2 977 résultats
19243Paris Gibert Jeune, Librairie d'Amateurs 1940 in 8 (20,5x13,5) 1 volume broché, couverture illlustrée rempliée, 165 pages [3], avec 16 illustrations hors texte en couleurs et 19 dessins en noir de Brunelleschi. Traduits de l'Italien par Antoine Le Maçon. Tirage limité à 3000 exemplaires numérotés. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
42526Paris Gibert Jeune, Librairie d'Amateurs 1953 in 8 (20,5x13,5) 1 volume broché, couverture illlustrée rempliée, 165 pages [3], avec 16 illustrations hors texte en couleurs et 19 dessins en noir de Brunelleschi. Traduits de l'Italien par Antoine Le Maçon. Tirage limité à 3000 exemplaires numérotés survélin de Condat. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
20501P., Gibert Jeune, 1940, in-8,broché, couverture rempliée crème imprimée en vert et noir et illustré en jaune et noir ; (4)-165-(4) pp. édition illustrée par BRUNELLESCHI de 35 compositions coquines dont 16 hors-texte en couleurs. Ex. sur vélin Navarre N°2765.
194054421940 Traduit de l'italien par Antoine Le Maçon, Illustrations de Brunelleschi, Paris, Gibert Jeune, Librairie d'Amateurs, 1940,1 Volume relié, 205 x 140 mm. 165 pp. Reliure demi cuir, dos à nerfs, caissons fleuris, Tranches mouchetées, Ouvrage orné de 16 Gravures en couleurs, hors texte, et 19 Dessins en noir, Exemplaire numéroté, sur vélin de Navarre. Bel exemplaire.
19404869Paris, Gibert Jeune, 1940, in-8, 165pp, broché, Exemplaire en parfait état de l'édition numérotée. Illustré de 16 compositions en couleurs et 19 dessins en noir par Brunelleschi 165pp
195313035paris Gibert Jeune-Librairie D'Amateurs. 1953 1 Un volume de format petit in 8° de 170 pp.; 16 hors texte en couleurs et 19 dessins in-texte par Brunelleschi. Reliure en plein maroquin brun clair à coins; couverture entièrement conservée; tête dorée. Reliure parfaitement exécutée, signée Jean Etienne.
194111009Paris GIBERT JEUNE 1941 1 Paris, Gibert Jeune, 1941, in-12, brochage, couverture illustrée, 165 pp.
194125370Paris GIBERT JEUNE 1941 1 Traduits de l'italien par Antoine Le Maçon. Illustrations par Brunelleschi. Paris, Gibert Jeune, Librairie d'Amateurs, 1941, in-12, couvertures et dos conservés, reliure sable ornée d'une silhouette féminine bombée, gardes et contre-gardes papier marbré, tête dorée, sous chemise et étui marbré,165 pages.
195323115Paris Gibert Jeune 1953 -in-8 broché un volume, broché crème in-octavo Editeur, couverture rempliée imprimée en noir et vert illustrée en couleurs par BRUNELLESCHI, toutes tranches non-rognées, tirage limité à 3000 exemplaires (limited edition - 3000 copies were printed) (N°411), illustrations de 16 hors-texte en couleurs et 19 dessins en noir par Umberto BRUNELLESCHI, 166 pages, 1953 à Paris Gibert Jeune Librairie d'Amateurs Editeur,
1941130371941 reliure bradel demi-vélin blanc in-octavo (half binding white vellum in-octavo), dos long (spine without raised band) - titre en noir (black title) - petite illustration en cul-de-lampe (small illustration in tailpiece), papier fantaisie aux plats (cover with imagination paper), filet noir sur les mors (black line on the joints), tête dorée (top edge gilt) - gouttière rognée (smooth fore-edge), dos et couverture conservés (spine and cover of the preserved paperback edition), tirage limité à 3000 exemplaires sur papier Vélin des Papeteries Navarre (limited edition - 3000 copies were printed), illustrations de Umberto Brunelleschi, 171 pages, 1941 à Paris Gibert Jeune Librairie d'Amateurs,
34377Paris, Gibert Jeune - Librairie d'Amateurs, 1941. In-8°, 165p. Broché, couverture illustrée rempliée.
33479Paris, Gibert Jeune - Librairie d'Amateurs, 1941. In-8°, 165p. Reliure plein chagrin rouge, dos à nerfs avec titre doré à froid, losange à froid sur les plats, tête dorée, couverture et dos conservés.
19532326Gibert Jeune, 1953. In-8 broché, couverture rempliée décorée. Belle condition. Illustré de 19 dessins in-texte en noir; bien complet des 16 hors textes couleurs de Brunelleschi .
195367949Paris, Gibert Jeune. Librairie d'Amateurs., 1953, in-12, broché, 165 pages. Parfait état. Illustré de 16 hors-texte en couleurs et de 19 dessins en noir et blanc de Brunelleschi. 1/3000 sur vélin des Papeteries Navarre. Sous couverture rempliée et papier cristal.
14666, Gibert Jeune Hardcover Paris, 1940,, Relie l'epoque, couvertures et dos conserves, 166pp.+table, 16 hors-texte en couleurs et 17 dessins en noir de Brunelleschi.
RO40250852Insel-Verlag zu Leipzig. Non daté. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 72 pages. Etiquette de code sur la couverture. Quelques tampons de bibliothèque.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
627313s.l.: s.n. CIX pp. 33 x 23 cm. Polished marbled calf covered boards with gilt titling and five raised bands on spine housed in a slipcase of stiff green card with brown cloth edges; illustrated. A facsimile reprint of unknown origin or printing date. Faint sunning along edges of opening of slipcase. Some rubbing to raised bands on spine with some light rubbing along sides of spine. Light bumps to bottom corners of boards. Mild foxing to first few pages with occasional light spots of foxing scattered throughout text. Binding nice and firm. Due to the size and weight of this book additonal shipping may be required for expedited and international orders. . Hard Cover. Very Good. s.n. Hardcover
Cm. 17,5, pp. xix (1),190 (2). Con fregi xilografici nel testo e 4 tavole f.t. Leg. edit. in piena tela con decorazioni a secco e con titoli in oro al piatto e al dorso. Sguardie illustrate. Taglio di testa colorato. Ottimo stato di conservazione. Introduzione e note di Aldo Francesco Massera. Collezione di classici italiani con note fondata da Pietro Tommasini-Mattiucci, diretta da Gustavo Balsamo-Crivelli, volume xvi.
1 Vol. In-16 cart. editoriale, firma al front pag. 351 PROG 38590 CATT_ATT 51
1569746Paris: Morel 1569. Hardcover. Fair. The last Italian novel that Boccaccio prepared Il Corbaccio The Crow; around this time 1354-55 a.d. and after Boccaccio primarily focused on Latin works. This copy is a 1569 edition in the original Italian but printed in France by Morel but Morel Italianized his name to appeal to Italians on the title page. This novel finds some disfavor with modern readers. In this work a man is being rebutted by a widow but upon falling asleep her dead husband visits him and confides in him all the ways she's best left alone. In concert the sleeping man and the dead man decide to write this work warning young men of the deceits of some women. The work has since been dubbed ""misogynistic"" despite at almost the same time Boccaccio preparing his Latin work recording a selection of noble women De Claris Mulieribus. Other's claim that surely Boccaccio must have been jilted by a widow to write such a scathing work. About Boccaccio - Giovanni Boccaccio 1313 1375 was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Born in the town of Certaldo he became so well known as a writer that he was sometimes simply known as ""the Certaldese"" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars including Vittore Branca define him as the greatest European prose writer of his time a versatile writer who amalgamated different literary trends and genres making them converge in original works thanks to a creative activity exercised under the banner of experimentalism. His most notable work is The Decameron. About the Printer from the website Printing in France - ""In 1549 Morel decided like many before him to get involved in the book trade. He became a proof-reader for Charlotte Guillard d. 1557 one of the famous woman printers of sixteenth-century Paris. In 1557 Morel decided to become a printer himself following the death of Charlotte Guillard in the same year. By 1570 Fédéric I Morel was one of the most prestigious printers in Paris. It is thus not surprising to see him being appointed royal printer on 4 March 1571 following the move by his wifes cousin Robert II Estienne to Geneva."" Provenance - Ex-libris plate of George Benson Weston a Harvard and Columbia graduate who edited a work on Italian literature. Also his inscription stating that he bought the book in Naples in 1904. Also the ticket of the Naples bookseller F. Casella established 1852. Bibliographic Details - Universal Short Title Catalogue USTC number 130039 found in many of the world's best libraries. Pettegree Walsby and Wilkinson - 58272 Physical Attributes - Measures approx. 11 x 17 x 1.75 cm. Signed in 8 octavo. Hardcover. Marbled paper covering pasteboards and a leather spine. Spine broken into six compartments by five gilt fillet lines title in gilt in one compartment five compartments with a blind tool roll of circles and palm fronds making the top and bottom border. Edges sprinkled brown. Pages - xvi 174 all numbered pages present but missing one blank leaf. Collation - A-G8 H7 I-L8 missing H8 a blank leaf that went between two sections and was not included in the numbering which is perhaps why it was removed Condition - This copy missing one blank leaf which would be the 8th leaf in the H gathering between two sections. Binding with some wear at edges corners and spine. Bookseller ticket and ex libris of George Beson Weston on pastedown. Blank unnumbered endpapers stating Gamba 205 and that Weston purchased the book Naples July 5 1904. Some toning and foxing throughout. Occasional thumb. Title page with an old manuscript provenance inscription under the title. A manuscript note in the fore-edge margin of page 111. Morel
0884360490.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SONG0884360490Brand: Emc Pub 0000-00-00. paperback. Used: Good. 0.25x4.75x7.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Emc Pub paperback
76533Club Internacional del Libro . Club Internacional del Libro unknown
193566353Shakespeare Head Press 1935. Full Leather. very good. Quartos 11' x8" Two volume set. Bound in full blue leather. Gilt lettering to spines.Illustrated with wood-cut engravings. Decorative initial letters printed in blue. Printed by Isaac Jaggard. Limited to 350 copies of which this is #175. Some light scuffing and edge wear to spines. Corners bumped. The text of the First volume has been prepared from that of the First English translation printed by Isaac Jaggard for Mathew Lownes in 1625 and compared with the first edition of 1620. The wood engravings have been re-cut by R.J.Beedham and E.Joyce Francis from thos in the edition printed by the Brothers Gregorii at Venice in 1492. Text has been set by hand in Caslon's type. Illustrations have been copied in facsimile with a slight reduction from the woodcuts in the edition of the Decameron printed in Venice by the brothers De Gregorii in 1492. Shakespeare Head Press unknown
1702040048Cologne: Jacques Gaillard 1702. Third Edition. Hardcover Full Leather. Good Condition. Romain de Hooge. 2 volumes in contemporary full leather heavily worn at edges hinges split but boards still attached. A few ink marks to titles minor dampstaining and wear to endpapers and last few pages otherwise clean. With the lovely Hooge illustrations throughout. Volume 1 with a frontis and the title in red and black. 366pp plus table 427 plus table. Styled the Second Edition but really the third after 1697 and 1699. Graesse: "tres recherchée a cause des gravures."les éditions posterieures apres 1697 1699 et 1702 ne sont ni rare ni estimées". Brunet 142 Size: duodecimo 12mo. Text is clean and unmarked. Illustrator: Romain de Hooge. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Myths Legends & Folklore; Antiquarian & Rare. Inventory No: 040048. <br/><br/> Jacques Gaillard hardcover books
