16 721 résultats
137936Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br /> <br /> William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br /> <br /> The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br /> <br /> Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in manuscript pencil dated 3/23/71 and 4/26/71 in manuscript pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br /> <br /> National Film Registry. Grant US. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown
1971137936Los Angeles: Twentieth Century-Fox 1971. Revised Draft script for the 1971 film. Produced for use on location in New York City in March and April 1971 when shooting for the film commenced there. <br/><br/>William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. <br/><br/>The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor Hackman along with three additional nominations. <br/><br/>Tan titled wrappers noted as FRIEDKIN DRAFT and REVISED on the front wrapper in holograph pencil dated 3/23/71 and 4/26/71 in holograph pencil. Title page not present. Last leaf of text unnumbered. Xerographic duplication with photocopied punch holes and a few revision pages throughout dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine bound with three gold brads. <br/><br/>National Film Registry. Grant US. Hardy The BFI Companion to Crime. Penzler 101. Spicer US Neo-Noir. Twentieth Century-Fox unknown books
1968135608N.p.: William Klein 1968. Vintage photograph shot by director-photographer William Klein during the making of his landmark documentary. With Klein's stamp on the back noting his address in Paris. <br/><br/>In making his cinema verite documentary about the occupation of the Sorbonne begun during the May 1968 protests in Paris Klein received unprecedented access to student leaders activists various committee meetings and the general assembly. Filmed during late May and early June of 1968 the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles both practical and intellectual of maintaining focus on moving forward from and ultimate dissipation of that foundational revolutionary spirit. <br/><br/>7 x 9.75 inches. In an archival mat. Near Fine. William Klein unknown books
1980143208Yokohama Kanagawa: Kurosawa Production Co 1980. Draft script for the 1980 Japanese film. Holograph pencil annotations throughout regarding casting including the use of professional or amateur actors as well as a notation regarding lead actor Katsu Shintaro who was fired on the first day of shooting. <br/><br/>The story of a low-class criminal taught to be the decoy or kagemusha of a dying feudal lord based on the historical daimyo Takeda Shingen and depicting the 1575 Battle of Nagashino in the cinematic climax. <br/><br/>When Toho Studios could not afford to complete the film George Lucas and Francis Ford Coppola convinced 20th Century Fox to cover the shortfall in exchange for international distribution rights receving credits as executive producers on the finished film. Nominated for two Academy Awards including Best Foreign Language Film and winner of the Palme d'Or at the 1980 Cannes Film Festival. <br/><br/>Set in Sengoku period shot on location in Iga Ueno Castle Himeji Castle Kumamoto Castle Yuhara Plain Hokkaido Japan. <br/><br/>Criterion Collection 267. Kurosawa Production Co unknown books
1969167422Los Angeles: Paragon Pictures 1969. Draft script for the 1969 film.<br /> <br /> Count Dracula and his wife are alive or undead and well in modern-day Arizona where they use their hunchbacked butler to capture and kill young girls allowing them to drink their victims' blood in martini glasses as Bloody Marys. A humorously campy entry in the Dracula canon produced by noted exploitation studio Crown International Pictures.<br /> <br /> Set in Arizona shot on location in Lancaster California. <br /> <br /> Red titled wrappers. Title page present undated. 93 leaves with last page of text numbered 92. Mimeograph duplication rectos only. Pages Very Good wrapper Good moderately soiled and dampstained on the left and right sides bound with two gold brads. Paragon Pictures unknown
1945170876N.p.: All-American Newsreel 1945. Vintage window card for the 1945 African-American short film. Scarce.<br /> <br /> The now-obscure 30-minute jazz short "Romance on the Beat" was the first film made by All-American Newsreel a "race film" made for black audiences featuring the "honey-voiced" vocalist Ida James along with the only known appearance of the Milt Coles Trio. Not listed in IMDB.<br /> <br /> James gained popularity and critical acclaim in 1943 for her high-pitched bird-like interpretation of the Phil Moore penned song "Shoo-Shoo Baby" which she memorably performed in the 1944 William Nigh comedy musical "Trocadero" with Bob Chester and His Orchestra. It quickly became James' trademark song and she was often billed as on the poster found here as "The 'Shoo-Shoo Baby' Girl."<br /> <br /> 14.25 x 25 on archival board. Very Good plus with professional restoration and repair. All-American Newsreel unknown
1962135566N.p.: Roger Corbeau 1962. Two oversize double weight still photographs from the set of the 1962 film. Each shot and stamped by still photographer Roger Corbeau and with unique rubber stamped reference numbers on the verso. <br/><br/>"Le proces" released as "The Trial" in the UK and the US was co-produced by entities in France West Germany and Italy and was shot in France between March and June of 1962. Welles considered it his best film and it remains one of the few great twentieth century adaptations of existentialist literature and the definitive visualization of Kafka's work. <br/><br/>9.5 x 8 inches. In an archival mat. Fine. <br/><br/>Grant US. Spicer US. Roger Corbeau unknown books
1957154178N.p.: N.p. 1957. Revised Draft script for the 1957 film here under the working title "Viking Women." Copy belonging to uncredited actor Dick Miller with his name in manuscript ink to the title page and manuscript pencil annotations throughout underlining lines for Ottar although the role was played by actor Jonathan Haze. <br /> <br /> A group of Viking women-warriors go on a sea voyage to recover the missing men from their village but an encounter with a massive dragon-serpent forces them to take shelter on a mysterious island. <br /> <br /> Beige titled wrappers noted as Revised on the front wrapper. Title page present dated undated noted as Revised with credits for screenwriter Lawrence Louis Goldman and story credits to Irving Block. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
155619Hollywood: Rosenberg-Gelfman Productions 1977. Final Shooting script for the 1977 film here under the working title "The I. M. M.!" Script with copy number "13" in manuscript ink on the title page and annotations in manuscript pencil throughout calling out and detailing the actions of the lead character Steve West here referred to as "the ghoul."<br /> <br /> After a space flight to the rings of Saturn an astronaut awakens on Earth to find he has mutated into a horribly disfigured melting man compelled to absorb the flesh of others. A seminal body horror film and cult classic with spectacular special make-up effects from Rick Baker. <br /> <br /> Shot on location in Mount Lee Los Angeles and San Fernando California. <br /> <br /> Yellow untitled wrappers. Title page present noted as Final shooting script with credits for screenwriter William Sachs. 81 leaves with last page of text numbered 80. Xerographic duplication rectos only. Pages Near Fine with a damp stain to the top right corner wrapper Very Good plus with some light soiling and splashes bound with three gold brads.<br /> <br /> Arrow 940. Thrower Nightmare USA. Rosenberg-Gelfman Productions unknown
57682Guildford: Genesis Publications 2006. Rock/pop. SIGNED LIMITED EDITION DELUXE ISSUE number 296 of 350 copies. Large quarto 32 x 28cm pp.256. Printed in Milan on 200gsm matt-art paper illustrated throughout with photographs reproduced in duotone with image varnishing. Elaborately bound in full scarlet hide blocked in gold and white to upper red endpapers all edges gilt housed in original leather-edged cloth slipcase with four black and white photographs of each Beatle laid down to upper the whole protected in a printed black felt drawstring bag. Signed by Sir Alan Langlands custodian of the Michael Peto Collection and Richard Lester pioneering director of The Beatles' films. DELUXE issues were bound in full leather rather than a quarter binding and include three separate hand-numbered photographs showing John Lennon and comedian Peter Cook during the filming of 'The Pipesucker Report' for the BBC show 'Not Only But Also' 1966. Regular copies were not signed by Lester. A fine copy in fine slip-case and original printed draw-string bag. While The Beatles were shooting their second feature film Help! Michael Peto was working for The Observer Sunday newspaper - then the UK's most prestigious publication for photojournalists. His position ensured access to The Beatles over the course of a year and his limited edition book 'Now These Days Are Gone' features nearly 300 pictures of The Beatles that have never been published before. Guildford: Genesis Publications, 2006 unknown
19832110502150908258Mainichishinbunsha 1983. Soft Cover. Fine. Volume: 1 Mainichishinbunsha paperback
20062110502151006217Japan Map Center 2006. Soft Cover. Fine. Number of books: 10 books in 2 boxes Japan Map Center paperback
160904N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. <br /> <br /> A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut.<br /> <br /> Shot on location in San Fernando Hollywood and Los Angeles California. <br /> <br /> Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
1946143611Los Angeles: Beacon Productions 1946. Final Draft script for the 1947 film. Copy likely belonging to an uncredited costume designer with annotations in holograph pencil throughout. <br/><br/>Groucho Marx's first solo film appearance and his first with a real mustache as opposed to one made with grease paint. Marx plays an incompetent theatrical agent whose only client is Carmen Miranda in her first film after leaving Twentieth Century-Fox and who he tries to pass off as two different performers. <br/> <br/>Set in New York City and shot there on location. <br/><br/>Tan titled wrappers noted as Final Draft on the front wrapper dated October 28 1946. Title page integral with the first page of the text. 97 leaves with last page of text numbered 97. Mimeograph on pink stock. Pages Near Fine wrapper Good bound with two silver brads. Beacon Productions unknown books
1875055260Constantinople Istanbul: Neologos Litografyasi - Votîra ve Sürekasi Matbaasi. AH 1292 1875. 1st Edition . Leather. Very Good. 8vo - over 7¾ - 9¾" tall. Contemporary 1/4 leather bdg. with marbled boards. Small 4to. 27 x 19 cm. 23 p. 11 p. in Ottoman script Old Turkish with Arabic letters; 12 p. in French with rare 4 folded maps. A very good copy. First and only edition of this extremely rare bilingual book in French and Ottoman Turkish including the first records on the formation and characteristics of storms to explain how storms and hurricanes occurred which route they followed and how they were conveyed to the regions that need to be warned by telegraph for the vessels sailing in the seas by French expert Coumbary who was founded the Rasathâne-i Âmîre i.e. Ottoman Imperial Observatory. Both the original French and Turkish translations of the work were published together in one volume. The work also included four maps which were drawn for this work only. The first map shows the movement of a storm that occurred on March 8 1865 the second one shows the occurrence between the Tropic Cancer and Capricorn whirlwinds storms in the Atlas and Indian oceans the movements in the Bay of Bengal the storms in different directions in the China Sea the Gulfstream Grönland and Azores. The second observatory in the Ottoman era was established for meteorology. Before this center was established beginning from the Reformation 1839 many meteorological observatories were built by foreigners in various cities such as Istanbul Smyrna Trebizond Tekirdag and Merzifon both as private and public establishments. The very first known temperature readings are the meteorological observations made by the Priest Dalmas at the St. Benôit monastery between 1839-1847. Later William Lane an Englishman who came to Istanbul during the Crimean War made observations at the British Cemetery at Haydarpasa. W. Noe director of the Mekteb-i Fünûn-u Sahane made observations at the house in Kalyoncukulluk where he lived until the Beyoglu Fire in 1848; and finally it is known that French engineer Ritter who was invited by the government for waterworks in Kuruçesme 1856-1860 also conducted meteorological observations. Observations on precipitation and humidity conducted between 1875-1892 by an amateur observer on the Thomson Farm in Erenköy are invaluable on the subject of Istanbul's climate. These observations have been published in Budapest in 1928. Excellent observations on heat pressure and humidity made in the summer residence of the Russian ambassador on Büyükada have also been published in Annales St. Petersburg. In 1858 the French government established the first observatory communicating data over the telegraph and in 1863 by compiling meteorological data in France the French National Meteorological Network started operations. In 1868 upon the recommendation of the French government the Rasathane-i Âmire was founded to convey meteorological forecasts to certain centers by telegraph. Instruments were purchased from leading European factories and operations started on top of a hill 74 meters high on Pera. The first director was Mr. Aristide Coumbray who came to Istanbul to renovate the telegraph network. Instruments commissioned from France were set up at Mr. Coumbary's home which stood at the garden of the Swedish Embassy. The observatory was later moved after its offices were prepared. Coumbary represented Turkey in the first international meteorology congress convened in Wien five years later in 1873. Rasathane-i Âmire worked by the same system as the National Meteorology Center in France. In the observation books of 1868 August-November names of affiliated stations are given to us Soulina Köstence Constantia Varna Burgaz Valona Elbasan Durazzo and Beirut. Later stations in Izmir Diyarbakir Baghdad and Fao were also added. The observatory founded by Aristide Coumbary in 1868 in Istanbul operated until the end of the First World War. Özege 5735.; TBTK 7688 10862.; Not in OCLC. <br/> <br/> Neologos Litografyasi - Votîra ve Sürekasi Matbaasi., [AH 1292] hardcover
150024Los Angeles: Twentieth Century-Fox 1988. Archive of three screenplays for the classic 1989 film including one Shooting script one Re-shoot script and one Final Draft script. Shooting script with several manuscript ink annotations throughout mostly noting editorial revisions. Bound in after the Shooting script is a 34-page xerographically duplicated Re-shoot script dated November 4 1988. <br /> <br /> Cameron Crowe's directorial debut following the romance that develops between an awkward but noble army brat and the beautiful class valedictorian after graduation. One of the defining high school films of the 1980s and a breakthrough role for actor John Cusack.<br /> <br /> Shot on location in Los Angeles and Seattle. <br /> <br /> Shooting script:<br /> <br /> Self wrappers. Title page integral with front wrapper dated February 29 1988 noted as SHOOTING SCRIPT with credits for director and screenwriter Cameron Crowe. 121 leaves with last page of text numbered 119. Xerographic duplication on green stock rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Reshoot script:<br /> <br /> Beige untitled wrappers. Title page present dated November 8 1988 noted as RESHOOT SCRIPT with credits for director and screenwriter Cameron Crowe. 39 leaves with last page of text numbered 38. Xerographic duplication on blue stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Final Draft script:<br /> <br /> Lacking front wrapper but retaining its manila rear wrapper. Title page present dated November 10 1987 noted as FINAL DRAFT with credits for director and screenwriter Cameron Crowe. 113 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Full provenance available.<br /> <br /> McPadden Teen Movie Hell. Twentieth Century-Fox unknown
1944161403N.p.: N.p. 1944. Final script for the 1944 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 14 reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Two Army sergeants spend a three-day holiday pass in Pasadena where they fall for two young women working in a parachute factory.<br /> <br /> Bound in beige cloth with tan quarter leather binding with five raised bands and gilt titles on the spine. Distribution page present with receipt intact dated 3/2/44 noted as FINAL. Title page present with credits for director Delmer Daves and screenwriter Alvah Bessie. 197 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/3/44 and 4/10/44. Pages about Near Fine binding Poor with front and rear boards detached from the hinges. N.p. unknown
1936144161Culver City CA: RKO Radio Pictures 1936. Treatment script for the 1937 film. Almost certainly the earliest draft associated with the film a typescript prose synopsis. <br/><br/>A ballet star Astaire falls in love with a young tap dancer Rogers on a trans-Atlantic voyage but rumors of their relationship precede them to their destination. The seventh of ten films Fred Astaire and Ginger Rodgers would make together and the fourth of five directed by Mark Sandrich. <br/><br/>Green titled wrappers noted as Treatment on the front wrapper rubber-stamped PLEASE RETURN TO RKO STORY FILES and production No. 808 dated October 16 1936 and with a credit for screenwriter Mark Sandrich. Title page integral with the first page of text. 26 leaves with last page of text numbered 26. Typescript. Pages Near Fine wrapper Very Good plus with a few tiny chips at the extremities bound with two gold brads with washers.<br/><br/>Hirschhorn The Hollywood Musical. RKO Radio Pictures unknown books
1960140928France: Champs-Elysees Productions / Lux Film 1960. Archive of 19 borderless reference photographs from the 1960 film. Ten of the photographs depicting crew at work on the set four of which feature director Franju. Three photographs with the stamp of photographer P. Brard on the verso. <br /> <br /> Based on the novel by Jean Redon about a doctor who goes to horrific lengths to restore his daughter's face after it was disfigured in an accident. Although passed by censor board the films graphic surgical scenes caused controversy and it was originally shown in the United States in a heavily edited version titled "The Horror Chamber of Dr. Faustus."<br /> <br /> Photographs various sizes from 5 x 3.25 inches to 9.25 x 6 inches. Near Fine overall. <br /> <br /> BFI 1190. Buss French Film Noir. Clover Men Woman and Chainsaws. Criterion Collection 260. Godard Histoires du cinema. Grant France. RE/SEARCH Incredibly Strange Films. Selby France Masterwork. Spicer France Neo-Noir. Champs-Elysees Productions / Lux Film unknown
1950161362N.p.: N.p. 1950. Draft script for the 1950 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Nine reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on Ben Hecht and Charles MacArthur's 1939 play "Ladies and Gentleman" about two jurors who fall in love during a high-profile murder case. A reunion film for Ginger Rogers and Dennis Morgan who had previously co-starred in the successful 1940 film "Kitty Foyle." <br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present undated with credit for screenwriter Edith Sommer. 161 leaves with last page of text numbered 131. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/23/49 and 8/29/49. Pages Very Good binding Good with moderate foxing on the boards and endpapers and front hinge starting. N.p. unknown
1965133391London: British Broadcasting Corporation BBC 1965. Draft script for the 1965 BBC television movie "Tea Party" adapted by Pinter from his 1963 short story. The film first aired live on March 25 1965 on the BBC program "The Largest Theatre in the World." INSCRIBED by screenwriter Pinter on that day: "March 25th 1965 / To Peter Colin Holder / Congratulations on being born! / Hooray! / Lots of Love / Harold Pinter." <br /> <br /> The story of an industrial tycoon who comes to believe that his new secretary second wife and brother-in-law are all conspiring against him to the point where his health is affected by the conviction. <br /> <br /> Blue titled wrappers lacking the rear wrapper. Front wrapper present but detached with a credit for screenwriter Pinter. Title page present also with a credit for screenwriter Pinter. 59 leaves mechanical duplication. Pages Near Fine side stapled front wrapper Very Good. British Broadcasting Corporation [BBC] unknown
157963N.p.: N.p. 1970. Two vintage oversize reference photographs from the 1970 film both showing actor James Earl Jones. Credit stamp for noted photographer Lawrence Schiller on the versos. <br /> <br /> Based on Howard Sackler's 1968 Pulitzer Prize Tony Award and New York Drama Critics' Circle Award-winning play a fictionalized account of the life of boxing champion Jack Johnson. Jones in his first starring role and Jane Alexander in her first film credit were both nominated for Oscars reprising their lead roles from the Broadway production. <br /> <br /> Shot on location in London Arizona and Barcelona. <br /> <br /> 11 x 14 inches. Near Fine with minute creasing at the corners. N.p. unknown
1987138411Los Angeles: Twentieth Century-Fox 1987. Second Revised Draft script for the 1988 film. Copy belonging to "B. Daniel" with their name in holograph ink on the front wrapper. <br/><br/>A crackerjack thriller probably the best action film of the 1980s based on Roderick Thorp's 1979 novel "Nothing Lasts Forever." The film transformed Bruce Willis then known primarily as a television actor into an A-list box office star and was the film debut of the great Alan Rickman in what remains one of his most iconic roles. Followed by four increasingly cartoonish sequels. <br/><br/>Nominated for four Academy Awards. <br/><br/>White titled wrappers. Title page present dated October 2 1987 and various November 1987 dates revisions noted as SECOND REVISED DRAFT with credits for screenwriters Stuart and DeSouza and novelist Thorp. 132 leaves with last page of text numbered 112. Xerographic duplication with blue pink green yellow goldenrod and salmon revision pages throughout dated variously between 11/2/87 and 1/27/88. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Hardy The BFI Companion to Crime p. 106; The Gangster Film p. 425. Spicer p. 427. Twentieth Century-Fox unknown books
153820N.p.: Roger Corman Productions 1972. Revised Draft script for the 1972 film seen here under the working title "Canyons." Copy belonging to character actor and longtime Roger Corman collaborator Dick Miller with his manuscript ink and pencil annotations to pages 48 and 50A as well as copied annotations on nearly every page.<br /> <br /> From the estate of Dick Miller.<br /> <br /> The third film in Corman's "nurses" film cycle preceded by "The Student Nurses" 1971 and "Private Duty Nurses" 1971 and followed by "The Young Nurses" 1973 and "Candy Stripe Nurses" 1975. <br /> <br /> Blue untitled card wrappers with a manuscript ink annotation to the top right corner of the front wrapper noting copy No. 22. Title page present dated Feb. 22 1972 noted as Rewrite. 115 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing on the front wrapper and first three leaves bound internally with three silver brads. Roger Corman Productions unknown
1950141467Tokyo: Shintoho Film 1950. Two Draft scripts for the 1950 film. Text in Japanese. <br/><br/>Based on a novel by Selichi Funabashi . A young servant girl Hamako has recently begun working for her hero Madame Yuki who quickly disillusioned her to her dream when she is presented with a list of the Madame's personal problems. <br/><br/>First draft:<br/><br/>White illustrated titled perfect bound wrappers. Title page present. 116 leaves with last page of text numbered 36. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. <br/><br/>Second draft:<br/><br/>White titled perfect bound wrappers. Title page present. 15 leaves with last page of text numbered 15. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Shintoho Film unknown books
