16 721 résultats
1959144663Paris: Les Films Ariane 1959. Collection of 322 original black-and-white keybook still photographs from the 1959 French-Italian film. Small photos affixed with cello tape on thick stock in a folio "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Each photo is numbered in manuscript ink on the page and in mimeograph on the verso all credited to photographer Dole on the recto. The keybook illustrates a few film sequences most with a stoic Gabin in hat with several composed studio portraits of actress Nat. Included are four larger single photographs of Gabin doing a chair trick in a pub a sequence present in the keybook also credited to Dole on the recto. <br /> <br /> Based on Lefevre's novel "Rue des Prairies" 1955. Gabin plays a POW who returns a widower and in charge of three children. His experiences during the war are relieve through heavy drinking but he has a warm side that proves beneficial. Photographer Dolé was consistent if anything a regular with directors like Denys de La Patelliere Jean Delannoy and Grangier and several Jean Gabin films. <br /> <br /> Keybook photos 3.5 x 4.5 inches four photos 9.25 x 11.75 inches small white borders. Light curling else Near Fine. Notebook Very Good plus. Les Films Ariane unknown
1979149864Sydney: Balmain Bijou 1979. Vintage offset lithograph poster for a series of screening of the 1978 UK film at the Balmain Bijou theatre in Sydney Australia circa 1979. <br/><br/>Queen Elizabeth I travels to a dystopian 1970s London witnessing a lawless city overrun by a gang of punk girls. A cult classic featuring a soundtrack by Brian Eno performances by Adam Ant and Wayne County and the Electric Chairs who also appear in the film alongside a number of British punk icons including Jordan and Toyah Wilcox and cameos by the Slits and Souixse and the Banshees. <br/><br/>29 x 38.75 inches folded as issued. Very Good. Pinholes to the corners with light edgewear including some minor chipping and a single short closed tear and a tape shadow. Balmain Bijou unknown books
1959148534N.p.: N.p. 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in holograph pencil and copy number "36" annotated on title page above title in holograph ink. <br/><br/>Based on the 1913 novel by D.H. Lawrence about a young man caught between his domineering manipulative mother his repressed former girlfriend and an independent but married co-worker. Winner of an Academy Award nominated for six others including Best Picture Best Director Best Actor for Trevor Howard and Best Screenplay. Nominated for the Palme d'Or.<br/><br/>Set in an English coal-mining town in the early twentieth century. Shot on location in English coal-mining county of Nottinghamshire. <br/><br/>Red untitled wrappers with die-cut title window in the British style. Title page present dated December 8th 1959 noted as SHOOTING FINAL with credits for screenwriter Gavin Lambert and author D.H. Lawrence. 109 leaves with last page of text numbered 107. Mimeograph duplication rectos only with white revision pages throughout dated variously between Dec. 2. 1959 and Dec.5/2. 1959. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. N.p. unknown books
1957161062Universal City: Universal Pictures 1957. Five vintage photographs taken on the set of the 1958 film including four studio still photographs showing director Douglas Sirk talking with actors Lisa Pulver and John Gavin and one borderless photograph showing novelist screenwriter and actor Erich Maria Remarque. Two with printed mimeo snipes affixed to the versos. <br /> <br /> Based on Remarque's 1954 novel about a German soldier who returns home to find his home bombed and his parents gone.<br /> <br /> Shot on location in Berlin. <br /> <br /> Studio still photographs 8 x 10 inches borderless photograph 7 x 9.25 inches. Very Good plus several with light toning and wear on the edges.<br /> <br /> Rosenbaum 1000. Universal Pictures unknown
1956142863Universal City: Universal Pictures 1956. Second Revised Final Draft script for the 1957 film. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. <br /> <br /> Based on the 1956 autobiography of the same name by Colonel Dean E. Hess a real-life United States Air Force fighter pilot in the Korean War. Hess was a technical advisor for the film and the gold flying helmet Rock Hudson wears was his personal possession. A poster for "Battle Hymn" appears outside the movie theater in the 1959 pilot episode of The Twilight Zone "Where Is Everybody"<br /> <br /> Set in 1950s Westhampton Ohio and Seoul shot on location in Seoul South Korea and Nogales AZ. <br /> <br /> Navy full calf binding without paper wrappers as issued. Title page present noted as Second Revised Final with credits for screenwriter Charles Grayson. 137 leaves with last page of text numbered 123-A. Multilith duplication with pink blue white revision pages throughout dated variously between 2/29/56 and 4/23/56. Pages Near Fine presentation binding Near Fine. Universal Pictures unknown
160743N.p.: A-A Productions 1973. Draft script for the 1973 film here under the working title "The Hostesses." Copy belonging to actress Kathy Hilton with her annotations in manuscript ink on the front wrapper and throughout. <br /> <br /> A softcore sexploitation film about a woman who decides to become a cocktail waitress in order to get closer to men and money-in that order. Screenwriter Ed Wood Jr.'s fifth collaboration with director Stephen Apostolof following "Orgy of the Dead" 1965 "The Class Reunion" 1972 "Drop-Out Wife" 1972 and "The Snow Bunnies" 1972. <br /> <br /> Beige titled wrappers undated noted as production No. 113 with credit for screenwriter Edw. D. Wood Jr. Title page present undated with credit for screenwriter Edw. D. Wood Jr. 42 leaves with last page of text numbered 41. Early xerographic duplication rectos only. Pages Near Fine wrapper Very Good with front wrapper partially detached from the binding bound with two gold brads. A-A Productions unknown
1959145643Culver City CA: Associated Producers Inc 1959. Draft script for the 1959 film. <br/><br/>Sequel to Kurt Neumann's "The Fly" and taking place one year after the conclusion of that film. Phillipe Delambre Brett Halsey takes up his father's work of matter transmission and with his uncle Francois Vincent Price they accidentally produce a monstrous creature a man with the head of a fly. <br/><br/>Title page integral to front wrapper with credits for screenwriter and director Edward Bernds. 102 leaves with last page of text numbered 93. Mechanical duplication rectos only with blue revision pages throughout dated variously between February 24 1959 and February 25 1959. Pages Near Fine bound with two gold brads. Associated Producers Inc unknown books
1938146082Culver City CA: RKO Radio Pictures 1938. Final Draft script for the 1939 film. INSCRIBED in manuscript ink on an inset page preceding the script by actor Gene Reynolds who played a young Douglas Corrigan in the movie: "For Art / From Corrigan-as-a-boy / Gene Reynolds / Mar - 71." With blue and white revisions pages including some detail for montage sequences. Copy originally belonging to an unidentified cast or crew member "Mr. Starkey" with that persons' manuscript pencil annotations throughout.<br /> <br /> Based on the true story of Douglas "Wrong Way" Corrigan an aviator who "accidentally" flies to Dublin Ireland. Corrigan plays himself a man hell-bent on becoming a pilot by any means necessary cobbling together a single-engine one-passenger plane with a door held shut with baling wire. When his plane is understandably grounded for being too dangerous he appeals for and is eventually given a temporary license to fly his plane west to Long Beach California. Instead determined to prove his reputation through feats of aviation he reroutes in-air and makes a 28-hour flight to Ireland-facetiously insisting upon landing that he thought he was flying to California. <br /> <br /> Shot on location in California. <br /> <br /> Housed in green 1970s standard card report wrappers with titled label attached. Title page present dated NOVEMBER 12 1938 stamped as FINAL SCRIPT with credits for screenwriters Ernest Pagano and Dalton Trumbo. 145 leaves with last page of text numbered 139. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 11/14/38 and 11/23/38. Pages Very Good plus with some minor tearing and fading lacking original wrapper bound internally with silver prong binding. RKO Radio Pictures unknown
1929135600N.p.: Cliff Leary 1929. Vintage sepia photograph of the world premiere of the landmark 1929 film at the legendary Criterion Theatre in New York. Shot by photographer Cliff Leary with his stamp on the verso as well as a numeric reference number 6434 and the stamp of a Scandanavian press agency Kobenhavnerinden. <br /> <br /> A huge hit for Paramount in 1929 a comforting fact for the studio given that it was released just after the Wall Street crash. The great Ernst Lubitsch's first talking film the film debut of Jeanette MacDonald the American debut of Maurice Chevalier. Too "The Love Parade" is considered by many to be the first musical film in which songs were integrated with story and the first to make innovative first use of music with no image at the end of the film. Finally a wonderful example of the kinds of magnificent physical artwork that would routinely go into major premieres at the beginning of the talking era. <br /> <br /> 8 x 10 inches. In an archival mat. Very Good with faint creasing and light wear at the corners. <br /> <br /> Hirschhorn p. 32. Cliff Leary unknown
149074Burbank CA: Warner Brothers 1976. Final Shooting script for the 1977 film. Uncredited makeup artist Rick Schwartz's copy with his ownership name on the title page in manuscript link and with penciled check marks throughout relating to close-ups in the film. Secretarial notation of supervising producer Irwin Allen's name on the title page.<br /> <br /> A stunt-heavy 1970s powerhouse designed to capitalize on the enormous success of the 1971 film "Evel Knievel" but with this entry featuring inimitable motorcycle daredevil Evel Knievel as himself. Also cast are Gene Kelly as his alcoholic mechanic and Leslie Nielsen as a power-hungry Mexican drug lord. Knievel is offered a fortune to perform in Mexico unaware that a drug cartel intends to kill him and use his tour bus to smuggle hundreds of kilos of cocaine. <br /> <br /> Set in California and Mexico shot on location in Monterey Park Burbank and Long Beach California. <br /> <br /> Yellow titled wrappers rubber-stamped FINAL on the front wrapper. Title page present dated February 13 1976 noted as SHOOTING FINAL with credits for screenwriter Antonio Santillan sic. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Warner Brothers unknown
1979147161Unknown: Playboy Productions 1979. Final Draft script for the television film originally aired on ABC on October 19 1979. Actor Martin Landau's copy with his holograph name on the front wrapper and ink and pencil annotations throughout. Laid in with the script are a set of eleven blue revision pages as well as ten xerographically duplicated call sheets with copied handwritten annotations. <br/><br/>Partygoers find themselves trapped at an amusement park besieged by a hurricane during Fourth of July festivities. The planned destruction of the actual Ocean View Park in Norfolk VA including its legendary roller coaster predated the film-the amusement park was burned down and blown up over the course of production.<br/><br/>Set and shot on location in Norfolk Virginia. <br/><br/>Yellow titled wrappers. Title page present dated June 4 1979 noted as FINAL DRAFT with credits for screenwriter Barry Oringer. 122 leaves with last page of text numbered 112. Xerographically reproduced on green stock rectos only with white and pink revision pages throughout dated variously between 6/8/79 and 6/11/79. Pages Very Good with the title page and page 34 loose from the binding wrapper Very Good plus bound with two gold brads. Playboy Productions unknown books
146779Universal City: Universal Pictures 1973. Vintage US silkscreen banner poster for the 1973 film. <br /> <br /> Based on Frederick Forsyth's 1971 novel about the titular professional assassin hired by a militant French underground organization to assassinate French president Charles de Gaulle. <br /> <br /> Set in and shot on location in Paris Versailles and Hautes-Alpes. <br /> <br /> 82 x 24 inches. Rolled. Very Good with no restoration. Several vertical creases with some cracking three closed tears measuring tow four and five inches several small closed tears in margins otherwise bright and unfaded.<br /> <br /> Penzler 101. Universal Pictures unknown
1936603498Newark New Jersey: Federal Writers' Project of the Works Progress Administration 1936. Unbound. Very Good. A collection of 50 issues. Small quartos. Most are one folio sheet folded to make four pages but issues are also one six or eight pages. Occasionally illustrated. A well-preserved very good set with occasional wear soil paperclip rustmarks or penciled notes and two with High School library stamps. The first four issues of the 1937-1938 series were printed on much cheaper paper and are therefore toned with more chipping but still sound. The Bulletin Numbers by Series are as follows: 1936-1937 Series: Nos. 1 4-6 8-9 11-13 15-16 21-29; 1937-1938 Series: Nos. 2-16 18-19; 1938-1939 Series: Nos. 1-6 8 12; 1939-1940 Series: Nos. 7-8; and 1940-1941 Series: Nos. 1-2 and 5. Also included but not counted is a Glossary to "Indian Place Names in New Jersey" 1938-1939 Series Bulletin 12. <br /> <br /> An excellent collection of these brief but informative WPA-published lessons on the history industry geography landmarks and agriculture of New Jersey as well as biographies Walt Whitman Clara Barton John Fitch and more. Apparently published between 1936 and 1942 they were issued as both bulletins as here and in six bound volumes. Individual issues are uncommon even more so a large and well-preserved collection. Federal Writers' Project of the Works Progress Administration unknown
1939138289Culver City CA: RKO Radio Pictures 1939. Bound presentation script for the 1939 film based on the 1933 short story by Gordon Malherbe Hillman originally published in "American Magazine." SIGNED by members of the cast and crew including stars John Barrymore Peter Holden Virginia Weidler and Donald McBride director Garson Kanin screenwriter John Twist and producers Cliff Reid and Pandro S. Berman. Presented to newspaper film critic Karl Krug with his name in gilt on the front board. <br/><br/>One of John Barrymore's final films where he plays a terminally ill man who has to cast the deciding vote in a town's mayoral election. <br/><br/>6.75 x 9 inches. Mimeograph duplication bound in flexible leather boards with gilt stamping. Very Good plus with a small dampstain to the front page edge. RKO Radio Pictures unknown books
160169Burbank CA: Warner Brothers 1972. Final Draft script for the 1973 film. Copy belonging to production accountant Gordon Kee with his name in manuscript ink on the first leaf. <br /> <br /> Two drifters set out on a journey east from California towards Pittsburgh hoping to start a business together when they arrive. A key film from the New Hollywood era and one of the best proletarian-minded works of the 1970s. Winner of the Palme d'Or. <br /> <br /> Shot on location in Denver and Canon City Colorado in Detroit and Hamtramck Michigan and in Reno Nevada. <br /> <br /> Yellow titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 97 dated August 16 1972. Distribution page present with receipt intact. Title page present dated 8/16/72 with credits for screenwriter Garry Michael White. 115 leaves with last page of text numbered 113. Mimeograph duplication on eye rest green stock rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Warner Brothers unknown
19601051Paris: Cocinor 1960. French pressbook for the 1960 film noir adapted from David Goodis' 1956 novel 'Down There.' Richly illustrated with a terrific photo-montaged centerfold surrounding a synopsis of the film. Offered together with 10 small silver gelatin stills from the film each measuring 5 X 3.5 inches; some trivial corner wear with brief notations on verso else Fine depicting Charles Aznavour Marie Dubois and Nicole Berger in a variety of scenes. A rare pressbook; we have previously only handled a pressbook for the American release 1962. Folio ca. 9 X 12.25 inches; single sheet folded once to create 4 pages printed in black white red and yellow. A Fine example. Cocinor unknown
1942170877N.p.: N.p. 1942. Vintage oversize borderless double weight satin finish reference photograph of Alan Ladd from the 1942 film. An exceptionally scarce oversize portrait photograph of Ladd in his breakthrough role as the stoic cat-loving hit man Philip Raven. <br /> <br /> Based on the 1942 novel "A Gun for Sale" by Graham Greene the first of several films in the noir cycle to be adapted from novels by Greene. The film was stuck in development purgatory for 6 years and thankfully was not made until Paramount had the benefit of the influx of German craftsman from the great exodus under Hitler's campaign-the visual underpinnings of a new style. David Spicer 2010 notes that ". in his determination to cut costs former UFA art director Hans Drier encouraged director Frank Tuttle and cameraman John Seitz to use mirrors odd angles low-key lighting and fog-bound exteriors to obscure the limited number of sets available. Seitz's resulting expressionist photography helps to create the sense of schizophrenia and entrapment in the psychologically damaged Raven Ladd." <br /> <br /> Set in San Francisco. <br /> <br /> 16 x 20 inches. Light edgewear else Near Fine. <br /> <br /> Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Selby US Master List Canon. Silver and Ward US. Spicer US. N.p. unknown
160111N.p.: N.p. 1977. Draft script for the 1978 film. Copy belonging to Lucile Jones credited in the film as a "friend who did everything" with her first name in manuscript ink on the title page. <br /> <br /> Laid in with the screenplay are three photographs from the set of the film: one black-and-white studio still photograph showing actors Bruce Dern and Jane Fonda and two borderless color reference photographs of director Hal Ashby with an unknown woman possibly Jones on the set. <br /> <br /> A key Vietnam-era film and one of noted director Hal Ashby's finest efforts. Ostensibly a war film "Coming Home" is really more about the lives of the women left behind during the war tracking the progress of a housewife who finds herself unexpectedly liberated in her husband's absence falling into an affair with a wounded veteran. <br /> <br /> Winner of three Academy Awards including Best Screenplay and nominated for five others including Best Picture and Best Director. Nominated for the Palme d'Or.<br /> <br /> Screenplay: <br /> <br /> Red titled wrappers. Title page present with credits for screenwriters Waldo Salt and Bob Jones and director Hal Ashby. 134 leaves with last page of text numbered 132. Xerographic duplication rectos only with four blue revision pages dated 1/3/77. Pages Near Fine wrapper Near Fine bound with two gold screw brads.<br /> <br /> Photographs:<br /> <br /> Two 7 x 5 inches one 8 x 10 inches. Near Fine. N.p. unknown
1900191684Paris: S.L.n.d. 1900. Hardcover. Good light soiling and shelfwear to covers hinges torn beginning pages loose pages have expected age toning but bw illustrations are otherwise clear. Green cloth covers with black lettering and mounted bw illustration on front cover; unpaginated plates numbered 345-649. Text in French. Société Anonyme des Hauts-Fourneaux et Fonderies du Val D'Osne. Album No 2 = Art Fonts. Includes table of contents and table of concordance of the numbers of the parts with the numbers of the boards. [S.L.n.d.?] hardcover
1949139871Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation script belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of manuscript annotations primarily denoting the titles of various musical numbers. <br /> <br /> Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. <br /> <br /> Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. <br /> <br /> Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown
1954156283Stockholm: Svensk Filmindustri SF 1954. Collection of 14 vintage oversize double weight reference photographs from the 1954 Swedish film. Several with stamps of Nordisk Films on the versos. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> After 15 years of marriage a man and a woman decide to divorce but realize at the last minute that their extramarital affairs have not diminished their love for each other. <br /> <br /> Shot on location in Sweden and Denmark. <br /> <br /> 9.25 x 11.75 inches. Generally Very Good plus with pinholes at the corners and light edgewear. Svensk Filmindustri [SF] unknown
1960130114Stockholm: Svensk Filmindustri 1960. Original Swedish poster for the 1960 film. <br /> <br /> A landmark twentieth century film whose irregular but inspired dramatic structure and juxtaposition of beauty and savagery has inspired many other great films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film. <br /> <br /> 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1961130180Stockholm: Svensk Filmindustri 1961. Original Swedish illustrated poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." <br /> <br /> A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. <br /> <br /> 27.5 x 38.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1961130113Stockholm: Svensk Filmindustri 1961. Original Swedish photographic style poster for the 1961 Swedish film. The first entry in Bergman's legendary and highly personal "Faith" trilogy which won the director his second Best Foreign Film Oscar and defined what came to be called his "chamber dramas." <br /> <br /> A young woman is released from a mental institution and moves to an island where her family resides to recover. But she finds little solace and no support from her father her husband or her brother. A landmark film in that it is not so much an examination into mental illness as a perspective of on a private world from a mind that has departed day to day concerns. <br /> <br /> 27.5 x 39.5 inches linen-backed. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1963130176Stockholm: Svensk Filmindustri 1963. Original Swedish illustrated poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. <br /> <br /> "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. <br /> <br /> 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
