Kabukiza TheatreBiblio.com
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19-4888Tokyo: 1951. 4to. 8 pp. Soft cover. Very good with writing on front cover stains on front cover. Includes Shin Butai Nagameno Dammari Minowa-no-Yuki Kiyomasa at the Nijoh Castle Bunya Kisen Hanakurabe Kabukitanjo Ninin Sanbaso Kagotsurube Satono Eizame Modori-Bashi. Includes two pages of handwritten notes. Black and white illustrations. Text in English. Tokyo: 1951. paperback
19-4886Tokyo: 1950s. 4to. 16 pp. Soft cover. Very good with toning on text block. Black and white plates. Includes Setsu-Gekka Imoseya Onna Teikin Ninin-Shojo Sanjamatsuri Gozonji Suzugamori Kyo Kanoko Musume Dojoji Kiwame Tsuki Banzui Chobei Komochi Yamanba Kinkakuji Shiraishi-Banashi. Includes a loose insert page. Text in English. Tokyo: [1950s]. paperback
19-4887Tokyo: 1950s. 4to. 20 pp. Soft cover. Very good with slight creasing writing on front cover and toning from newspaper clipping on first page. Includes Genji Monogatari Kanjin-cho Shibaraku Yaguchi no Watashi Yugao Dana Sukeroku Yukarino Edozakura. Includes a three-page typed “General Explanation†and newspaper clipping of a “Tale of Genji†review from Oct. 18 1951. Text in English. Tokyo: [1950s]. paperback
19252048669Le Theatre 1925. Hard cover. Fair/No jacket. In French. Bound issues for the year 1924. Covers are worn and front hinge is cracked. Pages brown and brittle with age but text is bright and legible.<br /> <br /> As is. Le Theatre unknown
68-8877London UK: New London Theatre 1975. Theatre Poster Broadside. 37.5 x 25.8 cm. Very Good creased.Scarce. London, UK: New London Theatre, 1975. unknown
68-8871Redcar UK: New Pavillion Theatre ca. 1930. Theatre Poster Broadside. 32 x 25.2 cm. Good with marginal tears botched tape repair on verso sunning to verso and minor losses. Redcar, UK: New Pavillion Theatre, [ca. 1930]. unknown
a670620 programs bound in one volume. Some minimal cropping. Inked in manuscript ink on front end pages.VG. unknown
63-2334London: Palace Theatre 1942. 8 X 10 inch leaf with Original Autograph by Florence Desmond on recto many others on verso. From Autograph album with signatures by prominent stage actors dancers and conductors comprising photographs clipped signatures pasted onto album pages. VG. London: Palace Theatre, 1942. unknown
08-0170San Francisco Calif.: Parkway Theatre 1938. Paper card. 5.5 x 5". Printed on both sides. Double Features. Very Good. San Francisco, Calif.: Parkway Theatre, 1938. unknown
63-9097Boston: Plymouth Theatre 1949. Program. 8vo. Soft covers 16 pp. Very Good with minor creasing. Illustrated. Scarce. Boston: Plymouth Theatre, 1949. paperback
20044968Lakeland Florida: Genie Publishing 2004. Limited edition of 250 copies. NF. Hardcover book bound in the publisher's full cloth-gilt. 22 cm. 94 pages. Contains color and black-and-white illustrations throughout. The book is in near fine condition. No ownership marks/writing present within. Hinges tight interior pages bright. Light edge wear/bumping to the cloth covers. (Genie Publishing hardcover
68-6425Paris France: Devambez 1910. Program. 8vo. Hard Covers with gold embossed rooster insignia on front cover. 8 pp. B&W Plates. Very Good with text block laid loosely inside covers. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Devambez, 1910. hardcover
15-10941Tokyo Japan: Shinbashi Theatre 1959. 8vo. 20 pp. Stapled Wraps Very Good with toning to covers. Text in English & Japanese. Scarce. Tokyo, Japan: Shinbashi Theatre, 1959. paperback
19-4894Tokyo: 1950. 4to. 36 pp. Soft cover. Very good with writing on front cover. Some color plates. Text in English and Japanese. Includes two pages of handwritten notes. Tokyo: 1950. paperback
68-6434Paris France: Simon Theatre Francais Bordeaux 1889. Folio. Telegram mounted on illustrated color pencil sheet of backing paper with hand written dated note in black ink. Good with tears & losses. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Simon Theatre Francais Bordeaux, 1889. unknown
68-7167Detroit Michigan: Fisher Theatre 1966. Theatre Program. 8vo. Stapled Wraps. 28 pp. Very Good. Scarce. Detroit, Michigan: Fisher Theatre, 1966. paperback
18-0494Fort Launderdale FL: Sunset Theatre 1924. . Theater memorabilia. 8vo. 1 pp. Single sheet folded double-sided. 11 in x 8.5 in. Good with toning along fold creases. Includes black and white gravure illustrations. Text on verso reads: “Program for Week of March 23rd 1924.†Printed by Herald Print in Fort Lauderdale. Vintager memorabilia. Fort Launderdale, FL: Sunset Theatre, 1924. unknown
19-2022Moscow: Iskusstvo 1966. 4to. 15 unnumbered pages illus. Very Good; Stapled Paper Wraps. Edges creased. Text in Russian. Scribbles on one of the pages. Rare copy. Moscow: Iskusstvo, 1966. paperback
11-0878San Juan P.R.: Teatro Sylvia Rexach 1972. Poster measuring 22 x 17 inches advertising play commencing April 20 1972 at the Teatro Sylvia Rexach. Torn near bottom right discolored edges from frame else very good. San Juan, P.R.: Teatro Sylvia Rexach, 1972. unknown
196339546New York: Living Theatre 1963. Very Good . New York: The Living Theatre 1963. First Edition. Octavo program 24cm; 8pp. Publisher’s illustrated wraps; folded sheets laid into folded wraps. Wraps bumped and lightly toned. Interior pages lightly toned; otherwise clean. Very Good or better piece of Living Theatre ephemera. <br /> <br /> Program for the premiere of Kenneth H. Brown’s The Brig a play based on Brown’s experiences as a US Marine. Brig refers to a military prison. In 1964 the show received three Obie Off-Broadway Awards for Production Design and Direction. Living Theatre unknown
196240070New York: The Living Theatre 1962. Very Good . New York: The Living Theatre 1962. First Edition. Flyer 11x9â€; one single-sided sheet. White sheet with bold black text and blush-colored elephant illustration. Lightly bumped and toned at edges. Inch-long tear at upper left corner does not obstruct text. Very Good or better. A scarce piece of Living Theatre ephemera. <br /> <br /> Though poster is undated Man is Man was staged by the Living Theatre in 1962. The play by Bertolt Brecht was originally written and performed in 1926. <br /> <br /> As of April 2026 we locate no separately cataloged copies in OCLC. The Living Theatre unknown
200473204The Shakespeare Theatre 2004. Presumed First Edition First printing thus. Wraps. Very good. Cover Photo of Dixie Barter by Carol Rosegg. 64 pages including covers. Illustrations many in color. Chronological timeline of Oscar Wilde's major works p. 19. Ticket stub laid in. Signed on page 9 by Hal Holbook Dixie Carter's husband who attended this performance and signed program during the intermission. Oscar Fingal O'Flahertie Wills Wilde 16 October 1854 - 30 November 1900 was an Irish playwright novelist essayist and poet. After writing in different forms throughout the 1880s he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams his novel The Picture of Dorian Gray and his plays. As a spokesman for aestheticism he tried his hand at various literary activities: he published a book of poems lectured in the United States and Canada on the new "English Renaissance in Art" and then returned to London where he worked prolifically as a journalist. Known for his biting wit flamboyant dress and glittering conversation Wilde became one of the best-known personalities of his day. At the turn of the 1890s he refined his ideas about the supremacy of art in a series of dialogues and essays and incorporated themes of decadence duplicity and beauty into his only novel The Picture of Dorian Gray 1890. Wilde's huge popularity as a playwright began with his production of Lady Windermere's Fan his recherché attitude and personal aesthetics reflected in his writing. Lady Windermere's Fan A Play About a Good Woman is a four-act comedy by Oscar Wilde first produced on Saturday 20 February 1892 at the St. James's Theatre in London. The story concerns Lady Windermere who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it he invites the other woman Mrs. Erlynne to his wife's birthday ball. Angered by her husband's supposed unfaithfulness Lady Windermere decides to leave her husband for another lover. After discovering what has transpired Mrs. Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this Mrs. Erlynne is discovered in a compromising position. It is then revealed Mrs. Erlynne is Lady Windermere's mother who abandoned her family twenty years before the time the play is set. Mrs. Erlynne sacrifices herself and her reputation to save her daughter's marriage. Dixie Virginia Carter May 25 1939 - April 10 2010 was an American film television and stage actress. She starred as Julia Sugarbaker on the CBS sitcom Designing Women 1986-93 and as Randi King on the CBS drama series Family Law 1999-2002. In 2007 she was nominated for an Emmy Award for her role as Gloria Hodge on the ABC series Desperate Housewives 2006-07. Harold Rowe "Hal" Holbrook Jr. born February 17 1925 is an American film and stage actor and television director. He first received critical acclaim in 1954 for a one-man stage show he developed while studying at Denison University performing as Mark Twain. Holbrook made his film debut in Sidney Lumet's The Group 1966. He later gained international fame for his performance as Deep Throat in the 1976 film All the President's Men. He played Abraham Lincoln in the 1976 miniseries Lincoln. He has also appeared in such films as Julia 1977 The Fog 1980 Creepshow 1982 The Firm 1993 Hercules 1997 and Men of Honor 2000. Holbrook's role as Ron Franz in Sean Penn's Into the Wild 2007 earned him both Screen Actors Guild Award and Academy Award nominations for Best Supporting Actor. As a television actor Holbrook is known for starring in and directing four episodes in Designing Women as Reese Watson opposite his wife Dixie Carter. He has guest-starred in many critically acclaimed television series such as NCIS The West Wing The Sopranos ER Bones Grey's Anatomy and on Hawaii Five-0. Holbrook has won five Primetime Emmy Awards and a Tony Award for his 1966 portrayal of Twain in Mark Twain Tonight. The Shakespeare Theatre paperback
69-3680Paris France: Theatre de la Menagerie du Cirque D'Hiver. 60 x 40 cm. Offset Color Lithograph. Very Good. Paris, France: Theatre de la Menagerie du Cirque D'Hiver unknown
68-6409Paris France: Theatre De La Renaissance De Paris 1887. Program. 12mo. Stapled Wraps. 8 pp. Good with covers split along spine toning. B&W photo on cover. Advertisements throughout. En Francais. Scarce.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Renaissance De Paris, [1887]. paperback
69-1209Paris: Theatre Montmartre 2000. 70x50 cm. Color poster. Very good. Slight tear on bottom right edge. Paris: Theatre Montmartre, 2000 unknown
