16 724 résultats
162444N.p.: N.p. 1995. Final Draft script for the 1996 neo-noir film. Copy belonging to an unidentified crew member with their annotations on the title page noting phone numbers and on several pages in the script highlighting dialogue for police officers. With a production memo and a call sheet dated November 15 1995 laid in with the script along with a FedEx receipt. <br /> <br /> Based on Robert Daley's 1993 novel "Tainted Evidence" and on the true story of the escape of criminal Larry Davis about a newly elected district attorney's drive to eliminate corruption in the police department. <br /> <br /> Set and shot on location in Manhattan. <br /> <br /> Clear generic front wrapper blue rear wrapper. Title page present dated July 27 1995 noted as Final Draft with credits for screenwriter Sidney Lumet and novelist Robert Daley. 125 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated September 22 1995. Pages about Fine wrapper Very Good with wear on the top and bottom edges of the rear wrapper silver prong binding.<br /> <br /> Spicer US. Silver and Ward Neo-Noir. N.p. unknown
1962149451Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage oversize borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With manuscript annotations on the verso regarding layout.<br /> <br /> A stunning image of both Kubrick and legendary cinematographer Morris. Morris' achievements apart from "Lolita" include "Oliver Twist 1948 "Moulin Rouge" 1952 "Moby Dick" 1956 "The Spy Who Came in from the Cold" 1965 "Fiddler on the Roof" 1971 and "The Man Who Would Be King" 1975.<br /> <br /> Kubrick's controversial adaptation of Vladimir Nabokov's 1955 masterpiece about a man's all-consuming and destructive romantic desire for a prepubescent girl. <br /> <br /> Shot on location in Albany and the Adirondacks in New York Newport and Westerly in Rhode Island and Buckinghamshire and Hertfordshire in England.<br /> <br /> 14 x 10.5 inches. Very Good plus with light wear and a shallow crease along the right edge.<br /> <br /> Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown
1968135016Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1968. Vintage oversize borderless double weight black and white set design photograph from the 1968 film. Shown is a sample interior from the space station featured near the beginning of the film the "Hilton" sign marking Kubrick's groundbreaking use of ordinary commerce in a futuristic context. <br/><br/>The director's sprawling science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy coupled with bleeding-edge special effects and minimal use of dialogue make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects and nominated for three others including Best Director. <br/><br/>Set variously in the desert in space in deep space and on the astral plane. Shot on location in Scotland England Arizona and Utah. <br/><br/>11 x 14 inches. Near Fine. <br/><br/>National Film Registry. Metro-Goldwyn-Mayer [MGM] unknown books
162436Universal City: Universal Pictures 1989. Seventh Draft script for the 1989 film. <br /> <br /> A charming ensemble comedy about the trials and tribulations of the Buckman family and their friends as they try to raise their children. Nominated for two Academy Awards including Best Supporting Actress for Dianne Wiest. <br /> <br /> Shot on location in Orlando Florida. <br /> <br /> Self wrappers. Title page present dated 1989 noted as DRAFT SEVEN with credits for screenwriters Lowell Ganz and Babaloo Mandel. 147 leaves with last page of text numbered 127. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/16/89 and 1/30/89. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown
1977135605Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br/><br/>The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br/><br/>Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br/><br/>With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
1969141454Tokyo: Toei 1969. Draft script for the 1969 film. Text in Japanese. With annotations throughout in manuscript pencil. <br /> <br /> High demand for tattooed geishas by foreigners leads to a formidable production line of ladies receiving tattoos in order to please European men. <br /> <br /> White titled perfect-bound wrappers. Title page present. 122 leaves with last page of text numbered 34. Mechanical duplication. Pages Near Fine wrapper Near Fine. Toei unknown
1922141774Hollywood: Paramount Pictures 1922. Draft script for the 1922 film. The film is now considered lost. <br /> <br /> Tess Wanda Hawley is a social climber who is neglected by her hardworking husband David Edward Hearn. She decides to go on a date with ex-suitor Arthur Sinclair Casson Ferguson to a casino which is robbed while they are there. Her rings are taken and she lies to her husband but looks like a fool when the rings turn up at the police station. She writes a letter to Sinclair explaining everything but the letter falls into the hands of her housekeeper who sells it to the gang leader who robbed the casino who blackmails Tess for $15000. <br /> <br /> White titled self wrappers with credits for screenwriters Will Payne and Percy Heath. Title page integral with front wrapper. 109 leaves with last page of text numbered 119. Carbon typescript. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
1959143239Tokyo: Toho Company 1959. Early Draft script for the 1959 Japanese film crediting Masahiro Makino as the director who would be later replaced by Toshio Sugie. Text in Japanese. <br /> <br /> Based on a story by novelist Juro Miyoshi originally released in 1937 as two parts <br /> "Saga of the Vagabonds Part One Tiger Wolf" and "Saga of the Vagabonds Part Two Forward at Dawn." Toshiro Mifune plays a feudal bandit accused of stealing money he was entrusted and assembles a revenge party to storm the family castle and attack his brother who betrayed him. Kurosawa would serve as 3rd assistant director to Eisuke Takizawa for both films and go on to write the latter screenplay previously penned by Sadao Yamanaka. <br /> <br /> Set in Japan's Edo period.<br /> <br /> Yellow titled wrappers. Title page present. 66 leaves with last page of text numbered f-16. Mechanical duplication. Pages Near Fine with mild foxing on paper edge wrapper Very Good plus title on spine. Toho Company unknown
1948135635Culver City CA: Sierra Pictures / RKO Radio Pictures 1948. Draft script for the 1948 film "Joan of Arc" here under its working title "Joan of Lorraine." Original scripts from Fleming's films are rarely seen on the market. <br /> <br /> Based on Maxwell Anderson's play "Joan of Lorraine." Anderson's play debuted on Broadway in 1946 ran for 199 performances at the Alvin Theatre and closed in 1947. Ingrid Bergman who stars as Joan in the film also starred in the play and won the 1947 Tony Award for Best Actress in a Play. The film won three Academy Awards. <br /> <br /> Director Victor Fleming's final film featuring Bergman as Joan of Arc the 15th-century French peasant girl who led the French in battle against the invading English. Bergman portrays the martyr as a strong and spiritual figure who proves her devotion to the Dauphin Jose Ferrer later to become the King of France. She wins an alliance with the Governor of Vaucouleurs and the courtiers at Chinon leads her army in the Battle of Orleans is betrayed by the Burgundians. Joan was captured tortured and ultimately executed by the English and was later made a Catholic saint. <br /> <br /> Set in the village of Domremy shot on location in California. <br /> <br /> Tan titled wrappers. Distribution page present undated with receipt removed noted as copy No. 400. Title page integral with distribution page. 163 leaves with last page of text numbered 158. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Sierra Pictures / RKO Radio Pictures unknown
1948152428Rome: Ente Nazionale Industrie Cinematografiche ENIC 1948. Vintage pressbook for the 1948 Italian film. Text in Italian. <br/><br/>Based on the 1946 novel by Luigi Bartolini. Vittorio De Sica's shattering neorealist masterpiece widely regarded as one of the greatest films of the twentieth century following an impoverished father and his young son as they search the streets of postwar Rome for their stolen bicycle. <br/><br/>Set and shot on location in Rome. <br/><br/>9 x 12.25 inches. Bifold. Very Good plus lightly agetoned. <br/><br/>Arrow 2039. Criterion Collection 374. Ebert I. Godard Histoires du cinema. Scorsese My Voyage to Italy. Ente Nazionale Industrie Cinematografiche [ENIC] unknown books
160172Los Angeles: Twentieth Century-Fox 1977. Final Draft script for the 1978 film. A unique script in terms of the narrative with each scene described in fragmented sentences. <br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> Cream titled wrappers dated May 23 1977. Title page present dated May 23 1977 noted as FINAL with a credit for Hill. 114 leaves with last page of text numbered 111. Xerographic duplication on blue stock rectos only. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. <br /> <br /> Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. <br /> <br /> Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. <br /> <br /> White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown
1957137620Hollywood: Security Pictures 1957. Revised Draft script for the 1958 film "Island Women" here under the working title "Calypso Island." Copy belonging to actress Marie Windsor with her name in manuscript ink on the first page of text annotations in manuscript pencil and ink throughout one page noting scene wardrobe changes and custom place markers at the fore-edges noting scene settings. Also included is Windsor's Screen Actors Guild contract and carbon copy "free lance agreement" dated April 12 1957 both SIGNED by Windsor and Security Pictures representative Herbert illegible. <br /> <br /> Written by Andrew Alexander and the prolific Philip Yordan who also wrote "Dillinger" 1945 "Suspense" 1946 "Edge of Doom" 1950 "Detective Story" 1951 "Johnny Guitar" 1954 and "Battle of the Bulge" 1965. Elizabeth Windsor is a lusty women traveling in the Caribbean with her niece Jan Earle. Both have the hots for Mike Edwards a charter boat captain but only Elizabeth is willing to use deceit to get what she wants. <br /> <br /> Set in Nassau shot on location in the Caribbean. <br /> <br /> Blue titled wrappers. Title page present undated with a credit for director Berke. 81 leaves with last page of text numbered 78. Mimeograph on blue and yellow stock. Pages and wrapper Very Good plus bound with two gold brads. Contract and agreement folded horizontally corner-stapled Very Good plus. Security Pictures unknown
1968161186N.p.: N.p. 1968. Draft script for the 1970 film seen here under the working title "The Scene." Copy belonging to director William Rowland with his name in manuscript ink on the front wrapper and two revision pages and his annotations in manuscript ink throughout noting deletions scene locations and revisions to dialogue. <br /> <br /> A psychiatrist details her most outlandish cases largely involving her teenage patients and their experiences with drugs sex and politics culminating in her attempt to help her own daughter. Rowland's final directorial effort. <br /> <br /> Set and shot on location in Los Angeles.<br /> <br /> Yellow titled wrappers. 120 leaves with last page of text numbered 117. Mimeograph duplication rectos only with blue and white revision pages throughout dated variously between 6/26/68 and 7/3/68. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1975120625Beverly Hills CA: United Artists / The Bound for Glory Company 1975. Revised script for the 1976 film "Bound for Glory" directed by Hal Ashby based on the autobiography of Woody Guthrie written for the screen by Robert Getchell and starring Robert Getchell screenwriter; David Carradine Ronny Cox Melinda Dillon and Randy Quaid. SIGNED by David Carradine on the title page: "This land is your land / David Carradine / drawing of the yin and yang symbol." <br/><br/>Unsurprisingly director Ashby's version of Woody Guthrie is a complex one showing the legendary proletarian singer and activist as a man with contradictory virtues and faults. Drawing from a pivotal few years detailed in Guthrie's autobiography of the same name the film follows Guthrie's initial migration west to escape the dust bowl his discovery of the plight of migrant workers his important encounter with singer Ozark Bole and his subsequent and problematic reunion with his family. Winner of the Academy Awards for Best Cinematography and Best Music and nominated for 4 others including Best Picture and Best Screenplay. <br/><br/>Brown titled wrappers stamped with only the title on the front wrapper. Title page present with a credit for screenwriter Getchell noted as REVISED and dated August 11 1975. 129 leaves mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. United Artists / The Bound for Glory Company unknown books
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br/><br/>Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br/><br/>MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br/><br/>Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br/><br/>Carbon typescript draft:<br/><br/>Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br/><br/>1921 copy of "White Shadows in the South Seas:"<br/><br/>Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown books
1961143276Tokyo: Takarazuka Productions 1961. First Draft script for the 1961 film. Working copy belonging to uncredited crew member Takahashi Toshihiro with his name rubber stamped on the first leaf and the last page of text. <br /> <br /> Director Yasjiro Ozu's penultimate film about a widower and his daughters who become concerned when he begins visiting an old flame while also trying to find husbands for his youngest daughter and widowed daughter-in-law. <br /> <br /> White titled wrappers noted as 1 on the front wrapper dated 1961. Title page present. 52 leaves with last page of text numbered d-26. Mechanical duplication. Pages Near Fine wrapper Very Good with some slight foxing. <br /> <br /> Criterion Collection Eclipse Series 3. Takarazuka Productions unknown
150807San Francisco: Zoetrope 1981. Final Draft script for the 1981 musical film. Copy belonging to actress Lainie Kazan with her name on the title page in manuscript ink and her manuscript pencil annotations throughout. Laid in with the script is a single revision page with Kazan's manuscript pencil and ink annotations and an envelope for the Paradise Travel Agency covered with ink annotations regarding line changes containing a flight coupon signed by Kazan. <br /> <br /> Dreamy flaky Frannie leaves her down-to-earth unfaithful boyfriend Hank on their fifth anniversary. Over the course of 24 hours both have affairs with their ideal partners but eventually realize their paramours can't hold a candle to their love for each other. Francis Ford Coppola's first directorial effort after his 1979 masterpiece "Apocalypse Now" shot on strikingly stylized sets at his newly opened Zoetrope Studios.<br /> <br /> Red Zoetrope Studios wrappers noted as FINAL DRAFT and production No. 032 on the front wrapper. Title page present dated January 1 1981 noted as FINAL DRAFT with credits for director Francis Coppola sic and screenwriter Armyan Bernstein and music credits to Tom Waits. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Zoetrope unknown
1957153028Los Angeles: Republic Pictures 1957. Draft script for the 1957 film here under the working title "House of Monsters." Copy belonging to screenwriter John D.F. Black writing under the nom de plume "Geoffrey Dennis" with his manuscript pencil and ink annotations on virtually every page noting deletions and revisions and revising pagination. <br /> <br /> In his quest to discover the fountain of youth a mad scientist accidentally turns his research subjects who believe they are receiving a cure for depression into grotesque zombies. <br /> <br /> Self wrappers. Missing title page possibly as issued. Undated 103 leaves with last page of text numbered 94. Carbon typescript and typescript rectos only. Pages Very Good plus bound with two gold brads. Republic Pictures unknown
015986Sacha Guitry (1885-1957), écrivain, réalisateur, scénariste, metteur en scène. Manuscrit en partie autographe, [ca.juin 1935], environ 28f. in-4 [dont 11f. au moins sont autographes]. Important ensemble de notes sur les enfants, listant de nombreux petits enfants avec leur nom, leur ville et parfois leur âge et surtout des détails les concernant : « sucent leurs doigts, paresseux, désobéissants, taquins, gourmands, pleurnicheurs . ». Ces notes sont très largement d'une autre main. A cela sont joints différents textes de Guitry dont un petit discours (2p 1/2, complet), un petit discours sur l'importance du calcul (2p, incomplet de la fin), un petit discours sur les enfants qui sucent leurs doigts (2p 1/2, a priori complet) et diverses notes. Tout cela étant autographe. Sur un feuillet non autographe, on remarquera la note autographe de Guitry : « Il ne faut pas être gourmands / Il faut être gourmets ». On remarquera, parmi les pleurnicheurs, un « Michel Houelbecq » (et non Houellebecq), petit enfant de 6ans originaire du Calvados. En plus de ces 28 feuillets (parfois écrits - partiellement - au verso) se trouvent des pages coupées, des pages pliées ayant dû servir de chemises, etc. Nous ne savons quel fut l'usage de ces textes, si cela a donné lieu à une intervention ou à une publication. Ils furent bien écrits en 1935 car, grâce à certains noms d'enfant avec les âges, on peut affirmer que c'est écrit entre mars et septembre 1935. On remarquera que c'est en décembre 1935 que Guitry fit une présentation de son film sur Pasteur aux écoles de Vincennes. C'est peut-être la période où il s'intéressa le plus aux enfants ? Très bel et important ensemble. [259]
194053482Kingston upon Hull UK: Needler Ltd. ca. 1940. Oblong folio. 13.5 x 10.25 in. 14 leaves unnumbered. with 14 hand-coloured silver gelatin photographs sized 10 x 11.75 in. mounted on thick card stock leaves hinged with black cloth printed sales information on facing leaves each photo w/ War Restrictions Notice printed in upper fore-edge and supplementary product information in negative below each product. Original black pebbled cloth spine stiffened w/ wood spacers covered in black cloth minor bowing to leaves very minor wear to corners front outer hinge just starting still a VG copy w/ pencil date of 1940 on front pastedown. First edition of this scarce and exceptional photographic sample catalogue filled with the styles of Needler chocolate box assortment and chocolate packaging in the first years of World War II. Initially chocolates had been packed as unwrapped bars in the Victorian era with paper labels displayed on the counter. Later gold printing and metal foils repeated the luxury message of chocolate. Inspired by the innovations of Cadbury the designs for many British fancy chocolate boxes were prized by the British as special gifts to be used as trinket or button boxes and even cut out and saved in scrapbooks. The chocolate boxes in this catalogue include mixed assortments in faux 3-drawer cabinets decorated with fancy ribbons chromolithograph and colour-printed covers featuring historic scenes pets flowersArt Deco designs gold foil and more. Of special interest are the wonderful Needler’s figurine bowls and boxes featuring porcelain figurines dressed in silk fabrics atop bowls or boxes as well as a splendid pair of porcelain bookends “Sweet & Twenty†to hold up the customer’s chocolate boxes. Needler’s began as Fred Needler Ltd. in 1902 when established in Hull by Fred Needler 1865-1932 who began as a confectioner’s assistant in the 1880s. The company was a pioneer in fair treatment of his workforce incorporated profit-sharing for the staff from the beginning and covered sick pay retirement benefits and even established holiday homes in British seaside resort towns. By 1940 the company was one of the largest businesses in Hull with over 2000 employees. The company continued to operate until acquired through multiple buyouts by several different corporations until the label was acquired by Ashbury Confectionary and the factory was closed in Hull in 2002. No copies located in Worldcat; See: Chocs away: Needler of Hull History of Needlers Confectionary Let’s Look Again: A History of Branded Britain 2015. Needler Ltd., hardcover
198133656Horsham PA: Intermed Communications 1981. 1st editions. Hardcovers in glossy color-photo boards; no jackets as issued. All volumes Fine unmarked. Detailed instructions and profusely illustrated procedures for most nursing situations. Superb reference set for libraries nursing schools hospitals medical facilities. Rare offering of multiple-volume set in mint condition. No additional shiping charge to US destinations. <br/><br/>All volumes 9-1/4 x 10-3/4 160 pp each indexes appendixes b/w & color photos & illus gray endpapers. Intermed Communications hardcover
Signed and inscribed by Frank Capra upon half-title page. Stated first printing. xii, [2], 513 pages. Index. Very generously illustrated with reproductions of black and white photos. "Others have tried to write about Hollywood. Many have failed. Capra brings to this monumental task the sure sense of the professional and accomplishes the only definitive record I've ever read on the subject." - John Ford. Ian Freer referred to Capra as the "American dream personified" in respect of his rags-to-riches rise from poor Italian immigrant child to Oscar-winning film director. Book clean and unmarked with light wear. Average wear to dust jacket, now preserved in archival-grade Brodart. A quality copy of this wonderful Capra memento. COLE p.242. Book
1937165463Berlin: Im Deutschen Verlag 1937. First Edition. Hardcover. First Edition. A key photo book documenting the 1936 Summer Olympics held in Olympic Stadium in Berlin. Basis for Riefenstahl's groundbreaking 3- hour documentary released the following year in 1938 in two parts "Olympia: Festival of Nations" and "Olympia: Festival of Beauty."<br /> <br /> A rare example where a photo book and a film are equally important as both works of art and an historical document. Riefenstahl made the book and the film as propaganda for Hitler and spent a lifetime trying to live down her devotion to him but this work in particular is so powerful as to stand apart from the reasons for which it was made. Easily the most visceral and important documents of The Olympics and the spirit of human physcial achievement ever produced. <br /> <br /> Scattered foxing to the page fore-edges and bottom edges else Near Fine in a Very Good plus dust jacket with some shallow creasing at the top of the front flap and light rubbing to the rear panel. An attractive copy. Im Deutschen Verlag unknown
191020389Paris, Grande imprimerie de Montrouge, M. Belleville, [1910] ; in-8 en un seul cahier de huit feuilles libres de 265 x 372 mm pliées en deux formant un cahier de 16 feuillets, la première feuille qui fait office de couverture porte le titre, l’adresse, le prix fictif de 10 fr., dessiné, le lieu et l’imprimeur ainsi que le cachet sec rond “De Montgolfier (Luquet) et Cie, Annonay”.
