16 721 résultats
18358<p>New York NY: MacMillan Educational Corporation. 1980. Hardcover. Very Good in No Dust Jacket dust jacket. Small 4to 9" - 11" tall; 24 Volume Set No Dust Jacket All Books are Tight Shows little or no wear or usage. Illustrated Black and White with Color photographs. .</p> MacMillan Educational Corporation hardcover
1968168093N.p.: N.p. 1968. Vintage oversize borderless reference photograph taken on the set of the 1968 film showing director William Klein talking with Serge Gainsbourg who appears in a cameo in the film. Annotations in manuscript ink and pencil on the verso. <br /> <br /> A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. <br /> <br /> 7.75 x 10.5 inches. Near Fine. <br /> <br /> Criterion Collection. Rosenbaum 1000. N.p. unknown
31856NAPLES DALLA STAMPERIA REALE 1824-1831. SEVEN VOLUMES BOUND IN IMPERIAL OCTAVO HALF MOROCCO OVER MARBLED BOARDS ALL EDGES GILT MARBLED ENDPAPERS. UPWARDS OF 500 FINE ENGRAVINGS OF STATUES BAS-RELIEFS ANCIENT PAINTINGS VASES CANDELABRA NUMISMATA. ITALIAN TEXT. FINELY BOUND TIGHT AND VERY CLEAN. SCARCE. POSTAGE AT COST. NAPLES, DALLA STAMPERIA REALE, 1824-1831 hardcover
19842110502151000293Japan Map Center 1984. Soft Cover. Fine. Number of books: 10 Japan Map Center paperback
20102110502151001993Japan Map Center 2010. Soft Cover. Fine. Number of books: 19 Japan Map Center paperback
150818New York: Music Theatre International 1977. Vintage script for the 1977 Broadway revival of the 1971 musical. Copy belonging to actor Lennie Del Duca who played an unnamed apostle with his name to the title page in manuscript ink and his manuscript pencil annotations many of which are unfortunately now erased but some visible throughout. <br /> <br /> Andrew Lloyd Webber's third musical following the final days in the life of Jesus Christ. The revival opened at the Longacre Theatre on November 23 1977 and ran for 96 performances before closing on February 12 1978. <br /> <br /> Set in Jerusalem.<br /> <br /> Mustard titled Studio Duplicating Service wrappers. Title page present undated with music credits to ANDREW LLOYD WEBBER and lyrics credits to TIM RICE. 94 leaves with last page of text numbered 2-CC-51. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly soiled and edgeworn bound with two gold brads. Music Theatre International unknown
1977150818New York: Music Theatre International 1977. Vintage script for the 1977 Broadway revival of the 1971 musical. Copy belonging to actor Lennie Del Duca who played an unnamed apostle with his name to the title page in holograph ink and his holograph pencil annotations many of which are unfortunately now erased but some visible throughout. <br/><br/>Andrew Lloyd Webber's third musical following the final days in the life of Jesus Christ. The revival opened at the Longacre Theatre on November 23 1977 and ran for 96 performances before closing on February 12 1978. <br/><br/>Set in Jerusalem.<br/><br/>Mustard titled Studio Duplicating Service wrappers. Title page present undated with music credits to ANDREW LLOYD WEBBER and lyrics credits to TIM RICE. 94 leaves with last page of text numbered 2-CC-51. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly soiled and edgeworn bound with two gold brads. Music Theatre International unknown books
1963168095N.p.: N.p. 1963. Vintage oversize borderless reference photograph from the 1963 Italian film showing director Federico Fellini talking with Claudia Cardinale with crew members looking on in the background. Provenance stamp stamp of photographer Paolo Costa and annotations in manuscript ink and pencil on the verso. <br /> <br /> Fellini's avant-garde autobiographical masterpiece about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film and nominated for three other awards including Best Original Screenplay and Best Director. <br /> <br /> Set and shot on location in Rome.<br /> <br /> Approximately 11 x 8.25 inches. Near Fine. <br /> <br /> Criterion Collection 140. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 15. Scorsese My Voyage to Italy. N.p. unknown
193058055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
160435N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page-this being from Zois' archive collection-with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. <br /> <br /> Undated script:<br /> <br /> Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound.<br /> <br /> June 27 2017 script:<br /> <br /> Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown
143465Tokyo: Shochiku Films 1990. Draft script for the 1991 film dated May 28 1990 about a year before its release. <br /> <br /> A tale of three generations in a postwar Japanese family and their responses to the atomic bombing of Japan. When the film played at the Tokyo Film Festival critics of Japanese militarism said Kurosawa had ignored the historical facts leading up to the bomb. Kurosawa's response was simple: he wanted his film to say that war was between governments not people. Richard Gere plays one of the family's Asian-American cousins a decision falling somewhere between stunt casting and commentary. <br /> <br /> Set in Nagasaki and shot on location there. <br /> <br /> Blue titled wrappers dated 5.28.1990. Title page present. 166 leaves with last page of text numbered 150. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br /> <br /> Rosenbaum 1000. Shochiku Films unknown
149800Burbank CA: Warner Brothers 1973. Archive of 12 vintage oversize borderless double weight photographs from the 1973 film. Eight photographs with the stamp of photographer Alan Pappe on the verso one photograph additionally SIGNED by the photographer. Five with manuscript annotations on the verso identifying either the film the subjects or location of the photograph one bearing the annotated date "1972." <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> A high-powered divorce attorney struggles with the end of his own marriage after he is caught having an affair only to discover he is still in love with his ex-wife. <br /> <br /> Photographs variously sized between 11.75 x 9.25 and 13 x 10 inches with most being 13.75 x 9.25 inches. Near Fine. Warner Brothers unknown
159007N.p.: Dell Publishing 1970. Two vintage reference photographs from the 1970 film. Both with Dell Publishing photograph library stamps on the verso. <br /> <br /> An unhappy apathetic housewife who has just left her husband decides to go on the run with a bank robber. Shot largely on location on a shoestring budget with much of its dialogue improvised the film was Barbara Loden's directorial debut.<br /> <br /> Set in eastern Pennsylvania and shot on location in Scranton and Carbondale Pennsylvania and Waterdale Connecticut. <br /> <br /> 10 x 8 inches. Near Fine with annotations in manuscript ink on the recto versos relating to cropping and publication. <br /> <br /> National Film Registry. Criterion Collection 965. Godard Histoires du cinema. Rosenbaum 1000. Dell Publishing unknown
162760Beverly Hills CA: Orion Pictures 1990. Shooting script for the 1991 film with rainbow revisions.<br /> <br /> Barry Sonnenfeld's directing debut with characters based on the beloved cartoon series created in 1938 by Charles Addams. Con artists attempt to swindle an aristocratic macabre family out of their fortune by producing a man who claims to be a long-lost uncle. <br /> <br /> Blue generic Orion Pictures wrappers. Title page present dated November 6 1990 noted as SHOOTING SCRIPT with credits for artist Charles Addams and screenwriters Larry Wilson and Caroline Thompson and revision credit for Paul Rudnick. 150 leaves with last page of text numbered "115 116 & 117". Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/12/90 and 2/28/91. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. Orion Pictures unknown
1928133223N.p.: N.p. 1928. Two vintage oversize photographs from the first stage production of "The Front Page" in 1928 showing two different trio shots of the reporters who grace the majority of the play. The first photo a double weight 8 x 10 by Florence Vandamm with her blindstamped name on the recto shows Lee Tracy later played by Rosalind Russell onscreen Osgood Perkins and Frances Fuller. The second a oversize 11 x 14 uncredited but by White Studios in New York City shows the star Walter Baldwin later played by Cary Grant onscreen Osgood Perkins and Lee Tracy. Both photographs with numerous annotations and stamps on the verso. <br /> <br /> Excessively rare photographs from the first staging of the play that made Ben Hecht and Charles MacArthur famous. The play would be published the same year in book form by Covici-Friede and was the basis for three films: The Front Page" in 1931 with Adolphe Menjou and Pat O'Brien "The Front Page" in 1974 with Jack Lemmon and Walter Matthau and most famously the classic screwball comedy "His Girl Friday" with Cary Grant and Rosalind Russell in 1940. N.p. unknown
19321404455Washington DC: George Washington Bicentennial Commission 1932. First Edition. Hardcover. Quarto xxxix 725 pages. In Good plus condition. Bound in full black cloth with faded gilt lettering to spine and front board. Boards have bumping to spine ends and fore corners fraying to spine tail end and fore corners tears to joints and chipping to extremities. Textblock has light age toning foxing to edges and mild wear throughout. Inscribed "To my friend from" and signed by Franklin Delano Roosevelt FDR on the tissue guard of the George Washington frontispiece. Shelved in Case 3. 1404455. Shelved Dupont Bookstore. George Washington Bicentennial Commission hardcover
166296N.p.: N.p. 2012. Draft script for the 2013 film. Early draft script with a generic untitled undated and uncredited title page as issued. Copy belonging to weapons master Simon Atherton with his name watermarked on every page and his manuscript annotations on multiple leaves relating to weapon props. <br /> <br /> Based on the 2006 novel by Max Brooks set in a post-apocalyptic world in which humans have largely succumbed to a zombie plague about a former United Nations investigator tasked with protecting scientists while they search for a cure. <br /> <br /> Shot on location in Philadelphia in the US in Gwynedd Wales in Strathclyde Scotland in Malta in Budapest Hungary and in Kent Hampshire London and Dorset England. <br /> <br /> Self wrappers. 116 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages about Fine silver prong binding. N.p. unknown
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in holograph ink to upper right and annotations to dialogue of lead character Legs in holograph pencil. <br/><br/>Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br/><br/>From the estate of Martin Landau.<br/><br/>Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br/><br/>Set in New York City. <br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral to first page dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown books
160091Los Angeles: Twentieth Century-Fox 1988. Shooting script for the classic 1989 film.<br /> <br /> Cameron Crowe's directorial debut about the post-graduation romance that develops between an awkward but noble army brat and the beautiful class valedictorian. One of the defining high school films of the 1980s and a breakthrough role for actor John Cusack.<br /> <br /> Shot on location in Los Angeles and Seattle. <br /> <br /> Gray titled Twentieth Century-Fox wrappers dated February 29 1988. Title page present noted as SHOOTING SCRIPT dated February 29 1988 with credit for director and screenwriter Cameron Crowe. 121 leaves with last page of text numbered 119. Xerographic duplication on green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. <br /> <br /> McPadden Teen Movie Hell. Twentieth Century-Fox unknown
12117Los Angeles: Grass Harp Productions 1994. Revised Draft Script. Black Three-Ring Binder in Elaborate Quarter-Morocco Clamshell Box. Very Good/Clamshell Box: Fine. 4to. Script: 128 leaves. Shooting schedule: 42 leaves. Photocopied on varying colored stock. As with all scripts revised several times with the title page bearing the most recent date of November 28 1994 credits listed as Charles Matthau Silliphant and Ellis screenwriters Capote novel and Jerry Tokofsky producer. Includes a manuscript letter dated January 11 1995. Signed by cast members Sissy Spacek with inscription Walter Matthau Sean Patrick Flannery Piper Laurie Joe Don Baker Nell Carter and Mary Steenburgen. The script was owned by Bob and Sally J. Harper the production's hair-stylist and makeup artist respectively two veterans of the Hollywood movie industry. They had the screenplay signed by the Hollywood luminaries then gifted the script to their grandson Stephen as evinced by the manuscript letter "Grandma & Grandpa".<p>Adapted from Capote's second novel which was informed by his Monroeville childhood and the treehouse in which he played with his cousins and incidentally Harper Lee. Grass Harp Productions unknown
1928137027N.p.: N.p. 1928. Vintage double weight photograph from the set of the 1928 film. Shown are Dreyer and his crew including cinematographer Rudolph Mate setting up a ground shot of one of the film's French clergymen. <br /> <br /> A rare photograph of the director at work on his masterpiece. The film was shot on one huge concrete set modeled on medieval architecture in order to realistically portray the Rouen prison where Joan was held. The film is known for its cinematography and use of close-ups. Dreyer also didn't allow the actors to wear make-up and used lighting designs that made the actors look more grotesque. The latter element is evident in this photograph as one of the crew is holding up a board to reflect light onto the actor and a hole has been dug in order to get a ground-up perspective. <br /> <br /> 9 x 7 inches. In an archival mat. Very Good to Near Fine with a small stain on the verso. N.p. unknown
1948161346N.p.: N.p. 1948. Draft script for the 1949 film seen here under the working title "Happy Times." Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine and in manuscript pencil on the title page. Six reference photographs from the film bound in variously among the script leaves. <br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Loosely based on Nikolai Gogol's 1836 play about a group of corrupt officials in a small town who become convinced that a buffoonish itinerant is actually an investigator in disguise come to inquire into their tax fraud. <br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated 8/7/48 with credits for screenwriters Harry Kurnitz and Phil Rapp. 144 leaves with last page of text numbered 142. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 8/10/48 and 10/13/48. Pages Near Fine binding Very Good with spine moderately worn and front board starting. N.p. unknown
153174Burbank CA: Warner Brothers Television 1971. Final Draft script for the pilot episode of the 1972-1975 television show which originally aired on ABC on February 22 1972. With the name of uncredited crew member Charlee Holt on the front wrapper. <br /> <br /> Released as a television movie ahead of the series' debut in the fall of the same year the pilot establishes the rhythms of what would become the wildly popular series as David Carradine's Kwai Chang Caine arrives in America intent on searching for his family but finds he can't remain neutral when people need his help while flashbacks to his training in a Shaolin monastery fill in clues to his past and provide thematic parallels to the ongoing story. The pilot would win an Emmy Award and across three seasons the series was nominated for a total of seven Emmys including both Outstanding Drama and Outstanding Lead Actor in Drama for Carradine winning two. <br /> <br /> Blue titled wrappers noted as Revised Draft on the front wrapper dated November 5 1971. Title page present dated December 9 1971 noted as Final Draft with credits for screenwriters Ed Spielman Howard Friedlander and Herman Miller. 74 leaves with last page of text numbered 72. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers Television unknown
1948135649London: Cineguild 1948. Vintage black-and-white reference photograph of director David Lean cinematographer Oswald Morris and lighting cameraman Guy Green on the set of the 1948 film. With a mimeograph snipe detailing who is in the shot. <br/><br/>From the estate of Guy and Celia Green with a letter of provenance attesting to same. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 32. Cineguild unknown books
159101Hollywood: Marimark 1986. Two Draft scripts for the 1986 film seen here under the working title "Limo." Both copies belonging to actor Howard Hesseman with his annotations in manuscript ink and pencil throughout and one script with his signature in manuscript ink on the bottom right corner of the front wrapper. <br /> <br /> A strong-willed young woman gets a job as a driver for an upscale Beverly Hills limousine service upsetting the older men working for the company. <br /> <br /> Set and shot on location in Los Angeles. <br /> <br /> Undated script:<br /> <br /> Tall self wrappers. Title page present undated with credit for director and screenwriter David Beaird. 118 leaves with last page of text numbered 117. Xerographic duplication rectos only. Pages Very Good plus with the final leaf moderately worn and partially detached from the binding. Bound with two gold brads.<br /> <br /> Script dated 4/30/85:<br /> <br /> Yellow titled wrappers. Title page present dated 4/30/85 with credit for screenwriter David Beaird. 140 leaves with last page of text numbered 117. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 4/22/85 and 6/3/85. Pages Near Fine wrappers Very Good plus bound with two gold brads. <br /> <br /> McPadden Teens in Hell. Vinegar Syndrome 177. Marimark unknown
