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68-6418Fort Wayne Indiana: Theatre Sarah-Bernhardt 1906. Program. 8vo. Stapled Wraps 8 pp. B&W Photograph on cover. Good with minor splitting along spine.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Fort Wayne, Indiana: Theatre Sarah-Bernhardt, 1906. paperback
19-4890Tokyo: 1950s. 4to. 6 pp. Soft cover. Very good with writing on front cover and toning from newspaper clipping on first and last page. Includes Katsuragawa Renrino Shigarami Hakone Reiken Izari no Adauchi Sagi Musume Keian Taiheiki Ibaragi Tsuta-Momiji Utsunoya-Toge. Includes a newspaper clipping of a “Renjishi†review from Jan. 2 1952. Text in English. Tokyo: [1950s]. paperback
19852083002117801368National Theater 1985. Soft Cover. Fine. Number of pages: 190 15p Size: 21cm National Theater paperback
1559360755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
56011Cinema - Cineguida - Anno 1951 - Roma D. Lazzaro 7 edizione 1951 - Pag. 189 con numerose illustrazioni informazioni elecono attori e attrici stabilimenti di produzione ditte di noleggio films distributrici nazionali società produttrici registi etc. - Copertina rigida - Testo in italiano. - Condizioni molto buone. Dorso e sguardie rifatte. unknown
49550Cinema - Manifesto originale del film Genio per amore - con Walter Matthau e Meg Ryan - 1994 - Il manifesto è composto da due fogli separati. Dimensioni: 100 x 140 cm ciascuno. - Condizioni molto buone. Piccoli segni del tempo. unknown
24743Condizioni buone come da immagini unknown
82098Teatro Universale: Raccolta Enciclopedica e Scenografica - Anno V e VI - ed. 1838 - Testo in lingua italiana. Pagine XIII 416 Anno V 416 Anno VI . - Copertina rigida. - Condizioni generali buone con alcuni segni del tempo come da foto. unknown
1846AQ34782Leeds: Mann Printer and Stationer 1846. Single leaf broadside. Browned and lightly spotted with chipping to edges and small hole to upper right-hand corner. An early playbill for the 1846 Leeds Theatre run of Irish playwright James Sheridan Knowles' 1784-1862 historical play The Wife of Mantua which premiered at the Theatre Royal Drury Lane on the 24th of April 1833. The role of the titular wife Marianna was performed by Miss Acosta who often appeared in tandem in venues across the country alongside fellow comedy actress Miss Fitzpatrick. The entertainment also boasts a preliminary orchestral performance of Boieldieu's overture to his celebrated comic opera La Dame Blanche 1825. . Dimensions 190 x 310 mm. Mann, Printer and Stationer unknown
1825AQ33560London: s.n. 1825. Single leaf broadside. Two small marginal holes to left hand edge. An early playbill marking the ninth performance of Irish dramatist James Sheridan Knowles' 1784-1862 adaptation of Schiller's famous revolutionary Swiss drama William Tell. First staged at Drury Lane on the 11th May Knowles' translation was criticised by Thomas Rea for its excessive melodrama making the hero 'so loquacious as to seem almost a braggart.' Despite this the performance of William Macready in the title role was much applauded and Thomas Archer was suitably despicable as the villainous character of Gesler. The first adaptation of William Tell performed in England was staged at the Royal Amphitheatre on 7th June 1802 with Knowles' version being the second produced in 1825; the first - and a more critically acclaimed - full English translation had been produced by Samuel Robinson only months prior. The subsequent evening entertainment is advertised as the sixtieth showing of Der Freischütz the Romantic opera by Carl Maria von Weber 1786-1826. . Dimensions 204 x 350 mm. [s.n.] unknown
1826AQ33563London: s.n. 1826. Single leaf broadside. Slight chipping to edges small loss to lower left-hand edge. An early playbill for the 1826 run of Isaac Pocock's 1782-1835 operatic drama Rob Roy MacGregor first performed in Covent Garden on the 12th March 1818. Based on the Scottish folk hero of the same name and adapted from Sir Walter Scott's 1818 Waverley Novel Rob Roy the title role would be played by acclaimed English stage actor William Charles Macready 1793-1873. Pocock would go on to adapt further Waverley novels for the stage although less successfully including Montrose or the Children of the Mist 1822 and Woodstock 1826. . Dimensions 210 x 328 mm. [s.n.] unknown
1828AQ33562London: s.n. 1828. Single leaf broadside. Some loss to left-hand edge and small tear to upper right-hand corner. A playbill advertising the night's performance of Exchange no Robbery or The Diamond Ring a Comedy by known practical joker Theodore Hook 1788-1841. Most famous for the Berners Street Hoax of 1809 during which he invited countless men and women of note to a single house in Tottenham to win a bet with a friend Hook is considered to be the first recipient of a postcard - likely mailed to himself. The evening's additional entertainment consists of a new Operetta titled 'Love in Wrinkles or the Russian Strategem' and the ninth performance of Charles the XII or The Siege of Stralsund a two-act historical drama by James Robinson Planché 1796-1880 based on the life of said King of Sweden. . Dimensions 199 x 335 mm. [s.n.] unknown
192661473London: Daly's Theatre 1926. 4to. Original blue cloth portfolio with gilt lettering to front board. Heavy spotting to front cover. Inside the portfolio are eight sheets each with tipped-in photograph of the performers. Also included is the sheet music for 'Leander Vocal Fox-Trot from Katja the Dancer' by Harry Graham and Jean Gilbert and also included is an issue of 'The Play Pictorial' No. 277' from 1925 in which the entire issue is devoted to 'Katja the Dancer.' . Very Good. Cloth. 1926. Daly's Theatre 1926 hardcover
PJH50430Friends Harlem Dance Theatre 1990. Near Fine in publishers plain wrappers in slightly rubbed publishers dustwrapper. Signed by the following Contributors; Gordon Parks Quincy Troupe and Bert Andrews who has crossed out a Credit to Gerard Barclay. 1st edition. Illustrated throughout. Friends Harlem Dance Theatre 1990 unknown
22783On letterhead of The Western Times Office Exeter. 30 March 185 '. Phelps's entry in the Oxford DNB gives the background to the present letter stating that Phelps 'married Sarah Cooper 1810/11–1867 on 11 August 1826; she was just sixteen. However their marriage was very happy: they were a devoted couple and Sarah later served as Phelps's dresser. Phelps preferred home life with her to clubs or social gatherings. His other delights were angling and shooting and he purportedly knew every trout stream in England. They had three sons and three daughters including William Robert 1828–1867 who became chief justice of St Helena and Edmund d. 1870 who became an actor.' 3pp 12mo. Bifolium. In fair condition lightly aged and worn. Folded twice. The first three digits of the year are printed in the letterhead and have not been completed. The letter begins: 'My dearest/ I promised to write to-day I believe though I can only tell you that I am well and getting lots of fresh air - Yesterday the boys and I went fishing but found the river flooded - it was showery but still delightful - To-day the weather is better and we think of going off to morrow and trying our luck at Axminster'. With reference to his son William Robert noticed above he writes: 'I took a long walk with Bob this morning and had a long talk with him - he seems perfectly settled - Latimer says he gets on famously - his health is very much better and he looks well'. He asks her to write and tell him 'how the Concert went off last night and what was in the house - Mr Latimer is laying down all kinds of plans for my going to all sorts of places but I think I can come home at the end of the week'. If he finds 'any difficulty in getting away' 'Greenwood' - i.e. Thomas Greenwood the lessee of Sadler's Wells - is to 'send a line to say I am wanted'. He ends by asking her to 'have every thing ready to start off for Farningham as soon as I return - the holidays are short and I must make the most of my time - Kiss the boy all over for me God bless you my darling S. P.' On letterhead of The Western Times Office, Exeter. 30 March 185[ ]'. unknown
4858Opera Theatre de La Nation Paris 14 Sept 184 printed year not completed. Two pages 8vo minor defedcts text clear and complete if somewhat illegible. He begins: "J'ignorais personellement monsieur la Combinaison locative dont vous avex ete vistime et je comprends fort bien que vous la trouvez mediocrement ingenieuse vous nous avez habituee aux plus galant precedes mais . . . " He goes on to say that they won't offer compensation understanding that they are changing their "loge" and will collect what belongs to them etc. Note from website: "Nestor Roqueplan 1804-1870 frère du peintre Camille Roqueplan fut rédacteur en chef du Figaro administrateur de l'Opéra de l'Opéra-Comique et des Nouveautés et le modèle du dandy français au XIXe siècle." Opera, Theatre de La Nation, Paris, 14 Sept 184 [printed year not completed] unknown
2003Q-9780789308696Universe Publishing 2003-07-04. Hardcover. New. In shrink wrap. Looks like an interesting title! Universe Publishing hardcover
2003Q-078930869XUniverse Publishing 2003-07-04. Hardcover. New. In shrink wrap. Looks like an interesting title! Universe Publishing hardcover
1900850281.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0859914968.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19283Without place or date. Ballet performed at the Empire Theatre London in 1898. In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown in costumes representing newspapers from the 'Daily Mail' to 'The Sketch' and including 'Mdlle. Zangfretta as Fashion' around a central representation of a scene from the ballet featuring Adeline Genée as the Liberty of the Press. Mark Edward Perugini in his 'Art of Ballet' 1915 states of Genée that 'it was her performance as the Spirit of the "Liberty of the Press" in the famous Empire ballet "The Press" invented and designed by Mr. Wilhelm with the choreographic support of Mme. Lanner and music by Mons. Wenzel on February 14th 1898 that first marked her "and for many years to come" as a London "star." The ballet gave her scope for some wonderful and proved immensely popular. It was a novel idea artistically carried out and illustrated the history and power of the Fourth Estate. A number of charming coryphees were ingeniously attired as representatives of the various newspapers boys' costumes indicating the morning and girls' the evening journals. The venerable Times was typified by a man in the guise of Father Time with hour-glass and other symbols of his ancient office and accompanied by a retinue. Mme. Cavallazzi represented Caxton Father of the Printing Press; Mile. Zanfretta the Spirit of Fashion; and there were typical costumes for The Standard The Daily Telegraph The Globe The Daily Mail then two years old! The Illustrated London News who announced that she was " Established 1842 " The Illustrated Sporting and Dramatic News The Lady's Pictorial The Sketch The Referee and others too numerous to name. So popular did the ballet prove that this also ran for months and it was not until October of the same year that a new production " Alaska" was staged the scenario of which was by Mr. Wilhelm the choregraphy by Mme. Lanner and music by Mons. Wenzel.' See Image. Without place or date. [ Ballet performed at the Empire Theatre, London in 1898.] unknown
10989Dated 'Lyceum Feb. 12. 1854 C. J. MATHEWS'. Printed for display on one side of a piece of paper 24.5 x 49.5 cm. Text clear and complete. On aged and creased paper with one closed tear and bottom right-hand corner lacking causing slight loss to the last letter of Mathews' name at foot of document. Heading in bold type in a variety of point sizes. Giving a 'brief statement of my fourteen years' struggle and of my latest difficulty'. He has 'stood in a false position towards the world for many years' 'performing an honorable duty under almost superhuman difficulties' while 'the world believes me to be an extravagant thoughtless reckless fellow living an idle dissolute life totally regardless of my own honor and the interests of others'. Excessively scarce: no copy in the British Library on COPAC or WorldCat. Dated 'Lyceum, Feb. 12. [1854] C. J. MATHEWS'. unknown
11323Place not stated; 25 June 1852. On one side of a piece of laid paper approximately 11.5 cm square. Minor traces of glue to corners on the reverse. Good firm signatures provided for an autograph hunter. The husband signs first: 'Charles Kean Friday 25 June 1852'. Beneath this is the wife's signature: 'Ellen Kean'. Place not stated; 25 June 1852. unknown
245603 May 1952; on letterhead of the Clan Chattan Association The Castle Inverness Scotland. From the Macqueen-Pope papers. See his entry in the Oxford DNB. The Clan Chattan Association is a confederation of highland clans. 2pp 4to. In fair condition lightly aged with slight creasing to one corner and rust staining from paperclip. Folded twice for postage. Addressed to MP’s London address in Coventry Street. ‘I’ve heard about your James MacQueen. His name appears in quite a few locally published papers &c. on Culloden. His new teeth are quite famous up here.’ He accepts the proposal for an article: ‘if you could go to 900-1000 words I’d be happy’. He reports: ‘Our President - The Mackintosh has just been returned unopposed as representative of the parish of Moy & Dalarossie on Inverness County Council. He was also the other day commissioned as a Deputy Lieutenant. / During the last two years of the Home Guard I commanded a platoon - about 300 strong! - located outside Inverness and mostly in the Mackintosh country’. He names locations adding: ‘I had a big number of MacQueen’s in the platoon. About half dozen in the Farr section were very strict Wee Frees and wouldn’t turn out to drill on the “Sabbath†our chief day for drills!’ He continues with reference to ‘a coast defence battery’ he recruited and ends with reference to his recent ill-health. 3 May 1952; on letterhead of the Clan Chattan Association, The Castle, Inverness, Scotland. unknown
12222Tyne Theatre Newcastle upon Tyne. 5 October 1889. 1p. foolscap 8vo. Stained worn and creased but a unique memento of a Newcastle institution and Grade I listed building founded in 1867 as the Tyne Theatre and Opera House and now bearing the euphonious name of the Mill Volvo Tyne Theatre. The document reads 'We the undersigned ladies and gentlemen of the "Delia!" company request your acceptance of the accompanying little present as a slight token of our appreciation of your kindness to us all during your management.' The sixteen signatories are with a few doubtful readings: Fanny Wentworth Adelaide Newton Clare Harringdon George Mudie Brigata Bucaloni Louis C. Batten Lytton Grey H. Wellesley Smith W Morley Bird Arthur Burgoyne James Harris Franklin Warne A. H. Winters W. Pennett Charles E. Stuart and John Aldridge. Tyne Theatre, Newcastle upon Tyne. 5 October 1889. unknown