16 724 résultats
1979133572Beverly Hills CA: United Artists 1979. Vintage black-and-white still photograph from the 1979 film. <br/><br/>Isaac Allen is divorced from Jill Streep who is living with another woman and is writing a book. Isaac is also dating Tracy Hemingway a 17-year-old when he meets Mary Keaton the mistress of his best friend Yale Murphy with whom he falls in love. <br/><br/>Woody Allen's first foray into black-and-white was an instant classic and took the talent for drama and auteur status hinted at in "Annie Hall" 1977 to completion. <br/><br/>Set in New York and shot on location there. <br/><br/>8 x 10 inches. And a few tiny creases and a closed tear else Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>National Film Registry. United Artists unknown books
1969137209Burbank CA: American Broadcasting Company ABC 1969. Collection of 217 individually numbered contact sheets amounting to 2650 images from the 1969 film. Housed in two original three-ring binders from the film's publicity department. The occasional frame is circled or crossed through in red marker. A robust collection that documents nearly every facet of the film's production including numerous candid images of the cast and crew at work. <br/><br/>Woody Allen's first film as a director one of the great American comedies the film that set the template for Allen's 1970s work. A massive archive documenting the birth of an utterly new and unique voice in cinema one that would become something even bigger in 1979. <br/><br/>Set and shot in San Francisco and inside the walls of San Quentin State Prison. <br/><br/>Sheets 8 x 10 inches most in three-hole mylar sleeves some with holes punched directly in left margin others laid in. Very Good overall few frames excised general modest edgewear. Binders with signs of use as expected one spine label missing other partially lacking but with titles intact. American Broadcasting Company [ABC] unknown books
1972150128N.p.: N.p. 1972. Vintage borderless double weight reference photograph of Woody Allen on the set of the 1972 film. <br/><br/>Woody Allen's comical take on David Reuben's 1969 book in seven comic vignettes each addressing a different question regarding human sexuality. <br/><br/>8 x 10 inches. Paper tape reside at the bottom of verso else Near Fine. N.p. unknown books
1977164698N.p.: N.p. 1977. Set of seven color studio still photographs from the 1977 film each machine-numbered at the bottom left corner: 1 2 3 4 5 6 8.<br /> <br /> A romantic comedy about the strange relationship between a neurotic comedian and his quirky girlfriend. Winner of six Academy Awards including Best Picture Best Director Best Screenplay Best Actress and Best Actor. <br /> <br /> Shot on location in California and New York. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert II. Rosenbaum 1000. N.p. unknown
1977157687N.p.: N.p. 1977. Vintage reference photograph from the 1977 film showing director and actor Woody Allen. <br /> <br /> A romantic comedy about the strange relationship between a neurotic comedian and his quirky girlfriend. Winner of six Academy Awards including Best Picture Best Director Best Screenplay Best Actress and Best Actor. <br /> <br /> Shot on location in California and New York. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert II. Rosenbaum 1000. N.p. unknown
159835New York: Rollins and Joffe Productions 1970. Draft script for the 1971 film. Annotations in manuscript ink on the title page striking the working title "El Weirdo." <br /> <br /> The draft notably features the film's original ending which Woody Allen's editor Ralph Rosenblum convinced him to replace showing Allen emerging from a bombing in inadvertent sooty blackface and participating in a Black uprising on a university campus.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries. Allen's third feature film the first in which he had nearly full creative control and the third and final film he wrote with Mickey Rose. Preceded by "What's Up Tiger Lily" 1966 and "Take the Money and Run" 1969.<br /> <br /> Set in the fictional "banana republic" of San Marcos and shot on location in New York and Puerto Rico. <br /> <br /> Black Studio Duplicating Service wrappers with a rubber stamped titled label. Title page present dated March 24 1970 with credits for screenwriters Woody Allen and Mickey Rose. 126 leaves with last page of text numbered 116. Mimeograph duplication rectos only with pink yellow and green revision pages throughout dated variously between 4-28-70 and 4-30-28. Pages Near Fine wrapper Very Good plus bound with two gold screw brads. Rollins and Joffe Productions unknown
1971149552N.p.: N.p. 1971. Vintage publicity photograph from the 1971 film showing director Woody Allen behind a pile of bananas. With the stamp of London Press Photos Ltd. on the verso along with manuscript pencil annotations regarding layout. <br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 8 x 10 inches. Very Good plus with a few tiny nicks and a small faint splash to the bottom edge. N.p. unknown
1971159146N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing director Woody Allen and actress Louise Lasser. Printed mimeo snipe affixed to the verso along with annotations in manuscript ink and pencil regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1989150949Beverly Hills CA: Orion Pictures Corporation 1989. Vintage reference photograph of Martin Landau and Woody Allen on the set of the 1989 film. <br /> <br /> One of Allen's finest films a dark drama with comic elements interweaving two opposing stories. In one ophthalmologist Judah Rosenthal's Landau mistress Angelica Huston threatens to reveal their affair unless he leaves his wife Miriam Claire Bloom. Responding to the threat his gangster brother Jack Jerry Orbach offers to have her killed. In the other documentary filmmaker Clifford Stern Allen is hired by his pompous television producer brother-in-law Alan Alda to make a documentary about him and begins to fall in love with producer Halley Reed Mia Farrow.<br /> <br /> Nominated for three Academy Awards including Best Director Best Screenplay and Best Supporting Actor for Martin Landau. <br /> <br /> Set in and shot on location in New York and New Jersey. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Ebert III. Schrader Canon Fodder 39. Orion Pictures Corporation unknown
1972127316Beverly Hills CA: United Artists 1972. Vintage one sheet poster for the 1972 film.<br /> <br /> Woody Allen's comical take on David Reuben's 1969 book in seven comic vignettes each addressing a different question regarding human sexuality. <br /> <br /> 27 x 41 inches. Folded as issued. Very Good plus. United Artists unknown
1972168489N.p.: N.p. 1972. Vintage borderless double weight satin-finish reference photograph from the 1972 film showing director Woody Allen behind the camera. Annotations in manuscript pencil and a provenance stamp on the verso.<br /> <br /> Loosely based on David Reuben's 1969 book. Seven comic vignettes centering different unusual sexual proclivities including exhibitionism bestiality and sadism. <br /> <br /> 10 x 8 inches with a wide bottom margin. Near Fine. N.p. unknown
1971147580Beverly Hills CA: United Artists 1971. Collection of nine photographs including six black and white vintage studio still photographs two-color studio still photographs and one black and white reference photograph for the 1971 film. Included with the collection is a xerographically duplicated four-page set of captions intended to accompany the set with "for reference" written in manuscript ink annotation across the first leaf. <br /> <br /> Loosely based on David Reuben's 1969 book. Seven comic vignettes centering different weird and wacky sexual proclivities including exhibitionism bestiality and sadism. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1972150128N.p.: N.p. 1972. Vintage borderless double weight reference photograph of Woody Allen on the set of the 1972 film. <br /> <br /> Woody Allen's comical take on David Reuben's 1969 book in seven comic vignettes each addressing a different question regarding human sexuality. <br /> <br /> 8 x 10 inches. Paper tape reside at the bottom of verso else Near Fine. N.p. unknown
1972145746Beverly Hills CA: United Artists 1972. Vintage photograph of Woody Allen and Louise Lasser on the set of the 1972 film. With manuscript annotations and adhesive tape on the verso.<br /> <br /> Woody Allen's comical take on David Reuben's 1969 book of the same name. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1992150946Culver City CA: Tri-Star TriStar Pictures 1992. Vintage reference photograph of Woody Allen Mia Farrow and Judy Davis on the set of the 1992 film. <br /> <br /> Married couple Jack and Sally Sydney Pollack and Davis casually inform their best friends married couple Gabe and Judy Allen and Farrow they are separating leading Gabe and Judy to question the stability of their own relationship. One of Woody Allen's most celebrated films a pointed examination of marriage love and vulnerability.<br /> <br /> Nominated for two Academy Awards for Best Screenplay and Best Supporting Actress for Davis.<br /> <br /> Set in and shot on location in New York City. <br /> <br /> 10 x 8 inches. Near Fine. Tri-Star [TriStar] Pictures unknown
1978150785Beverly Hills CA: United Artists 1978. Complete set of eight vintage black and white color studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso. <br /> <br /> Three adult sisters struggle to cope with the separation of their parents and their mother's subsequent mental decline. Director Woody Allen's first drama without comedic elements. <br /> <br /> Set and shot on location in New York. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1975127315Beverly Hills CA: United Artists 1975. Vintage one sheet poster for the 1975 film.<br /> <br /> A coward accidentally becomes a war hero after being forced into in the Russian army. The last of Allen's early outrageous comedies before pursuing a more narrative and dramatic approach beginning with "Annie Hall" 1977.<br /> <br /> Set in Russia shot on location in France and Hungary. <br /> <br /> 27 x 41 inches. Folded as issued. Very Good plus. United Artists unknown
154562N.p.: N.p. 1988. Draft script for the third and final segment of the 1989 anthology film copy belonging to Woody Allen with the annotations in Allen's hand of his name and "NYSS" New York Short Stories in black manuscript marker on top left of title page. <br /> <br /> An anthology film featuring three of American cinema's foremost auteurs with each unconnected segment united by their New York setting. The first Martin Scorsese's "Life Lessons" stars Nick Nolte as a frustrated painter infatuated with his assistant and ex-lover played by Rosanna Arquette. The second Francis Ford Coppola's "Life Without Zoe" co-written with his daughter Sofia Coppola is a whimsical updated remake of Kay Thompson's "Eloise" character about a poor little rich girl who lives in the Plaza Hotel starring Heather McComb and Talia Shire.<br /> <br /> The final segment Woody Allen's "Oedipus Wrecks" is a highspot comedy for Allen among many wherein he plays Sheldon a neurotic Jewish New York lawyer with a ridiculing overbearing mother. When Sheldon his shiksa fiancee and her children take his mother to a magic show she actually disappears to Sheldon's ultimate relief but then reappears in the sky over the New York hounding and nagging Sheldon and his fiancee while the whole city watches.<br /> <br /> Set and shot on location in New York City. <br /> <br /> Self wrappers with front wrapper integral with untitled leaf dated 3/1/88. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Carlson Destroy All Movies. N.p. unknown
160226Hollywood: Paramount Pictures / APJAC Productions 1972. Revised Shooting script for the 1972 film. <br /> <br /> Based on Woody Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but "Play It Again Sam" is significant in that it predicted the more substantive romantic comedies that would gain him broader acclaim.<br /> <br /> Orange pictorial titled wrappers undated noted as REVISED SHOOTING SCRIPT on the front wrapper. Title page present undated noted as REVISED SHOOTING SCRIPT with credits for screenwriter and playwright Woody Allen. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Very Good plus with light dampstains on the leaves and wrappers lightly toned. Bound with two gold brads.<br /> <br /> Grant US. Paramount Pictures / APJAC Productions unknown
1972151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era.<br /> <br /> 10 x 7.5 inches. Very Good plus overall.<br /> <br /> Grant US. Paramount Pictures unknown
1972153215Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actors Woody Allen and Diane Keaton from the 1972 film.<br /> <br /> Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era.<br /> <br /> 8 x 10 inches. Very Good plus overall.<br /> <br /> Grant US. Paramount Pictures unknown
1972156222Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actor Woody Allen from the 1972 film.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his time.<br /> <br /> 10 x 8 inches. Very Good plus overall.<br /> <br /> Grant US. Paramount Pictures unknown
1972148774Los Angeles: Paramount Pictures 1972. Collection of 18 vintage studio still photographs from the 1972 film. <br /> <br /> Based on Woody Allen's 1969 play.<br /> <br /> A comedy that is pretty difficult to overestimate. Even though it was not directed by Woody Allen it was the template for the many great films he would subsequently write and direct in the 1970s in terms of shooting style timing romantic themes and the actors involved the irrepressible trio of Allen Keaton and Roberts. Allen had already directed two films at this point "Take the Money and Run" and "Bananas" but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era notably "Annie Hall" 1977 and "Manhattan" 1979. <br /> <br /> Shot on location in California. <br /> <br /> 8 x 10 inches. Couple with light corner or edgewear else Near Fine. <br /> <br /> Grant US. Paramount Pictures unknown
1969131602New York: Sabinson 1969. Collection of 6 vintage black-and-white still photographs from the 1969 Broadway play written by and starring Woody Allen as well as Allen's first production with a young Diane Keaton. Each photo with a mimeograph snipe on the verso crediting photographer Leo Stern and the Sabinson Agency along with a credits blurb. <br /> <br /> "Play It Again Sam" was the third play by Woody Allen to be staged on Broadway following "From A to Z" in 1960 and "Don't Drink the Water" in 1966. It was also the first-and last-play in which he would star choosing to permanently invest his persona in his own films. The play was notable too as the debut of Diane Keaton featured in one of the photos here who would reprise her role in the 1972 film version and go on to be Allen's most famous muse. <br /> <br /> The play opened at the Broadhurst Theatre on February 12 1969 and ran for a healthy 453 performances closing on March 14 1970. About a year later Bananas directed by and starring Allen would be released featuring the screen debut of Woody Allen's "Allan Felix" persona developed for this play one whose variations would grace over 50 films for decades to come. <br /> <br /> 8 x 10 inches. Fine. Sabinson unknown
1987150950Beverly Hills CA: Orion Pictures Corporation 1987. Vintage reference photograph of Woody Allen cinematographer Carlo Di Palma and crew on the set of the 1987 film. <br /> <br /> Allen's love letter to the Golden Age of Radio wherein narrator Joe a Jewish-American New Yorker reminisces about growing up in the 1930s and 1940s in Rockaway Queens initiating a series of vignettes of radio personalities intertwined with the life of Joe's working class family. <br /> <br /> Nominated for two Academy Awards including Best Screenplay.<br /> <br /> Set in and shot on location in Manhattan Brooklyn and Queens New York. <br /> <br /> 10 x 8 inches. Near Fine. Orion Pictures Corporation unknown