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24553Mallett’s letter dated 4 October 1955; on letterhead of The Refectory Club 10 Tilney Street Park Lane W1 London. The other three items undated but slighty earlier in date. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Interesting London ephemera: the plans for the Refectory Club were clearly ambitious but there is little to be gleaned about it and it is unclear whether it even opened. Zinkeisen and her sister Dora are the subject of a 2022 monograph by Philip Kelleway Emma Roodhouse and Nicola Evans. The four items in good condition lightly aged but with rust staining from a paperclip. Folded for postage. ONE: Typed Letter to MP signed ‘D Mallett’ but with ‘For Secretary’ typed beneath this. 1p 4to. Begins ‘We have been informed by Mr. Nathan that you would like to become a member of our Club. We shall of course be honoured to accept you but regret that we must ask you to apply formally for membership on the enclosed application form. After you have completed this we should be grateful if you would forward it to Mr. Nathan for proposal.’ Information regarding fees follows. TWO: Illustrated Printed stapled publicity booklet. 7pp 16mo. With three photographs of interiors Dining Hall Lounge and Common Room together with reproduction of drawing of the Dining Hall on the cover. ‘The mediaeval Dining Hall is architecturally unique with its finely vaulted ceiling supported by columns and pilasters of the utmost delicacy. / Curved wall panels provide the perfect setting for exquisite murals by Miss Anna Zinkeisen. The distinguished artist has captured the atmosphere of the period and portrayed it ith touches of subtle humour and gaiety. . The Lounge pannelled in oak with rich period furnishings is a pleasing combination of things old and new. The old has been made to serve again in an unusual recessed long bar. / The pine-pannelled Common Room dominated by a fine old refectory table is reserved for private dinner parties. .’ The architect is named as H. Hubbard Ford the ‘Decor’ is by Dickeson & French Ltd and the murals are by ‘Miss Anna Zinkeisen’. THREE: Notice printed in red. 1p 12mo. Headed ‘The Refectory Club. / The Club will be open to Members on and after 3rd May 1955.’ Gives details of opening hours bar hours and restaurant hours and of membership fees. Typed in red at foot: ‘This applies to the first 500 members. For those joining later the rate will be / FIVE GUINEAS PER ANNUM’. FOUR: Printed ‘Application for Membership’. On one side of a slip of paper 1p landscape 12mo. Not filled in. Mallett’s letter dated 4 October 1955; on letterhead of The Refectory Club, 10 Tilney Street, Park Lane, W1 [London]. The othe unknown
1954231274New York.: Ballet Theatre Foundation. 1954. Stapled wrap. Very light soiling and light wear to covers otherwise a very good copy. 4to. Signed by Igor Youskevich Alicia Alonso John Kriza Melissa Hayden Roy Fitzell and Job Sanders on their respective photographs. Program for 1954 series at the San Francisco War Memorial Opera House laid in. Numerous photographs of the performers. Ballet Theatre Foundation. unknown
181423191London: Printed by E. Macleish 1814. 1 vols. ca.7 x 12 1/2 inches. Some light offsetting and discoloration line of forthcoming productions cropped else a very good copy. 1 vols. ca.7 x 12 1/2 inches. The cast of the first including Charles Kemble Charles Macready Mr. Abbott Daniel Egerton and Maria Foote later Countess of Harrington. The "Cinderella" case included Mr. Ellar Mr. Barnes Miss Green and Miss J. Scott. "Virginius" had opened for the first time the 17th of May and became an instant success. Forthcoming productions are noted below. Charles Macready is also noted for his friendships with Forster Dickens and Maclise. Printed by E. Macleish unknown
18922621San Francisco 1892. Good. 7-1/2 x 5-1/4 inches. Bifolium 4pp. Cream silk printed in brown with brown and white illustration of Shakespeare to last page. Horizontal fold line; small stain to first leaf; fraying to fore-edges. Silk souvenir program for the opening shows at Stockwell's Theatre which operated from 1892-1894 at 11 Powell St. in downtown San Francisco. Prior to being taken over and renovated at a cost of an estimated $60000 by L. R. Stockwell it had been the Powell Street Theatre. The theatre again changed to new ownership in 1894 after Stockwell went bankrupt and left the city; the Columbia Theatre which replaced it was destroyed in the 1906 earthquake and fire.The program notes the arrival of Augustin Daly's Company of Comedians and lists the members of the troupe who appear next in their roles in As You Like It which opened on July 7 1892. A synopsis of scenery attribution for the original incidental music names of the managers and orchestra notes follows with a list of upcoming plays at the end.OCLC locates one holding at Yale. unknown
1932List3665Chicago Illinois: Egyptian Press 1932. Folio 5 pp. Wraps torn at seam slightly musty odor good condition. An unrecorded composition by a woman who travelled through the midwest claiming to be a descendant of Cleopatra using the name Princess Dalla Pattra. The details of the princess are murky as she disappears from newspaper records after 1930 when she admitted in court to using a manager to stage a publicity stunt in St. Louis.1 In her hearing she also admitted that she had been arrested for embezzlement in San Francisco in 1920. Two years later rather inexplicably this songsheet was published in collaboration with a Max Lander who according to patent records was English. <br /> <br /> The introduction to the song reads: “Hear the desert winds shriek and the tom-toms in the distance thrilling with the weird undertone of the desert night then the calm as the Royal Egyptian Maiden sings her love song to her desert prince.†We find no record of the composition in OCLC or anywhere else or of the princess in newspapers after her 1930 court appearance with the only findable record of her continued impersonation a patent registered in 19312 and this song sheet. <br /> <br /> 1 “St. Louis Wonders if it Got a Fooling†Kirksville Daily Express and Kirksville Daily News April 6 1930.<br /> 2 “Only to be with you just for a day†Catalog of Copyright Entries Part 3: Musical Compositions Library of Congress Copyright Office 1932 22760 accessed at ​​https://archive.org/details/bub_gb_ZS5jAAAAIAAJ/page/1165/. Egyptian Press unknown
193386187Leningrad: TRAM Theater for Working Youth 1933. Original program for the Leningrad State Theater for Working Youth during their 1933 national tour. Single sheet 25cm x 69cm printed both sides folded to form eight panels. Printed in black and white on newsprint with halftone reproductions of production photographs to each panel. Minor toning; panels slightly mis-folded; Very Good. <br /> <br /> TRAM under the direction of Mikhail Sokolovsky was a working theater for proletarian youth focused on producing plays of working-class life promoting Marxist ideology. This program issued for the group's 1933 tour of the Soviet Union promotes the season's two offerings Alexei Tolstoy and Aleksandr Starchakov's "The Right to Live"; and Sokolovsky's adaptation of Denis Fonvizin's 18th-c. comedy "The Minor." Also illustrated are scenes from past productions - A.I. Piotrovsky's "Rule Britannia;" a performance by Ivan Dzerzhinsky's music and dance ensemble "Green Workshop" and two others. A rare program; very little primary material relating to TRAM has appeared in the marketplace and the current program does not appear to be held by any OCLC member institution. TRAM (Theater for Working Youth) unknown
1960160201New York: The Living Theatre 1960. Vintage flyer for an experimental music performance held at The Living Theatre on November 7 1960. <br /> <br /> Flyer advertises performances by composers Stephen Addiss Peter Hartman Ezra Sims William Sydeman and Charles Wuorinen. <br /> <br /> Founded in 1947 The Living Theatre laid the foundation for a robust underground art scene in the New York City. After more than a decade of successful original radical stage productions and adaptations of works by playwrights such as Bertold Brecht and Gertrude Stein founders Judith Malina and Julian Beck used their space and resources for the nourishment of the arts more broadly offering the theatre for literary benefits film screenings and musical performances such as the ones advertised here. <br /> <br /> 14 x 8.5 inches. Very Good plus with faint age toning on the left and right edges and a few nicks at the corners. The Living Theatre unknown
195663782Hollywood & London: Max Factor Make-Up Studio 1956. Nine vols. Tall 8vo. 104 pp each booklet paginated separately. Text illustrations & photos throughout diagrams tables. Colour-illustrated softcovers slight shelfwear very slight creasing to couple corners rust to staples at gutter margin still a VG set. 21st edition of this scarce and complete make-up course designed by the visionary make-up artist wig maker and inventor. Factor 1872-1938 was the former official cosmetics expert for the Russian Royal Family and the Imperial Russian Grand Opera who emigrated in 1904 eventually settling in Los Angeles where he created the signature looks of Ava Gardner Jean Harlow and Marlene Dietrich. He went onto found a cosmetics empire on the philosophy that any woman could be glamorous given the right tools and make-up artistry skills developing such products for women as the tru-colour lipstick lip gloss and the concept of colour harmony for make-up. These booklets were intended for use with the wide range of screen and stage make-ups the Max Factor Co. offered for sale out of their Los Angeles-based warehouses including grease paint foundations pan-cake make-ups face powders rouges lipsticks eyebrow pencils tooth enamel hair dyes and much more with an emphasis on Shakespearean plays comprising the final 3 volumes. Max Factor Make-Up Studio, paperback
1989WALTER-FILM005067<p>Wendy Wasserstein playwright Los Angeles: Center Theatre Group 1989. Vintage original 22 x 14″ 56 x 36 cm. window card theatre poster USA. Various creases NEAR FINE.</p><p>Wendy Wasserstein won the 1989 Pulitzer Prize for Drama for THE HEIDI CHRONICLES which unfolds over a period of twenty years about the changing role of women during those times showing her ardent feminism in the 1970s and her eventual sense of betrayal in the Reagan era.</p><p>This poster is for the Los Angeles premiere of the play with Amy Irving in the lead role under the direction of Daniel Sullivan.</p><br /> Center Theatre Group
196032397Mexico City: s.i. 1960. Very Good. Mexico City: s.i. ca. 1960s. Collection of three pictorial broadside flyers 21.5x33.5cm or the inverse one printed in blue the other two in blue ombré-ing into red. Previous folds one flyer with a few closed tears affecting text and image without loss of meaning stock uniformly toned else Very Good.<br /> <br /> Three busy flyers promoting the busy theater founded in 1960 by Mexican actress and exotic dancer Margo Su one of several venues she opened during her long career. The theater was one of the most popular in the city and the broadsides in this collection each crammed with portraits and names of the performers is testament to that--all three examples list at least fifteen or twenty acts including singers like Imelda Miller and Carmen Salinas comedians Pompin y Nacho actor El Loco Valdes and the early pop group Los Xochimilcas. . s.i. unknown
68-8868Sunderland UK: Empire Sunderland Theatre 1960. Theatre Poster Broadside. 37.5 x 25 cm. Good with marginal tears. Sunderland, UK: Empire Sunderland Theatre, 1960. unknown
1902019994Chicago IL: Hayman & Davis Company Proprietors 1902. Book. Very good condition. Paperback. First Edition. 12mo - over 6¾ - 7¾" tall. Including the printed covers there are 52 unnumbered pages of text. The covers/wrappers are printed in color and have minor creasing and shelfwear. Full of Chicago-centric advertising at a time when $20 monthly paid for a home on the North South or West sides Horse stables or liveries were advertised alongside Electric Oldsmobile Runabouts and Stanhopes women were depicted playing ping-pong to promote the sale of corsets and Tiffany rings and luxury furs were vying for theatergoers pocketbooks. Lists Will J. Davis as Manager Thomas J. Noonan as Business Manager and Treasurer. The Actors include Harry Bulger William H. Macart Jos. Cawthorne John Page Hohn Hyams Leila McIntyre Viola Gillette Phoebe Coyne Gertrude Mackenzie and Elseeta. Hayman & Davis Company, Proprietors Paperback
63-2335London: Piccadilly Theatre 1942. 8 X 10 inch leaf with Original Autograph by John Gielgud on recto; on verso Original Autographs by George Gowers Dan Noble Bobby Vernon & others from a production of "Maid Of The Mountains" November 28 1960. From Autograph album with signatures by prominent stage actors dancers and conductors comprising photographs clipped signatures pasted onto album pages. VG. London: Piccadilly Theatre, 1942. unknown
183852157Tremont Theatre Boston Massachusetts 1838. Broadside. Used - Very Good. Eastburn's Press. Broadside 16 x 7.5" Creased tiny hole trifle soiled VG. Tremont Theatre, Boston, Massachusetts unknown
1796198465London.: G. Nicol. April 121796. Copper-plate engraving 24 x 35.3cms image; 26.7x 36.7cms sheet sheet age-toned and margins worn small chip from lower left corner not affecting the image two spots of browning in the sky very faint the image in good condition. An elegant composition after drawings by William Alexander published in Sir George Staunton's two-volume "Account of the Embassy from the King of Great Britain to the Emperor of China" published in London 1796-97. . G. Nicol. unknown
197351721: Pier Theatre Skegness 1973. Paperback. Used: Acceptable. Signed by Author. Signed by Author Pier Theatre Skegness programme for The Tommy Cooper Show 1973. rpduced by Mike Blee and choreographer Ann Coles. Front cover autographed by Tommy saying "Pete Best Wishes Tommy Cooper". Inside further photo of Tommy autographed saying "To Pete Tommy Cooper". Four autographs by supporting group Design also Barry Kathryn Peter and Leonard. Pier Theatre Skegness paperback
17992Without place or date but with 'Adelphi' i.e. the Adelphi Theatre London written inside the front cover. 16pp. of which 12pp. in 8vo and 4pp. in 4to. In fair condition on aged and worn paper. Neatly written out with underlinings in red ink. Loosely inserted in the marbled wraps of an exercise book with 'Adelphi' in pencil on the inside of the front cover. The first scene is written out complete on ten leaves from the exercise book now loose with the main text on ten pages and additions on two versos. In addition to this is a grey paper bifolium carrying over 4pp. 4to additional matter to be inserted at the beginning of the second scene. In pencil on two of the pages are actors' names perhaps giving a clue of context: 'Mr Cole' and 'Mr Hill'. The pantomime may bear some relation to the Grimm fairy tale 'Hansel and Gretel'. The first scene opens with the directions: 'Exterior of the Golden Pipkinn by Sunset. Door Practicable. Music. Enter Jacob followed by Peter earnestly conversing.' The directions at the beginning of the second scene are: 'Enter Gretchen with Cloak & Lanthorn'. The language is spirited the first scene beginning: 'Jacob As clean as a smelt as smooth as a scalded pig. Peter What not one left Jacob No nor a ghost of one either.' The second scene ends: 'Gretchen exit in huff after slapping face. O if I had that pig whip here. Then Hans goes to original commencement of Scene.' Without place or date, but with 'Adelphi' (i.e. the Adelphi Theatre, London) written inside the front cover. paperback
1807AQ23253London: s.n. 1807. Single leaf broadside. A trifle creased. An apparently unrecorded early nineteenth-century playbill advertising a performance at the Theatre Royal Covent Garden of playwright Thomas Morton's bap. 1764 d. 1838 remarkably popular comedy Speed the Plough; the venue at which the play debuted in 1798. . Dimensions 180 x 260 mm. [s.n.] unknown
1869AQ21200Weymouth: Jeffery Brothers Dramatic Printers 1869. Single leaf broadside. Lightly browned and scuffed with chipping and marginal tears to edges and corners. An unrecorded Victorian playbill advertising an evening's entertainment at the Theatre Royal Weymouth beginning with English playwright Charles Dance's 1794-1863 two-act comic drama The Wonderful Woman! 1849. Notably the Charles Dickens museum holds an acting copy of Dance's farce once owned by the great novelist; it appears Dickens an associate of the dramatist and fellow member of the Garrick Club had been involved in an earlier production of The Wonderful Woman! himself. The Theatre Royal Weymouth opened on St Nicholas Street in the early nineteenth century and remained in business until the 1960s being demolished in 1968. It was at one point operated by the father of Ernest Wheeler the first independent manager of the Brighton Pavilion. . Dimensions 200 x 500 mm. Jeffery Brothers, Dramatic Printers unknown
BN316065Nice musées. Hardcover. D'Addis à Dimtu ou Le Sud éthiopien : Exposition 24 avril-17 juin 2001 Nice Théâtre de la photographie et de l'image <br/><br/>D'Addis à Dimtu ou Le Sud éthiopien : Exposition 24 avril-17 juin 2001 Nice Théâtre de la photographie et de l'image Hugues de Wurstemberger et Théâtre de la photographie et de l'image Nice musées hardcover
2012KOS01207728Tamagawa University 2012. Soft Cover. Fine. KOS01207728 Tamagawa University paperback
193457186Philadelphia PA: Amelia Grain 819 Spring Garden St. Graf & Breuninger Print 1631-33 Germantown Ave. 1934. Three pieces. 1st -- 8vo. 72 pp. w/ 100s of photo text illustrations. Printe & illustrated softcovers in red minor shelfwear former School Library ownership markings lightly stamped at upper fore-edge; 2nd -- 8vo. 4 pp unpaginated. self-printed colour-illustrated softcover w/ cover art of Oriental motif stage in colour; 3rd -- 1 printed leaf w/ center fold. First editions of both the catalogue and brochure touting the tremendous inventory that this scenery rental firm maintained over decades. Scenery could only be rented a week at a time producers needed to deposit the value of the scenery with their local bank and this “Trunk Scenery†was used by religious fraternal educational dramatic and business productions. The well-illustrated Opera setting catalogue encompasses settings and scenery for Grand Opera Mozart Rossini Wagner Puccini Tchaikovsky Verdi etc. Victor Herbert’s Operas De Koven Operas Shakespearean Plays Gilbert & Sullivan and others. Grain 1846-1937 Irish-American owned and operated the Spring Garden Entertainment Bureau in Philadelphia PA for decades often advertising that they were America’s Scenery Rental Service with over 4000 stage settings. They continued to operate as Amelia Grain Scenic Studios until after World War II. Howard Bibliography of Theatre Technology Scenery 5241. Amelia Grain, 819 Spring Garden St., Graf & Breuninger Print, 1631-33, Germantown Ave., paperback
171962577Erie PA: Erie Litho & Printing Co. March 17 1923. Large double atlas folio dual-sided broadside printed on newsprint sized 9.25 x 42 in. photo & woodcut engraving illustrations recto & verso toning to paper some chipping & edgewear paper repairs to closed tears still a G- copy. First edition thus of this advertising broadside for Erickson’s “J.W. Johnson’s Old Reliable Virginia Minstrels World’s best colored show. . . “ which touts their supposed 15 year history and appear to have either been reformed from the “Alabama Minstrels†show which played throughout the West and Midwest from 1905-1914 or simply taken over some of their acts. The contortionist fire king Hi Henry Hunt who appears in this broadside regularly performed with the “Alabama Minstrels†from 1905-1913. The silver voiced tenor A.J. McFarland and Grace Arniot Royal Entertainer depicted on the broadside also appear to have been African-American rather than black face performers. The name appears to have been drawn from the 19th-Century original “Virginia Minstrels†or the “Melodious Ethiopian Band†which featured Billy Whitlokc Dick Pelham Frank Brower and Dan Emmett performing in New York’s Bowery Amphitheater in 1843 and launched the minstrelsy form of entertainment. Emmett is perhaps best remembered as the author of “Dixie†which ironically would become the Confederate States unofficial anthem. Assorted versions dating 1920-1924 with different content & sizing appear in 6 libraries Harvard DLC 3 versions Middle Tenn. State Lib. of VA; See: Dr. Karl Koenig The History & Music of the Minstrels Rue Basin Source for Historical Jazz 2024. Erie Litho & Printing Co., unknown
2011073451BearManor Media 2011. Soft cover. Near Fine. HARDCOVER in excellent unmarked near-pristine condition slightest handling. 151 pages. 2.2 lbs <br/> <br/> BearManor Media paperback
189913177AB1899. Chicago Stone 1899. 32 : 235 cm. Coloured mounted title-page and 18 mounted partly coloured plates. Original yellow cloth with the title in red on front board. Contains portraits of >Henry Irving and Ellen Terry in their most celebrated roles. Also containing a portrait of Laurence Irving as Tallien in 'Robespierre'. Original yellow cloth with tile in red on front board. hardcover