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1955mon0003309317M�xico-Buenos Aires Editorial H 1955T. hardcover. Good. . 10 Volume set. Cover/edges have minor scuffing and light wear/tear. Ex owner inscriptions on prelim pages. M�xico-Buenos Aires, Editorial H hardcover
19451050Paris: Universal Film S.A. 1945. Large quarto; single sheet of matte stock 18 X 24.25 inches folded to make a four-page pressbook which opens into a poster with printed synopsis; text and illustrations printed in red black and white. A stunning Fine example of the French film pressbook for Fritz Lang's 'Scarlet Street' based on Georges de la Fouchardiere's 1930 novel 'La Chienne' The Bitch published in English the same year as 'Poor Sap.' Together with a Fine silver gelatin still from the film measuring approx. 9.5 X 12 inches. Universal Film S.A. unknown
190455706Washington DC: Government Printing Office; Department of the Interior United States Geological Survey; Lithographed by Julius Bien & Co. New York 1904. First edition. Hardcover. Monograph and atlas. 893pp. Very thick quarto 30 cm The monograph has been rebound in 3/4 black leather with marbled paper over boards and matching marbled endpapers. All plates are present along with the fold-out table. The atlas is an elephant folio 56 cm in brown cloth over boards with very skillful restoration work to the backstrip and the lower extremities of the boards. Ex-library Geological with only a couple of stamps on the front endpaper legitimately discarded from the institution. Else the boards and contents very clean and sharp. A remarkably well-preserved copy. Complete and in the best condition that we have seen. Will require extra postage due to size and weight. Arnold Hague's monograph and atlas are still viewed by geologists today as some of the most in-depth studies of Yellowstone to have ever been performed. Government Printing Office; Department of the Interior United States Geological Survey; Lithographed by Julius Bien & Co., New Y hardcover
1880163884Albany: Charles Van Benthuysen & Sons 1880. pp. 1-2 1-7 8-96 six folded maps including two in rear pocket eleven inserted plates each with tissue guard one of which is a folded "ideal view" of the American Rapids after the planned restoration and nine of which are heliotype prints from photographic negatives made by George Barker four leaves one folded with facsimiles of title page of Hennepin's A NEW DISCOVERY OF A VAST COUNTRY IN AMERICA . 1698 the first description of the Niagara Falls and the first picture of the falls double page original bevel-edged brown cloth front and spine panels stamped in gold brown coated endpapers. First edition. "Beautifully illustrated." - Dow Niagara Falls II p. 1113. The nine mounted heliotype prints of photographs of the Niagara River rapids and eroded shorelines were taken by landscape photographer George Barker 1844-1894. "Barker supplied the photographs that accompanied a state survey report on the terrible effects of industrial and commercial development along the Niagara River; the survey led to the establishment of park lands along either side of the river." - Martha A. Sandweiss ed. Photography in Nineteenth-Century America 1991 p. 318. The report includes four pages of notes by noted landscape architect Frederick Law Olmsted. Compliments slip of commissioner Rob. S. Hale laid in. A fine copy. Uncommon in this condition. #163884 Charles Van Benthuysen & Sons unknown books
19255177<p>Quarto 30.3x22.5 cm. original wrappers 12 pp. Oversize prospectus for the Goskino production directed by Vladimir Gardin 1877-1965. The strong photomontage designs</p><p>throughout utilizing repeated geometric elements is the work of Anton Mikhailovich Levinsky 1893-1968 who employed them dramatically in a number of film brochures at this time. Levinsky started in Baku and eventually became part of LEF. OCLC locates one holding worldwide Monash Univ Australia.</p> Kino-izdat RSFSR paperback
1888L3 box86 b5Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution 1884 - '85 by J. W. Powell Director. 1888 Government Printing Office. Hardcover 675 pages. In L3 box86. Government Printing Office hardcover
19892092902140601974Comme des Garçons 1989. Soft Cover. Fine. Size: 39.3x29.6cm Comme des Garçons paperback
19792110502151006181Seibunsha 1979. Soft Cover. Fine. Number of books: 3 Seibunsha paperback
19621801150016Paris: Pathe; Pilote Publicite; Affiches Gaillard 1962. First Edition. Framed Poster. Very Good. Lithograph poster framed under plexiglass. Halftone color. Extremely large; 167 x 126 cm 63 x 47 inches. Minor discoloration along bottom margin. Please contact us about shipping rates prior to ordering. This is a very large poster that will require additional shipping charges. <br> Bresson's film received the Special Jury prize at Cannes Festival 1962. "A minimal and austere telling of the story of Joan of Arc's trial and execution. Bresson's shortest feature film is a wonderful example of his evolution towards a stripped-down essentialist aesthetic style. As in all of his films here Bresson attempts to go beyond the surface to the soul of his subject and in The Trial of Joan of Arc he achieves this goal with a film that reveals a great deal about human nature and particularly the resilience of the human spirit. Pathe; Pilote Publicite; Affiches Gaillard unknown
1980160080N.p.: N.p. 1980. Final Draft script for the 1980 film. Manuscript note laid in with the script noting the name address and telephone number of a hotel in San Francisco. <br /> <br /> A fictionalized account of the rise to fame of disco supergroup the Village People. Produced by Thorn EMI Screen Entertainment the film was released after disco's peak and is now largely remembered and adored for being a box-office bomb inspiring the creation of the Golden Raspberry Awards. <br /> <br /> Shot on location in New York and San Francisco. <br /> <br /> Green titled wrappers. Title page present undated noted as FINAL DRAFT with credits for screenwriters Bronte Woodard and Allan Carr. 123 leaves with last page of text numbered 103. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 8/1/79 and 9/26/79. Pages Fine wrapper about Fine bound with two gold brads. N.p. unknown
19551505671955. Japanese post-production script for the 1955 film with the approval stamp of Elrin along with the approval number 1836 in holograph ink on the front wrapper. Elrin was Japan's censorial review body at the time. Text and titles in Japanese. <br/><br/>An elderly factory owner is increasingly fearful of what he believes to be Japan's looming inevitable destruction in a nuclear war and grows obsessed with the idea of moving his family to a rural farm in Brazil. Director Akira Kurosawa's final film collaboration with longtime composer Fumio Hayasaka made shortly before Hayasaka's death in 1955 of tuberculosis. <br/><br/>White titled wrappers. Title page present. Approximately 45 pages with last page of text numbered 10-2. Mimeograph duplication rectos and versos. Pages Very Good plus lightly and evenly toned wrapper Very Good plus with a faint bruise to the center front wrapper with perfect binding. unknown books
1971148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued.<br /> <br /> Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat.<br /> <br /> Shot on location in Bouches-du Rhone France. <br /> <br /> Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
1968146898London: Haworth Productions 1968. Second Draft script for the 1968 film. With the ownership name of cinematographer Douglas Holcombe in holograph ink on the title page<br/><br/>In 1183 England the sons of King Henry II and his wife plot to overtake the throne. Nominated for seven Academy Awards and winning three including Best Screenplay and Best Actress. <br/><br/>Set in England shot on location in France and Ireland. <br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Second Draft with credits for screenwriter James Goldman. 155 leaves with last page of text numbered 151. Mimeographed rectos only. Pages Very Good plus lightly toned to the title page wrapper Very Good plus with cello tape repairs to the title window and light rusting to the binding bound with two silver brads. Haworth Productions unknown books
1977149814N.p.: MOKEP 1977. Vintage Hungarian A2 poster from the 1977 Hungarian film here under its Hungarian title "Csaladi Tuzfeszek." <br/><br/>Bela Tarr's debut feature film shot in six days a dark and desperate portrayal of a couple forced to live in a cramped tiny flat with the husband's parents suffocating under the rule of a dominating father reflecting the national hopelessness and slow collapse of late 1970s communist Hungary. <br/><br/>16.25 x 22.25 inches. Folded as issued. Near Fine. MOKEP unknown books
1971154802Santa Monica: Barry Oringer Productions 1971. Archive of material from the 1972 British television movie including two First Draft scripts and a Revised Draft script dated variously between April 12 and May 28 1971. Screenplays belonging to screenwriter Barry Oringer with his annotations throughout.<br /> <br /> A campy and humorous espionage film about the titular Madame Sin a sinister woman who kidnaps a former CIA agent and forces him to hijack a submarine in order to attain a secret nuclear weapon. One of many films cashing in on the popularity of the James Bond films originally intended as a television pilot but aired instead as a feature film on ABC on January 15 1972 followed by the UK in April of the same year.<br /> <br /> Shot on location in London and in Argyll and Bute in Scotland.<br /> <br /> First Draft script April 12 1971:<br /> <br /> Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 12 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 95 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> First Draft script April 25 1971:<br /> <br /> Blue untitled Barry Oringer Productions wrappers with a die-cut window. Title page present dated April 25 1971 noted as FIRST DRAFT with credits for screenwriter Barry Oringer. 100 leaves with last page of text numbered 97. Xerographic duplication with three pages ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads.<br /> <br /> Revised Draft Script May 28 1971:<br /> <br /> Red untitled wrappers. Title page present dated May 28 1971 noted as REVISED DRAFT with credits for screenwriter Barry Oringer. 109 leaves with last page of text numbered 104. Xerographic duplication with two pages ribbon copy typescript on green paper rectos only. Pages Near Fine wrapper Near Fine bound with two silver screw brads. Barry Oringer Productions unknown
1935159032Culver City CA: RKO Radio Pictures 1935. Five vintage reference photographs from the 1935 film three showing actor Bill "Bojangles" Robinson dancing and two showing Robinson on the set with actress Jeni LeGon. <br /> <br /> A wealthy young man falls for a New York singer leading her con artist father to use her as a pawn in a money-lending scheme. <br /> <br /> Set in New York. <br /> <br /> 8 x 10 inches. Lightly age toned else Near Fine. RKO Radio Pictures unknown
1954145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in holograph pencil and once in holograph ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. <br/><br/>The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. <br/><br/>Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads.<br/><br/>Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown books
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. <br /> <br /> Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br /> <br /> From the estate of Martin Landau.<br /> <br /> Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br /> <br /> Set in New York City. <br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br /> <br /> Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown
1968168098N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing Clint Eastwood holding a film camera while standing on top of a pool table.<br /> <br /> A deputy from a small town in Arizona travels to New York City to capture a fugitive. The first of five collaborations between director Don Siegel and actor Clint Eastwood followed by "Two Mules for Sister Sara" 1970 "The Beguiled" 1971 "Dirty Harry" 1971 and "Escape from Alcatraz" 1979. <br /> <br /> Set in Arizona and New York shot on location in Arizona California and New York. <br /> <br /> 9.5 x 7.5 inches. About Fine.<br /> <br /> Grant US. N.p. unknown
1976122079Burbank CA: Warner Brothers 1976. First Draft script for the 1976 film. The third entry in the wildly popular and paradigm-shifting crime film franchise set in San Francisco featuring Clint Eastwood as "Dirty" Harry Callahan a cop who cares little for bureaucracy. This entry finds Harry working with similar resistance alongside a new female partner and introduces new ethnic content to a series previously relegated to caucasians. <br/><br/>Red wrappers noted as "THE ENFORCER" in holograph ink on the front wrapper but still under the title "Dirty Harry #3 on the title page. Title page present with a credit for Dean Riesner dated April 30 1976 noted as CHANGES/FIRST DRAFT. 122 leaves mechanical duplication. Pages Near Fine wrapper Very Good plus with yapped edges internally bound two gold brads. Warner Brothers unknown books
1948135649London: Cineguild 1948. Vintage black-and-white reference photograph of director David Lean cinematographer Oswald Morris and lighting cameraman Guy Green on the set of the 1948 film. With a mimeograph snipe detailing who is in the shot. <br /> <br /> From the estate of Guy and Celia Green with a letter of provenance attesting to same. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 32. Cineguild unknown
1946135650London: Cineguild 1946. Two vintage black-and-white reference photographs featuring director David Lean actors Alec Guinness and John Mills cinematographer Guy Green camerman Bob Huke and others on the set of the 1946 film. Both photos with mimeograph snipes detailing who is in the shot. <br/><br/>From the estate of Guy and Celia Green. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 32. Cineguild unknown books
1984149257N.p.: N.p. 1984. Vintage US window card poster for the 1984 Broadway play. The play initially premiered at London's National Theatre in 1983 before moving to the US the following year making its Broadway debut at the John Golden Theatre the run advertised here where it ran for 378 performances.<br /> <br /> Winner of the Pulitzer Prize and nominated for four Tony Awards winning one for Best Actor for Joe Mantegna. <br /> <br /> Basis for the neck-snapping 1992 film starring Al Pacino Jack Lemmon Ed Harris Alan Arkin Alec Baldwin Jonathan Pryce and Kevin Spacey. David Mamet's masterpiece considered by some to be the late century equivalent of Arthur Miller's "Death of a Salesman." <br /> <br /> Set in Chicago.<br /> <br /> 14 x 22 inches. Very Good plus lightly rubbed with faint creasing to the top right corner. N.p. unknown
1959148534N.p.: N.p. 1959. Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in manuscript pencil and copy number "36" annotated on title page above title in manuscript ink. <br /> <br /> Based on the 1913 novel by D.H. Lawrence about a young man caught between his domineering manipulative mother his repressed former girlfriend and an independent but married co-worker. Winner of an Academy Award nominated for six others including Best Picture Best Director Best Actor for Trevor Howard and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> Set in an English coal-mining town in the early twentieth century. Shot on location in English coal-mining county of Nottinghamshire. <br /> <br /> Red untitled wrappers with die-cut title window in the British style. Title page present dated December 8th 1959 noted as SHOOTING FINAL with credits for screenwriter Gavin Lambert and author D.H. Lawrence. 109 leaves with last page of text numbered 107. Mimeograph duplication rectos only with white revision pages throughout dated variously between Dec. 2. 1959 and Dec.5/2. 1959. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. N.p. unknown
1935129885N.p.: Grand National Pictures 1935. Early Draft script for the 1939 film "The Mysterious Mr. Reeder" here under the working title and the title Monogram Pictures used for its 1940 re-release "The Mind of Mr. Reeder." Copy belonging to screenwriter Bryan Edgar Wallace Edgar Wallace's son with his name and holograph annotations in pencil to the front wrapper. <br/><br/>Based on the 1925 collection of short stories "The Mind of Mr. J.G. Reeder" by Edgar Wallace. The second Mr. Reeder film this time seeing the absentminded detective investigate a gang of counterfeiters. <br/><br/>Tan titled wrappers. Title page present dated October 1 1935 with credit for writer Wallace. 78 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a teal cord. <br/><br/>Okuda 71. Grand National Pictures unknown books