3 895 résultats
192382698Couverture souple verte. Ouvrage dédié à Erik Satie, illustré de 16 reproductions hors-texte dont un portrait-photo de Picasso par Man Ray, in-fine.
SLIVCN-9782742728909Actes Sud (10/2000)
101336Musée de Lunéville, 4 juillet-15 septembre 1964, 170x170mm, 34p., 6 planches photographiques hors-texte, agrafé sous couverture noire avec lettrage en blanc. Texte de Jean-Marie Maignan, biographie et bibliographie, liste des œuvres exposées, un poème de Francis Coulon, « Textes et poèmes pour Lucien Clergue » par Jean Cocteau.(101336)
192374316Paris s. d. [1923] | 14.50 x 9.50 cm | une photographie
191778126Paris 1917 | 6.30 x 8.60 cm | une photographie
191778126Paris 1917. Fine. Paris 1917 6.30 x 8.60 cm une photographie Original photograph likely unique and unpublished of Pablo Picasso at the Casa di Marco Lucrezio Pompeii spring 1917 Paris 1917 63 x 86 cm one photograph Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii holding a twig in front of a wall on which there is a Pompeian fresco. Contemporary silver print perhaps unique from Jean Cocteau's personal archives then the Maurice Sachs collection. Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay. On 16 April 1917 Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade the first work described as surrealist by Guillaume Apollinaire for the new season of Serge de Diaghilev's Ballets Russes. On his return this initiatory journey inspired his monumental painting: the Parade stage curtain a real visual signature of the ballet marking the beginnings of Picasso's neo-classical period and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix in his bibliography dedicated to the painter recounts the aesthetic shock caused by the discovery of the Pompeian frescoes: Giovanni Carandente to whom we owe the best studies on this trip highlights that Picasso was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true as he wrote to Gertrude Stein that he immediately drew many Pompeian fantasies which are a little daring attracted as he was by the erotic elation that emerges from these licentious paintings . these memories settled in him to emerge with force thereafter. . Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples . In its singularity this universe contributed to enriching Picasso's cultural heritage with something more alive more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later the impressions felt in Pompeii were to translate into a real creative explosion a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925. Pierre Daix Picasso. Unique and early original photograph of Picasso taken and printed by his friend Jean Cocteau in a mythical place that will influence his aesthetic for the long-term. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. unknown
192374316Paris 1923. Fine. Paris s. d. 1923 14.50 x 9.50 cm une photographie Original photograph showing in bathing attire and on a beach the group of friends formed by Bolette Natanson Valentine Hugo Jean Cocteau and Georges Auric the only one in street clothes. Vintage print. A very fine photograph showing in full relaxation Jean Cocteau Georges Auric Valentine Hugo and Bolette Natanson away from the Parisian artistic effervescence in which they actively participated. The two other men have been identified thanks to the research of Philippe Mianes whom we thank. Through cross-referencing drawings from auction catalogues or exhibitions related to Jean Cocteau and Jean Hugo depicting this same context and characters he was able to complete the story. Indeed Jean Hugo in Le Regard de la Mémoire indicates that the scene takes place on the Arcachon Basin at Piquey beach where Cocteau had his habits. ""We were seven"": thus from left to right we identify Valentine Hugo Jean Hugo Jean Cocteau Georges Auric Bolette Natanson and. Raymond Radiguet. If the latter whose face is veiled by his hat is difficult to recognize he does indeed appear in this excerpt from Jean Hugo's memories. Chloé Radiguet Raymond Radiguet's biographer confirms that her uncle indeed habitually wore the same light-colored wide-brimmed hat. A moving memento of Radiguet's last summer under the sun of Cap Ferret where he completed Le Diable au corps. Provenance: Bolette Natanson collection. hardcover
194375328S. n. 1943. Fine. S. n. 1943 29 x 22.80 cm une photographie Large photographic portrait of Jean Cocteau inscribed by Cocteau to Willy Michel 1943 29 x 22.8 cm one photograph Extremely rare photographic portrait of Jean Cocteau in contemporary silver print produced during the shooting of Serge de Pologny's film Le Baron fantôme for which he wrote the dialogues. Beautiful signed autograph inscription in the upper margin of the photo to which Cocteau has added his famous little star: à mon cher willy Michel. Souvenir très amical de nos complicités cinématographiques. Le Baron fantôme Jean Cocteau. 1943 To my dear Willy Michel. Very fond memory of our film-making complicity. Le Baron fantôme Jean Cocteau. 1943 Some tiny lacks in the left margin of the photograph. Magnificent large photographic portrait offered to the photographer Willy Michel who installed the first photo booth in France in his studio and became famous for his selfies with all the artists actors and writers of his time. With this superb highly expressive photograph in costume Cocteau offers this bibliophile patron of artists and accustomed to cinema sets an item of choice for his famous collection of portraits and artists' signatures. A wonderful highly expressive portrait of which we have not found any other copy in international public collections. S. n. unknown
1979ABE-1530700864708HALSMAN POUR TOUJOURS LES IMAGES ETERNELLES DU GRAND MAGICIEN DISPARU, 20P, SALVADOR DALI, JEAN COCTEAU-CLERGUE COLORISTE, 8P-LE BRONX DE GAROFALO, 8P-STARS SUR UN PLATEAU, ROGER CORBEAU, 6P-HCB A LA QUESTION, CARTIER BRESSON, ARLES, 3P
1821102811821 Photo argentique de Cocteau sur son lit de mort. Noir et blanc, 18,2x13 cm, tampon Photo Keystone au dos
53580Paris, mars 1924, gr. in-8, broché, couverture à rabats, 110 pp. Premier numéro de cette importante revue d'avant-garde, fondée par quatre étudiants en philosophie à la Sorbonne (Pierre Morhange, Norbert Guterman, Georges Politzer et Henri Lefebvre), en réaction au bergsonisme triomphant. Une sorte de "pré-existentialisme" s'y exprime nettement à travers la critique de "nihilisme européen" (Jean Grenier) et l'esquisse d'une "philosophie de la conscience" (Henri Lefebvre), débouchant sur un appel à la révolte de l'esprit, proche des surréalistes et du communisme. Beau sommaire avec des textes de Max Jacob, Cocteau, Drieu La Rochelle, Soupault, Supervielle et Jean Grenier (sous le pseudonyme de Jean Caves). Un des 12 exemplaires numérotés sur vélin pur fil Lafuma.
53580Paris, mars 1924, gr. in-8, broché, couverture à rabats, 110 pp. Premier numéro de cette importante revue d'avant-garde, fondée par quatre étudiants en philosophie à la Sorbonne (Pierre Morhange, Norbert Guterman, Georges Politzer et Henri Lefebvre), en réaction au bergsonisme triomphant. Une sorte de "pré-existentialisme" s'y exprime nettement à travers la critique de "nihilisme européen" (Jean Grenier) et l'esquisse d'une "philosophie de la conscience" (Henri Lefebvre), débouchant sur un appel à la révolte de l'esprit, proche des surréalistes et du communisme. Beau sommaire avec des textes de Max Jacob, Cocteau, Drieu La Rochelle, Soupault, Supervielle et Jean Grenier (sous le pseudonyme de Jean Caves). Un des 12 exemplaires numérotés sur vélin pur fil Lafuma.
105306 numéros (dont un double, le n° 5-6) ont paru en 5 livraisons, de mars 1924 à mars 1925. (Destribats, 219) // Collection complète, du n° 1 (mars 1924) au n° 5-6 (mars 1925). 1/12 sur pur fil. [1 japon / 1 hollande / 1 madagascar / 12 pur fil]. Tous les numéros de notre collection portent le n° 4. Sont jointes : la tables des articles parus dans les numéros de la première (et seule) année, et un bulletin d'abonnement. Très rare collection complète sur grand papier. En très bon état.
1924111628Philosophies 1924 Philosophies, N°1, 15 mars 1924, 110 p., broché, couverture insolée avec des rousseurs, dos un pue aplati vers le premier plat, intérieur propre.
L11395Lausanne. La Guilde du Livre, 1961. In-8 à l'italienne, cartonnage éditeur illustré. Textes de J. Cocteau, G. Schmidt, H. Steck, A. Bader. Plusieurs textes. Biographies d'Aloyse, de Jules, de Jean. Bibliographie, etc. Paru la même année que l'édition CIBA.
1369336Lausanne (ou Bâle): La Guilde du Livre (ou éd Ciba), 1961 pet. in-4 oblong, 114 pages, 26 illustrations en couleurs, 55 illustrations n / b., bibliographie. Cartonnage d'édit., dos toile. Ouvrage sur l'art des aliénés, en particulier Aloyse, Jules et Jean.
lc_64551Clairefontaine Lausanne (1 janvier 1961)
24845Éditions du Pavillon, 1956. In-12 br. Préface de Jean Cocteau. E.O. il n'est pas annoncé de grand papier.
195655671956 éditions du pavillons 1956 In8 broché 89 pages - bon état
196011BzParis 1960 15x23 93 pages - broché - etat correct - entretien avec Cocteau
196011BzParis 1960 15x23 93 pages - broché - etat correct - entretien avec Cocteau
1965LD17674Paris: Nouveau Cercle Parisien du Livre 1965. First Edition. Hardcover. Very Good. Large folio. Copy 103 of 150. With 10 original etchings by Léopold Survage. Publisher's pictorial wrappers with contents loose as issued. Housed in publisher's slipcase corners split. Some foxing to front wrap but with contents very bright and clean. Another of the many ambitious Cocteau book publications. <br/><br/> Nouveau Cercle Parisien du Livre hardcover books
1965LD17674Paris: Nouveau Cercle Parisien du Livre 1965. First Edition. Hardcover. Very Good. Large folio. Copy 103 of 150. With 10 original etchings by Léopold Survage. Publisher's pictorial wrappers with contents loose as issued. Housed in publisher's slipcase a bit dusty; corners split. Some foxing to front wrap but with contents very bright and clean. Another of the many ambitious Cocteau book publications. <br/><br/> Nouveau Cercle Parisien du Livre hardcover
2011ID132Ubud Indonesia: Arung Rai Museum of Art 2011. First edition. Hardcover. New. A collection of paintings by the Swiss born award winning artist who since 1997 has divided his time between Europe and Bali. His expressionist style has earned him a reputation as being a master of Indo-European art. New Hardback. First edition. 114 pages with numerous colour reproductions of the artist's work. For further details please see the scanned contents page. Weight 1kg. Post free within Malaysia Arung Rai Museum of Art hardcover
197317811JC Lattès 1973 119 pages in-8. 1973. broché. 119 pages. Edition Spéciale