. Seiji was marvelous. Now must wk with Boulez on it. Singers were great." Signed "John". There are minor annotations along the top edge in an unidentified hand and staple holes at top left. Else near fine.</p><p>John Cage's compositions "Renga" and "Apartment House 1776" were performed simultaneously by the Boston Symphony Orchestra under Seiji Ozawa on September 29 1976. Boulez performed the works with the New York Philharmonic on November 5th of that year.</p><p>The Japanese avant-garde composer Kuniharu Akiyama 1929-1996 was also a music critic and a poet. He was a founding member of the Jikken Kobo group of avant-garde artists.</p><p>The American avant-garde composer John Cage 1912-1992 was a pioneer in electroacoustic music and the unconventional use of instruments. An artist and music theorist he was Merce Cunningham's lover and influential in the development of modern dance. Henry Cowell and Arnold Schoenberg were both his teachers.</p><p>Henry Cowell's wife Sidney Robertson Cowell 1903-1995 was a pianist and an American ethnomusicologist and collector of folk songs.</p> New York, October 14, 1976.
193334710Chicago: Popular Publications Inc. 1933. Mild tanning to text paper slight edge wear reading crease with separation at lower left spine edge inked date stamp to upper front cover spine is bright red a nearly fine to fine copy. 34710. Octavo single issue cover by John Howitt pictorial wrappers. Pulp magazine. The third issue. With this issue and the remainder of the run the house pseudonym of Grant Stockbridge is used. This issue "Wings of Black Death" with Norvell Page writing as "Grant Stockbridge." The character was established to be a direct competitor to Street and Smith's Shadow magazine. After Doc Savage and The Shadow this was the most popular hero character. The Spider character was considered one of the most brutal and violent of the pulp era. Reference: Cook Mystery Detective and Espionage Magazines pp. 521-527. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 602-604. Popular Publications, Inc. unknown
045-Wo.J. Feder in Schwarz, auf bräunlichem dünnem Velin. 25:40,7 cm. Skizzenbuchblatt. - Insgesamt nicht ganz frisch. Mit spitzem Strich hielt Cornelia Gurlitt hier einen Landschaftsausschnitt fest, eine für die Künstlerin charakteristische Bearbeitung.
011-Wo.J. Feder in Grau und Schwarz, grau laviert, teils weiß gehöht, auf braunem Velin, links unten mit unleserlicher mehrzeiliger Anmerkung, rechts unten datiert ?26 Nov. 36.? Ca. 13:9,8 cm. Auf alten Untersatz montiert, beigefügt ausgeschnittene Signatur ?Marianne Chodowiecka fec.?. In den Rändern ungleich beschnitten.
124-Do.J. Feder in Schwarz, Braun und Bleistift, auf Bütten mit Wasserzeichen: Wappen. 21,5:35,9 cm. Insgesamt nicht ganz frisch, eine Ecke eingerissen.
193631578New York: C.J.H. Publications Inc. 1936. Text paper tanned but quite supple light edge wear with tiny closed tears at the upper and lower spine. A very good or better copy with bright front cover. 31578. Large octavo single issue illustrations by Fred Meagher pictorial wrappers saddle stapled. Pulp magazine. The only issue which includes eight full page color illustrations. An attempt to blend the comic strip and pulp field which did not find the right audience. Includes the lead story which stars Flash Gordon and three other SF stories. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 273-274. C.J.H. Publications, Inc. unknown
196121274Pasadena TX: Glenn Lord 1961-1973. Some age tanning to edges of early issues a nearly fine to fine set except for the Winter 1965 issue has a closed tear to the lower front cover and some wear along upper front edge a very good copy. Complete sets are uncommon. 21274. Small octavo printed wrappers. All published. A major source for material by and about Robert E. Howard. Many Howard poems letters and fragments of fiction are printed here for the first time. Most issues are scarce especially the early numbers. Glenn Lord unknown