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2012661<p>"Albert Camus: Solitude & Solidarity" edited by Catherine Camus 2012 hrdbk. Authorised English edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new still in the publisher's original shrink wrap. Physical description; 206 p. : ill. some col. col. maps ; 34 cm. Summary; Using selected texts photographs and previously unpublished documents Catherine Camus takes readers through the fascinating life and work of her father Albert Camus who in his defense of the individual also saw himself as the voice of the downtrodden. Writer journalist philosopher playwright and producer he was a shining defender of freedom whose art and person were dedicated to serving the dignity in humanity. 13" x 11" x 1" 4 lbs. 9 ozs.</p><p>Because of this book's physical description an additional amount may be required for shipping.</p><p>Returns on books are accepted if Buyer provides photos showing that item was damaged upon delivery or the item was not received as described. Please note our photos are of the actual item. Returns will not be accepted if item is shipped to an incorrect address that Buyer has provided or the item is not accepted at destination and is deemed "Addressee Unknown".</p> hardcover
52907Eds Michel Lafon In-4-carre 34 cm 206pp. illustr. documents bibliogr. p. 204-205 reliure cart. de l'editeur avec jaquette Nb-0205 unknown
2012BN262413Edition Olms 2012. 2012. Albert Camus - Solitude & Solidarity: Solitude and Solidarity <br/><br/>Albert Camus - Solitude & Solidarity: Solitude and Solidarity Laredo Joseph F und Catherine Camus Edition Olms unknown
Mm 115x175 Brossura editoriale di pp. 123, con sovraccoperta editoriale con alcune macchie "Clasicos del siglo XX". In lingua spagnola. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Seghers 1970, In-12 broché. 141 pages. Bon état.
Mm 130x215 Europe: revue littéraire mensuelle, 77 année, n° 846, Octobre 1999. Brossura editoriale di 299 pagine. Rare sottolineature a matita, peraltro esemplare in ottime condizioni. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2013008035Hamburg, Laika Verlag, 2013. -- Broschiert -- 384
In-4, 111p. Catalogue des exposition qui se sont tenues à la Bibliothèque de l'Université de Nice (8-14 mai 1980) et à la Bibliothèque Publique d'Information du Centre Pompidou (25 mars - 4 mai 1981). Illustré de nombreux documents photographiques.
198057222Gainesville, University Presses of Florida, 1980. Original-Broschur, 8°, 330 Seiten.
201559944Stuttgart : Reclam 2015. 367 S. ; 19 cm kart., Softcover/Paperback, Exemplar in sehr gutem Erhaltungszustand
16882Albert Maquet . The Invincible Summer - Albert Camus Critical Biography New York George Braziller Inc 1958. 1st Edition . 1st printing .Hardcover with dustjacket. An in depth critical Literary & Philosophical memoir of the 1957 Nobel Prize Winner ALBERT CAMUS: by Albert Maquet. size: 5 3/4" by 8 1/2". In very good condition. unknown books
1971WRCLIT19284San Francisco: The Greenwood Press 1971. Large octavo. Pictorial wrapper over stiff wrappers. Photographs and facsimiles. Prospectus laid in. A fine copy in lightly worn slipcase. First edition in English translated by Gregory H. Davis. One of 750 copies printed by Jack Stauffacher. A gathering of memoirs of Camus by those he worked with in the course of publishing COMBAT. The Greenwood Press unknown books
5222ALBERT CAMUS 1913-1960. Camus was a Nobel Prize-winning French author best known for his absurdism and works like The Stranger and The Plague. TMS. 5pgs. 1945. N.p. A lengthy typescript in French by Albert Camus. It concerns the Spanish Civil War 1936 to 1939. This manuscript was Camus’s preface to the book L’Espagne Libre Paris: Calman-Lévy 1946. Writing just after World War II in which he took an active role in the resistance against the Nazis Camus muses back on the Spanish Civil War often called a “dress rehearsal for World War IIâ€. Camus felt personally connected to the Spanish Civil War since his mother was Spanish. The English translation of his writing is as follows: “It has been nine years now that the men of my generation have carried Spain in their thoughts. Nine years that they carry like a serious wound. That experience has given them their first taste of defeat and the insight really a surprise from which they have barely recovered that you could be in the right and yet be beaten that force could suppress the spirit and that there were times where courage was not rewarded. No doubt that explains why to so many men all over the world the Spanish drama felt like a personal tragedy some realizing that this was the first battle in a war for which neither qualities nor flaws had prepared us. But those very same ones who did not don the mantle of prophecy came to feel with anguish that this war was theirs to the degree that it was a war of liberty. For it was in fact that a war of liberty. We found out about it in the papers even if it was a badly intentioned paper. There are things that today one doesn’t speak about anymore but that back then were fresh and bloody history. And we at least have not forgotten that the Spanish Civil War started out as a general’s rebellion against the democratic institutions that a people had just given themselves liberally. We have not forgotten that this general sent Moorish troops against the people of his country in the name of Christ and German-Italian legions invoking the Holy Spain. In the indignation that overcame us in 1931 despite the warning signs there was the feeling that an injustice had just been committed that had to disappear as quickly as possible if one didn’t want it to remain on Europe’s flank like a sore that was going to fester and grow wider. But the injustice still was to receive its reward that this world always reserves for it. Agencies published the Italian legions’ victorious communiques at the same time as the non-intervention ones. The Spanish Republic firm in its rightfulness teetered in its power and at first with rage then with pain that filled us all started to give birth to anguished amazement that has not left us all these years at the spectacle of an injustice that gradually took on an immense scale of history and that found itself sanctioned both by the defeat of a people and by the cowardice of the world. This world nevertheless perseveres in calling legal what has been established while we continue in vain to call legal what has been given consent. Of all the reasons that the Spanish war has continued to haunt us many undoubtedly have vanished today. The cruelty of that struggle seems to us almost natural after five years of indescribable violence. But you can see what remains: the passion of a people and the spectacle of injustice that was never repaired. The hostilities have been suspended the darkness of the dictatorship has dissipated and so we continue to carry Spain in our thoughts. At the other end of the continent a patch of night yet reminds us of the reasons for this war and of the fact that we were wrong believing it to be finished just as we were wrong nine years ago not believing that it had started. But vanquished courage and injustice consecrated by history are commonplace in this world. And maybe as far as Spain is concerned our indignation would be less strong if we had a better conscience. How would it be when we cannot forget that France is not the only one to respond to some of the assassinations that shook what was left of the European conscience. The death of Frederic Garcia Lopez thus seems to us less tolerable than others. We had entered a period where every free man could reasonably expect that he would one day stand facing guns of execution. We are still in that period and it is natural that a free man justifiably prepares himself or at least takes this likelihood into account when he calculates his chances and his convictions. Lorca’s death was in the order of things in the dirty order in which we have since lived. And the Granada execution put men on alert that they had entered serious times meaning times where poets could be shot by those whom their existence contradicted. At least some of us have seen it that way and are preparing ourselves instead of complaining. But we have to believe that we were not yet prepared enough. For we needed to go further yet do our part of the assassinations and see Antonio Machade die as he was leaving a democratic concentration camp. Some years later and Companys was liberated by a French Marechal to be executed at leisure. How will we be able to forget All of this has colored in red and in black a face that of Spain that we already carry in ourselves but that we can no longer heal. That is why since Barcelona was taken there is an absence in us an emptiness a sense of waiting. In this world that we call liberated there is a country from which we obstinately avert our gaze for it speaks to us of injustice and remorse. We would like peace but it won’t let us have it. Yet would our heart be as anxious if this subjugated land was not at the same time the land of great passion and grandeur No doubt I have my personal reasons of choice. Based on blood Spain is my second home. And in this greedy Europe in this mechanized world where passion is met with derision half my blood has been pondering its exile for seven years and wants to find the only land again where I feel at ease the only land where people know how to unite to a higher degree of necessity the love of living and the desperation of living. But it is not just a personal reaction that rules the hope for a free Spain. All of Europe’s intelligent minds also turn to Spain as if they felt that this sad country held some of the royal secrets that Europe is desperately trying to figure out right through a long list of wars revolutions eras of mechanics and spiritual adventures. In fact what would prestigious Europe be without poor Spain What more staggering has it invented than this powerful and magnificent Spanish summer light where extremes are wed where passion can be indulgent as well as ascetic where death is a reason to live where you bring seriousness to dance and lightheartedness to sacrifice where nobody can tell the border between life and dreams between comedy and truth. While the Western world tears itself up to discover syntheses and formulas Spain offers them up freely. But it can only furnish them in the effort of insurrections the terrible breathing of its liberty. Homeland of revolutionaries the only country where anarchy has been able to establish itself as a powerful organized party its greatest works are calls toward the impossible. In each one the world is accused yet at the same time glorified. Europe and the world for what they now need to find can really no longer do without Spain. But Europe and the world do and in such a natural way that it is hard to believe. But that is the way it is and nothing apparently is of any use but the testimony of the free man. The indignation will last through the ages we know that now. For the last twelve years many Ubu Fathers rose up and we at first laughed about them but they put irresistible mechanisms in the service of their mediocre follies. And these Ubu Fathers were masters long enough that at their defeat men were still blind. You have to believe it at least since we let the latter continue their parade in what was the country of Cervantes. For the past seven years the grotesque has been the only Spanish product to manifest itself there. And we who know the value of the grotesque when it has a police we support that it continue gagging the people of the revolution and that above Spain the windmills of stupidity and cruelty keep turning. And not only do we support the grotesque but we also sign treatise with them. The democrats are hungry and honor does noy count for much when you can have some oranges. The lasting smell of those oranges will mingle with the memory of Machade and Companys. Too bad if in the end we have a change of heart. Why get upset The realists say that this does not concern us that you have to leave people to take care of their own business and that finally we didn’t fight for Spain but against Germany. Democracy from all it seemed means not to worry about others. But we learned that democracy means no borders. Misunderstood in one place it is threatened altogether. And we know better than the realists why we fought. We fought so that free men could look at each other without shame and so that each man would be in charge of his own happiness and would judge himself without carrying the constricting weight of others’ humiliation. That man today can feel himself or actually be free as long as this land of liberty stays entrusted to an arbiter. Every time a man somewhere in the world is weighed down with chains we are at the same time bound. Freedom must be for all or for no one. That is the only formula of democracy that is worth the sacrifice. Here at least in the following pages the testimony of some men who feel they are still not quite free. It is the work of those who have not signed commercial treatise and who will continue to make do without oranges. And there is no doubt their testimony is symbolic. It has to be. But in this world without memory it is good that some believe in faithfulness. They perhaps will help one day to forgive what in the rage in their hearts they could not prevent. Albert Camus 1945â€. This weighty and heartfelt piece was published as Camus’s preface to the book L’Espagne Libre Paris: Calman-Lévy 1946 which also included contributions by Jean Cassou Jean Camp and others. It has been much quoted over the years even inspiring the title of a recent book on the Spanish Civil War. One page is yellowed and there are corrections and cross-outs one quite large throughout in Camus’s handwriting. unknown books
In-8, 181p. Illustrations d'Etienne Delessert, Alain Le Foll, Georges Lemoine, Jean Otth et Hans Troxler.
Perugia, Università degli Studi di Perugia, 1983, in-8, br. editoriale, pp. 25, [1]. Estratto, con invio autografo dell'autore "A Carlo Cordié, maestro di vita e di dottrina, questi umili segni di nuovo lavoro in corso su Camus, con devoto, fedele ricorso, e affettuosi auguri di bene a lui a famiglia [...] Natale 1983 - Capo d'Anno 1984".
2010216337Unter Mitarbeit von Marcelle Mahasela. Deutsche Übersetzung Alwin Letzkus. Zürich, Olms, 2010. Fol. (33,5 : 28,5). Durchgängig illustriert. 206 S., 1 Bl. Illustrierter Orig.-Pappband mit illustriertem Schutzumschlag. - Schönes Exemplar [4 Warenabbildungen]
201048576Zürich ; Oetwil am See : Ed. Olms 2010. 206 S. : 550 Fotos u. Ill. ; 34 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
2010101455Zürich, Olms 2010. 2010. 4°, 206 S. Orig.-Pappband im Orig.-Umschlag.
1970193059-1O. O., Disques Adès [ca. 1970?]. 12" (30 cm). Schallplatte (Vinyl). Cover mit einer Zeichnung von Maurice Tapiero. Mit Kunststoff-Schutzhülle und Orig.-Cover.
Mm 140x230 Edizione in francese / French edition. Collection: Bibliothèque scientifique, collection science de l'homme - Brossura editoriale di 252 pagine, sporadiche sottolineature a matita e a penna, firma d'appartenenza all'occhiello, per il resto buona copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
196023754New York: Caedmon Records 1960. First Edition. Near fine. 33 & 1/3 RPM LP album no. TTC 1138. Vinyl near fine. Album cover very good plus with minor wear to edges/corners. <br/><br/>Selections from La Peste La Chute L'été and L'Etranger read by the author in French. Cover design by S. Neil Fujita. Caedmon Records unknown books
15233Albert Camus. French author famous for his critique of bourgeouis sentimentality. Later edition in French of his most popular novel L'Etranger which follows the main character's murder trial following the death of his mother. Considered both an important social commentary on the bourgeouis as well as a critical contribution to existentialist literature. Clear and dark signature in pen on the free front end paper. Original paper cover. 12x19cm. Some toning and a handwritten drawing from a previous owner on the verso of the signature page but otherwise in very good condition. unknown books
Pt. In-8, 126p. Illustré de quelques documents h-texte. Bibliographie en fin de volume. Epuisé.
Un volume broché au format poche de 144 pp.; couverture illustrée. Bel état. Voir photo.
Un volume broché au format poche de 64 pp.; couverture illustrée; nombreuses illustrations en noir dans le texte. Comme neuf. Voir les photos.