1 815 résultats
1948009156Los Angeles 1948. Original Manuscript and Photograph . No Binding. Very Good. Signed Christmas Card with Family Photograph from the Fairbanks Family and Christmas Card from Charlie Chaplin. Four page holograph letter with about 22 lines describing personalities including Charles Chaplin Fairbanks Sr. Clair Booth Luce Noel Coward MArgaret Case and George Cukor and the Durants themselves. Written by Ariel Durant for both herself and Will Durant to their daughter and dated in 1948. With a simple Christmas Card from Charles Chaplin Printed and Embossed. With A later 1961 Christmas Card dated 1961 with an attached photograph of 14 members of his family the card inscribed "To you both- our affection age The Fairbanks Family" by Douglas Fairbanks Sr. <br/> <br/> unknown
18713Pulitzer prize-winning editorial cartoonist with the "Chicago Tribune" 1903-45. Signed ink drawing 14¼" X 17" n.p. n.y. Very good. Slightest bit of edgewear and mild soiling. Labeled "Look out for a flood of currency bills when Congress convenes" by McCutcheon along the lower margin this single-panel cartoon depicts a horde of twenty older gents -- smoky back room politicos no doubt -- hurrying from the right middle ground into the left foreground where a large finger-pointing shaped sign staked into the ground reads "To the Congress." Next to this sign stands a huddling child wrapped up from the cold and a seated dog observing the parade. The full-length figure in the lead likely represents a Western state representative wearing cowboy hat and bolo tie chomping a cigar and clutching a carpetbag in one hand and a rolled-up scroll labeled "Bill for Solution of the Currency" in the other. All of the other figures clutch similar rolls one identified as "Bill for Elastic Currency" and the others "Currency Bill." The other gents are obviously supposed to represent various types of politicians -- old-school types in top hats and formal dress Theodore Roosevelt types in more modern attire Buffalo Bill-type goateed old-timers etc. A fascinating and amusing commentary on the many currency reform measures that peppered Congressional debate in the early years of the 20th century. Signed simply "McCutcheon" at lower right as usual. unknown
184684820Mâcon 1846. Fine. Mâcon 26 Décembre 1846 13.50 x 20.50 cm une page sur un feuillet Autograph letter dated and signed by Alphonse de Lamartine; one page with his monogram blind-stamped in the upper left corner and written in black ink on one leaf 15 lines. Folds inherent to mailing. In this letter Lamartine shows his happiness to collaborate with their mutual friend's journal and confirms a financial agreement. unknown
190886173Toulon 1908. Fine. Toulon 20 Juillet 1908 13.50 x 21.50 cm deux pages et demie sur un double feuillet une enveloppe Autograph letter signed by Claude Farrère then serving in the military 47 lines in blue ink written from Toulon to his friend Pierre Louÿs. Fold marks inherent to mailing envelope included. The soldier Claude Farrère thanks his friend for defending him during a dispute opposing him to a certain Monsieur B even though it was hardly worth devoting so much importance to him: ""Monsieur B read in some Annales that his fierce enemy was busy waging war in Safi against the Muslims. By incredible misfortune it happened that I had returned from there. His stupor was then so great that he lost his head."" ""Now I will never tell you to what extent I was moved by your role and by V.'s role in the whole affair."" Confident in his qualities as a fencer and marksman Claude Farrère allows himself this gentle and humorous jibe at his friend and seeks to reassure him at the risk of falling into anachronism: ""Lose the disastrous habit of seeing me killed each time someone speaks of swords around. On the contrary it is I who will kill the others. I do a great deal of fencing now. And I shoot the pistol like the late William Tell. Therefore be quiet. There. When shall we meet"" unknown
197067104Madrid 1970. Fine. Madrid 29 juin 1970 15 x 10 cm une carte postale Autograph signed postcard from Hans Hartung addressed to Georges Raillard. Seven lines in ballpoint pen on the verso of a postcard depicting sardana dancers. ""Mille fois merci et un bon souvenir de ""votre"" ville ! En espérant de vous revoir bientôt un jour. Bien à vous Anna-Eva et Hans Hartung"" ""A thousand thanks and fond memories of ""your"" city! Hoping to see you again soon someday. Yours truly Anna-Eva and Hans Hartung"" unknown
189586295s. l. 1895. Fine. s. l. s. d. ca 1895 11.50 x 9 cm une carte recto Autograph card signed 7 lines in black ink. A stain in the left margin affecting the first letter of the third line. In this note Huysmans questions the address of Dom Besse Benedictine monk French writer and historian which he had previously communicated to his correspondent and for which he seems to have made an error. As a precaution he details it to him again. unknown
191080820Alger Algiers 1910. Fine. Alger Algiers s. d. ca 1910 13.40 x 18 cm 4 pages sur un double feuillet Autograph letter signed by Judith Gautier addressed to Céleste Chrétien her maid. Four pages written in black ink on a double sheet. Transverse folds inherent to mailing last page soiled in lower margin without hindrance to reading. Judith Gautier asks her maid if the latter's husband can do work in her house at Pré aux oiseaux in Dinard: ""Je voudrais savoir si Francis pourrait se charger de rafraîchir ma maison et de repeindre les moulures de bois et les persiennes. Il s'agit de refaire un peu les fausses briques . et aussi les fenêtres lucarnes rondes du 2eme étage du côté de la mer qui sont à jour et qu'il faudra boucher avec du coton. On pourrait aussi reblanchir la cuisine qui n'a été faite qu'à peu près et le plafond de la salle à manger qui est très sale. ."" ""I would like to know if Francis could take care of refreshing my house and repainting the wood moldings and shutters. It's about redoing a bit the false bricks . and also the round dormer windows on the 2nd floor on the sea side which are open and will need to be plugged with cotton. We could also rewhiten the kitchen which was only roughly done and the ceiling of the dining room which is very dirty. ."" unknown
189685155Paris 1896. Fine. Paris 1896 11.50 x 9 cm une feuille Autograph note signed by Jules Renard addressed to Willy from his Parisian residence 8 lines in black ink. ""Le 24 Mars 1896 c'est vous mon cher Willy qui êtes adorable. Ne répliquez pas. Je m'y connais. Je distingue très bien un ami d'un critique littéraire et Willy de M. Doumic. Votre reconnaissant Jules Renard."" March 24 1896 it is you my dear Willy who are adorable. Do not reply. I know what I'm talking about. I distinguish very well between a friend and a literary critic between Willy and M. Doumic. Your grateful Jules Renard. unknown
197070299Sommières 1970. Fine. Sommières s. d. circa 1970 15 x 10 cm une carte postale Autograph postcard signed by Lawrence Durrell addressed to Jani Brun written in black felt-tip pen on the verso of a view of the banks of the Vidourle at Sommières. Admirable and humorous confession by the writer to his young lover: ""Tout le monde cherche quelqu'un de fidèle tout en restant 'libre' en échange ! Bientôt je serai impuissant et le problème n'existera plus !"" ""Everyone is looking for someone faithful while remaining 'free' in return! Soon I will be impotent and the problem will no longer exist!"". Durrell reflects on his numerous feminine conquests ""Pour l'instant je suis comblé de belles et j'en profite - pourquoi pas !"" ""For now I am overwhelmed with beauties and I'm taking advantage of it - why not!"" and gives precious advice to his addressee who had chosen to remain independent despite the writer's entreaties: ""Tu n'es pas heureuse en amour parce que tu es intéressée - tu cherche sic des combines toujours au lieu de te donner sans réserve ni réservation ! C'est quand on deviens sic esclave qu'on est vraiment heureux !"" ""You are not happy in love because you are self-interested - you are always looking for schemes instead of giving yourself without reserve or reservation! It's when one becomes a slave that one is truly happy!"" After many years spent in Greece Egypt and Rhodes the traveler-writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence from the British crown. Rich only in a shirt and a typewriter but crowned with the success of his novel Bitter Lemons of Cyprus he arrived in 1956 in France and settled in the Languedoc village of Sommières. In the ""maison Tartès"" his large house surrounded by trees he wrote the second part of his work his monumental Avignon Quintet devoted himself to painting and received his illustrious friends including the couple Henry Miller and Anaïs Nin violinist Yehudi Menuhin London publisher Alan G. Thomas and his two daughters Penelope and Sappho. Among the olive trees and under the Mediterranean sun he met in the mid-1960s the young and sparkling ""Jany"" Janine Brun a thirty-something from Montpellier of devastating beauty who worked at the Department of Antiquities at the Sorbonne in Paris. She was nicknamed ""Buttons"" in memory of their first meeting when the young woman wore a dress covered with buttons. Henry Miller also fell under the charm of ""Buttons"" praising her beauty and eternal youth in exceptional unpublished letters. The three companions spent memorable Parisian evenings of which we retain precious autograph traces through their epistolary exchanges. Recommended by Durrell she made numerous trips notably to England from where she received extensive correspondence from the writer as well as original works of art signed with his artistic pseudonym Oscar Epfs. unknown
186964422Paris 1869. Fine. Paris 16 janvier 1869 13.50 x 20.50 cm un feuillet remplié Letter autograph signed Maxime Du Camp dated January 16 1869 23 lines in black ink on blue paper handwritten address of the sender at the head of the sheet. Letter of request for recommendation that Maxim Du Camp addresses very courteously to his interlocutor who seems to have rescued him in the past. unknown
188778441Paris 1887. Fine. Paris juillet 1887 11.20 x 14.20 cm une carte-lettre Autograph signed letter-card from Pierre Louÿs addressed to his brother Georges Louis with whom Pierre Louÿs maintained a very intimate relationship and whom he considered as his own father. The question of Pierre Louÿs's real paternal identity still fascinates biographers today: ""His father Pierre Philippe Louis . had married in 1842 Jeanne Constance Blanchin who died ten years later after having given him two children Lucie and Georges. In 1855 he remarried Claire Céline Maldan and from this union was born in 1857 a son Paul; then in 1870 our writer who received the first names Pierre Félix. This late birth the differences in character between father and son the former's disaffection toward the latter the profound intimacy that always reigned between Louÿs and his brother Georges all this has led certain biographers and critics to suspect that the latter was in reality the writer's father. The exceptionally intimate and constant relationship that Pierre and Georges maintained between them throughout their lives could be an argument in this sense. Of course no irrefutable proof has been discovered and none probably ever will be. Nevertheless certain letters . are quite troubling. In 1895 for example Louÿs writes seriously to his brother that he knows the answer to 'the most poignant question' he could ask him a question he has had 'on his lips for ten years.' The following year in the full triumph of Aphrodite he thanks Georges effusively and ends his letter with this sentence: 'Not one of my friends has a FATHER who is for him what you are for me.' Arguing from the close intimacy of Georges and Claire Céline during the year 1870 and from the jealousy that the father never ceased to show toward his younger son Claude Farrère did not hesitate to conclude in favor of Georges Louis. And what to think of this dedication from Louÿs to his brother on a Japan paper copy of the first edition of Pausole: For Georges his eldest son / Pierre."" Jean-Paul Goujon Pierre Louÿs Brief note to his brother upon arrival in Epernay: ""Rien de nouveau. Personne à la gare. J'ai fait très bon voyage. Mon bouquin était mourant d'ennui et mes trois voisins aussi. Je t'embrasse. Pierre"" ""Nothing new. Nobody at the station. I had a very good journey. My book was dying of boredom and so were my three neighbors. I embrace you. Pierre"" unknown
192577543Paris 1925. Fine. Paris 14 décembre 1925 10.60 x 15.70 cm une page sur une carte lettre Signed autograph note by Reynaldo Hahn addressed to Madame Serge André and written on a white paper letter-card in blue ink. Central fold inherent to the mailing. Dominique André is a poetess novelist and playwright. She notably published under the pseudonym Claude Isambert. Reynaldo Hahn declines an invitation from his friend: ""Est-ce possible chère Madame ! Vous m'invitez à goûter ! Hélas je ne pense pas aller nulle part dans la journée ! Un soir à l'Escargot d'Or on avait projeté de se voir : Lacretelle devait me faire signe - que sais-je "" ""Is it possible dear Madame! You invite me for afternoon tea! Alas I don't think I'm going anywhere during the day! One evening at the Escargot d'Or we had planned to see each other: Lacretelle was supposed to let me know - what do I know"" unknown
192083256s. l.: S. n. 1920. Fine. S. n. s. l. s. d. 1920 27.50 x 18 cm une page Autograph letter signed by the dandy count 18 lines written in black ink probably addressed to his friend and bibliographer the critic Henri Lapauze thanking him for his vigilance and for having corrected an error concerning one of his texts. Traces of folding inherent to mailing light creases in the left margin of the letter. ""Neuilly Dear friend thank you for your vigilant benevolence. I appreciate it all the more as the same newspaper which brought me a new flood of it represented my client to me elsewhere in the form of a very vast Perrichon! .But my Mont-Blanc described by you regains its proportions! All is in order and I am your affectionate. Robert de M. 27 Nov."" S. n. unknown
192183152s. l.: S. n. 1921. Fine. S. n. s. l. 26 octobre 1921 18 x 21 cm une page Autograph letter signed on bristol board by the dandy count 17 lines written in black ink probably addressed to his friend and bibliographer the critic Henri Lapauze. ""Cher monsieur et ami je vous recommande ma bibliographie que j'ai hâte de lire de votre main qui voudra joindre à la bonne grâce de l'écrire celle de me l'adresser. Je compte aussi sur vous pour recommander le livre à M. Paul Perret à qui j'ai demandé un entretien d'accord avec M. Meyer - et dont j'attend la réponse. Merci d'avance et mes meilleurs souvenirs. Cte R. de Montesquiou. 23 novembre."" ""Dear sir and friend I recommend to you my bibliography which I am eager to read from your hand which will wish to add to the good grace of writing it that of addressing it to me. I also count on you to recommend the book to M. Paul Perret to whom I have requested an interview in agreement with M. Meyer - and from whom I await the response. Thanks in advance and my best regards. Count R. de Montesquiou. 23 November."" S. n. unknown
190683262s. l.: S. n. 1906. Fine. S. n. s. l. s. d. 1906 21.50 x 27.50 cm une page Autograph letter signed by the dandy count 20 lines written in black ink on tracing paper addressed probably to his friend and bibliographer the critic Henri Lapauze regarding verses commissioned from him by the newspaper ""Le Gaulois"": ""Neuilly Cher ami puisque nous supprimons le dessin remplaçons-le par par cette petite pièce qui servira de repos entre les deux autres et frappons un grand coup de vers. Les trois pièces ce nombre est necéssaire pour fixer l'attention sont les meilleurs que j'ai faites. Rendez notre cher Galdemar favorable à ce projet et dites lui que ce n'est pas moi qui sollicite du Gaulois cette publication ; mais bien le Gaulois qui la désire. J'insiste sur cette différence parce qu'elle donne je veux le croire à l'envoi ee ces nouveaux vers la grâce et l'essor d'une aile de plus. Votre bien affectionné. Cte R. de Montesquiou."" ""Neuilly Dear friend since we are removing the drawing let us replace it with this little piece which will serve as a respite between the two others and let us strike a great blow with verse. The three pieces this number is necessary to capture attention are the best I have written. Make our dear Galdemar favorable to this project and tell him that it is not I who am soliciting this publication from Le Gaulois; but rather Le Gaulois which desires it. I insist on this difference because it gives I want to believe to the sending of these new verses the grace and soaring of one more wing. Your most affectionate. Count R. de Montesquiou."" Creases inherent to folding for mailing small creases to right and left lower margins of the letter. S. n. unknown
39740This actor appeared in "Mister Roberts" "Rebel Without a Cause" and other films but is mainly remembered for playing Johnny Yuma on the television series "The Rebel" 1959-61. IPS 8" X 10" n.p. n.d. ca. early 1960s. Very good. Faint tape stain at each corner. Handsome head-and-shoulders portrait of the young star in his best-known role clad in buckskin and kepi and clutching his rifle. Centered near the bottom he boldly inscribes and signs in vibrant green fountain pen: "To Donald Burnell / Best wishes / Nick Adams / THE REBEL." These last two line are preprinted in greytone on the photograph itself but Adams neatly traces over them. Adams' sudden death at age 36 makes inscribed photographs rather scarce. unknown
27988This pioneering Canadian illustrator and author appeared in "St. Nicholas Magazine" often where his "Brownies" often appeared; they debuted in book form in "The Brownies Their Book" in 1887 appearing in a dozen volumes with titles such as "The Brownies Abroad" and "The Brownies Around the World." Delightful ink sketch of a typical brownie pointing to Cox's bold signature and "Brownieland / 1898" heavy stock 4½" X 3½" card. Fine. This handsome sketch has been framed under a double dark grey and cream matte in a sleek modern 5/8" black metal all archival and handsome -- overall dimensions 11" X 10 unknown
28419Colorful American adventurer and World War One "Chicago Tribune" war correspondent aviation adventurer writer editor radio commentator. Three items the first being a TLS 1p 8½" X 10 3/4" Chicago Tribune letterhead Paris France 1921 November 30. Addressed to Messrs. A.N. Marquis & Company. Very good. Minor edgewear. Encloses "a corrected personal sketch" of his "Who's Who" entry and orders a copy of the completed book. The second and third items consist of two partly-printed unsigned ADs 2pp 8½" X 11" Paris France 1921 November 30. Very good. Minor soiling. Updating form sent out by "Who's Who" for its 1922-23 edition on orange paper with Gibbons' 2½" X 3½" biographical entry from the previous edition affixed onto the blank center area. In heavy pencil Gibbons has made extensive minor corrections most notably adding the following: "While passenger on SS Laconia torpedoed and sunk night Feb 25 1917 200 miles off Irish coast after night in small boat rescued and cabled 4000 word account of disaster in which American lost lives." The third page is identical to the second but affixed to the center is the corrected entry with Gibbons' changes incorporated. A fascinating document recording the daring exploits of this legendary correspondent. Lastly also present is a printed condolence acknowledgment card sent out by Gibbons' family upon his death heavy stock 4 3/4" X 3½" n.p. n.y. 1939. Ornately printed: "The family of / Floyd Gibbons / appreciates and gratefully acknowledges / your kind expression of sympathy." Fine. unknown
16589This Connecticut legislator and civil servant served as Secretary of the Navy under Presidents Lincoln and Johnson 1861-69. ADS 1p 8" X 9½" n.p. 1848 August. Very good. Attractive pale blue lined sheet. Welles at this time chief of the bureau of provisions and clothing for the U.S. Navy requests a $150 advance for costs incurred in traveling from Washington to Auburn New York to attend the case of United States vs. L. Caldwell as well as reimbursement for two past trips. Signed with his usual cramped "GWelles." This item is accompanied by an exceptional and scarce 8" X 10" glossy photograph a full-length portrait possibly from a Mathew Brady negative made circa 1950 by pioneering photography historian FREDERICK HILL MESERVE 1865-1962 "America's first great photograph collector" who assigned numbers to Lincoln photographs "Meserve numbers" that are still used today. This striking image was quite likely made from the original glass plate negative as was Meserve's habit. It is identified on the verso in pencil in Meserve's distinctive hand: "Gideon Welles / The Meserve Collection." A handsome document and a highly desireable accompanying image. unknown
42301This famed French painter was an academic painter celebrated for his depictions of historical Oriental and classical Greek and Roman scenes. PS heavy stock 2½" X 4¼" n.p. n.y. Near fine. Rounded corners as issued. Outstanding carte-de-visite half-length portrait of Boulanger in three-piece suit and tie right hand in pants pocket and left hand dramatically foisting a cigarette. Sharp backstamp in brown of photographer Bingham in Paris. On the blank margin below his portrait Boulanger signs boldly in brown ink with his usual crabbed "G. Boulanger." Undated but likely circa 1870. A superb example -- and quite scarce. unknown
42225This popular American composer of hundreds of songs and dozens of musicals is often remembered for such hits as "Over There" "Give My Regards to Broadway" and "You're a Grand Old Flag"; he was also a versatile actor playwright singer dancer and producer; in the year of his death he was portrayed by James Cagney in the film "Yankee Doodle Dandy" and later memorialized in the 1968 musical "George M!" Printed DS 1p 6" X 3½" pale pink stock New York NY 22 January 1917. Near fine. Faint age toning. Printed receipt for dues payment from "Pacific Lodge No. 233 F. & A.M." Free and Accepted Masons. Cohan signs bold and in full in dark brown ink near the top center as "Life Member" also noting his yearly dues payment: "1.40." An interesting and unusual example accompanied by a 10" X 8" modern reprint black-and-white glossy photograph showing Cohan in later years dealing cards. unknown
20151Popular Midwest wrestling champions of the '50s and '60s each holder of many titles who formed a celebrated tag wrestling team. Most unusual oversize IPS heavy stock 16" X 20" St. Charles IL 1960 October 14. Near full-length side-by-side shot depicting Gilbert and Goelz in wrestling trunks against a white background each taking off their coat as if entering the ring. Gilbert at left inscribes boldly to the right of his legs in red ballpoint: "To Donald M. Burnell / A true and wonderful / Wrestling fan Your friend / in Sports always / Johnny Gilbert / Oct 14 - 1960 / St. Charles Livestock Center / St. Charles Illiones." sic Goelz at right inscribes boldly at upper right in blue ballpoint: "To a wrestler's best friend / Donald M. Burnell / Best of Luck and of everything / Your friend always / Billy Goelz / Fox Lake wrestler / Oct. 14 1960 / St. Charles Livestock / Center / St. Charles Ill." This handsome and most unusual item was likely created for some cryptic promotional purpose but it bears no photographer's credit or other identifications recto or verso. Choice vintage piece from the "Golden Age of Wrestling" -- likely one of a kind in this large format. Superb for display. unknown
25101Italian composer whose ten verismo style operas include "Andrea Chenier" 1896 "Fedora" 1898 and "Siberia" 1903. Brief ALS "Umberto" in Italian 1p 5" X 6½" n.p. n.y. Addressed to "Alberti." Very good. Minor edgewear. On black-bordered mourning stationery. Not translated but notes receipt of a telegram and based on the exclamation and question marks would appear to be lively and animated content. Accompanied by a very good 3½" X 5½" postcard photograph a head-and-shoulders portrait of Giordano in later years. unknown
18126Children's book and periodical illustrator about whom little is known; in April May and June 1889 Hill provided the illustrations for Sarah Orne Jewett's serialized tale "A Bit of Color" for "St. Nicholas" magazine later expanded into the 1890 novel "Betty Leicester: A Story of Girls" and his work appears in many other turn-of-the-century books and periodicals. Superb original ink-and-wash drawing 12" X 9" n.p. n.d. Near fine. Neatly mounted to heavy art board. A nighttime flood scene it shows half-submerged buildings and flotsam with a man in a three-piece suit uncomfortably straddling a tall post and a small boat rowed by a black woman pulling up alongside. On the verso in an unidentified hand presumably an editor's the title "Clarissy Ann and the Flood" is noted the scene identified "Clarissy Ann rescues her landlord" and a caption is given "'I kin help you if you agree to a few things' said Clarissy.". This same hand also indicates "St. Nic." -- a reference to "St. Nicholas: An Illustrated Magazine for Young Folks" edited by Mary Mapes Dodge published 1873-1939. This was one of two illustrations for this short story pp. 688-91 which ran in the Volume 23 Part II in 1896. L.E. Chittenden 1824-1900 author and banker and politician best known as Register of the U.S. Treasury in the Lincoln administration authored the story. From the noted autograph collection of Albert Johannsen author of "The House of Beadle and Adams and Its Dime and Nickel Novels" University of Oklahoma Press 1950 the definitive reference work and bibliography on the subject. A striking piece of original illustration art. Johannsen's original 8½" X 11" file folder bearing a printed "Collection of Albert Johannsen" label partly filled in by Johannsen accompanies this item along with a modern copy of this short story. unknown
40509This well-rounded California pastor railroad man actor playwright and lecturer was a popular short story writer and novelist "Those Who Have Come Back" 1914 "Tongues of Flame" 1924 and penned the scripts for the films "Guiles of Women" 1921 starring Will Rogers and "A Pair of Hellions" 1924. TMS 1p 8½" X 11" Pacific Grove CA 1923 March 8. Near fine. Actual working draft page p. 23 from a short story titled "Mercy" which was published in the May 1923 issue of "Cosmopolitan" magazine. Typed double spaced with numerous additions deletions and corrections. Along the wide right margin vertically Macfarlane signs large and bold in full in black ink adding date and place and noting "a page from the MS of / 'Mercy' Cosmopolitan for / May 1923." Content concerns a minister named Robert N. Mason confessing a sexual crime to a friend George Fawcett during a nighttime drive through what seems suspiciously like heading north from Macfarlane's home in Pacific Grove: In part "The city of E____ enjoys a climate that has bland moments. This was one of them. It was a black velvety all-enveloping sort of night -- the very night for confidences; and the car was turned north away from the city away from the lights away north endlessly north into the open country. The minister apparently suffering the greatest distress with something upon his heart that demanded expression seemed nevertheless quite unable to utter himself." Interestingly about a year after this was signed on June 9 1924 Macfarlane bought a gun at a local gun shop said goodbye to wife and children and drove north to San Francisco where he put a bullet in his head outside the San Francisco morgue. The reason for his suicide at age 53 Diabetes. From the collection of Professor Albert Johannsen author of "The House of Beadle and Adams and Its Dime and Nickel Novels" University of Oklahoma Press 1950 the definitive reference work and bibliography on the subject. Johannsen requested working draft pages from authors so it's possible this manuscript leaf predates its 1923 date by quite a bit. Also present is Johannsen's original 8½" X 11" file folder bearing his printed "Collection of Albert Johannsen" label partly filled in by Johannsen. unknown