3 895 résultats
192336652Stock | Paris 1923 | 19.50 x 19.50 cm | broché
194746198Plon | Paris 1947 | 14 x 20 cm | broché
194773843Plon | Paris 1947 | 14 x 20 cm | broché
195575564s. l. 26 octobre 1955 | 20.90 x 26.90 cm | une page sur un feuillet
192378240Librairie Stock | Paris 1923 | 12 x 19 cm | relié
192087075Editions de la Sirène | Paris 1920 | 14.50 x 23 cm | relié
1923156540Paris: Librairie Stock 1923. Presented to the first woman to receive the Académie française's Grand Prix de littérature First edition first printing presentation copy inscribed by the author on the half-title "à Madame Henri de Régnier avec mon amitié ma reconnaissance mon admiration profondes Jean Cocteau Mai 1923". The recipient Marie de Régnier was one of the most significant French women writers of the 20th century and the first woman to be twice crowned by the Académie française. De Régnier née de Heredia was a prolific and immensely popular novelist and poet and an important fixture in the literary milieu of 20th-century Paris. She was made a commander of the legion of honour and was elected president of the Académie Mallarme of which Cocteau was also a member. The first woman to receive the Académie française's Grand Prix de littérature in 1918 she went on to become the first woman to be awarded twice by the Académie with her receipt of the Grand Prix de Poésie in 1958. She wrote primarily under the pseudonym Gérard d'Houville in an attempt to distance herself from the long shadows cast by both her father José-Maria de Heredia and her husband Henri de Régnier who were successful writers in their own right. Her nom de plume was an affectation rather than an attempt to disguise her sex: it was common knowledge that d'Houville was a woman with contemporary critics often referring to "Madame" Gérard d'Houville. "In 1910 when L'Intransigeant asked its reader to select the top three women writers deemed worthy to be members of the Académie française they placed d'Houville in top position before Anna de Noailles and Colette" Milligan. Her significant literary achievements are too-often disregarded in favour of her well-documented familial and sentimental relationships including affairs with Pierre Louÿs Edmond Jaloux Gabriele D'Annunzio and Henri Bernstein. This copy is from the library of the notable jurist and collector of poetry René Vandevoir 1892-1966 with his bookplate on the front pastedown. Octavo. Finely bound by Devauchelle in near-contemporary red half morocco raised bands and gilt lettering on spine marbled sides and endpapers top edge gilt fore edge untrimmed. With original pink paper wrappers bound in. French newspaper clipping printing five poems by Cocteau loosely inserted. Spine faintly sunned a few spots of foxing to pp. vii-viii. A fine copy. Jennifer E. Miligan The Forgotten Generation: French Women Writers of the Inter-war Period 1996. hardcover
1923199307Paris : Librairie Stock 1923. First Edition. Hardback. Very good in the original full blind-stamped leather; raised bands. Spine bands worn with some minor loss to the upper area. Remains quite well-preserved overall; tight clean and strong. Edition limited to 400 copies this no. 355 SIGNED by the author. Additional scans available upon request. ; 8vo 8"" - 9"" tall; 272 pages; Physical description.: 272 p. : chiefly ill. ports. ; 28 cm. Subject: Caricatures - France - 20th century. Paris : Librairie Stock hardcover
11863Paris, 1914 - 1915. 20 numéros grand in-folio. Brochés et agrafés.
194143433Sous coffret en demi-maroquin bleu. Couverture souple. A grands marges.
19631489Marc Barbezat, à Decines, Isères 1963. Volume in-4 (315 x 250 mm) en feuilles sous couverture de papier japon nacré illustrée en couleurs, rempliée, chemise et étui recouvert de papier bois de l'éditeur. Édition originale des Poèmes Insoumis de Léna Leclercq illustrés de 8 LITHOGRAPHIES ORIGINALES EN COULEURS À PLEINE-PAGE D'ANDRÉ MASSON. 1 DES 25 EXEMPLAIRES SUR JAPON NACRÉ avec la suite des 8 lithographies et 2 lithographies refusées TOUTES SIGNÉES AU CRAYON PAR L'ARTISTE. L'ouvrage est signé au colophon par la poète et le peintre. Les lithographies ont été tirées par Mourlot et le texte imprimé par Audin à Lyon dans la mise en page de Marc Barbezat.
19794450Paris Editions Sciaky 1979 Première édition. Le témoignage le plus visible de Jean Cocteau en faveur de l'Europe prend la forme d'une série d'études pour un projet de timbre : dessins inédits sur le thème "Nous croyons en l'Europe". Limité à 600 exemplaires dans le colophon. Il s'agit de l'exemplaire 199. Chemise cartonnée avec lithographie de Cocteau sur le premier plat. Quelques petits chocs et marques sur les planches blanches uniquement. Exemplaire complet. Le contenu comprend : le texte d'introduction, un magnifique portrait anonyme de Cocteau en pleine page, un feuillet en glassine bleue avec les étoiles européennes au recto. Ce feuillet contient deux feuilles de timbres. Chaque feuille est complète. 12 lithographies couleur pleine page de haute qualité de l'art du timbre, dont une lithographie double page. Un discours sur le Parlement européen par Louise Weiss. L'intérieur du dos de la chemise représente un visage de Cocteau. Un bel exemplaire. 445 x 335 mm (17œ x 13Œ pouces).
192374316Paris 1923. Fine. Paris s. d. 1923 14.50 x 9.50 cm une photographie Original photograph showing in bathing attire and on a beach the group of friends formed by Bolette Natanson Valentine Hugo Jean Cocteau and Georges Auric the only one in street clothes. Vintage print. A very fine photograph showing in full relaxation Jean Cocteau Georges Auric Valentine Hugo and Bolette Natanson away from the Parisian artistic effervescence in which they actively participated. The two other men have been identified thanks to the research of Philippe Mianes whom we thank. Through cross-referencing drawings from auction catalogues or exhibitions related to Jean Cocteau and Jean Hugo depicting this same context and characters he was able to complete the story. Indeed Jean Hugo in Le Regard de la Mémoire indicates that the scene takes place on the Arcachon Basin at Piquey beach where Cocteau had his habits. ""We were seven"": thus from left to right we identify Valentine Hugo Jean Hugo Jean Cocteau Georges Auric Bolette Natanson and. Raymond Radiguet. If the latter whose face is veiled by his hat is difficult to recognize he does indeed appear in this excerpt from Jean Hugo's memories. Chloé Radiguet Raymond Radiguet's biographer confirms that her uncle indeed habitually wore the same light-colored wide-brimmed hat. A moving memento of Radiguet's last summer under the sun of Cap Ferret where he completed Le Diable au corps. Provenance: Bolette Natanson collection. hardcover
196262758Paris: Plon 1962. Fine. Plon Paris 1962 14.50 x 20 cm broché First edition on ordinary paper. Small spots not serious to head of the covers and the endpaper. Handsome autograph inscription signed by Jean Cocteau to his friend Francis Poulenc : ""A Francis Poulenc qui est musique son Jean."" Plon unknown
192677763Paris: Stock 1926. Fine. Stock Paris 1926 13.50 x 19 cm 2 volumes brochés First edition one of 30 numbered copies on Japan paper deluxe issue. Some light foxing affecting mainly certain deckled edges. Handsome full-margined set. Fine autograph inscription signed by Jean Cocteau to his publisher Maurice Delamain: ""A mon cher Maurice Delamain dans le ciel de l'amitié de la pureté parfaites. Jean surmonté d'un petit coeur"" ""To my dear Maurice Delamain in the heaven of perfect friendship and purity. Jean surmounted by a little heart"". Stock unknown
192785718Paris: Stock 1927. Fine. Stock Paris 1927 12 x 19 cm relié First edition one of 28 numbered copies on Japan paper deluxe issue. Handsome copy attractively bound. Half red morocco binding with corners smooth spine decorated with gilt quadruple vertical fillets at head and tail gilt fillet frame on moiré-effect paper boards marbled endpapers and pastedowns covers and spine preserved top edge gilt contemporary binding signed Franz. Cover illustrated by Christian Bérard. Stock hardcover
192074039Paris: Proverbe 1920. Fine. Proverbe Paris 1er Avril 1920 14 x 22.50 cm 1 numéro sur 1 double feuille Very rare first edition of the third issue of this Dadaist review which would comprise six in total. Contributions by Paul Eluard Louis Aragon Francis Picabia Jean Paulhan Théodore Fraenkel Isadora Duncan Paul Dermée Georges Ribemont-Dessaignes Jean Cocteau Tristan Tzara Jacques-Emile Blanche Philippe Soupault. A pleasant copy. Proverbe unknown
4450Paris: Editions Sciaky 1979. First edition. A beautiful example of this scarce portfolio; Jean Cocteau's most visible testimony in favour of Europe takes the form of a series of studies for a stamp project: unpublished drawings on the theme "We believe in Europe". Limited to 600 copies in the colophon. This is copy 199. Hardback folder with lithograph by Cocteau to the front board. A touch of bumping and marking to the white boards only. Complete copy. Contents comprise: Introductory text beautifully produced full page anonymous portrait of Cocteau. Blue glassine folder with the European stars to the front. This contains two sheets of stamps. Each are complete. 12 full pages high quality colour lithographs of the stamp art including one double page lithograph. A discourse on the European parliament by Louise Weiss. The inside rear board of the folder is a Cocteau face. A lovely copy. 445 by 335mm 17½ by 13¼ inches. . Première édition. Le témoignage le plus visible de Jean Cocteau en faveur de l'Europe prend la forme d'une série d'études pour un projet de timbre : dessins inédits sur le thème "Nous croyons en l'Europe". Limité à 600 exemplaires dans le colophon. Il s'agit de l'exemplaire 199. Chemise cartonnée avec lithographie de Cocteau sur le premier plat. Quelques petits chocs et marques sur les planches blanches uniquement. Exemplaire complet. Le contenu comprend : le texte d'introduction un magnifique portrait anonyme de Cocteau en pleine page un feuillet en glassine bleue avec les étoiles européennes au recto. Ce feuillet contient deux feuilles de timbres. Chaque feuille est complète. 12 lithographies couleur pleine page de haute qualité de l'art du timbre dont une lithographie double page. Un discours sur le Parlement européen par Louise Weiss. L'intérieur du dos de la chemise représente un visage de Cocteau. Un bel exemplaire. 445 x 335 mm 17½ x 13¼ pouces. Editions Sciaky hardcover
19272091202133201135nrf 1927. Soft Cover. Fine. Volume: 1 nrf paperback
51-6576Paris: Nouveau cercleParisien du livre 1965. Folio 35 x 46.5 cm; Sheets loose as issued; illustrated paper cover folded inside a gray linen slipcase. Cover and 10 Survage engravings inside and hors texte. Edition of 170 copies; No. 59 of 150 reserved for members of the Society here for Count Max de Chamberet. With a lithographed self-portrait of Jean Cocteau signed and dated 1960 on Arches paper. The Morgan Library thinks they bought a drawing of the exact same image dated 1962! Morgan Record ID:109664. "The idea for this book bringing together poems by Jean Cocteau illustrated by Léopold Survage under the theme of Pegasus had been submitted to the Poet and he had liked it. A few days before his death he invited us to Milly-la-Forêt to give us the texts and the preface he had specially written. But on the day of our meeting he was no longer there.".In-folio 35 x 46.5cm.; en ff. couv. illustrée rempliéesous emboitage de toile grise. Couverture et 10 burins de Survagegravés dans et hors texte. Tirage à170 ex. ; n°59 des 150 réservés auxmembres de la Société ici pour lecomte Max de Chamberet. Avec unautoportrait gravé de Jean Cocteauajouté en feuille libre. «L’idée de celivre réunissant sous le thème dePégase des poèmes de Jean Cocteauillustrés par Léopold Survage avaitété soumise au Poète et lui avaitplu. Quelques jours avant sa mort ilnous invita à Milly-la-Forêt pour nousremettre les textes et la préface qu’ilavait spécialement écrite. Mais aujour de notre rendez-vous il n’étaitplus là» postface.Expertise by Cécile Ritzenthaler Paris. Paris: Nouveau cercleParisien du livre, 1965. unknown
192439396Couverture rempliée illustrée en couleurs. Intérieur très propre. Textes de Jean Cocteau et de Louis Laloy en ÉDITION ORIGINALE. Le tome 1 est composé de 23 dessins en couleurs de Georges BRAQUE, d'un portrait de Georges Auric par Cocteau et du facsimilé d'une page d'une partition de musique par Auric. Le tome II est composé d'un portrait photographique de Braque par Man RAYet 22 photographies de Georges DETAILLE.
195243860Sous étui cartonné et sous chemise en demi-cuir vieux rose. Sous couverture en couleurs à rabats.
1949211175Paris 1949. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Embossed stamp at lower right atelier stamp on verso with pencilled notations giving the subject of the photograph the date and the number of the negative. Gelatin silver print. 1 vols. 9-7/8 x 8 inches. Portrait of Cocteau leaning over the balustrade of a rooftop. unknown
11646France: Draeger No date. First edition. Paperback. Very Good . Tall folio edition 15" tall by 12" wide. Text in French by Cocteau. Contains eleven loose color plates by Charles Martin demonstrating the prolific printing talents of Draeger. Art Deco illustrations. Contents very clean and ready for separate framing if one so desired. Thick paper covers show some light wear and mild staining but an exceptional copy overall of this scarce book. No date listed but likely from the mid 1920's. Draeger paperback books
1947LD17666Paris: Nouvelles Editions Francaises 1947. First Edition. Hardcover. Near Fine. Copy 167 of 525 total one of the 375 copies on Rives a La Forme paper. Large 4to. Original wrappers with contents loose as issued. 152 pp. with 21 mounted black and whites photos from the film interspersed. Finely printed in red and black. The contents are near fine. The publisher's boxed slipcase is stained battered and broken. <br/><br/> Nouvelles Editions Francaises hardcover books